MICROSTORIE

Il Rovescio della Medaglia began life in 1971 in Rome on the initiative of guitarist Enzo Vita. After two albums in hard rock style, 'La bibbia' and 'Io come io', in 1973 they collaborated with composer Luis Enriquez Bacalov and lyricist Sergio Bardotti for a third album in symphonic style with the interaction of a real orchestra, 'Contaminazione' that is usually considered their best one. The band was famous for its live performances but the members had to give up for economical reasons and the experience came to an end in the mid seventies. Enzo Vita tried to start again in the nineties with a new line up and a new musical direction but the results were very disappointing and another long pause followed.

In 2011 Il Rovescio della Medaglia came back with a new album, 'Microstorie'. Well, in fact there's no reunion. Today Il Rovescio della Medaglia is mainly the brainchild of Enzo Vita who set up a brand new project under the old name gathering around him some experienced musicians such as vocalist Roberto Tiranti (from Labyrinth), bassists Gianni Colajacomo (former member of BMS) and Pippo Matino and drummers Cristiano Micalizzi, Daniele Pomo (from RanestRane) and Luca Trolli. On winds we find Sandro Deidda, Roberto Ciminelli, Roberto Schiano and Claudio Corvini while on strings there are Marcello Sirignano, Prisca Amori, Adriana Ester Gallo and Giuseppe Tortora. The result of the recording sessions is an album that most of the old the fans will find difficult to appreciate I fear. The approach is more direct than in the past, there are no long suites or complex tracks but twelve songs featuring an interesting pop rock sound that every now and again could recall Santana's recent works.

Well, the overall sound is lighter than in the past works of Il Rovescio della Medaglia but it's never banal. All the tracks are well crafted and the guitar playing of the leader is always brilliant. According to an interview with Enzo Vita, every track here represents a meeting. Some are meetings with feelings others with books, politics, religion, friendship and music. The lyrics describe the way he got involved in these meetings and Roberto Tiranti's heartfelt vocals interpret them in a convincing way. A man who wants to see what's behind his mask, a star dancing over the chaos, old lovers and troubled dreams, frenzied people who go nowhere as if they were on a treadmill, pieces of history sold as souvenirs... Just twelve simple micro-stories where feelings and emotions are in the forefront and are expressed through funky rhythms, hard rock riffs, Latin atmospheres, short prog reminiscences or melodic ballads. 'Have you ever tried to imitate your heart? / Your heart with its beating and you with your words...'.

Well, on the whole I have to say that I like this album, even if I don't think it's an essential one for a progressive-rock lover...