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JAZZ ROCK/FUSION

A Progressive Rock Sub-genre


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Jazz Rock/Fusion definition


  1. Jazz Fusion is jazz that is strongly influenced by other styles of music. Jazz fusion is an ambiguous term that provides the first level sub-set down from Jazz. Jazz rock is a sub-sub set from jazz via jazz fusion. The ambiguity comes from an American tendency through the 90's and until now, to freely interchange jazz rock and jazz fusion, when in fact the latter term covers most hybrids of jazz fused with other forms of music. The roots of jazz rock can be traced back to RnB influenced soul-jazz artists such as Les McCann, Grant Green and Jimmy Smith, and young British jazzers such as Graham Bond, Ginger Baker, John McLaughlin, Jack Bruce, Georgie Fame, who were forced to use electronic instruments because the local club's acoustic instruments were reserved for the older established jazz musicians. Probably the first jazz artists that released recordings that mixed modern rock (circa 60s) with jazz were Larry Coryell, Jeremy Steig, Charles Lloyd, The Soft Machine, and The (Jazz) Crusaders. Meanwhile rock artists such as Cream, Grateful Dead and The Jimi Hendrix Experience were getting a lot of publicity and fame with their lengthy improvisations based on blues, rock, psychedelia and some jazz. These rock artists had an impact on Miles Davis who generated a lot of media attention to this new jazz-rock genre with his Bitches Brew album. From there the genre grew and exploded into numerous different directions. One of these directions was brass rock as exemplified by bands like Dreams, Chicago, BS&T and If. These bands combined elements of jazz, rock and classical music with arrangements for brass and woodwinds.

  2. Many other styles of music have been combined with jazz to create fusion including traditional music from around the world, R'n'B, rock, electronic music and pop music and jazz from Africa, Latin America, India and other places. One of the earliest examples of the use of the term fusion comes from the Indo-jazz fusion of Joe Harriott and John Mayer. Some of the more popular early practitioners of fusion included Weather Report and Herbie Hancock's Sextant. A few years later Shakti appears on the scene and expands the boundaries of fusion further, foreshadowing the World Fusion movement of the 90's.

  3. In part Nu.jazz grew out of the British acid jazz scene of the late 80s and early 90s, whilst modern leaders of nu.fusion cite Miles Davis and Jon Hassell as the godfathers of the genre. As the genre began to develop it took on other influences such as world beat/jazz fusion, psychedelic trip-hop, post-rock and mixtures of ambience with modern jazz. The jazz with electronia experiments that Jon Hassell was conducting in the late 80's, with the likes of Eno, were to be a major influence especially on the dance side of nu.jazz, sometimes known as nu.fusion. Three main elements make nu.jazz different from the more traditional jazz (rock) fusion. First of all there is less of an emphasis on instrumental virtuosity in nu.jazz (especially nu.fusion). Second, more use of electronics (especially skilled turntablism) and studio trickery that emphasizes sound textures. Third, nu.jazz tends to use more modern rhythms such as drum'n'bass, hip-hop, post-rock, and various mixtures of world beat rhythms. Progressive nu.jazz artists such as Bugge Wesseltoft, Nils Petter Molvaer and the Esbjörn Svensson Trio (E.S.T.), combine complicated compositions with modern rhythms to create new unheard of soundscapes - while the former two are leaders of nu.fusion, and with more emphasis on jazz playing, EST have been the leaders in straighter nu.jazz. Nu.jazz is loosely connected to other newer jazz fusion genres, particularly the more progressive live, jazz jam bands such as Medeski Martin & Wood or Garaj Mahal. It may seem that the only difference between the two genres is the country the artist is from or what scene they came up through.li>

Only the most progressive of nu jazz, jazz-rock and fusion artists are listed on Progarchives, although accceptability or not here may vary from person to person. All artists have elements of progressive rock in their music (e.g. Jean Luc Ponty, Bill Bruford or David Sancious) or they represent the most forward-looking and progressive element in their genre (e.g. Miles Davis, Herbie Hancock or Weather Report). It should be noted that those many Canterbury jazz rock fusion bands, e.g. Soft Machine, Soft Works, Soft Heap, Soft Machine Legacy, Gilgamesh etc. are to be found under the CANTERBURY heading in Prog Archives.

Dick Heath
John 'Easy Money'
Martin 'Alucard' Horst
(Edition 3.2. Nov 2009)

Current Team Members as at 12/24/14

Evolver (Scott)
Man With Hat (Phil)
Darkshade (Mike)
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Jazz Rock/Fusion Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Jazz Rock/Fusion | More Top Prog lists and filters

4.36 | 799 ratings
KIND OF BLUE
Davis, Miles
4.33 | 1051 ratings
BIRDS OF FIRE
Mahavishnu Orchestra
4.32 | 556 ratings
IN A SILENT WAY
Davis, Miles
4.32 | 218 ratings
TIME CONTROL
Uehara, Hiromi
4.47 | 62 ratings
THE COLOURS OF CHLOË
Weber, Eberhard
4.28 | 454 ratings
SPECTRUM
Cobham, Billy
4.31 | 206 ratings
WE'LL TALK ABOUT IT LATER
Nucleus
4.25 | 774 ratings
THE INNER MOUNTING FLAME
Mahavishnu Orchestra
4.24 | 565 ratings
CARAVANSERAI
Santana
4.24 | 647 ratings
ELEGANT GYPSY
Di Meola, Al
4.32 | 127 ratings
A BENEFIT OF RADIM HLADÍK (MODRÝ EFEKT & RADIM HLADÍK)
Blue Effect (Modrý Efekt; M. Efekt)
4.24 | 437 ratings
ABRAXAS
Santana
4.24 | 520 ratings
BITCHES BREW
Davis, Miles
4.23 | 501 ratings
ROMANTIC WARRIOR
Return To Forever
4.32 | 113 ratings
STADACONÉ
Sloche
4.25 | 201 ratings
LES PORCHES
Maneige
4.29 | 116 ratings
SVITANIE
Blue Effect (Modrý Efekt; M. Efekt)
4.23 | 255 ratings
ENIGMATIC OCEAN
Ponty, Jean-Luc
4.24 | 192 ratings
THE WAY UP
Metheny , Pat
4.22 | 254 ratings
CROSSINGS
Hancock, Herbie
4.25 | 159 ratings
MAIDEN VOYAGE
Hancock, Herbie
4.36 | 62 ratings
L'AXE DU FOU
Forgas Band Phenomena
4.24 | 159 ratings
TILT - IMMAGINI PER UN ORECCHIO
Arti e Mestieri
4.27 | 119 ratings
MILESTONES
Davis, Miles
4.20 | 305 ratings
VALENTYNE SUITE
Colosseum
4.43 | 43 ratings
AGITOR LUCENS V
Arco Iris
4.41 | 46 ratings
FABULIS MIRABILIBUS DE BOMBYCOSI SCRIPTIS
Kenso
4.30 | 77 ratings
BIG FUN
Davis, Miles
4.69 | 21 ratings
REALIZATION
Henderson, Eddie
4.39 | 45 ratings
QUALIA
Syrinx
4.21 | 168 ratings
A TRIBUTE TO JACK JOHNSON
Davis, Miles
4.25 | 99 ratings
SVěT HLEDAčů
Blue Effect (Modrý Efekt; M. Efekt)
4.22 | 131 ratings
HARAKKA BIALOIPOKKU (AKA B THE MAGPIE)
Pohjola, Pekka
4.21 | 154 ratings
WHAT IF
Dixie Dregs
4.24 | 102 ratings
'ROUND ABOUT MIDNIGHT
Davis, Miles
4.27 | 73 ratings
DARK SHOT
One Shot
4.20 | 143 ratings
J'UN OEIL
Sloche
4.20 | 141 ratings
MYSTICAL ADVENTURES
Ponty, Jean-Luc
4.16 | 257 ratings
HYMN OF THE SEVENTH GALAXY
Return To Forever
4.53 | 26 ratings
SPEAK NO EVIL
Shorter, Wayne
4.32 | 51 ratings
LEB I SOL 2
Leb I Sol
4.51 | 26 ratings
TERJE RYPDAL
Rypdal, Terje
4.16 | 182 ratings
WHERE HAVE I KNOWN YOU BEFORE
Return To Forever
4.22 | 90 ratings
MILES SMILES
Davis, Miles
4.20 | 95 ratings
OFFRAMP
Metheny , Pat
4.69 | 17 ratings
THE FOLLOWING MORNING
Weber, Eberhard
4.15 | 175 ratings
FAIRYPORT
Wigwam
4.12 | 301 ratings
SANTANA
Santana
4.15 | 156 ratings
THE LOST TRIDENT SESSIONS
Mahavishnu Orchestra
4.15 | 160 ratings
QUANTUM
Planet X
4.13 | 215 ratings
AJA
Steely Dan
4.29 | 48 ratings
EWAZ VADER
One Shot
4.27 | 51 ratings
DEDICATED TO YOU, BUT YOU WEREN'T LISTENING
Tippett Group, Keith
4.23 | 65 ratings
ALMA DE DIAMANTE
Spinetta Jade
4.20 | 79 ratings
DEDALUS
Dedalus
4.24 | 59 ratings
ORGANIK
Niacin
4.11 | 282 ratings
UNORTHODOX BEHAVIOUR
Brand X
4.72 | 15 ratings
Вижу Землю / LOOKING AT THE EARTH
Gunesh Ensemble
4.33 | 37 ratings
SUDAMÉRICA O EL REGRESO A LA AURORA
Arco Iris
4.16 | 105 ratings
SECRET STORY
Metheny , Pat
4.14 | 137 ratings
CHICAGO (AKA CHICAGO II)
Chicago
4.21 | 68 ratings
SENTIMENTS
Iceberg
4.40 | 29 ratings
IZVIR
Izvir
4.13 | 136 ratings
SEXTANT
Hancock, Herbie
4.10 | 251 ratings
ONE OF A KIND
Bruford, Bill
4.17 | 86 ratings
AS FALLS WICHITA, SO FALLS WICHITA FALLS (WITH LYLE MAYS)
Metheny , Pat
4.28 | 44 ratings
CRNA DAMA
Smak
4.20 | 68 ratings
4TH
D.F.A.
4.18 | 74 ratings
INDÍGENA
Mar de Robles
4.22 | 55 ratings
FERMÁTA
Fermáta
4.22 | 55 ratings
RAHMANN
Rahmann
4.51 | 20 ratings
SLAV TO THE RHYTHM
Farmers Market
4.14 | 91 ratings
NEFERTITI
Davis, Miles
4.26 | 43 ratings
RUCNI RAD
Leb I Sol
4.48 | 21 ratings
THE HOOK
Tolonen, Jukka
4.21 | 52 ratings
BELIEVE IT
Williams Lifetime, Tony
4.10 | 143 ratings
VISITATION
Pohjola, Pekka
4.95 | 10 ratings
GUILLAUME PERRET & THE ELECTRIC EPIC
Guillaume Perret & the Electric Epic
4.16 | 69 ratings
PIHKASILMÄ KAARNAKORVA
Pohjola, Pekka
4.16 | 70 ratings
LAMBERTLAND
Tasavallan Presidentti
4.07 | 197 ratings
BLOW BY BLOW
Beck, Jeff
4.23 | 44 ratings
YELLOW FIELDS
Weber, Eberhard
4.11 | 109 ratings
METAL FATIGUE
Holdsworth, Allan
4.22 | 46 ratings
LOS ELEMENTALES
Arco Iris
4.18 | 57 ratings
VOLUME 1: CONTRE COURANT
Opus-5
4.11 | 106 ratings
EROTIC CAKES
Govan, Guthrie
4.11 | 96 ratings
HUASCARAN
Fermáta
4.06 | 212 ratings
MOROCCAN ROLL
Brand X
4.09 | 132 ratings
MASQUES
Brand X
4.18 | 56 ratings
OH YEAH!
Hammer, Jan
4.16 | 59 ratings
STRAIGHT TO THE KRANKENHAUS
Secret Oyster
4.45 | 20 ratings
MUNDO FLOTANTE
Ontalva, Ángel
4.14 | 68 ratings
KING CRIMSON SONGBOOK, VOLUME ONE
Crimson Jazz Trio
4.11 | 89 ratings
CINQUE
Deus Ex Machina
4.11 | 80 ratings
33
Blue Effect (Modrý Efekt; M. Efekt)
4.53 | 16 ratings
HALLUCINATION ENGINE
Material
4.61 | 14 ratings
AN ANXIOUS OBJECT
Mouse on the Keys
4.36 | 24 ratings
DIUMENGE
Companyia Elèctrica Dharma
4.21 | 41 ratings
LAVORI IN CORSO
D.F.A.
4.22 | 38 ratings
GATEWAY
Abercrombie, John

Jazz Rock/Fusion overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Jazz Rock/Fusion experts team

SUDDEN DUSK
However
TRANSFORMATION (THE SPEED OF LOVE)
Sancious, David
DEMI MASA
Simak Dialog
SLOW TRAFFIC TO THE RIGHT
Maupin, Bennie

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Latest Jazz Rock/Fusion Music Reviews


 Following The Unknown by JAM IT! album cover Studio Album, 2015
3.83 | 16 ratings

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Following The Unknown
Jam It! Jazz Rock/Fusion

Review by memowakeman
Special Collaborator Honorary Collaborator

3 stars Once again I feel satisfied for the recommendations that I receive via web. This time, I was asked by Nikolaj (who already introduced me to the amazing Pandora Snail) to listen to another Russian band whose music would not let me down, this band was Jam it! A band whose music was unknown to me but that right now I appreciate a lot, simply because the music is great. So Jam it! Is a four-member band that was formed back in 2006 inspired by Mike Portnoy and Dream Theater's music; they have so far released 3 studio albums being Following The Unknown the most recent one, released in 2015. The music can be easily categorized as jazz fusion, and though it does have some metal-like or heavier tunes, I can say this album does not sound like Dream Theater of its offshoots at all.

It features seven songs making a total time of 58 minutes. The opener is "Following The Unknown", an amazing progressive-jazz-fusion song with an outstanding guitar work, though I must say the four members create awesome music, all playing their instruments doing their best but working for the band, so it is evident that at least musically speaking, they get on well each other so the result is pure bliss for the listener. This is a solid song that perfectly works as the opener for this album. "Sea Breeze" is a bit friendlier, I mean, the sound is catchier for prog fans and even for pure jazz fans. After a couple of minutes the song introduces heavier tunes that talks about that influence bands such as Planet X could have had on Jam it! This is a nice song but not my favorite of the album.

"Through the Forest" is a great track, exquisite jazz fusion more in the jazzy side than in the metal one, definitely, with even some 70s nuances that remind me mainly of Dixie Dregs. Great bass lines and amazing drums, complemented of course by the "leading instruments" such as guitar and keyboards. "Mountain of Solitude" is a longer track, reaching almost the 10-minute mark, this one is not that bombastic like the opener, here the sound and rhythm are softer, much softer but enjoyable as well; and though later it progresses and implement new nuances and atmospheres, I think there is something missing, so I could never fall in love with this track.

In "Avalanche" the instruments that caught my attention at first were drums and bass, but mainly drums and that is something not common on me, I actually use to give less importance to drums because they are not my favorite instrument, so when I notice it from the beginning is because they must be awesome, just like they are in this song. I like how the band makes those nice changes, from a soft melodic tune to heavier and rockier moments, all played with delicacy and ambition, always taking care of details. This is one of my favorite tunes here. "Into the Mist" is a softer and shorter track, but man, it is a delicious one. Here its delicacy matched with me, so since the very first time I listened to it I loved it. Music for my senses!

And finally the longest one: "Random Name Hero". A progressive metal / jazz fusion epic with several contrasts, passages that go from soft nuances to heavy and powerful textures. Here I love the work of keyboards and how the band dedicates every single minute of the song to bring different experiences, passages that might tell a story guided by the lead instrument in turn and by the intensity of the sound. Of course, the guitar riffs are also amazing, so it was a great decision to finish the album with this epic track, summing up the best face of Jam it!

The album is wonderful, the musicians are incredibly talented and since I first listened to the album I like it overall, however, I think there are some uneven moments, some passages that I did not love and that in a bad day, I might skip (it has not happened, but might happen), which is why I will give this album 3.5 out of 5 stars.

Enjoy it!

 Romantic Warrior by RETURN TO FOREVER album cover Studio Album, 1976
4.23 | 501 ratings

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Romantic Warrior
Return To Forever Jazz Rock/Fusion

Review by Modrigue
Prog Reviewer

4 stars Progressive fantasy jazz rock

Often considered as RETURN TO FOREVER's best album, "Romantic Warrior" is more avant-garde and less funky than the band's previous efforts. Featuring a more important usage of electronic keyboards and rocking guitars, the musicians also incorporated symphonic/heavy prog elements from bands such as YES or KING CRIMSON in their music. Combined to the strange and charming synthesizers of Chick Corea, the result is quite original and inspired, while remaining accessible. The question is: what's the relation with the title?

"Medieval Overture" (by Chick Corea) is in fact not really medieval. Instead, this composition is a rather retro-futuristic spacey jazz/rock with various keyboards in the style of YES. Very nice, and sets the tone for the rest of the disc. Lenny White's "Sorceress" is the funkiest track of the record. Opening with a calm and groovy bass line, it contains a few guitar and keyboards interventions with a slight flavour of McCoy Tyner. In contrast, the title track (by Chick Corea) is fully acoustic. Majestic and delightful, however a bit too long.

Despite its title, the cool "Majestic Dance" is not very dancing but rather the rock-iest passage of the disc with its distorted guitars. This is logic when you know this was composed by Al Di Meola. Stanley Clarke's "The Magician" is the most complex composition, and also my least favorite track. Quite odd and changing, it incorporates fun small melodies. Ironically this song is the only one truly related to the album thematic, as it sounds a little medieval by moments. Once again by Chick Corea, "Duel of the Jester and the Tyrant" is the longest composition. Contrarily to the previous song, the music is more accessible and built around a nice melancholic melody as a main theme, with a few surprises inside...

Only after the listen can you understand the album title. "Romantic Warrior" do not naively refer to love or martial metal songs. Instead, it should rather been taken as an oxymoron that corresponds to the musical style: both calm and turbulent, light and ferocious. Everything is a matter of contrast. Unusual, original and with an unique sound, this 1976 opus is one of the proggiest and greatest achievements of its genre.

Very recommended to jazz rock / fusion aficionados or hard rock fans wanting to discover the style!

 After The Rain by RYPDAL, TERJE album cover Studio Album, 1976
3.90 | 30 ratings

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After The Rain
Terje Rypdal Jazz Rock/Fusion

Review by Mellotron Storm
Prog Reviewer

3 stars I consider myself a huge Rypdal fan but this album would be the first going chronologically that I couldn't get into. It's unusual as well for this to be Terje by himself without anybody helping him instrumentally, his wife does add some vocal melodies on a couple of tracks though. The followup to this called "Waves" released in 1978 is another one I gave 3 stars to, I'm just not into this period of his music I suppose. Terje plays electric and acoustic guitars, sax, flute, electric piano, bells and something called string ensemble piano which is where the string sounds come from. I can't get over how much Terje's electric guitar sounds like a violin, very much crying out mournfully much of the time. The music is very ambient and pleasant fitting well with the ECM label.

"Autumn Breeze" is my favourite and like many of these tracks it opens with piano before strings and acoustic guitar join in. Vocal melodies 1 1/2 minutes in as it becomes haunting. This is my favourite part on the whole album. The piano is back leading before 3 minutes as the vocals have stopped, then the electric guitar and strings return for the final minute. "Air" is the only other song I can get into. Electric piano and electric guitar lead the way in this beautiful but mournful piece. "Now And Then" is laid back with acoustic guitar melodies throughout while "Wind" is also relaxed but with flute throughout.

"After The Rain" is slow moving with electric guitar and strings. We do get some vocal melodies 3 1/2 minutes in as well as bells. "Kjare Maren" features electric guitar and piano with atmosphere. "Little Bell" opens with piano as the flute joins in before a minute. "Vintage Year" begins with piano as the electric guitar starts to cry out. "Multer" has strummed guitar to start but then the guitar turns classical sounding. "Like A Child, Like A Song" starts with piano then the electric guitar arrives a minute in as it cries out in a reserved manner as piano continues. It actually brightens 2 minutes in. Piano only 3 1/2 minutes in.

Apparently after the rain we should all have a little nap, or is that during the rain?

 Axis by AXIS album cover Studio Album, 1973
3.53 | 19 ratings

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Axis
Axis Jazz Rock/Fusion

Review by ALotOfBottle

4 stars Similarly to their better-known countrymen, Aphrodite's Child, Axis were a Greek outfit, who moved to France, because of the right-wing regime in their motherland. The band was formed in 1970 by multiinstrumentalists Dimitris Katakouzinous and Demis Visvikis. In 1971, they released their debut album Ela Ela, which featured their take on a Greek folk standard of the same title. The work was heavily inspired by the contemporary psychedelic pop. 1972 marked the release of their self-titled album. One year later, Axis released another album by the name Axis, which was radically different than all their previous efforts, only to break up soon after.

The style of Axis' swansong shows strong influence of Canterbury scene bands such as Soft Machine, Egg, and Matching Mole, jazz-rock of Nucleus, Mahavishnu Orchestra or Keith Jarrett, free jazz of Sun Ra and Ornette Coleman, hard rock reminiscent of Uriah Heep and Free, and progressive rock of acts such as King Crimson. There are also some electronic parts that seem to owe a great deal to Can, Tangerine Dream, and Klaus Schulze. So far, so good, right? The elements of the previously mentioned groups seem to work especially well, creating an unclassifiable musical extract. The band's sound is characterized by rich instrumental layers, professional musicianship, and exceptionally clever detailing.

The instrumental abilities of Axis' members really deserve a mention. Demis Visvikis's keyboards play a crucial role in the band's sound. He goes from Thelonious Monk-inspired jazz on grand piano, to bulldozer-like fuzz organ, very much in the vein of Dave Stewart, to ambient Mellotron parts. Chris Stassinopoulos' guitar playing is versatile as well. He finds himself comfortable playing heavy rhythm guitar riffs and jazz guitar solos alike. These are supported by a very competent rhythm section of Dimitris Katakouzinos on bass, who is capable of phenomenal grooves and George Hadjiathanassiou on drums, who keeps up very well with the band's dynamic style.

There are ten tracks on Axis and I could easily say that every single one has its own distinct style. There is, however, a sort of inexplicable link between them that makes them sound alike and prevents the release from sounding inconsistent for that matter. The pieces go from hard rock-fueled 'Waiting A Long Time', to the ambient 'Sewers Down Inside', to free jazz-inspired 'Asymphonia', to majestic, liturgical 'Pa Vu Ga Di'. In short, the band makes great use of their record time, not limiting themselves to only one style.

Throughout its four-year career, Axis managed to release three albums. Their self-titled work from 1973 is their last and definitely their most accomplished effort. Its main characteristics are enormous eclecticism and near-to-flawless musicianship. With such a wide plethora of influences, it perhaps is not very innovative, but entertaining throughout and well-worth your time. Highly recommended for fans of obscure progressive rock and Canterbury scene!

 What Means Solid, Traveller? by TORN,DAVID album cover Studio Album, 1996
3.19 | 7 ratings

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What Means Solid, Traveller?
David Torn Jazz Rock/Fusion

Review by Mellotron Storm
Prog Reviewer

3 stars It really bothers me that I don't like this album more being as I'm such a big David Torn fan. We get Mitch Mitchell on drums and Cannonball Adderley doing vocals on some tracks. Like Fripp, Torn offers up a lot of electronics to the soundscapes along with some dark, metallic guitar expressions. This is a moody almost industrial sounding recording over it's 65 plus minutes but the big negative for me is the lack of enjoyment I get out of this for some reason, and the enjoyment factor means a lot when I rate an album. And no I don't like the album cover or the album's title either(haha). Terje Rypdal came to mind as well with how cold and melancholic this recording is.

"Spell Breaks" has a haunting atmosphere to start which is promptly run over by the industrial soundscape with the guitar bringing "Elephant Talk" to mind. This isn't the only track to make me think of "Discipline" by KING CRIMSON. Spoken words and drums come and go and then it turns spacey after 3 minutes but it kicks back in after 3 1/2 minutes. A frenzied guitar section around 5 minutes in. "What Means Solid, Traveller?" opens with intricate sounds including percussion as a guitar melody starts to come and go along with some angular expressions. Some vocals after 5 1/2 minutes as things get more heated. "Such Little Mirrors" has plenty of atmosphere and experimental sounds as the guitar comes and goes in a relaxed manner. Percussion after 3 minutes as it builds. It picks up more 5 minutes in before winding down late and ending like it began.

"Tiny Burns A Bridge" is a bluesy down south number with rough bluesy vocals. A laid back piece that turns fuller when the vocal step aside but contrasts will continue. I like the guitar before 6 minutes as it gets intense. "Gidya Hana" sounds like a tribute to KC circa "Discipline". Even the guitar reminds me of that album especially before 2 minutes. "Each Prince, To His Kingdom, Must Labor To Go" has this eerie atmosphere to start before guitar expressions and percussion sounds take over. "Particle Bugs @ Purulia Station" opens with atmosphere as different sounds come and go. The guitar starts to solo around 2 minutes in one of the few catchy or melodic sections on this album. Drums join in as well. A change before 4 minutes but themes are repeated. I hear bass later on for a change. "I Will Not Be Free..." is like "Tiny Burns A Bridge" in that we get a bluesy, down south vibe with those vocals again. "...Til You Are Free" opens with drums along with some wicked guitar before this rhythm kicks in. One of my favs and not like the rest. "Elsewhere, Now Than Waving" is the over 10 minute closer that stays the course of being dark, atmospheric and spacey throughout reminding me of Rypdal.

So not one of my favourite solo albums from David but if your into experimental and atmospheric music you should check this out.

 Go by YAMASH'TA, STOMU album cover Studio Album, 1976
3.34 | 35 ratings

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Go
Stomu Yamash'ta Jazz Rock/Fusion

Review by Greta007

5 stars I revisited this album again after many years and was surprised at the lack of enthusiasm by reviewers here. This is one of my favourite prog albums and ideal for when one is in a relaxed state of mind, right up there with Dark Side of the Moon (or the Easy All Stars' Dub Side of the Moon, for that matter). The musicianship and production are outstanding. Musicians were clearly chosen for the project not only for virtuosity but the quality of their tone. So the sounds produced by this band are a treat for the ears, and remain so in 2016.

So I'll buck the trends and give the album five stars (and I wouldn't give this rating easily). It's a unique and charmingly flawed masterpiece of prog musicianship, production and eclecticism.

If you enjoy intelligent, beautiful, inventive prog played by brilliant musicians, you'll enjoy this album. More than anything, this album is eclectic, including (amongst all the space noodling and space rock), funk, fusion, (normal) rock, symphonic rock, soul, pop and symphonic experimental music.

Some highlights: Steve Winwood's vocals in Nature, Pat Thrall's superbly constructed guitar solo in Crossing the Line (and Paul Buckmaster's orgasmically arranged outro). Al diMeola's various stellar contributions. Stomu Y's edgy percussion and Klaus Shultz's atmospheric noises in Carnival.

For rhythm section buffs, Michael Shrieve's drumming was as immaculate throughout as you'd expect and he formed a most tasty rhythm section with Traffic's Rosco Gee on bass.

 Following The Unknown by JAM IT! album cover Studio Album, 2015
3.83 | 16 ratings

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Following The Unknown
Jam It! Jazz Rock/Fusion

Review by GruvanDahlman
Prog Reviewer

4 stars Though I primarily listen to progressive rock from the 1970's I do dare to venture out occasionally. What I find is often music of the most remarkable kind. There is an abundance of genial, bold and exciting music to be found, even for an old beggar like me. When I was approached and asked if I would be interested in reviewing Jam It!'s album I felt happy to do so and though it has taken me some time to write this review I have, nevertheless, enjoyed the music in the while.

The music of Jam It! is totally instrumental and evocative. There are elements of hard rock (or metal, if you wish), jazz, a thin slice of funk and genres in between. I suppose they have been listening to the likes of Return to forever and Weather Report quite a bit.

The title track is a good example of what to expect. A gentle, almost oriental beginning with a heavily distorted guitar taking the lead. The track holds several sections of music. From the calm and soothing to the harsher hard rock. This is a fantastic track and the musicians really get a chance to shine and show their skills. The varied and skillful musicianship continues throughout the album and leaves me impressed and joyful.

I have always had a mixed relationship to instrumental music. While I have come to understand that I really do enjoy it, I still enjoy the occasional vocal contribution. I love lengthy instrumental excursions but find that my mind starts to wander off the musical field when it is all instrumental. At least that is sometimes true. This album is such an elaborate and skilled work and I do appreciate it. Having said that I still wish at least one song held vocal parts, just to break off this completely instrumental work of art, providing a totally different kind of experience.

My want for a tiny bit of vocals is really nothing to get hung up. This is brilliant musical and showcases some of the contemporary flair and competence shown by musicians within the field of progressive rock. Since I adore jazz-tinged progressive this appeals tom e and if you at all are interested in contemporary jazzy prog rock I think it would do you good to check this band out. They really do make the most delicious cocktails of prog. Easily four stars.

 All You Can Eat by SLIVOVITZ album cover Studio Album, 2015
4.10 | 13 ratings

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All You Can Eat
Slivovitz Jazz Rock/Fusion

Review by schizoidman

4 stars "All You Can Eat" is a great instrumental album bordering on classic. Slivovitz have their own unique sound based on Jazz/Classical/Rock/Funk/Blues elements. Influences that I can detect are Weather Report, Return to Forever, early Stanley Clarke, the jazzier side of Steely Dan and the like. Each piece of music is written with careful attention to structure and melody but allowing room for just enough improvisation. These guys can play, be it written on paper or flowing from their minds. The music is beautifully melodic ("Hangover"), humorously complex ("Barotrauma") with elements of tight, slippery funk ("Passanante") and their use of harmonica in this genre is truly ground breaking. To my ears their sound is "clean", the only distortion effects used sparingly are on the guitar.

If any of the group happen to be reading this I must certainly take the opportunity to say Thank You to all of them from the part of my essence that needs the beauty of music to help me get through this thing called life.

 All You Can Eat by SLIVOVITZ album cover Studio Album, 2015
4.10 | 13 ratings

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All You Can Eat
Slivovitz Jazz Rock/Fusion

Review by dNZh

4 stars This album is impressive, an enjoyable jazz prog album, each track contains a set of violin solos, with the correct melodies becomes an exciting journey through songs such as Persian Nights, Passannante, Hangover. The trumpets are manifested throughout the whole album, Barotrauma and Persian Nights are a good example of this, also you can hear harmonica, which is not often used in jazz. My favorite songs are Mani in Faccia and Passannante. At different points of the album you can feel an air of 70s prog bands, maybe a little bit of King Crimson. It's an excellent album, from the beginning to the end, Slivovitz was a surprise for me, i had not heard any of his albums, but from now, I will have all their discography. Sorry for my English.
 The Complete Go Sessions by YAMASH'TA, STOMU album cover Boxset/Compilation, 2005
4.00 | 11 ratings

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The Complete Go Sessions
Stomu Yamash'ta Jazz Rock/Fusion

Review by VianaProghead

4 stars Review Nº 71

"The Complete Go Sessions" is a very special compilation, released in 2005, which includes the three albums from the Go sessions, both two studio albums "Go" and "Go Too", and the live album "Go Live From Paris". The Go sessions belong to a very ambitious musical project fusing diverse musical styles, that range from rock, jazz, classical and electronic, which was formed by Stomu Yamash'ta, in 1976, and which had a wonderful mixture of musicians from several genres of progressive music. So, we have Steve Winwood, Michael Shrieve, Klaus Schulze and Al Di Meola. This is only to mention the names of the most known of all the musicians who participated in this project.

Previously, I've already reviewed, individually, all these three albums on Progarchives, and so, because of that, I will not do it again. So, if you are interested to knowing more things about this fantastic musical project, and believe me it well worth, I invite you to read all my detailed reviews about them. So, I'm not going to analyze all the albums exhaustively and detailed, as I did before, but only to do a global synthesis of those my reviews.

"Go": "Go" is the first album of the Yamash'ta's project. It's a magnificent album where all the tracks flow together as a continuous piece of music, with the exception of the fourteenth track, "Winner/Loser", the only song written by Winwood, which probably justify why it sounds more as a Steve's album. It's a nice, calm and a beautiful piece of music, very experimental, with a spatial atmosphere, which makes of it a quite unique musical working. We can find on it diverse musical influences from rock, jazz, electronic and funk, good performances from all musicians, beautiful voice choirs and backing vocals, competent orchestrations and a very professional release. Finally, deserves special mention the presence of Winwood, due his voice on the tracks where he sings, which gives a very special feeling to the album. We are in presence of an original and very interesting album, which is, in my humble opinion, very underrated on this site. Unfortunately, the progressive reviewers here, have given very little attention to it. I sincerely think that this album is an excellent addition and deserves to be part of any progressive rock musical collection.

"Go Live From Paris": "Go Live From Paris" is the second album of the Yamash'ta's project and was recorded live on 12th June 1976 at the Palais Des Sports in Paris, France. As with their studio version "Go", on this live version all the tracks flow together as a continuous piece of music. However, "Go Live From Paris" is a more balanced album, and I don't know if it's due to the new alignment of the songs. On the live version, they're totally changed and the final result is a much better album. So, "Go Live From Paris" is a fantastic and a beautiful live album, one of the greatest live albums of the progressive rock music, and it's also probably, one of their most unknown masterpieces. Here we have a great performance from all this band, which brought together some extraordinary musicians on the same stage. Really, we are in presence of a lost gem that urgently needs to be discovered and appreciated as it really deserves.

"Go Too": "Go Too" is the third and last album of the Yamash'ta's project. After all, I must say that this isn't the continuation of "Go". All the main musicians of the project are here, but it lacks to it Winwood and his unmistakable voice. The absence of his presence is very noted, and whatever the reason, this album is much weaker than the both two previous albums. However, that doesn't mean that we are in presence of a weak album. "Go Too" is a good album, very eclectic and influenced by many musical genres like rock, jazz, funk, electronic, pop, disco and new age. "Go Too" remains a fine addition to the previous two albums and despite be not as interesting, progressively, as the first studio album, it still remains a release that offers a lot of enjoyment with great performances, and for the romantics amongst you, two excellent ballads. In relation to "Go", the style of the music became profoundly modified but I still think that it remains a good work, overall. This is an interesting work that closed this surprising musical project.

Conclusion: I know this project since it was released and I must say that I always became very well impressed with it. Unfortunately, we are in presence of an underrated project, on this site, and where the progressive reviewers gave very little attention. I really don't know if it's by lack of knowledge of it. If I can interest you about this project, I'll be perfectly happy. The main objective was reached. Perhaps the right thing to do is buying this compilation because you will get the entire complete project. However, if you aren't interested in spend so much money to have the entire project, I recommend you to start buying their live album "Go Live From Paris" their hidden masterpiece. It's especially indicated for those who prefer live recordings over the studio ones. Anyway, as a project, it must be known as a whole.

Prog is my Ferrari. Jem Godfrey (Frost*)

Data cached

Jazz Rock/Fusion bands/artists list

Bands/Artists Country
3RD WORLD ELECTRIC Multi-National
4 FRONT United States
7 FOR 4 Germany
EIVIND AARSET Norway
JOHN ABERCROMBIE United States
ABLUTION Sweden
ABUS DANGEREUX France
ACCORDO DEI CONTRARI Italy
ADDISON PROJECT Canada
AERA Germany
AFROSKULL United States
AGHARTA Canada
AGORA Italy
AIN SOPH Japan
AKA MOON Belgium
JAN AKKERMAN Netherlands
ALAS Argentina
ALKEMY France
ALKOTRIO Russia
ALTRUISMOS Argentina
AMARILLO CIAN Y MAGENTA Costa Rica
AMIGDALA Italy
ANAMORPHOSE France
ANIMUS TRIO Argentina
APOSTOLIS ANTHIMOS Poland
ANTIHÉROE Argentina
APOTHECARY United States
AQUARELLE Canada
ARATTA REBIRTH Armenia
ARCANA United States
ARCHIMEDES BADKAR Sweden
ARCO IRIS Argentina
NEIL ARDLEY United Kingdom
BRUCE ARNOLD United States
ARSENAL Russia
ARTI E MESTIERI Italy
TIHOMIR POP ASANOVIC Yugoslavia
ASSOCIATION P.C. Multi-National
ASSOLO DI BONGO Italy
ASTRAKAN United Kingdom
ASTRO CAN CARAVAN Finland
ATMOSPHERES Multi-National
ATTENTION DEFICIT United States
BRIAN AUGER United Kingdom
AUM Brazil
AURORA United States
AVANT GARDEN United States
AVIOLINEE UTOPIA Italy
AXIS Greece
AYERS ROCK Australia
AZIGZA United States
B F Estonia
BAALBEK Argentina
BACK DOOR United Kingdom
BAKMAK Germany
BANDHADA Chile
BANDVIVIL Japan
BANGTOWER Multi-National
PETER BANKS United Kingdom
BARCELONA TRACTION Spain
PETER BARDENS' MIRAGE United Kingdom
IL BARICENTRO Italy
RANJIT BAROT India
BAUHAUS Italy
JEFF BECK United Kingdom
BEDJABETCH France
BELLA BAND Italy
BEN United Kingdom
BERITS HALSBAND Sweden
ALESSANDRO BERTONI Italy
BIFURCATA Mexico
BLACK LADDER United States
ALAIN BLESING France
CARLA BLEY United States
BLIXT Multi-National
BLOOD SWEAT & TEARS United States
BLUE DRIFT United Kingdom
BLUE EFFECT (MODRÝ EFEKT; M. EFEKT) Czech Republic
BLUE SUN Denmark
BOHEMIA Czech Republic
CELINE BONACINA France
BONFIRE Netherlands
BOSQUE Serbia
BOUD DEUN United States
BOUNTY United States
GARY BOYLE United Kingdom
BOZON United States
BOZZIO LEVIN STEVENS United States
BRAINCHILD United Kingdom
BRAINSTORM Germany
BRAND X United Kingdom
THE BRECKER BROTHERS United States
EVAN BREWER United States
NILI BROSH United States
BROTHER APE Sweden
BROWN VS BROWN Netherlands
JACK BRUCE United Kingdom
BRUFORD LEVIN UPPER EXTREMITIES United States
BILL BRUFORD'S EARTHWORKS United Kingdom
BILL BRUFORD United Kingdom
DEWA BUDJANA Indonesia
BURNIN' RED IVANHOE Denmark
BUSHMAN'S REVENGE Norway
BWANA Nicaragua
CAB United States
CAMEMBERT France
JORGE CAMPOS Chile
FRANCIS CANG Philippines
GADI CAPLAN Israel
ALAIN CARON Canada
CARPATHIA PROJECT Hungary
CASH PONY United States
CENTIPEDE United Kingdom
CEREBUS EFFECT United States
CHAD SMITH'S BOMBASTIC MEATBATS United States
DENNIS CHAMBERS United States
CHAMELEON Sweden
CHASE United States
CHEIRO DE VIDA Brazil
CHICAGO United States
CHUTE LIBRE France
CINCINNATO Italy
CIRCUS United Kingdom
CIVILIANS United States
CLAREON United States
STANLEY CLARKE United States
NELS CLINE United States
BILLY COBHAM United States
ORNETTE COLEMAN & PRIME TIME United States
STEVE COLEMAN United States
COLOSSEUM United Kingdom
COLOSSEUM II United Kingdom
COMA Denmark
COMPANYIA ELÈCTRICA DHARMA Spain
CONFUSION Greece
BILL CONNORS United States
CONTEMPORARY NOISE SEXTET / QUARTET / QUINTET Poland
GIANFRANCO CONTINENZA Italy
CONTINUUM Multi-National
CONTREVENT Canada
CONTUSION Argentina
COPERNICUS CROW United States
CHICK COREA ELEKTRIC BAND United States
CORONARIAS DANS Denmark
LARRY CORYELL United States
CURT CRESS Germany
CRIMSON JAZZ TRIO United States
DAVID CROSS United Kingdom
CRY FREEDOM Germany
CRYPTO Netherlands
CYKLUS Germany
CYMANDE Multi-National
CYMBALIC ENCOUNTERS United States
CZAJKOWSKI MINNEMANN United States
D.F.A. Italy
DARK Multi-National
MILES DAVIS United States
KOEN DE BRUYNE Belgium
LOUIS DE MIEULLE France
DEDALUS Italy
DEFUNKT United States
JACK DEJOHNETTE United States
DEMON FUZZ South Africa
DEN ZA DEN Yugoslavia
DENNIS Germany
DESATANUDOS Argentina
DEUS EX MACHINA Italy
AL DI MEOLA United States
MCLAUGHLIN AND DE LUCIA DI MEOLA Multi-National
DISCORDIAN SOCIETY United States
DIXIE DREGS United States
DJABE Hungary
DJAMRA Japan
DON GATO Peru
VIRGIL DONATI Australia
DOUBT United Kingdom
BOB DOWNES' OPEN MUSIC United Kingdom
DR. DOPO JAM Denmark
RIENTS DRAAISMA Netherlands
MLADEN DRAGOVIC Serbia
DREAMS United States
DROBAN-APHERNA Portugal
DUELLO MADRE Italy
JOEL DUGRENOT France
GEORGE DUKE United States
DZAMBLE Poland
E MOTIVE United States
EAST WIND POT Japan
EDGE United Kingdom
EDITION SPÉCIALE France
EDO Canada
EELA CRAIG Austria
ELECTRIC OUTLET Germany
ELECTROMAGNETS United States
ELEPHANT9 Norway
DON ELLIS United States
EMBRYO Germany
EMERGENCY Multi-National
ENERGIT Czech Republic
ENERGY OF SOUND United States
ERGO United States
ERGO SUM France
ESAGONO Italy
ESSENTIAL HAZARD United States
ETNA Italy
EVOLUCIÓN Chile
EX VITAE France
EXAMPLES OF TWELVES United Kingdom
EXMAGMA Germany
EXTRA BALL Poland
EYES OF ETHEREA Australia
EYOT Serbia
EZOO Multi-National
ANTOINE FAFARD Canada
YIORGOS FAKANAS Greece
FANG CHIA United States
FANTASIA CROMATICA Argentina
FARMERS MARKET Norway
FEAT. ESSERELÀ Italy
FEEDBACK Slovenia
FENOMEN Turkey
FERMÁTA Slovakia
FICTION United States
FILULAS JUZ Mexico
FINNFOREST Finland
FIRE MERCHANTS United Kingdom
FIRYUZA Turkmenistan
A FISH'S DIVING SUIT Germany
DAVID FIUCZYNSKI United States
FLAMENGO Czech Republic
FLAT 122 Japan
BELA FLECK AND THE FLECKTONES United States
FLYING ISLAND United States
FORGAS BAND PHENOMENA France
PATRICK FORGAS France
THE FOURTH WAY United States
THE FOWLER BROTHERS (AIR POCKET) United States
FRAGILE Japan
FRAGMENT37 United States
FREAKZOID United States
FREE WAVE SYSTEM Italy
FREEHAND United States
BILL FRISELL United States
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FUGU France
FULANO Chile
FULLMOONS Greece
G.A.O.S. Japan
GALLIARD United Kingdom
GAMALON United States
GARAGE A TROIS United States
GARAJ MAHAL United States
JAN GARBAREK Norway
AL GARCIA United States
GARLIC Italy
ROBERT GENCO Italy
GENRE United States
GHOST RHYTHMS France
IAN GILLAN BAND United Kingdom
GIS MAJ ES Serbia
CHRISTOPHE GODIN France
GOLD United States
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GONGZILLA Multi-National
GOOD GOD United States
JERRY GOODMAN United States
GORO WINS Argentina
GUTHRIE GOVAN United Kingdom
GOZZOZO France
GRAND GENERAL Norway
LE GRAND NEBULEUX France
JACQUES LA GRECA France
GRIMACE FEDERATION United States
GRITS United States
MUCK GROH Germany
GROTESK Germany
GROUP 87 United States
THE GROUP Finland
GUADALQUIVIR Spain
GUILLAUME PERRET & THE ELECTRIC EPIC France
WLODZIMIERZ GULGOWSKI Poland
GUNESH ENSEMBLE Turkmenistan
GURTH Spain
JUKKA GUSTAVSON Finland
VASIL HADZIMANOV BAND Serbia
MARY HALVORSON United States
JAN HAMMER United States
HERBIE HANCOCK United States
HANSFORD ROWE COLLECTIVE United States
JON HASSELL United States
HEAD United Kingdom
HEADBAND Germany
PATRICK HEALY Canada
HEAVEN United Kingdom
DICK HECKSTALL-SMITH United Kingdom
HECTIC WATERMELON United States
RONNY HEIMDAL Norway
JONAS HELLBORG Sweden
A HELMET OF GNATS United States
EDDIE HENDERSON United States
ALEJANDRO HERRERA Argentina
JAKE HERTZOG United States
DAVID HINES United States
ALLAN HOLDSWORTH United Kingdom
HOOFFOOT Sweden
HORN Canada
HOWEVER United States
HUGHSCORE United Kingdom
HUMAN ELEMENT United States
GARY HUSBAND United Kingdom
I KNOW YOU WELL MISS CLARA Indonesia
IBIS Sweden
ICARUS United Kingdom
ICEBERG Spain
ICONOCLASTA Mexico
IF United Kingdom
IGZIT-NINE Japan
IMÁN CALIFATO INDEPENDIENTE Spain
IMPACT FUZE Russia
IMPULS Czech Republic
INNER DRIVE Russia
IRON KIM STYLE United States
JOHN IRVINE United Kingdom
ISOTOPE United Kingdom
IZVIR Yugoslavia
RONALD SHANNON JACKSON United States
JAGA JAZZIST Norway
JAM CAMP United States
JAM IT! Russia
BENNY JANSSON Sweden
JARKA Spain
JAZZ PISTOLS Germany
JAZZ Q Czech Republic
JINETE AZUL Argentina
JENS JOHANSSON Sweden
ALPHONSO JOHNSON United States
JOIN IN Germany
Hungary
JULIAN JULIEN France
JUPU GROUP Finland
JUTRO Yugoslavia
KADA Hungary
KALEIDON Italy
KANDAHAR Belgium
KARCIUS Canada
KASEKE Estonia
KASHGAR Canada
SENRI KAWAGUCHI Japan
KBB Japan
KEHELL Japan
KENNEDY Japan
KENSO Japan
KICK THE CAT United States
KLAN Poland
KORNET Sweden
KORNI GRUPA / KORNELYANS Yugoslavia
KOSTAREV GROUP Russia
KRAAN Germany
KRABAT Germany
KRAKATOA United States
WAYNE KRANTZ United States
KRÉ Venezuela
VOLKER KRIEGEL Germany
KROKOFANT Norway
KUJAKUON Japan
KUMINA.ORG Finland
KUNDALINI Sweden
KWORTET United Kingdom
LA DESOOORDEN Chile
LABORATORIUM Poland
LAND OF CHOCOLATE United States
SHAWN LANE United States
LASTING WEEP Canada
LEB I SOL Yugoslavia
LEHMEJUM Brazil
LEPRECHAUN Chile
CHRIS LETCHFORD United States
TONY LEVIN United States
LIGHTHOUSE Canada
LIGRO Indonesia
LINDWURM Germany
LIVING LIFE Italy
DIDIER LOCKWOOD France
THE LONELY BEARS Multi-National
LOTUS Sweden
RENAUD LOUIS GROUP France
LUMINA Brazil
M-ARTEL Russia
MAAD Italy
JOHN MACEY United States
MACHINE AND THE SYNERGETIC NUTS Japan
MACHINE MASS Multi-National
MACKENZIE THEORY Australia
MADE IN SWEDEN Sweden
MAELSTROM United States
MAGNETIC SOUND MACHINE Italy
MAHAGON Czech Republic
MAHAVISHNU ORCHESTRA Multi-National
MAHAVISHNU PROJECT United States
MAHJUN France
MAHTRAK Brazil
DIDIER MALHERBE France
SEAN MALONE United States
MAN DOKI SOULMATES Multi-National
MANDRILL United States
MANEIGE Canada
MANFRED MANN'S CHAPTER THREE United Kingdom
MANOGURGEIL Finland
MICHAEL MANRING United States
MICHAEL MANTLER Austria
MAR DE ROBLES Chile
MARBIN Multi-National
THOMAS MARRIOTT United States
MASCHERE VUOTE Italy
MATERIAL United States
MATHEMATICIANS United States
MATS-MORGAN (BAND) Sweden
BENNIE MAUPIN United States
MCGILL MANRING STEVENS United States
SCOTT MCGILL United States
JOHN MCLAUGHLIN United Kingdom
MCLUHAN United States
MECKI MARK MEN Sweden
MEDESKI MARTIN & WOOD United States
MEDIABANDA Chile
MEGAN QUARTET Estonia
MENTAT ROUTAGE France
METALWOOD Multi-National
METAMORFOSIS Spain
PAT METHENY United States
CARLO MEZZANOTTE & SYNTAXIS Italy
MISA MICEVSKI Serbia
RIGEL MICHELENA Venezuela
MICKYLEE Serbia
MIDNIGHT SUN (RAINBOW BAND) Denmark
RADOMIR MIHAJLOVIC TOCAK Yugoslavia
BARRY MILES United States
MIND GALLERY Canada
MINDFLOWERS Hungary
MINOKE? Japan
MIRAGE France
MISSING LINK Germany
MISSUS BEASTLY Germany
MIST SEASON Finland
THE MISTAKES United States
TOSHIYUKI MIYAMA & HIS NEW HERD / MASAHIKO SATOH Japan
MOGUL THRASH United Kingdom
MOIRA Germany
NILS PETTER MOLVÆR Norway
MOMBASA Multi-National
MONGOL Japan
MONSIEUR DUBOIS Netherlands
MOOGG Italy
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MORAZ & BRUFORD Multi-National
MORPHEUS Germany
ALAN MORSE United States
MORSOF Japan
MORTA Canada
MØSTER! Norway
MOUSE ON THE KEYS Japan
ZUZO MOUSSAWER Brazil
ALPHONSE MOUZON United States
MUSICA URBANA Spain
MYSTERIES OF THE REVOLUTION United Kingdom
NADOIEDA Italy
NANU URWERK Germany
MAREK NAPIORKOWSKI Poland
NAPOLI CENTRALE Italy
NATHAN MAHL Canada
NATSUMEN Japan
NDIO Netherlands
NEXT ORDER Japan
NGUYÊN LÊ France
NIACIN United States
NIMA & MERGE United States
NOA Japan
NOETRA France
NOVA Italy
NUCLEUS United Kingdom
Ô-LIOSTÉRE France
OCTOBER United States
ODRAREG Venezuela
L' OEIL DU SOURD France
OHM United States
OHMPHREY United States
ONE SHOT France
ÁNGEL ONTALVA Spain
OPA Uruguay
OPUS-5 Canada
L' ORCHESTRE SYMPATHIQUE Canada
OREGON United States
OSIBISA Ghana
MAGNUS ÖSTRÖM Sweden
KIYOMI OTAKA Japan
OTIS GROVE United States
OTOWALA United States
OUT OF FOCUS Germany
OUTRE MESURE France
THE OWL WATCHES United States
OZONE QUARTET United States
PAIENS Canada
PANAMA RED Germany
PANOPTICON Belgium
PANTA RHEI Germany
PANZERBALLETT Germany
PARALLEL MIND United States
PARANOISE United States
BARBARA THOMPSON'S PARAPHERNALIA United Kingdom
HERMETO PASCOAL Brazil
PASSPORT Germany
JACO PASTORIUS United States
PATTO United Kingdom
PEPERI PARTUM Argentina
PERIGEO Italy
MIKI PETKOVSKI Yugoslavia
PHLOX Estonia
PI-ER-2 Poland
PINK FREUD Poland
PLACEBO Belgium
PLANET X United States
PLANETA IMAGINARIO Spain
PLAYERS United States
PLINI Australia
THE PNEUMATIC TRANSIT United States
PEKKA POHJOLA Finland
JEAN-LUC PONTY France
COZY POWELL United Kingdom
POWER TOOLS United States
PREDMESTJE Yugoslavia
PRIAM France
JULIAN PRIESTER United States
PRIORITY Japan
PRISMA X Chile
PROBE 10 United States
LES PROJECTIONNISTES Canada
PROTEUS United States
PSI Germany
PSICOMAGIA United States
PSP (PHILLIPS SAISSE PALLADINO) Multi-National
PSYFUNETIK Germany
PTF Japan
PUPPENHAUS Germany
PURPLE CERISE EXPERIENCE Canada
QUARTIK Canada
QUARTO SENSORIAL Brazil
QUASAR Australia
QUASER Japan
QUI Japan
R-11 Italy
RA QUINTET United States
RADIUS United Kingdom
RAGA BOP TRIO United States
RAHMANN France
RAINS Italy
RAYUELA Argentina
THE REAL AX BAND Germany
REFORM Sweden
XAVI REIJA Spain
RELEASE MUSIC ORCHESTRA Germany
RENAISSANCE SOUND United States
RESIDENTS OF THE FUTURE Multi-National
RETURN TO FOREVER United States
RHESUS O France
JEFF RICHMAN United States
RIFF RAFF United Kingdom
ROBOTOBIBOK Poland
ROCK JOINT Japan
ROHMER Italy
DAVID ROSE United States
ROUGH RAMBLERS United Kingdom
ROUND HOUSE Japan
ROY PACI & CORLEONE Italy
RUDDER United States
TERJE RYPDAL Norway
SALAIVA Finland
SAM (SLICK ALEXIUS MENNIGMANN) Germany
DAVID SANCIOUS United States
SANTANA Multi-National
CARLOS SANTANA Mexico
SATISFACTION INJECTION Netherlands
DON SCHIFF United States
ART SPIKE SCHLOEMER United States
SCHÖNFELD United Kingdom
SCHOOL OF THE ARTS United States
KRZYSZTOF SCIERANSKI Poland
JOHN SCOFIELD United States
SCOPE Netherlands
SCREAMING HEADLESS TORSOS United States
SECRET OYSTER Denmark
SELECTRIC United Kingdom
TONY SENATORE United States
SEPTEMBER Yugoslavia
DEREK SHERINIAN United States
SHIBUSASHIRAZU Japan
THE SHIN Georgia
SHIVANANDA Switzerland
WAYNE SHORTER United States
SIMAK DIALOG Indonesia
SISTERHOOD OF KLANGPEDAL Slovakia
SIX NORTH Japan
SIXUN France
DET SKANDALØSE ORKESTER Norway
SKIN ALLEY United Kingdom
SKYWHALE United Kingdom
SLIVOVITZ Italy
SLOCHE Canada
THE SLOWMOVIES Italy
SMAK Yugoslavia
NATHAN PARKER SMITH United States
SNOWBALL Germany
SOLAR PLEXUS Sweden
SOLIS LACUS Belgium
SOLSTICE Canada
SOLUTION Netherlands
SOMBRE REPTILE France
SONCNA POT Yugoslavia
SPACE CIRCUS Japan
SPACED OUT Canada
SPACES United States
TONY SPADA United States
SPECIAL OTHERS Japan
SPECTRUM ROAD Multi-National
SPEED LIMIT France
SPHERE 3 United Kingdom
SPHEROE France
SPIN Netherlands
SPINETTA JADE Argentina
SPLASH Sweden
SQUAREPUSHER United Kingdom
ST.ERHART France
STEELY DAN United States
STEEP United States
STRETCH IT TO THE LIMIT Peru
STRING CONNECTION Poland
STRINGS ARGUMENTS Japan
STROMBOLI Czech Republic
DARYL STUERMER United States
SUHY SILVERGOLD & ALVARADO United States
SUL DIVANO Argentina
SUNBIRDS Multi-National
SUPERFLUOUS MOTOR Canada
SUR OCULTO Argentina
SURGERY Germany
MITSURU SUTOH Japan
SVETAMUZIKA Russia
SYMPOZION Israel
SYNCOPE Canada
SYNCRISIS Germany
SYRINX France
T.R.A.M. United States
TANTOR Argentina
TASAVALLAN PRESIDENTTI Finland
TATRAN Israel
TAU CETI Brazil
TESSERACT United States
TETRAGON Germany
THEO TRAVIS' DOUBLE TALK United Kingdom
LA THEORIE DES CORDES France
THIRSTY MOON Germany
STEVE TIBBETTS United States
TIDELINE Belgium
TIEMKO France
KEITH TIPPETT GROUP United Kingdom
TO BE Germany
TOHPATI BERTIGA Indonesia
TOHPATI ETHNOMISSION Indonesia
JUKKA TOLONEN Finland
TOMORROW'S GIFT Germany
TONBRUKET Sweden
TONTON MACOUTE United Kingdom
TÓRAX Argentina
DAVID TORN United States
TOSHIMI PROJECT Japan
TOTAL ISSUE France
TOUBABOU Canada
RALPH TOWNER United States
TRANSIT EXPRESS France
TRI-OFFENSIVE Japan
TRIAL X Argentina
TRIANGULIZONA Croatia
TRIBAL TECH United States
A TRIGGERING MYTH United States
TRIO 96 Japan
EL TRIO Dominican Republic
TRIOSCAPES United States
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TRIOXYDE United States
TRIPOD United States
TROUT CAKE United States
TROUT QT Finland
ERIK TRUFFAZ France
TRURL United States
TRYO Chile
TUATARA United States
TUNNELS United States
JARTSE TUOMINEN Finland
TURNING POINT United Kingdom
TWO SIBERIANS (Белый Острог / WHITE FORT) Russia
ÜBERFALL Switzerland
HIROMI UEHARA Japan
JAMES BLOOD ULMER United States
UMEZU KAZUTOKI KIKI BAND Japan
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