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JAZZ ROCK/FUSION

A Progressive Rock Sub-genre


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Jazz Rock/Fusion definition


  1. Jazz Fusion is jazz that is strongly influenced by other styles of music. Jazz fusion is an ambiguous term that provides the first level sub-set down from Jazz. Jazz rock is a sub-sub set from jazz via jazz fusion. The ambiguity comes from an American tendency through the 90's and until now, to freely interchange jazz rock and jazz fusion, when in fact the latter term covers most hybrids of jazz fused with other forms of music. The roots of jazz rock can be traced back to RnB influenced soul-jazz artists such as Les McCann, Grant Green and Jimmy Smith, and young British jazzers such as Graham Bond, Ginger Baker, John McLaughlin, Jack Bruce, Georgie Fame, who were forced to use electronic instruments because the local club's acoustic instruments were reserved for the older established jazz musicians. Probably the first jazz artists that released recordings that mixed modern rock (circa 60s) with jazz were Larry Coryell, Jeremy Steig, Charles Lloyd, The Soft Machine, and The (Jazz) Crusaders. Meanwhile rock artists such as Cream, Grateful Dead and The Jimi Hendrix Experience were getting a lot of publicity and fame with their lengthy improvisations based on blues, rock, psychedelia and some jazz. These rock artists had an impact on Miles Davis who generated a lot of media attention to this new jazz-rock genre with his Bitches Brew album. From there the genre grew and exploded into numerous different directions. One of these directions was brass rock as exemplified by bands like Dreams, Chicago, BS&T and If. These bands combined elements of jazz, rock and classical music with arrangements for brass and woodwinds.

  2. Many other styles of music have been combined with jazz to create fusion including traditional music from around the world, R'n'B, rock, electronic music and pop music and jazz from Africa, Latin America, India and other places. One of the earliest examples of the use of the term fusion comes from the Indo-jazz fusion of Joe Harriott and John Mayer. Some of the more popular early practitioners of fusion included Weather Report and Herbie Hancock's Sextant. A few years later Shakti appears on the scene and expands the boundaries of fusion further, foreshadowing the World Fusion movement of the 90's.

  3. In part Nu.jazz grew out of the British acid jazz scene of the late 80s and early 90s, whilst modern leaders of nu.fusion cite Miles Davis and Jon Hassell as the godfathers of the genre. As the genre began to develop it took on other influences such as world beat/jazz fusion, psychedelic trip-hop, post-rock and mixtures of ambience with modern jazz. The jazz with electronia experiments that Jon Hassell was conducting in the late 80's, with the likes of Eno, were to be a major influence especially on the dance side of nu.jazz, sometimes known as nu.fusion. Three main elements make nu.jazz different from the more traditional jazz (rock) fusion. First of all there is less of an emphasis on instrumental virtuosity in nu.jazz (especially nu.fusion). Second, more use of electronics (especially skilled turntablism) and studio trickery that emphasizes sound textures. Third, nu.jazz tends to use more modern rhythms such as drum'n'bass, hip-hop, post-rock, and various mixtures of world beat rhythms. Progressive nu.jazz artists such as Bugge Wesseltoft, Nils Petter Molvaer and the Esbjörn Svensson Trio (E.S.T.), combine complicated compositions with modern rhythms to create new unheard of soundscapes - while the former two are leaders of nu.fusion, and with more emphasis on jazz playing, EST have been the leaders in straighter nu.jazz. Nu.jazz is loosely connected to other newer jazz fusion genres, particularly the more progressive live, jazz jam bands such as Medeski Martin & Wood or Garaj Mahal. It may seem that the only difference between the two genres is the country the artist is from or what scene they came up through.li>

Only the most progressive of nu jazz, jazz-rock and fusion artists are listed on Progarchives, although accceptability or not here may vary from person to person. All artists have elements of progressive rock in their music (e.g. Jean Luc Ponty, Bill Bruford or David Sancious) or they represent the most forward-looking and progressive element in their genre (e.g. Miles Davis, Herbie Hancock or Weather Report). It should be noted that those many Canterbury jazz rock fusion bands, e.g. Soft Machine, Soft Works, Soft Heap, Soft Machine Legacy, Gilgamesh etc. are to be found under the CANTERBURY heading in Prog Archives.

Dick Heath
John 'Easy Money'
Martin 'Alucard' Horst
(Edition 3.2. Nov 2009)

Current Team Members as at 01/01/2013

Dick Heath
Evolver (Scott)
Man With Hat (Phil)
Darkshade (Mike)
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Jazz Rock/Fusion Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Jazz Rock/Fusion | More Top Prog lists and filters

4.38 | 603 ratings
KIND OF BLUE
Davis, Miles
4.36 | 860 ratings
BIRDS OF FIRE
Mahavishnu Orchestra
4.36 | 412 ratings
IN A SILENT WAY
Davis, Miles
4.37 | 136 ratings
TIME CONTROL
Uehara, Hiromi
4.30 | 358 ratings
SPECTRUM
Cobham, Billy
4.29 | 616 ratings
THE INNER MOUNTING FLAME
Mahavishnu Orchestra
4.26 | 530 ratings
ELEGANT GYPSY
Di Meola, Al
4.31 | 160 ratings
WE'LL TALK ABOUT IT LATER
Nucleus
4.27 | 225 ratings
CROSSINGS
Hancock, Herbie
4.24 | 369 ratings
BITCHES BREW
Davis, Miles
4.23 | 407 ratings
ROMANTIC WARRIOR
Return To Forever
4.26 | 216 ratings
ENIGMATIC OCEAN
Ponty, Jean-Luc
4.23 | 465 ratings
CARAVANSERAI
Santana
4.23 | 347 ratings
ABRAXAS
Santana
4.30 | 117 ratings
VISITATION
Pohjola, Pekka
4.54 | 33 ratings
THE COLOURS OF CHLOË
Weber, Eberhard
4.25 | 176 ratings
THE WAY UP
Metheny , Pat
4.30 | 89 ratings
MODRÝ EFEKT & RADIM HLADÍK
Blue Effect (Modrý Efekt; M. Efekt)
4.29 | 86 ratings
SVITANIE
Blue Effect (Modrý Efekt; M. Efekt)
4.20 | 254 ratings
VALENTYNE SUITE
Colosseum
4.21 | 177 ratings
LES PORCHES
Maneige
4.26 | 97 ratings
MILESTONES
Davis, Miles
4.32 | 63 ratings
SENTIMENTS
Iceberg
4.23 | 139 ratings
MAIDEN VOYAGE
Hancock, Herbie
4.28 | 81 ratings
SVěT HLEDAčů
Blue Effect (Modrý Efekt; M. Efekt)
4.25 | 95 ratings
STADACONÉ
Sloche
4.35 | 52 ratings
OH YEAH!
Hammer, Jan
4.23 | 116 ratings
HARAKKA BIALOIPOKKU (AKA B THE MAGPIE)
Pohjola, Pekka
4.18 | 215 ratings
HYMN OF THE SEVENTH GALAXY
Return To Forever
4.31 | 58 ratings
ALMA DE DIAMANTE
Spinetta Jade
4.20 | 137 ratings
A TRIBUTE TO JACK JOHNSON
Davis, Miles
4.20 | 133 ratings
TILT - IMMAGINI PER UN ORECCHIO
Arti e Mestieri
4.72 | 17 ratings
IZVIR
Izvir
4.19 | 143 ratings
WHAT IF
Dixie Dregs
4.26 | 69 ratings
L'AXE DU FOU
Forgas Band Phenomena
4.42 | 33 ratings
AGITOR LUCENS V
Arco Iris
4.19 | 133 ratings
MYSTICAL ADVENTURES
Ponty, Jean-Luc
4.68 | 18 ratings
TERJE RYPDAL
Rypdal, Terje
4.74 | 16 ratings
REALIZATION
Henderson, Eddie
4.21 | 89 ratings
'ROUND ABOUT MIDNIGHT
Davis, Miles
4.25 | 66 ratings
BIG FUN
Davis, Miles
4.30 | 48 ratings
QUALIA
Syrinx
4.17 | 130 ratings
J'UN OEIL
Sloche
4.16 | 153 ratings
FAIRYPORT
Wigwam
4.32 | 44 ratings
LEB I SOL 2
Leb I Sol
4.20 | 88 ratings
OFFRAMP
Metheny , Pat
4.16 | 131 ratings
THE LOST TRIDENT SESSIONS
Mahavishnu Orchestra
4.31 | 45 ratings
FABULIS MIRABILIBUS DE BOMBYCOSI SCRIPTIS
Kenso
4.44 | 28 ratings
ELEGIE (AS JAZZ Q MARTINA KRATOCHVILA)
Jazz Q
4.30 | 46 ratings
DEDICATED TO YOU, BUT YOU WEREN'T LISTENING
Tippett Group, Keith
4.21 | 78 ratings
MILES SMILES
Davis, Miles
4.26 | 52 ratings
RAHMANN
Rahmann
4.34 | 36 ratings
YELLOW FIELDS
Weber, Eberhard
4.20 | 74 ratings
DARK SHOT
One Shot
4.11 | 235 ratings
UNORTHODOX BEHAVIOUR
Brand X
4.15 | 100 ratings
SECRET STORY
Metheny , Pat
4.15 | 92 ratings
EROTIC CAKES
Govan, Guthrie
4.24 | 51 ratings
SYMBIOSIS
Jazz Q
4.24 | 48 ratings
WE KEEP ON
Embryo
4.09 | 242 ratings
SANTANA
Santana
4.10 | 152 ratings
WHERE HAVE I KNOWN YOU BEFORE
Return To Forever
4.10 | 157 ratings
QUANTUM
Planet X
4.12 | 122 ratings
SEXTANT
Hancock, Herbie
4.24 | 44 ratings
FERMÁTA
Fermáta
4.15 | 79 ratings
AS FALLS WICHITA, SO FALLS WICHITA FALLS (WITH LYLE MAYS)
Metheny , Pat
4.12 | 108 ratings
MASQUES
Brand X
4.28 | 35 ratings
RUCNI RAD
Leb I Sol
4.19 | 54 ratings
PIHKASILMÄ KAARNAKORVA
Pohjola, Pekka
4.12 | 93 ratings
MANEIGE
Maneige
4.08 | 182 ratings
AJA
Steely Dan
4.12 | 91 ratings
HUASCARAN
Fermáta
4.82 | 11 ratings
HALLUCINATION ENGINE
Material
4.06 | 210 ratings
ONE OF A KIND
Bruford, Bill
4.16 | 62 ratings
LAMBERTLAND
Tasavallan Presidentti
4.39 | 23 ratings
ANOMALY
McLuhan
4.22 | 42 ratings
BELIEVE IT
Williams Lifetime, Tony
4.43 | 21 ratings
ENERGIT
Energit
4.16 | 61 ratings
ORGANIK
Niacin
4.07 | 172 ratings
MORROCAN ROLL
Brand X
4.11 | 95 ratings
METAL FATIGUE
Holdsworth, Allan
4.14 | 69 ratings
4TH
D.F.A.
4.12 | 77 ratings
NEFERTITI
Davis, Miles
4.09 | 105 ratings
CHICAGO (AKA CHICAGO II)
Chicago
4.13 | 73 ratings
THRUST
Hancock, Herbie
4.06 | 165 ratings
BLOW BY BLOW
Beck, Jeff
4.16 | 57 ratings
ILLUMINATIONS (WITH ALICE COLTRANE)
Santana, Carlos
4.10 | 88 ratings
NI VENT... NI NOUVELLE
Maneige
4.23 | 38 ratings
CRNA DAMA
Smak
4.13 | 67 ratings
DEDALUS
Dedalus
4.19 | 45 ratings
VOLUME 1: CONTRE COURANT
Opus-5
4.10 | 80 ratings
PAT METHENY GROUP
Metheny , Pat
4.09 | 88 ratings
CINQUE
Deus Ex Machina
4.10 | 76 ratings
INDÍGENA
Mar de Robles
4.53 | 15 ratings
RITES
Garbarek,Jan
4.15 | 52 ratings
STRAIGHT TO THE KRANKENHAUS
Secret Oyster
4.11 | 68 ratings
KING CRIMSON SONGBOOK, VOLUME ONE
Crimson Jazz Trio
4.12 | 61 ratings
WATERCOLORS
Metheny , Pat
4.26 | 29 ratings
SUDAMÉRICA O EL REGRESO A LA AURORA
Arco Iris
4.20 | 37 ratings
AFREAKA!
Demon Fuzz
4.15 | 47 ratings
EWAZ VADER
One Shot

Jazz Rock/Fusion overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Jazz Rock/Fusion experts team

DEDALUS
Dedalus
LAWRENCE OF NEWARK
Young, Larry
RAHMANN
Rahmann
SHABAZZ
Cobham, Billy

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Latest Jazz Rock/Fusion Music Reviews


 Wolanie o slonce nad swiatem by DZAMBLE album cover Studio Album, 1971
4.00 | 9 ratings

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Wolanie o slonce nad swiatem
Dzamble Jazz Rock/Fusion

Review by MChPro

4 stars This album is evidencing what influence jazz had on rock in 60ties and even more in 70ties. Such jazz musicians as Tomasz Stańko, Zbigniew Seifert or Michał Urbaniak taking part in its recording should persuade you that it is worth listening to this little gem.

Zaucha's voice is strong and full of emotion. He was destined to make great career later in Poland and his tragic death made him a cult singer in his country.

Texts (written by poets Leszek Moczulski and Jerzy Ficowski) are very strong side of this album, so if you know Polish language then your pleasure will be doubled.

"Wołanie o słońce nad światem" (transl. the cry for the sun over the world) when released became a major success in Poland but the band dissolved in next year. Great pity.

 Monkjack by BRUCE, JACK album cover Studio Album, 1995
4.05 | 3 ratings

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Monkjack
Jack Bruce Jazz Rock/Fusion

Review by Matti
Collaborator Neo-Prog Team

4 stars According to his own memories the album Somethin Els (1993) was JACK BRUCE's return to health. To celebrate his 50th birthday he gave a series of concerts in Cologne, which resulted as the live double album Cities of the Heart. His next studio album was unique in his output as it features only his voice and piano plus Bernie Worrell's Hammond B3 organ. To some listeners this may not sound so appealing, but I think it all works amazingly well. From the prog world for example PETER HAMMILL and ANTHONY PHILLIPS have done similar efforts, and JUKKA GUSTAVSON's Bluesion (1992) comes pretty close too. Among singer-songwriters and jazz vocalists it's perhaps not so unusual to make a "vocals & keyboards only" album. Bruce is a jazz oriented singer-songwriter, so it's not a big surprise that he handles this department so naturally.

Monkjack's strength is definitely in the excellent songs full of depth and emotion. No doubt many of them would sound great with a band setting too, but their characters go perfectly hand in hand with the arrangement. My least fave track is probably the instrumental 'Know One Blues' which isn't bad at all. 'Weird of Hermiston' originates from Bruce's debut Songs For A Tailor (1969) and 'Folk Song' from Harmony Row (1971). The latter is very beautiful, slow and introspective song. Other highlights - I indeed seem to prefer the most emotional ones - include 'David's Harp' and 'Laughing on Music Street'.

Here and there blues flavour comes audible, slightly gospel too. All in all this album doesn't fall into a specific musical genre. It's a very introspective collection of fine songs that are backed by piano and Hammond only. The playing is not trying to be the thing itself, even if the singing leaves pleanty of room for instrumental moments. Recommended!

 Somethin Els by BRUCE, JACK album cover Studio Album, 1993
3.08 | 11 ratings

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Somethin Els
Jack Bruce Jazz Rock/Fusion

Review by Matti
Collaborator Neo-Prog Team

3 stars Esoteric Recordings have recently put out several re-releases of JACK BRUCE's albums. This song- writing bassist-vocalist (actually a multi-intrumentalist, playing keyboards and sometimes also cello and drums), and one third of the blues-rock legend CREAM of course, has a huge discography since 1969 and shows no intention to retire yet. For those totally green to Bruce's music I'd like to point out that it hardly can be identified as prog, seldom it's clearly jazz-rock/fusion either, no more than say STEELY DAN is; closer to truth he's a singer-songwriter making intelligent rock with jazz & blues flavour - and he does it well with a voice of his own.

Somethin Els isn't among his best works, but it's a satisfying mainstream album. At the time Bruce had lived in Germany for years, and the album was released via German label CMP Records. I think the music has an American feel. Most songs are co-written with his old collaborator Pete Brown. The list of musicians includes Eric Clapton and Maggie Reilly, who sings duet on atmospheric 'Ships in the Night'. There perhaps aren't any special highlights that one would remember right away, but not very weak songs either. The production is clean, but it avoids the sense of overproduction. Piano and synths are notably present. The bluesiest song 'G.B. Dawn Blues' features Dick Heckstall-Smith on tenor & soprano saxophones. The album closes beautifully with 'FM' for solo piano.

Esoteric's release contains an informative article (as usual - that's a notable reason to appreciate their re-releases), lyrics, and three bonus tracks taken from the album The Snake Music, a collaboration with percussionist Mark Nauseef and guitarist Miroslav Tadic. They are good, especially the slow- tempo Hendrix cover 'Wind Cries Mary'.

 Whenever I Seem To Be Far Away by RYPDAL, TERJE album cover Studio Album, 1974
3.87 | 17 ratings

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Whenever I Seem To Be Far Away
Terje Rypdal Jazz Rock/Fusion

Review by apps79
Special Collaborator Neo Prog Team

3 stars Staying in 1974, and Rypdal would release another solo effort, definitely his most ambitious one among his first few albums.''Whenever I seem to be far away'' was another ECM product, featuring again Sveinung Hovensjo on electric bass and Jon Christensen, this time only on percussion, while the picture are entering Odd Ulleberg on French horn and Peter Knutsen on Mellotron and electric piano, a founding member of Popol Ace.Moreover Rypdal would collaborate with the Suedfunk Symphony Orchestra of Stuttgart, conducted by Mladen Gutesha.

Forget about Rypdal's deep experimental and highly minimalistic efforts of the past, here the style is more energetic, passionate and intense, even if there are plenty of improvisations and laid-back moments to be found.Clocking at 14 minutes, ''Silver bird is heading for the sun'' is an emphatic opener of psychedelic Fusion with Rypdal non-stop guitar torturing in a loose style over a fair dose of electric piano and some interruptions for the French horn of Ulleberg to be called.Jazzy rhythms, hypnotic psychedelia and angular guitar solos all the way, but the surprise comes from the cinematic Mellotron injections of Knutsen towards an even more sinister and cosmic atmosphere.The following ''The hunt'' lies somewhere between Jazz Orchestra stylings and Symphonic/Psychedelic Rock, opening with a more melodic sound due to the crying horn lines, but becoming a rich, orchestrated piece along the way with an omnipresent Mellotron and the abstract guitar/bass/drums beats of Rypdal, Hovensjo and Christensen.Entering the flipside, the 18-min. title-track, featuring Christian Hedrich on viola and Helmut Geiger on violin, is a different story.1/3 goes for cosmic, orchestral music, like coming out of a Soundtrack, with only the apparent presence of strings and wind instruments, before Rypdal enters the picture with his slow, atmospheric guitar.He supports the orchestra with his occasional electric solos, but the bulk of this track is dedicated to the pessimistic yet dreamy orchestrations of the Germans.Mellow stuff, which still has some weird, inner dynamics.

Unique work, which contains elements of symphonic, Classical, Jazz and Rock Music.Atmospheric, instrumental, multi-colored palletes, delivered in smooth arrangements.Recommended.

 Ablution by ABLUTION album cover Studio Album, 1974
3.56 | 7 ratings

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Ablution
Ablution Jazz Rock/Fusion

Review by PROGNATURE BEAST

3 stars This obscure seven-piece band cut their sole album in Sweden, 1974, John Gustafson (bass) and Pete Robinson (Keybords) were two Englishmen that had worked together earlier in the UK prog rock trio Quatermass (1970). Ablution plays a very average kind of jazz-rock fusion that can't stick into my mind.Their playing is solid enough, particularly the combination of the flute and the percussion is strong and adds a latin flavor to their sound. Typical of this era we also hear elements of funk here and there, but overall nothing memorable. As I know it never came out on cd, so the vinyl copies may be expensive too. So, don't look around for it, except if you are deep into Jazz Rock.
 Fantasizer! by WATSON, DEAN album cover Studio Album, 2014
3.98 | 19 ratings

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Fantasizer!
Dean Watson Jazz Rock/Fusion

Review by BrufordFreak

4 stars This is a nice Jazz-Fusion follow-up to 2012's excellent and accessible Imposing Elements.

1. "Fantasizer!" (8:17) is quite a nice, melodic, multi-instrumental-featuring opener. A little PAT METHENY GROUP feel to it--until the heavier section begins at the 3:25 mark, which becomes more prog-like. It also reminds me of some of HIROMI'S SONICBLOOM's work in the Naughties. (9/10)

2. "Twig" (5:39) opens, oddly, as if it is a remake of the previous song! Again, the HIROMI feel is quite strong. The synth vocal choir is awesome. At 1:12 the song breaks to establish a sparse, almost Minimalist soundscape on which a very catchy piano melody hooks us in. At 2:45 a Tarkus-like keyboard section begins and sustains this ELP feel until the 4:00 mark, when another silent, open spaced section allows a piano to speak a few phrases, before the return to a high-powered full-band section based upon the melody from Section B. One of my three favorite songs on the album. (9/10)

3. "Freak" (7:32) opens quite ominously, with some great rhythm and chord progressions, before settling into a driving pace not unlike an ALAN PARSONS instrumental. The guitar lead work is great but, for some reason, it is the backing keyboard work that keeps reaching up to grab my attention--including a very awesome LYLE MAYS-like keyboard solo at the end of the third minute. The slowed down piano-led section in the sixth minute loses some of the song's well-established momentum, but gradually builds back into some tension--which is then relieved by some nice ALLAN HOLDSWORTH-like guitar runs. Unfortunately this section sounds too much like some of the more awesome moments from Imposing Elements (specifically, "Past Present," "Pendulum," and "New Resolution"). (8/10)

4. "Nomad" (7:36) opens with a very jazzy electric piano solo. There is a CHICK COREA/DAVE STEWART kind of feel to this. As the song finishes out it becomes more NATIONAL HEALTH-like. Keyboards definitely rule the roost on this one. (8/10)

5. "At Odds" (4:18) opens with a wonderful bass, drums and organ rhythmic progression. Eventually some nice guitar work spits its way into the song--alone and over the full-band music. Probably my favorite song on the album because of the drum and organ interplay--as well as the odd time signatures and frequent tempo changes. (9/10)

6. "The Anomaly" (4:38) opens on a very upbeat, melodic fashion, with piano and synths establishing the song melodies over very solid drum beat and some very cool bass play. A spacious interlude at 1:15 has a PAT METHENY GROUP feel to it until, again, some electric guitar power chord strums bring us out. Some guitar riffs at 2:35 bring us to another level, setting up some more ALLAN HOLDSWORTH-like guitar soloing. The consistent background piano arpeggios and bass play make this my other top three. (9/10)

7. "Linear Tendency" (5:48) almost a RUSH "Tom Sawyer" intro leads to a very jazzy piano section over a very jazzy rhythm section. Soloing synth mirrors piano, then organ takes a brief turn at lead (awesome midi-bass-marimba chord play in the background!). Another LYLE MAYS-like mid-song keyboard interlude. At 3:30, the now-familiar HOLDSWORTH-like guitar enters, trading solo time with keyboard synths. Familiar Watson sound and structures. (8/10)

8. "Caged Creator" (11:32) is the album's "epic." It begins like a typical PAT METHENY-LYLE MAYS introspective: gently, yet cerebrally. At 1:43 the song finally shifts into second gear with cymbal, piano, bass, and, finally, drum entry. Mid-third minute, the sound empties out for some midi piano-marimba arpeggiation. Rock rhythm section rejoins and then, with electric guitar and then organ leading the way, the song tries to kick into third gear. But, no! It all hiccups again for a few bars until things really kick into Drive at the 4:08 mark. Electric guitar takes over leadership for a while (with organ playing a nice second fiddle), with slight additions from marimba, bass and drums, before yet another interlude has the song bottoming out in a METHENY-MAYS-like potential energy-laden piano and "horn-guitar" section. It's actually quite a nice section--especially as it sustains for a full two minutes, before downshifting into a one minute acoustic (tho mellotron supported) section. Shift back into drive as piano and guitar/bass chords mirror minor progressions, back to major and then return to the intro theme for the last 45 seconds. Good song that has grown on me over the past couple months. (8/10) 9. "Solemn" (3:16) is a beautiful little almost BILL EVANS/HIROMI-like piano outro. I'm a sucker for this kind of stuff. (9/10)

A well-crafted foray onto that elusive bridge over the valley between Jazz Fusion and instrumental Prog Rock that should stand up well over time as has its predecessor, Imposing Elements. I like the engineering/recording/production on this one better than that on IE, but there is something lacking, something exceptional or extraordinary, which keeps me from giving this 5 stars.

4.5 stars rated down for 'Dean Watson' familiarity.

 Hiromi's Sonicbloom Live in Concert by UEHARA, HIROMI album cover DVD/Video, 2009
4.85 | 4 ratings

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Hiromi's Sonicbloom Live in Concert
Hiromi Uehara Jazz Rock/Fusion

Review by Fido73

5 stars Amazing DVD from an amazing show by an equally amazing Jazz piano player and her band. I saw her during this particular tour, supporting Time Control, and it's by far the best show I've seen in my life. This DVD might not be that show, but it's an equally great show. The only little problem with this DVD is that it does not contain Time Difference, the first song off Time Control. It's one of her best song and was amazing when she played it during the show I've been. But aside from that it's perfect. It start with Deep into the Night, my favourite song of her, and Hiromi and her band plays it amazingly. With only Note From The Past, a japanese only release track, and Return of the Kung-Fu World Champion, from Spiral. All the other song played in this DVD are from Time Control. It's a shame that Note From The Past wasn't on the domestic release of Time Control, because It's one of the best song played in that show. Just watching Hiromi doing her magic on the Piano and Keyboard during the song, give me goosebumps. All the musician of her band are at their best. You have to if you're playing with such a complete musician and piano player. A must DVD from a must artist in the field of Jazz and Jazz Rock/Fusion. 5 Stars nothing less.
 Beyond Standard by UEHARA, HIROMI album cover Studio Album, 2008
3.79 | 35 ratings

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Beyond Standard
Hiromi Uehara Jazz Rock/Fusion

Review by Fido73

5 stars Her previous album, Time Control, and this one, Beyond Standard, have been made under her Jazz Rock/Fusion band, Hiromi's Sonicbloom. The only big difference this time, except for 1 song, she didn't write the music but, like the title of the album say's, it's Jazz standard, but played version Hiromi. So, although she didn't write the material, it sound like her. When the album came out and saw that she didn't wrote most of the material on the album, I was kind of disappointed a little. But my fear vanished as soon as the first note of Softly As In A Morning Sunrise started to play. Wow! The beauty of her piano playing the first theme of the song is mesmerizing. And then we have a amazing bass solo from the incredible Tony Gray, and it's perfect for a perfect track.

Then we have Debussy's Clair De Lune. If the auteur of the track wasn't mention, I wouldn't have been able to know who wrote the track. Debussy Jazz? Yep, and it work well.

Next we have some Juan Tizol / Duke Ellington, Caravan, with some great Nord Lead passage and lot's of guitar.

Ue Wo Muite Aruko is a Japanese traditional song, best groove so far, very Funk Jazz, another amazing track.

My Favorite Things might be the most covered song in all the Jazz and Hiromi makes no exception. I was apprehensive of that one, but great variation, and she manage to infuse a big part of her personality in it.

Led Boots is a great Jazz Rock song from the Jeff Beck album Wired, and she does it justice and manage to pull it off once more.

XYG is the only Hiromi composition from the album and a song that was previously recorded as a Trio piece on her first album. This time she re-recorded the song, but as a Quartet, with David Fiuczynski adding a lot to the track with great Guitar parts.

The last song is a solo piece, like all her previous album, there is always a solo track, and the one in Beyond Standard doesn't disappoint, I've Got Rhythm from Gershwin, played like no one has done before, one of her most impressive piano playing ever!!!! A perfect end to another perfect album from one of my biggest inspiration in music, Hiromi Uehara. Another 5 stars, Essential: a masterpiece of jazz rock/fusion music.

 Splash by 7 FOR 4 album cover Studio Album, 2014
3.80 | 11 ratings

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Splash
7 for 4 Jazz Rock/Fusion

Review by Ovidiu

4 stars Fourth album for this very talented band from Munich-Germany!For those who don't know what is it about- 7 for 4 is the band of the former SIEGES EVEN guitar player Wolfgang Zenk!The guy made 2 great albums with SIEGES EVEN-SOPHISTICATED and UNEVEN!With his own band 7 for 4,he is at the 4-th try,and he released another excellent instrumental jazz metal-fusion album,which is absolutelly stunning-like all the 3 previous ones!Great musicianship,great diversity and fabulous production aswell!No weak track,all the musicians in the band are top class-all tracks are very well composed and we don't have a single moment of boredom at the audition of this inspired album!Of course,guitar is the leading instrument,but all the other guys in the band have their role and importance,the album is the fruit of a team work and it has all the ingredients to be called a great album!Enjoy a great musical experience!4.5 stars for me!
 Time Control by UEHARA, HIROMI album cover Studio Album, 2007
4.37 | 135 ratings

BUY
Time Control
Hiromi Uehara Jazz Rock/Fusion

Review by Fido73

5 stars The second most important album of my life after Björk Homogenic. Surprising for a guy who has grown-up with a big dosage of pure prog like Genesis, Yes, KIng Crimson, to have Bjök and Jazz pianist Hiromi has his 2 greatest inspiration? At least to me it somewhat is. I have discovered Hiromi through a jazz magazine, on a article on the best Jazz Rock album of all time. There was a part on the best new artist in Jazz and Jazz Rock/Fusion, she had just release her second album, Brain, and I decided to give it a try, and bought a copy. As soon as I heard the first song, I already knew I would love it, what a great album. I immediately bought he first album and a another winner here. But when Spiral her third album was release, I was disappointed by it, it's good but not 4 stars+ material. I kind of forget her and went to other genre of music like Björk for instance.

In 2007, I suffer a big depression and one morning, I woke up with the desire to end it all, but a voice in me said that I should go take a walk to my local record store, when i'm down it always calm me down, being in a record store. So I went for the store and when I got to the Jazz section, I saw that a new album by Hiromi at been release that day. It said Hiromi's Sonicbloom, weird, is it what I think it is? Yep, I turn the album over and saw that she added a guitarist, David Fiuczynski, to her usual mix of Tony Grey on Bass and Martin Valihora on Drums. Since she had started her career, Hiromi was 80% Jazz, 20% Fusion. Being a big Fusion fan, and having a new album by an artist that you like coming out in 2007, with not just a Jazz album, but a Jazz Rock at that! I bought it and went to my bedroom, put my headphones, put the CD in the player, lied down on my bed and press play? To paraphrase Björk, in the song Headphones, she sing "My Headphones save my life", it's true, it did, during the song Deep Into the Night, I started to cry like I never did in my life, that song, from that album, save my life, in this particularly gloomy day. It's THE Jazz Rock/Fusion of the new millennium. She's it, one of the most brilliant young artist in Jazz and music in general. All of her album after that one are amazing, but my personal favourite, and I did review it, is Voice.

If you are a fan of Jazz Rock/Fusion, and you still haven't heard her music, don't wait a minute, and get Time Control quick, it's a definitive masterpiece of Jazz Rock + it's all been recorded live in the studio, no overdubs!!!!! 10 Stars Essential: a masterpiece of Jazz Rock music for the 21st century.

Data cached

Jazz Rock/Fusion bands/artists list

Bands/Artists Country
3RD WORLD ELECTRIC Multi-National
4 FRONT United States
7 FOR 4 Germany
EIVIND AARSET Norway
JOHN ABERCROMBIE United States
ABLUTION Sweden
ABUS DANGEREUX France
ACCORDO DEI CONTRARI Italy
ADDISON PROJECT Canada
AERA Germany
AFROSKULL United States
AGHARTA Canada
AGORA Italy
AIN SOPH Japan
AKA MOON Belgium
JAN AKKERMAN Netherlands
ALAS Argentina
ALKEMY France
ALKOTRIO Russia
ALTRUISMOS Argentina
AMARILLO CIAN Y MAGENTA Costa Rica
AMIGDALA Italy
ANAMORPHOSE France
APOSTOLIS ANTHIMOS Poland
ANTIHÉROE Argentina
AQUARELLE Canada
ARATTA REBIRTH Armenia
ARCANA United States
ARCHIMEDES BADKAR Sweden
ARCO IRIS Argentina
NEIL ARDLEY United Kingdom
BRUCE ARNOLD United States
ARSENAL Russia
ARTI E MESTIERI Italy
TIHOMIR POP ASANOVIC Yugoslavia
ASSOCIATION P.C. Multi-National
ASSOLO DI BONGO Italy
ASTRAKAN United Kingdom
ASTRO CAN CARAVAN Finland
ATMOSPHERES Multi-National
ATTENTION DEFICIT United States
BRIAN AUGER United Kingdom
AUM Brazil
AURORA United States
AVANT GARDEN United States
AVIOLINEE UTOPIA Italy
AXIS Greece
AYERS ROCK Australia
AZIGZA United States
B F Estonia
BAALBEK Argentina
BACK DOOR United Kingdom
BAKMAK Germany
BANDHADA Chile
BANDVIVIL Japan
BANGTOWER Multi-National
PETER BANKS United Kingdom
BARCELONA TRACTION Spain
PETER BARDENS' MIRAGE United Kingdom
IL BARICENTRO Italy
RANJIT BAROT India
BAUHAUS Italy
JEFF BECK United Kingdom
BEDJABETCH France
BELLA BAND Italy
BEN United Kingdom
BERITS HALSBAND Sweden
ALESSANDRO BERTONI Italy
ALAIN BLESING France
CARLA BLEY United States
BLIXT Multi-National
BLOOD SWEAT & TEARS United States
BLUE DRIFT United Kingdom
BLUE EFFECT (MODRÝ EFEKT; M. EFEKT) Czech Republic
BLUE SUN Denmark
BOHEMIA Czech Republic
CELINE BONACINA France
BONFIRE Netherlands
BOUD DEUN United States
GARY BOYLE United Kingdom
BOZON United States
BOZZIO LEVIN STEVENS United States
BRAINCHILD United Kingdom
BRAINSTORM Germany
BRAND X United Kingdom
THE BRECKER BROTHERS United States
EVAN BREWER United States
BROTHER APE Sweden
BROWN VS BROWN Netherlands
JACK BRUCE United Kingdom
BRUFORD LEVIN UPPER EXTREMITIES United States
BILL BRUFORD'S EARTHWORKS United Kingdom
BILL BRUFORD United Kingdom
DEWA BUDJANA Indonesia
BURNIN' RED IVANHOE Denmark
BWANA Nicaragua
CAB United States
CAMEMBERT France
JORGE CAMPOS Chile
GADI CAPLAN Israel
ALAIN CARON Canada
CARPATHIA PROJECT Hungary
CASH PONY United States
CENTIPEDE United Kingdom
CEREBUS EFFECT United States
CHAD SMITH'S BOMBASTIC MEATBATS United States
DENNIS CHAMBERS United States
CHAMELEON Sweden
CHASE United States
CHEIRO DE VIDA Brazil
CHICAGO United States
CHUTE LIBRE France
CINCINNATO Italy
STANLEY CLARKE United States
NELS CLINE United States
BILLY COBHAM United States
ORNETTE COLEMAN & PRIME TIME United States
STEVE COLEMAN United States
COLOSSEUM United Kingdom
COLOSSEUM II United Kingdom
COMA Denmark
COMPANYIA ELÈCTRICA DHARMA Spain
CONFUSION Greece
BILL CONNORS United States
CONTEMPORARY NOISE SEXTET / QUARTET / QUINTET Poland
GIANFRANCO CONTINENZA Italy
CONTINUUM Multi-National
CONTREVENT Canada
COPERNICUS CROW United States
CHICK COREA ELEKTRIC BAND United States
CORONARIAS DANS Denmark
LARRY CORYELL United States
CURT CRESS Germany
CRIMSON JAZZ TRIO United States
DAVID CROSS United Kingdom
CRY FREEDOM Germany
CRYPTO Netherlands
CYKLUS Germany
CYMANDE Multi-National
CZAJKOWSKI MINNEMANN United States
D.F.A. Italy
DARK Multi-National
MILES DAVIS United States
KOEN DE BRUYNE Belgium
LOUIS DE MIEULLE France
DEDALUS Italy
DEFUNKT United States
JACK DEJOHNETTE United States
DEMON FUZZ South Africa
DEN ZA DEN Yugoslavia
DENNIS Germany
DESATANUDOS Argentina
DEUS EX MACHINA Italy
AL DI MEOLA United States
MCLAUGHLIN AND DE LUCIA DI MEOLA Multi-National
DISCORDIAN SOCIETY United States
DIXIE DREGS United States
DJABE Hungary
DJAMRA Japan
DON GATO Peru
VIRGIL DONATI Australia
DOUBT United Kingdom
BOB DOWNES' OPEN MUSIC United Kingdom
DR. DOPO JAM Denmark
DREAMS United States
DROBAN-APHERNA Portugal
DUELLO MADRE Italy
JOEL DUGRENOT France
GEORGE DUKE United States
DZAMBLE Poland
E MOTIVE United States
EAST WIND POT Japan
EDGE United Kingdom
EDITION SPÉCIALE France
EDO Canada
EELA CRAIG Austria
ELECTROMAGNETS United States
ELEPHANT9 Norway
DON ELLIS United States
EMBRYO Germany
EMERGENCY Multi-National
ENERGIT Czech Republic
ENERGY OF SOUND United States
ERGO United States
ERGO SUM France
ESAGONO Italy
ESSENTIAL HAZARD United States
ETNA Italy
EVOLUCIÓN Chile
EX VITAE France
EXAMPLES OF TWELVES United Kingdom
EXMAGMA Germany
EXTRA BALL Poland
EYOT Serbia
EZOO Multi-National
ANTOINE FAFARD Canada
YIORGOS FAKANAS Greece
FANTASIA CROMATICA Argentina
FARMERS MARKET Norway
FEEDBACK Slovenia
FENOMEN Turkey
FERMÁTA Slovakia
FICTION United States
FINNFOREST Finland
FIRE MERCHANTS United Kingdom
A FISH'S DIVING SUIT Germany
DAVID FIUCZYNSKI United States
FLAMENGO Czech Republic
FLAT 122 Japan
BELA FLECK AND THE FLECKTONES United States
FORGAS BAND PHENOMENA France
PATRICK FORGAS France
THE FOURTH WAY United States
THE FOWLER BROTHERS (AIR POCKET) United States
FRAGILE Japan
FRAGMENT37 United States
FREAKZOID United States
FREE WAVE SYSTEM Italy
FREEHAND United States
BILL FRISELL United States
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FUGU France
FULANO Chile
FULLMOONS Greece
GALLIARD United Kingdom
GAMALON United States
GARAGE A TROIS United States
GARAJ MAHAL United States
JAN GARBAREK Norway
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GENRE United States
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GIS MAJ ES Serbia
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GOLD United States
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GOZZOZO France
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LE GRAND NEBULEUX France
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GRITS United States
MUCK GROH Germany
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GROUP 87 United States
THE GROUP Finland
GUADALQUIVIR Spain
GUILLAUME PERRET & THE ELECTRIC EPIC France
WLODZIMIERZ GULGOWSKI Poland
GUNESH ENSEMBLE Turkmenistan
GURTH Spain
JUKKA GUSTAVSON Finland
VASIL HADZIMANOV BAND Serbia
MARY HALVORSON United States
JAN HAMMER United States
HERBIE HANCOCK United States
HANSFORD ROWE COLLECTIVE United States
JON HASSELL United States
HEAD United Kingdom
HEADBAND Germany
DICK HECKSTALL-SMITH United Kingdom
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RONNY HEIMDAL Norway
JONAS HELLBORG Sweden
A HELMET OF GNATS United States
EDDIE HENDERSON United States
ALEJANDRO HERRERA Argentina
JAKE HERTZOG United States
DAVID HINES United States
ALLAN HOLDSWORTH United Kingdom
HOWEVER United States
HUGHSCORE United Kingdom
HUMAN ELEMENT United States
GARY HUSBAND United Kingdom
I KNOW YOU WELL MISS CLARA Indonesia
IBIS Sweden
ICARUS United Kingdom
ICEBERG Spain
ICONOCLASTA Mexico
IF United Kingdom
IGZIT-NINE Japan
IMÁN CALIFATO INDEPENDIENTE Spain
IMPACT FUZE Russia
IMPULS Czech Republic
INNER DRIVE Russia
IRON KIM STYLE United States
JOHN IRVINE United Kingdom
ISOTOPE United Kingdom
IZVIR Yugoslavia
RONALD SHANNON JACKSON United States
JAGA JAZZIST Norway
JAM CAMP United States
BENNY JANSSON Sweden
JARKA Spain
JAZZ PISTOLS Germany
JAZZ Q Czech Republic
JINETE AZUL Argentina
JENS JOHANSSON Sweden
ALPHONSO JOHNSON United States
JOIN IN Germany
JULIAN JULIEN France
JUPU GROUP Finland
JUTRO Yugoslavia
KADA Hungary
KALEIDON Italy
KANDAHAR Belgium
KARCIUS Canada
KASEKE Estonia
KBB Japan
KEHELL Japan
KENNEDY Japan
KENSO Japan
KICK THE CAT United States
KLAN Poland
KORNET Sweden
KORNI GRUPA / KORNELYANS Yugoslavia
KOSTAREV GROUP Russia
KRAAN Germany
KRABAT Germany
KRAKATOA United States
WAYNE KRANTZ United States
KRÉ Venezuela
VOLKER KRIEGEL Germany
KROKOFANT Norway
KUJAKUON Japan
KUMINA.ORG Finland
KUNDALINI Sweden
LA DESOOORDEN Chile
LABORATORIUM Poland
LAND OF CHOCOLATE United States
SHAWN LANE United States
LASTING WEEP Canada
LEB I SOL Yugoslavia
LEHMEJUM Brazil
LEPRECHAUN Chile
TONY LEVIN United States
LIGHTHOUSE Canada
LIGRO Indonesia
LINDWURM Germany
LIVING LIFE Italy
DIDIER LOCKWOOD France
THE LONELY BEARS Multi-National
LOTUS Sweden
RENAUD LOUIS GROUP France
LUMINA Brazil
MAAD Italy
JOHN MACEY United States
MACHINE AND THE SYNERGETIC NUTS Japan
MACKENZIE THEORY Australia
MADE IN SWEDEN Sweden
MAELSTROM United States
MAGNETIC SOUND MACHINE Italy
MAHAGON Czech Republic
MAHAVISHNU ORCHESTRA Multi-National
MAHAVISHNU PROJECT United States
MAHJUN France
MAHTRAK Brazil
DIDIER MALHERBE France
SEAN MALONE United States
MAN DOKI SOULMATES Multi-National
MANDRILL United States
MANEIGE Canada
MANFRED MANN'S CHAPTER THREE United Kingdom
MANOGURGEIL Finland
MICHAEL MANRING United States
MICHAEL MANTLER Austria
MAR DE ROBLES Chile
MARBIN Multi-National
THOMAS MARRIOTT United States
MATERIAL United States
MATHEMATICIANS United States
MATS-MORGAN (BAND) Sweden
BENNIE MAUPIN United States
MCGILL MANRING STEVENS United States
SCOTT MCGILL United States
JOHN MCLAUGHLIN United Kingdom
MCLUHAN United States
MECKI MARK MEN Sweden
MEDESKI MARTIN & WOOD United States
MEDIABANDA Chile
MEGAN QUARTET Estonia
MENTAT ROUTAGE France
METALWOOD Multi-National
METAMORFOSIS Spain
PAT METHENY United States
CARLO MEZZANOTTE & SYNTAXIS Italy
MISA MICEVSKI Serbia
RIGEL MICHELENA Venezuela
MICKYLEE Serbia
MIDNIGHT SUN (RAINBOW BAND) Denmark
RADOMIR MIHAJLOVIC TOCAK Yugoslavia
BARRY MILES United States
MIND GALLERY Canada
MINDFLOWERS Hungary
MINOKE? Japan
MIRAGE France
MISSING LINK Germany
MISSUS BEASTLY Germany
MIST SEASON Finland
THE MISTAKES United States
TOSHIYUKI MIYAMA & HIS NEW HERD / MASAHIKO SATOH Japan
MOGUL THRASH United Kingdom
MOIRA Germany
NILS PETTER MOLVAER Norway
MOMBASA Multi-National
MONGOL Japan
MONSIEUR DUBOIS Netherlands
MOOGG Italy
MOOSE LOOSE Norway
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MORPHEUS Germany
ALAN MORSE United States
MORSOF Japan
MORTA Canada
MOUSE ON THE KEYS Japan
ZUZO MOUSSAWER Brazil
ALPHONSE MOUZON United States
MUSICA URBANA Spain
MYSTERIES OF THE REVOLUTION United Kingdom
NADOIEDA Italy
NANU URWERK Germany
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NAPOLI CENTRALE Italy
NATHAN MAHL Canada
NATSUMEN Japan
NDIO Netherlands
NEXT ORDER Japan
NGUYÊN LÊ France
NIACIN United States
NIMA & MERGE United States
NOETRA France
NOVA Italy
NUCLEUS United Kingdom
OCTOBER United States
ODRAREG Venezuela
L' OEIL DU SOURD France
OHM United States
OHMPHREY United States
ONE SHOT France
ÁNGEL ONTALVA Spain
OPA Uruguay
OPUS-5 Canada
L' ORCHESTRE SYMPATHIQUE Canada
OREGON United States
OSIBISA Ghana
MAGNUS ÖSTRÖM Sweden
KIYOMI OTAKA Japan
OTIS GROVE United States
OTOWALA United States
OUT OF FOCUS Germany
OUTRE MESURE France
THE OWL WATCHES United States
OZONE QUARTET United States
PAIENS Canada
PANAMA RED Germany
PANOPTICON Belgium
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PANZERBALLETT Germany
PARALLEL MIND United States
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BARBARA THOMPSON'S PARAPHERNALIA United Kingdom
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PASSPORT Germany
JACO PASTORIUS United States
PATTO United Kingdom
PERIGEO Italy
MIKI PETKOVSKI Yugoslavia
PHLOX Estonia
PI-ER-2 Poland
PINK FREUD Poland
PLACEBO Belgium
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PLINI Australia
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JEAN-LUC PONTY France
COZY POWELL United Kingdom
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PREDMESTJE Yugoslavia
PRIAM France
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PRIORITY Japan
PRISMA X Chile
PROBE 10 United States
LES PROJECTIONNISTES Canada
PROTEUS United States
PSI Germany
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PSP (PHILLIPS SAISSE PALLADINO) Multi-National
PTF Japan
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QUARTIK Canada
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QUASAR Australia
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QUI Japan
RA QUINTET United States
RADIUS United Kingdom
RAGA BOP TRIO United States
RAHMANN France
RAYUELA Argentina
THE REAL AX BAND Germany
REFORM Sweden
XAVI REIJA Spain
RELEASE MUSIC ORCHESTRA Germany
RENAISSANCE SOUND United States
RETURN TO FOREVER United States
RHESUS O France
JEFF RICHMAN United States
RIFF RAFF United Kingdom
ROBOTOBIBOK Poland
ROCK JOINT Japan
ROHMER Italy
DAVID ROSE United States
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ROUND 11 Italy
ROUND HOUSE Japan
RUDDER United States
TERJE RYPDAL Norway
SAM (SLICK ALEXIUS MENNIGMANN) Germany
DAVID SANCIOUS United States
SANTANA Multi-National
CARLOS SANTANA Mexico
DON SCHIFF United States
ART SPIKE SCHLOEMER United States
SCHÖNFELD United Kingdom
SCHOOL OF THE ARTS United States
KRZYSZTOF SCIERANSKI Poland
JOHN SCOFIELD United States
SCOPE Netherlands
SCREAMING HEADLESS TORSOS United States
SECRET OYSTER Denmark
TONY SENATORE United States
SEPTEMBER Yugoslavia
DEREK SHERINIAN United States
SHIBUSASHIRAZU Japan
THE SHIN Georgia
WAYNE SHORTER United States
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SIXUN France
SKIN ALLEY United Kingdom
SKYWHALE United Kingdom
SLIVOVITZ Italy
SLOCHE Canada
THE SLOWMOVIES Italy
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SOLAR PLEXUS Sweden
SOLIS LACUS Belgium
SOLSTICE Canada
SOLUTION Netherlands
SOMBRE REPTILE France
SONCNA POT Yugoslavia
SPACE CIRCUS Japan
SPACED OUT Canada
TONY SPADA United States
SPECIAL OTHERS Japan
SPECTRUM ROAD Multi-National
SPEED LIMIT France
SPHERE 3 United Kingdom
SPHEROE France
SPIN Netherlands
SPINETTA JADE Argentina
SPLASH Sweden
SQUAREPUSHER United Kingdom
ST.ERHART France
STEELY DAN United States
STEEP United States
STRETCH IT TO THE LIMIT Peru
STRING CONNECTION Poland
STRINGS ARGUMENTS Japan
STROMBOLI Czech Republic
DARYL STUERMER United States
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MITSURU SUTOH Japan
SYMPOZION Israel
SYNCOPE Canada
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SYRINX France
T.R.A.M. United States
TANTOR Argentina
TASAVALLAN PRESIDENTTI Finland
TAU CETI Brazil
TESSERACT United States
TETRAGON Germany
LA THEORIE DES CORDES France
THIRSTY MOON Germany
STEVE TIBBETTS United States
TIDELINE Belgium
TIEMKO France
KEITH TIPPETT GROUP United Kingdom
TO BE Germany
TOHPATI BERTIGA Indonesia
TOHPATI ETHNOMISSION Indonesia
JUKKA TOLONEN Finland
TOMORROW'S GIFT Germany
TONBRUKET Sweden
TONTON MACOUTE United Kingdom
TÓRAX Argentina
DAVID TORN United States
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TOTAL ISSUE France
TOUBABOU Canada
RALPH TOWNER United States
TRANSIT EXPRESS France
TRI-OFFENSIVE Japan
TRIAL X Argentina
TRIANGULIZONA Croatia
TRIBAL TECH United States
A TRIGGERING MYTH United States
TRIO 96 Japan
EL TRIO Dominican Republic
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TRIOXYDE United States
TRIPOD United States
TROUT QT Finland
ERIK TRUFFAZ France
TRURL United States
TRYO Chile
TUATARA United States
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JARTSE TUOMINEN Finland
TURNING POINT United Kingdom
TWO SIBERIANS (Белый Острог / WHITE FORT) Russia
ÜBERFALL Switzerland
HIROMI UEHARA Japan
JAMES BLOOD ULMER United States
UMEZU KAZUTOKI KIKI BAND Japan
UNDER THE BIG TREE United States
UNDERTAKERS CIRCUS Norway
THE UNITED JAZZ AND ROCK ENSEMBLE Multi-National
UNOMA Spain
UPRIGHT Canada
MICHAL URBANIAK Poland
UTOPIANISTI Finland
UZEB Canada
UZVA Finland
VENEGONI & CO Italy
VENUS TEBLA Italy
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JAMES VINCENT United States
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VIRTUAL DREAM Italy
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MIROSLAV VITOUS Czech Republic
VOLKOR France
VOLTO! United States
CHAD WACKERMAN United States
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WARM DUST United Kingdom
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DEAN WATSON Canada
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THE WEB United Kingdom
EBERHARD WEBER Germany
SUSAN WEINERT BAND Germany
BUGGE WESSELTOFT Norway
WHERE'S THE NINE Canada
LENNY WHITE United States
WHOOPGNASH United States
BENOIT WIDEMANN France
WIGWAM Finland
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TONY WILLIAMS LIFETIME United States
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TAKU YABUKI Japan
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YAZZBOT MAZUT Poland
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ZAAL Italy
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ZED United States
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