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JAZZ ROCK/FUSION

A Progressive Rock Sub-genre


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Jazz Rock/Fusion definition


  1. Jazz Fusion is jazz that is strongly influenced by other styles of music. Jazz fusion is an ambiguous term that provides the first level sub-set down from Jazz. Jazz rock is a sub-sub set from jazz via jazz fusion. The ambiguity comes from an American tendency through the 90's and until now, to freely interchange jazz rock and jazz fusion, when in fact the latter term covers most hybrids of jazz fused with other forms of music. The roots of jazz rock can be traced back to RnB influenced soul-jazz artists such as Les McCann, Grant Green and Jimmy Smith, and young British jazzers such as Graham Bond, Ginger Baker, John McLaughlin, Jack Bruce, Georgie Fame, who were forced to use electronic instruments because the local club's acoustic instruments were reserved for the older established jazz musicians. Probably the first jazz artists that released recordings that mixed modern rock (circa 60s) with jazz were Larry Coryell, Jeremy Steig, Charles Lloyd, The Soft Machine, and The (Jazz) Crusaders. Meanwhile rock artists such as Cream, Grateful Dead and The Jimi Hendrix Experience were getting a lot of publicity and fame with their lengthy improvisations based on blues, rock, psychedelia and some jazz. These rock artists had an impact on Miles Davis who generated a lot of media attention to this new jazz-rock genre with his Bitches Brew album. From there the genre grew and exploded into numerous different directions. One of these directions was brass rock as exemplified by bands like Dreams, Chicago, BS&T and If. These bands combined elements of jazz, rock and classical music with arrangements for brass and woodwinds.

  2. Many other styles of music have been combined with jazz to create fusion including traditional music from around the world, R'n'B, rock, electronic music and pop music and jazz from Africa, Latin America, India and other places. One of the earliest examples of the use of the term fusion comes from the Indo-jazz fusion of Joe Harriott and John Mayer. Some of the more popular early practitioners of fusion included Weather Report and Herbie Hancock's Sextant. A few years later Shakti appears on the scene and expands the boundaries of fusion further, foreshadowing the World Fusion movement of the 90's.

  3. In part Nu.jazz grew out of the British acid jazz scene of the late 80s and early 90s, whilst modern leaders of nu.fusion cite Miles Davis and Jon Hassell as the godfathers of the genre. As the genre began to develop it took on other influences such as world beat/jazz fusion, psychedelic trip-hop, post-rock and mixtures of ambience with modern jazz. The jazz with electronia experiments that Jon Hassell was conducting in the late 80's, with the likes of Eno, were to be a major influence especially on the dance side of nu.jazz, sometimes known as nu.fusion. Three main elements make nu.jazz different from the more traditional jazz (rock) fusion. First of all there is less of an emphasis on instrumental virtuosity in nu.jazz (especially nu.fusion). Second, more use of electronics (especially skilled turntablism) and studio trickery that emphasizes sound textures. Third, nu.jazz tends to use more modern rhythms such as drum'n'bass, hip-hop, post-rock, and various mixtures of world beat rhythms. Progressive nu.jazz artists such as Bugge Wesseltoft, Nils Petter Molvaer and the Esbjörn Svensson Trio (E.S.T.), combine complicated compositions with modern rhythms to create new unheard of soundscapes - while the former two are leaders of nu.fusion, and with more emphasis on jazz playing, EST have been the leaders in straighter nu.jazz. Nu.jazz is loosely connected to other newer jazz fusion genres, particularly the more progressive live, jazz jam bands such as Medeski Martin & Wood or Garaj Mahal. It may seem that the only difference between the two genres is the country the artist is from or what scene they came up through.li>

Only the most progressive of nu jazz, jazz-rock and fusion artists are listed on Progarchives, although accceptability or not here may vary from person to person. All artists have elements of progressive rock in their music (e.g. Jean Luc Ponty, Bill Bruford or David Sancious) or they represent the most forward-looking and progressive element in their genre (e.g. Miles Davis, Herbie Hancock or Weather Report). It should be noted that those many Canterbury jazz rock fusion bands, e.g. Soft Machine, Soft Works, Soft Heap, Soft Machine Legacy, Gilgamesh etc. are to be found under the CANTERBURY heading in Prog Archives.

Dick Heath
John 'Easy Money'
Martin 'Alucard' Horst
(Edition 3.2. Nov 2009)

Current Team Members as at 01/01/2013

Dick Heath
Evolver (Scott)
Man With Hat (Phil)
Darkshade (Mike)
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Jazz Rock/Fusion Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Jazz Rock/Fusion | More Top Prog lists and filters

4.37 | 628 ratings
KIND OF BLUE
Davis, Miles
4.38 | 426 ratings
IN A SILENT WAY
Davis, Miles
4.44 | 143 ratings
TIME CONTROL
Uehara, Hiromi
4.36 | 885 ratings
BIRDS OF FIRE
Mahavishnu Orchestra
4.37 | 161 ratings
WE'LL TALK ABOUT IT LATER
Nucleus
4.30 | 366 ratings
SPECTRUM
Cobham, Billy
4.27 | 635 ratings
THE INNER MOUNTING FLAME
Mahavishnu Orchestra
4.27 | 543 ratings
ELEGANT GYPSY
Di Meola, Al
4.60 | 35 ratings
THE COLOURS OF CHLOË
Weber, Eberhard
4.26 | 383 ratings
BITCHES BREW
Davis, Miles
4.28 | 224 ratings
ENIGMATIC OCEAN
Ponty, Jean-Luc
4.32 | 116 ratings
VISITATION
Pohjola, Pekka
4.34 | 96 ratings
MILESTONES
Davis, Miles
4.24 | 470 ratings
CARAVANSERAI
Santana
4.24 | 353 ratings
ABRAXAS
Santana
4.23 | 424 ratings
ROMANTIC WARRIOR
Return To Forever
4.29 | 139 ratings
MAIDEN VOYAGE
Hancock, Herbie
4.27 | 171 ratings
THE WAY UP
Metheny , Pat
4.25 | 226 ratings
CROSSINGS
Hancock, Herbie
4.33 | 92 ratings
STADACONÉ
Sloche
4.32 | 94 ratings
MODRÝ EFEKT & RADIM HLADÍK
Blue Effect (Modrý Efekt; M. Efekt)
4.39 | 57 ratings
L'AXE DU FOU
Forgas Band Phenomena
4.35 | 63 ratings
SENTIMENTS
Iceberg
4.24 | 174 ratings
LES PORCHES
Maneige
4.35 | 58 ratings
ALMA DE DIAMANTE
Spinetta Jade
4.32 | 67 ratings
DARK SHOT
One Shot
4.20 | 251 ratings
VALENTYNE SUITE
Colosseum
4.24 | 134 ratings
TILT - IMMAGINI PER UN ORECCHIO
Arti e Mestieri
4.27 | 95 ratings
SVITANIE
Blue Effect (Modrý Efekt; M. Efekt)
4.29 | 83 ratings
SVěT HLEDAčů
Blue Effect (Modrý Efekt; M. Efekt)
4.23 | 139 ratings
A TRIBUTE TO JACK JOHNSON
Davis, Miles
4.42 | 40 ratings
QUALIA
Syrinx
4.27 | 88 ratings
'ROUND ABOUT MIDNIGHT
Davis, Miles
4.22 | 140 ratings
WHAT IF
Dixie Dregs
4.24 | 115 ratings
HARAKKA BIALOIPOKKU (AKA B THE MAGPIE)
Pohjola, Pekka
4.41 | 39 ratings
FABULIS MIRABILIBUS DE BOMBYCOSI SCRIPTIS
Kenso
4.25 | 87 ratings
OFFRAMP
Metheny , Pat
4.21 | 131 ratings
MYSTICAL ADVENTURES
Ponty, Jean-Luc
4.17 | 220 ratings
HYMN OF THE SEVENTH GALAXY
Return To Forever
4.72 | 17 ratings
REALIZATION
Henderson, Eddie
4.19 | 129 ratings
J'UN OEIL
Sloche
4.24 | 78 ratings
MILES SMILES
Davis, Miles
4.19 | 127 ratings
THE LOST TRIDENT SESSIONS
Mahavishnu Orchestra
4.40 | 35 ratings
AGITOR LUCENS V
Arco Iris
4.18 | 151 ratings
FAIRYPORT
Wigwam
4.26 | 65 ratings
BIG FUN
Davis, Miles
4.21 | 90 ratings
EROTIC CAKES
Govan, Guthrie
4.32 | 45 ratings
LEB I SOL 2
Leb I Sol
4.29 | 53 ratings
ORGANIK
Niacin
4.65 | 18 ratings
TERJE RYPDAL
Rypdal, Terje
4.28 | 50 ratings
RAHMANN
Rahmann
4.15 | 153 ratings
QUANTUM
Planet X
4.29 | 46 ratings
DEDICATED TO YOU, BUT YOU WEREN'T LISTENING
Tippett Group, Keith
4.30 | 45 ratings
EWAZ VADER
One Shot
4.24 | 59 ratings
4TH
D.F.A.
4.12 | 238 ratings
UNORTHODOX BEHAVIOUR
Brand X
4.17 | 100 ratings
SECRET STORY
Metheny , Pat
4.54 | 20 ratings
IZVIR
Izvir
4.10 | 242 ratings
SANTANA
Santana
4.32 | 36 ratings
YELLOW FIELDS
Weber, Eberhard
4.12 | 158 ratings
WHERE HAVE I KNOWN YOU BEFORE
Return To Forever
4.19 | 74 ratings
NEFERTITI
Davis, Miles
4.25 | 47 ratings
WE KEEP ON
Embryo
4.13 | 124 ratings
SEXTANT
Hancock, Herbie
4.17 | 75 ratings
AS FALLS WICHITA, SO FALLS WICHITA FALLS (WITH LYLE MAYS)
Metheny , Pat
4.17 | 71 ratings
INDÍGENA
Mar de Robles
4.80 | 12 ratings
HALLUCINATION ENGINE
Material
4.58 | 17 ratings
SPEAK NO EVIL
Shorter, Wayne
4.23 | 48 ratings
FERMÁTA
Fermáta
4.19 | 62 ratings
LAMBERTLAND
Tasavallan Presidentti
4.12 | 109 ratings
MASQUES
Brand X
4.08 | 185 ratings
AJA
Steely Dan
4.20 | 53 ratings
PIHKASILMÄ KAARNAKORVA
Pohjola, Pekka
4.13 | 90 ratings
HUASCARAN
Fermáta
4.27 | 37 ratings
RUCNI RAD
Leb I Sol
4.07 | 216 ratings
ONE OF A KIND
Bruford, Bill
4.11 | 107 ratings
CHICAGO (AKA CHICAGO II)
Chicago
4.20 | 51 ratings
OH YEAH!
Hammer, Jan
4.17 | 63 ratings
KING CRIMSON SONGBOOK, VOLUME ONE
Crimson Jazz Trio
5.00 | 9 ratings
SCREAMING HEADLESS TORSOS [ALSO KNOWN AS 1995]
Screaming Headless Torsos
4.24 | 41 ratings
BELIEVE IT
Williams Lifetime, Tony
4.18 | 57 ratings
ILLUMINATIONS (WITH ALICE COLTRANE)
Santana, Carlos
4.07 | 177 ratings
MORROCAN ROLL
Brand X
4.12 | 94 ratings
METAL FATIGUE
Holdsworth, Allan
4.56 | 16 ratings
RITES
Garbarek,Jan
4.15 | 67 ratings
DEDALUS
Dedalus
4.15 | 65 ratings
AFTER THE EXHIBITION
Wrong Object, The
4.18 | 53 ratings
STRAIGHT TO THE KRANKENHAUS
Secret Oyster
4.24 | 39 ratings
CRNA DAMA
Smak
4.12 | 82 ratings
CINQUE
Deus Ex Machina
4.18 | 51 ratings
PORGY AND BESS
Davis, Miles
4.15 | 58 ratings
WATERCOLORS
Metheny , Pat
4.34 | 25 ratings
ANOMALY
McLuhan
4.18 | 47 ratings
VOLUME 1: CONTRE COURANT
Opus-5
4.47 | 18 ratings
DIUMENGE
Companyia Elèctrica Dharma
4.19 | 44 ratings
THE REMEDY OF ABSTRACTION
Triggering Myth, A
4.22 | 38 ratings
LAVORI IN CORSO
D.F.A.
4.05 | 166 ratings
BLOW BY BLOW
Beck, Jeff
4.22 | 37 ratings
CALIFATO INDEPENDIENTE
Imán Califato Independiente
4.67 | 12 ratings
THE FOLLOWING MORNING
Weber, Eberhard

Jazz Rock/Fusion overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Jazz Rock/Fusion experts team

HORIZONTE
PSI
ZASTO NE VOLIM SNEG
Smak
HALLUCINATION ENGINE
Material
WHAT WE MUST
Jaga Jazzist

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Latest Jazz Rock/Fusion Music Reviews


 Speak No Evil by SHORTER, WAYNE album cover Studio Album, 1965
4.58 | 17 ratings

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Speak No Evil
Wayne Shorter Jazz Rock/Fusion

Review by Lear'sFool

5 stars Wayne Shorter is loved on these Archives for his work on "In A Silent Way" and with Weather Report. Other than that, however, his only solo output that gets any attention here is his modal/post-bop era and style "Speak No Evil". This is, after all, the solo work of his considered the finest by jazz aficionados, and comparable in quality and position to Herbie Hancock's "Maiden Voyage". Speaking of which, Herbie lays down some of his piano magic on this record. In the end, while not even as prog related as "Time Out" and "Time Further Out" from Brubeck and friends, or "Maiden Voyage" in its special sense, "Speak No Evil" is a masterpiece, and I will review it as such. So Shorter, ever the great composer, leads his backing band well, as he plays his tenor sax with smooth majesty. Herbie lays down some beautiful piano, as is his MO, rounding out the sound; think of an even better take on the interplay between McCoy Tyner's piano and Trane's saxes on "My Favorite Things". The rhythm section is just wonderful at backing this mix of soloists. The whole album is a relaxing trip that makes you forget about evil, forget about everything ill and stressful. Highly recommended to jazz fans, and an interesting listen for any other interested listeners.
 Mexico by ERGO SUM album cover Studio Album, 1971
3.55 | 15 ratings

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Mexico
Ergo Sum Jazz Rock/Fusion

Review by GruvanDahlman
Prog Reviewer

4 stars Sliding through the doors to Saloon Zeuhl by way of Magma's first album, I was trying to find my bearings and delve deeper into the pleasure of said genre. Thus I came across this album, supposedly being just that. Zeuhl, that is. I wasn't disappointed by the songs, though slightly confused. I would not say that this album is zeuhl in any great sense of the word. Rather it is a concoction of jazz, rock and just a hint of zeuhl. It is barely traceable but it simmers somewhere beneath the surface.

The vocals. Ah, yes. The vocals. Many a reviewer speaks of this harsh, roaring and belching vocals. Roger Chapman of France? Well, okay. It's fair enough. The vocalist do have a certain resemblance to Chapman. It is wild singing. Crazy, if you ask me, but I like it. It isactually very competent and I have had no quarrel what so ever.

From start to finish this is an album of emotional and charged jazz-rock. It has everything from all out bashing to really sensitive and beautiful songs. It is quite balanced, actually. Mostly sung in english it also holds similiarities to british jazz-rock of the period. Just listen to "Albion impressions", a song of outstanding beauty. Maybe that is logical seeing that Albion is an ancient word for Britain. Anyway, great stuff. The longest track, "I know your mother", is also one of the best. It keeps on going without losing focus nor nerve. Brilliant!

I hold this album very dear and I return every now and then. If you are anything like me, into jazz-rock of the early 1970's, this is a must for you. It is a gem to discover and something to marvel at. To me it is an easy four stars.

 Montreux Boogie (Jukka Tolonen Band) by TOLONEN, JUKKA album cover Live, 1978
4.00 | 1 ratings

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Montreux Boogie (Jukka Tolonen Band)
Jukka Tolonen Jazz Rock/Fusion

Review by Suedevanshoe

— First review of this album —
4 stars "Montreaux Boogie" is a terrific live document of a razor sharp band letting loose the funky fusion. Dual guitars, bass drums and sax make the driving, intense, hypnotic sound collage that puts you in the pocket and wisks you away for 47 minutes. Guitars are on display of course, but Tolonen likes to hammer you with groove here. The power is in the tight melodies and dynamic interplay between Finland's finest from the late '70's flourishing fusion scene. For those of you who have never heard a Tolonen release, this wouldn't be a bad place to start. Think live Jeff Beck from his fusion period and you won't be too far off with this one.

Like many of my other Tolonen reviews, I'll mention how underxposed this mans body of work is. It holds up to Mahavishnu, Weather Report, RTF, Brand X, Coryell - all the biggies. If you're a fan of those, pick this one up without reservation, along with "The Hook", "Hysterica" and "A Passenger to Perimaribo" as well as his records when he was with Tasavallan Presidentti, one of the first progressive jazzrock acts.

 Individual Choice by PONTY, JEAN-LUC  album cover Studio Album, 1983
4.08 | 38 ratings

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Individual Choice
Jean-Luc Ponty Jazz Rock/Fusion

Review by BrufordFreak

4 stars The beginning of the downward spiral that Jean-Luc had after peaking with that incredible run of albums from 1975 (post Mahavishnu Orchestra) through 1984. Still a very good album--with truly incredible performances from Ponty, Allan Holdsworth, George Duke, Randy Jackson, and Ray Griffin, but something is missing . . . something cohesive and human--this despite the very emotional tribute to Oscar Romero and the awesome synth-violin "duet" on "Computer Incantations for World Peace." Most of J-L's previous albums had a kind of warm, engaging continuity to them--and maybe a better feeling of whole-band gelling. Again, I loved this album when it came out and felt little or no connection to the next one, Open Mind. Maybe it was just me--as I was moving into different directions musically (though Metheny was still at the center of my world . . . ) It took Rites of Strings for me to reengage with J-L (and Al Di and Stanley). No doubt that Ponty and company are all virtuosi of their instruments. And mysterious axeman Holdsworth has one of his better (i.e., more accessible and engaging) outings here. Check it out!
 Gunesh by GUNESH ENSEMBLE album cover Studio Album, 1980
4.00 | 1 ratings

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Gunesh
Gunesh Ensemble Jazz Rock/Fusion

Review by apps79
Special Collaborator Neo Prog Team

— First review of this album —
4 stars After two decent singles Gunesh would finally cap their own space for a full-length self-titled debut, always under the support of Melodyia.The legendary line-up appearing on the album was Stan Morozov on flute/sax, Rishad Safi on drums, Vladimir Belousov on bass, Mikhail Loguntsov on guitar and Shamamed Byashimov on keyboards.Yusif Aliev appears on trumpet, Alexander Stasukevich and Shamil Kurmanov on trombones and Ilyaz Redzepov, Khajiriza Ezizov on vocals, but I am not really aware if they were permanent members of the band.The album was released in 1980.

Some tracks of the previous singles of the band made it to the final cut of Gunesh'es debut and even them sound a lot better in the enviroment produced by the band over a full-disc performance, combining elements from Ethnic Music and Jazz Fusion in an impressive execution of technical accomplishment, composing talent and vocal passion.Shafi has to be one of the most underrated drummers of the genre, extremely fast and flawless, reminding a bit of ARTI I MESTIERI'S Furio Chirico.The music is mainly instrumental with a few excellent vocal explosions of Eastern Asian-styled lyrics (which of course I do not understand), but you should focus on the music, which is surprisingly energetic, technically amazing and extremely balanced between Ethnic tunes and super-tight Fusion, or if you like between complex twists and more dramatic overtones with a folky flavor.Fantastic guitars parts and solid bass work with Jazz, funky and Eastern influences, complemented by a discreet keyboardist, performing on his sole organ, and a huge brass and wind section with lots of sax and very cinematic display of a small trombone/trumpet orchestra.For the most of its length the album is fast-paced without singificant flaws, a good production and featuring endless interplays and solos with a slight sense of melody and a heavier amount of mourning vocal parts.

One of the well-hidden gems of 80's Jazz Fusion.Ethnic-oriented Fusion with melodramatic vocals and dense executions, definitely one of the most genuine and personal works of Fusion performed by an ex-Soviet group.No less than highly recommended, even if an original copy is pretty rare.

 Code Red by SCREAMING HEADLESS TORSOS album cover Studio Album, 2014
4.00 | 1 ratings

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Code Red
Screaming Headless Torsos Jazz Rock/Fusion

Review by Moneypulated

— First review of this album —
4 stars They are back after a nine year hiatus! Some personnel changes were made since: Freedom Bremner is the new singer in place of Dean Bowman Who left the band soon after their last tour in 2006! On drums still we got Gene Lake and Daniel Sadownick doing his job on percussions yet. David Ginyard is the new guy on bass. The song quality is absolutely awesome, no filler tracks here! I am not going wrong saying that this album is probably their best! The Interplay is just mindblowing, the songwriting is soulful and inspiring and the production is top notch! Highlights are"Wizard of Woo" with its continuous Time-Signature Changes, "Field of Light" and "With You" with their strong and articulate melodies. If you like Jazz-Rock music with Hard, Funk, Metal, Hip-Pop elements and relevant Zappa/Hendrix/Crimson strong influences, this record is made for you! One of Top Ten 2014 records, in my humble opinion!
 Девушка/Обман (Girl/Cheating) by GUNESH ENSEMBLE album cover Singles/EPs/Fan Club/Promo, 1980
2.00 | 1 ratings

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Девушка/Обман (Girl/Cheating)
Gunesh Ensemble Jazz Rock/Fusion

Review by apps79
Special Collaborator Neo Prog Team

— First review of this album —
2 stars In 1980 a second single appeared by Gunesh Ensemble on the Melodyia label.As with the first one, the band split sides with the famous Swedish Pop group Abba.

The opening tracks is ''Девушка'', the same with the one presented in the first single but now re-arranged with a better sound and overall delivered in more charming way.Some excellent bass lines, the Eastern-influenced sax moves and the more passionate vocals give the track a better value.The flute part of the previous edition has dissapeared, however some exciting work by the rhythm section is definitely rewarding.Notice also the nice psychedelic influences on the organ parts and the dicreet jazzy guitar work.The second track, ''Обман'' (Cheating), is way more commercial, led by a huge brass section and some extreme lyrical parts with an obvious traditional approach.A decent but repeated groove and the easy-going vocal work are all this track has to offer.

Slightly better than the debut single, this very rare work contains a nice Jazz/Folk/Brass Rock track, which defines Gunesh Ensemble's sound and if you come across a rare copy you should purchase it, if you are a fan of the style...2.5 stars.

 #euphoria by KUMINA.ORG album cover Studio Album, 2014
3.86 | 2 ratings

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#euphoria
Kumina.org Jazz Rock/Fusion

Review by Matti
Collaborator Neo-Prog Team

4 stars In 2008 three experienced musicians from Helsinki area released the first album of KUMINA.ORG and it was praised by critics. Soon afterwards the group was put to rest because of members moving to different locations. Each continued playing mostly in the Finnish jazz scene. But the passion of making boundless music with that extraordinary group chemistry never died. "So, one night in June 2014 we got together for a 3-hour jam session, highlights of which are compiled on this 1-hour download only album."

These words might prepare the listener for a half-baked work that doesn't even fully believe in itself. No need for that! In fact it's hard to believe how just one jam session - after several years of playing together - can produce such enjoyable music. Naturally the role of post-production becomes crucial too, but I think the jam-based nature can be heard mostly in a positive way. The music really breathes and radiates that lovely carefree spirit, when the creative locks and brakes are broken down to let everything happen here and now. Pure musical communication between keyboards, guitar, bass and drums. Yes, I'm aware how idealized way this is to see music borne from jamming, and that the risk of becoming unfocused, pointless and plain boring is constantly lurking somewhere near. Perhaps it's safe to say that the reception of such music is very personal, not only up to the individual listeners but also up to the mood you're in. Anyway, from that starting point this is a wonderful album.

Some notes on chosen tracks. The opener 'Re:Union' is delicious, jazzier cousin of spacey acid rock à la early 70's PINK FLOYD. On 'Obligatory Blues Jam' the groove is coloured by a superb Moog solo among other things. Reggae-ish beat and the soloing guitar are on focus on the 3rd one. No. 5 gets funky; the hilarious communication especially between electric piano and bass paves way for a gorgeous guitar solo. The slow and soft title track is euphoric indeed; you can imagine flying in the brightness above the clouds. In the end piano citates briefly 'My Way' (the song made famous by Frank Sinatra).

The next track is at first a bit annoying with the angular "takita takadi tadikitato" repetition. At this point the running order is not the best possible... To some degree it's also true that towards the end the album loses some of its happy charm. But this hour contains musical joy and unique personality enough for four stars. Warmly recommended for Fusion lovers!

 Gappa by WAPPA GAPPA album cover Studio Album, 2004
3.52 | 11 ratings

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Gappa
Wappa Gappa Jazz Rock/Fusion

Review by b_olariu
Prog Reviewer

4 stars This band from Japan with intresting name Wappa Gappa, caught my attention few years back with their last album to date named Gappa, issued in 2004 by Musea records. To tell the truth I was hooked right from the opening track Kyoei no ichi (Souk) - a perfect in every way 8 min piece that establish them among the best from land of the sinshine in last decade or so. The music has plenty of memorable passaes with quirky arrangements and superb playing from all members. The music is symphonic prog but with a healthy doze of fusion jazziness, this combinattion is very efective and catchy in same time. The similarity are from Kenso to an extict and with anoth top notch japanes band Mongol and their fantastic Doppler 444 release. If the guitar, bass and drums carring the jazzy floavour, the keyboards and moog adds a very distinctiv symphonic sound and giving in the end a very special, intresting and captivating album. All pieces stands as great, no boring moments the listner is conected full time from start to finish. Also I forgot to add that femal vocalist Tamami Yamamoto has a very beautiful voice that is going hand in hand with the music offered.A well rounded release that is needing a far more recognition by any prog listner. 4 stars easy and recommended

 Black Ladder by BLACK LADDER album cover Studio Album, 2012
4.00 | 1 ratings

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Black Ladder
Black Ladder Jazz Rock/Fusion

Review by andrea
Prog Reviewer

— First review of this album —
4 stars Black Ladder are an American band from Austin, Texas that came to life in 2009 from the ashes of a short lived group called Something Better. In 2012 Black Ladder released an eponymous debut album with a line up featuring Shane Lamb (keyboards), Clarence Riley, IV (bass) and Ray Cardenas (drums). During the recording sessions they were helped by two guest musicians, Lisa Lamb (harp, flute, piccolo) and Dexter Weiss (sax) who contributed to enrich the sound. The result is an interesting instrumental album featuring a good mix of different sources of inspiration ranging from classical music to funky, rock and jazz. You can find here traces of psychedelia and space rock trips, strange purple doors opening on a desert storm, frenzied rhythmic passages and classical inspired piano rides, nervous organ waves and funky bass slaps, magmatic energies and romantic, reflectives moments. There are some echoes from the past filtered with freshness and modern taste, a pinch of exoticism and many good ideas scattered all over the album... Anyway, have a try and judge by yourselves: you can listen in streaming to the complete album on bandcamp!
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Jazz Rock/Fusion bands/artists list

Bands/Artists Country
3RD WORLD ELECTRIC Multi-National
4 FRONT United States
7 FOR 4 Germany
EIVIND AARSET Norway
JOHN ABERCROMBIE United States
ABLUTION Sweden
ABUS DANGEREUX France
ACCORDO DEI CONTRARI Italy
ADDISON PROJECT Canada
AERA Germany
AFROSKULL United States
AGHARTA Canada
AGORA Italy
AIN SOPH Japan
AKA MOON Belgium
JAN AKKERMAN Netherlands
ALAS Argentina
ALKEMY France
ALKOTRIO Russia
ALTRUISMOS Argentina
AMARILLO CIAN Y MAGENTA Costa Rica
AMIGDALA Italy
ANAMORPHOSE France
APOSTOLIS ANTHIMOS Poland
ANTIHÉROE Argentina
AQUARELLE Canada
ARATTA REBIRTH Armenia
ARCANA United States
ARCHIMEDES BADKAR Sweden
ARCO IRIS Argentina
NEIL ARDLEY United Kingdom
BRUCE ARNOLD United States
ARSENAL Russia
ARTI E MESTIERI Italy
TIHOMIR POP ASANOVIC Yugoslavia
ASSOCIATION P.C. Multi-National
ASSOLO DI BONGO Italy
ASTRAKAN United Kingdom
ASTRO CAN CARAVAN Finland
ATMOSPHERES Multi-National
ATTENTION DEFICIT United States
BRIAN AUGER United Kingdom
AUM Brazil
AURORA United States
AVANT GARDEN United States
AVIOLINEE UTOPIA Italy
AXIS Greece
AYERS ROCK Australia
AZIGZA United States
B F Estonia
BAALBEK Argentina
BACK DOOR United Kingdom
BAKMAK Germany
BANDHADA Chile
BANDVIVIL Japan
BANGTOWER Multi-National
PETER BANKS United Kingdom
BARCELONA TRACTION Spain
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