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Topic ClosedPhil Collins: A Nasty Man?

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Direct Link To This Post Posted: April 05 2006 at 09:46

He's short, he's bald, he looks like Bon Hoskins, he never refills the photocopier when it runs out of paper, his acting in Miami Vice sucked even more than Buster, he looks like Mel Smith, he supports Chelsea (allegedly), he looks like the Mitchell brothers off Eastenders, he's bald, he borrows garden tools and never gives them back, he looks like Jimmy Somerville, his 4wd takes up 2 parking spaces in Sainsbury's car park, his solo career was inexcusable, he's short, he's bald and he looks like Clive James.

On the plus side, a superb drummer!

'Like so many of you
I've got my doubts about how much to contribute
to the already rich among us...'

Robert Wyatt, Gloria Gloom


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Direct Link To This Post Posted: April 05 2006 at 09:51
He just made a mistake in his life in the 80's, just as almost anyone would have done if there was money
in question. Simply put
This is an electrified fairytale
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Direct Link To This Post Posted: April 05 2006 at 10:36

 

Drumming skills ??  I thought we were discussing the Guitarist from Def Leppard-- PHIL COLLEN.  

Coincidentally, HE was once quoted as saying:
"Up until the Sex Pistols, all the bands were kinda just getting boring...
Even the other Rock Bands didn't want to hear 15-minute songs like Genesis and Led Zeppelin were doing anymore."

 

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Direct Link To This Post Posted: April 05 2006 at 11:00

Phil Collins is a drummer and that is where he should stay! He cannot wirte songs! Look at what happened when he took over writing and sing duties for Genesis! They BOMBED big time! and got sh*t!

Ahh but whta about 'something in the air tonight' or the Tarzan sound track they were good? erm yes I must admit they were but sorry to burst your bubble he had HELP writing those so technically they don't count.

This is the man who told us about the homeless! *talking in a spazzy voice* Because we didnt know about them before that!

He and Chris de Burgh are eveil, horrible, whineny little gits!

Phil mate get to the back of the room behind the kit, in the dark where you belong because that is all your good at mate, stop thinking your something your not or something bigger than you are! 



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Direct Link To This Post Posted: April 05 2006 at 13:13
Originally posted by int_2375 int_2375 wrote:

It is the bands job to please their fans?  No, no, no.  Once you pay for the cd, the deal is done, you gave the artist your money for their record.  Thats all their is to it... that seals the deal, the band does not owe you anything in addition like more albums that will appeal to your particular taste.

That's what RIAA wants, people buying albums without listening them first, so the deal is closed and we have to keep the trash or use it as a coaster.

But yes, a lot of more humble artists recognize THEY OWE EVERYTHING THEY GOT TO THE FANS, and that's the true, because without fans there's no albums or cocerts and without albums and concerts there's no fancy cars, million dollars houses or rich & famous life style.

They are not forced to make the musc we want, but they are forced to show some respect to the loyal fans that put them where they are, that suppotrted them for almost 10 years and not tell to all the press thatthe music they played and the bands that we love are like rotten apples that fall from the trees.

You are essentially saying that when you buy an album, you suddenly own those band members, and you should get to control what they do and their artistic direction. 

No, I'm not saying that, but we deserve some respect at least is nis statements to the press. He didbn't had the heed to say that we listen crap or that he was happy that bands like Yes and Pink Flotd were overthroned by Punk.

He even insulted the public in one show because they asked for older stuff (You can do a search on Google).

So when one of your clients pays you for your service, should they get to decide what job positions you have, what services you provide, what you do with your own future?

No, but if I go to the press and tell them "Hey, my client didn't paid XXX bucks of taxes. or my client is an idiot", I won't go back and ask him for job again.

If I say in the press that I'm against bullfighting (And I done it even here), I won't go and ask to the Organizatopn of "Corridas" to let me take their case before the Congress.

Phil Collins said publicly that Prog is almost trash, and now that nobody cares for Illegal Alien or I Can't Dance comes with a new story about the Proghead he always was deep in his heart.

f fans are disappointed with their direction then why continue to be loyal?  When bands I like release albums I dont like, I dont buy them, and I don't waste my time whining that they didn't record an album just to cater to what I like.  Sorry, but its not Phil Collins or anyone elses job to record albums for any particular group of people, they just record what they want to record.

He can release whatever he wants, In my case I didn't bought any post ATTW3 album, except 3 Sides Live what I regret today because one side is not worth for 3 sides of crap (IMO).

But after his clear statements against early Genesis, Yes and Pink Floyd,  it's almost an insult to listen him (now that POP Genesis is history and nobody cares for them) saying things like The Lamb was always my favorite band or Yes was always my favorite band.

As good as PG1, 2, 3 are, you've got to admit it is poppy... and not nearly as progressive as his Genesis work.  Its not like he left and outdid what he was already doing.

Nothing is nearly as Progressive as early Genesis except Steve Hackett (Most of his albums), but IMO the first three PG albums are very Progressive and even if not, what's the probblem? The music is good, adventurous and he didn't sold out, that's enough for me.

Iván

            
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Direct Link To This Post Posted: April 05 2006 at 13:25

Phil Collins is a pussy

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Direct Link To This Post Posted: April 05 2006 at 13:25
I prefer any Genesis compared to Phil Collins solo LP's.

But it's Phil's choice what he does at the end of the day with his solo records, some people say "Oh I hate Phil Collins" but are they saying that about his stuff in general or Genesis as well??

Anyway I reckon Genesis could have progressed even more without going too comercial.

Even in "The Platinum Collection" album Phil Collins says "People blame me for f**king up Genesis, I didn't we did" so he claims he didn't do it alone.

Yes I prefer early Genesis too but I grew up with albums like ATTWT, GENESIS etc etc.


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Direct Link To This Post Posted: April 05 2006 at 13:39

Originally posted by PROGMAN PROGMAN wrote:



Even in "The Platinum Collection" album Phil Collins says "People blame me for f**king up Genesis, I didn't we did" so he claims he didn't do it alone.


Correct! Remember, Mike Rutherford is a very "poppy" man too! And Tony Banks became very poppy too on Invisible Touch, etc.

I like Phil, though. His drumming with Genesis and Brand X is awesome! And he seems like a nice little man overall!

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Direct Link To This Post Posted: April 05 2006 at 17:29
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

Originally posted by int_2375 int_2375 wrote:

It is the bands job to please their fans?  No, no, no.  Once you pay for the cd, the deal is done, you gave the artist your money for their record.  Thats all their is to it... that seals the deal, the band does not owe you anything in addition like more albums that will appeal to your particular taste.

That's what RIAA wants, people buying albums without listening them first, so the deal is closed and we have to keep the trash or use it as a coaster.

Who said anything about paying for it without listening to it?  People that do that are the exact ones I blame for supporting artists even where their career turns to crap.

But yes, a lot of more humble artists recognize THEY OWE EVERYTHING THEY GOT TO THE FANS, and that's the true, because without fans there's no albums or cocerts and without albums and concerts there's no fancy cars, million dollars houses or rich & famous life style.

No sh*t?  And without the artists, the fans wouldn't get that music... so by your logic the fans must owe something to the artists for the albums they made?

They are not forced to make the musc we want, but they are forced to show some respect to the loyal fans that put them where they are, that suppotrted them for almost 10 years and not tell to all the press thatthe music they played and the bands that we love are like rotten apples that fall from the trees.

Sorry but the fans got what they payed for, albums.  The artists got what they sold those albums for, money.  The fans pay their rich and famous lifestyle because they want the music, not for the ability to force the band to respect them.  Sorry, you don't become a share holder of the band when you purchase an album.

You are essentially saying that when you buy an album, you suddenly own those band members, and you should get to control what they do and their artistic direction. 

No, I'm not saying that, but we deserve some respect at least is nis statements to the press. He didbn't had the heed to say that we listen crap or that he was happy that bands like Yes and Pink Flotd were overthroned by Punk.

He even insulted the public in one show because they asked for older stuff (You can do a search on Google).

I wasn't defending any public statements he made, only his and the bands right to record whatever they want, progressive or not.

So when one of your clients pays you for your service, should they get to decide what job positions you have, what services you provide, what you do with your own future?

No, but if I go to the press and tell them "Hey, my client didn't paid XXX bucks of taxes. or my client is an idiot", I won't go back and ask him for job again.

If I say in the press that I'm against bullfighting (And I done it even here), I won't go and ask to the Organizatopn of "Corridas" to let me take their case before the Congress.

Phil Collins said publicly that Prog is almost trash, and now that nobody cares for Illegal Alien or I Can't Dance comes with a new story about the Proghead he always was deep in his heart.

See, again, I was not defending anything other than his right to record what he wants.  If people want to insult him based on his public statements then go right ahead.  I can't see how he can possibly be so short on money that he needs to kiss ass to get it.

f fans are disappointed with their direction then why continue to be loyal?  When bands I like release albums I dont like, I dont buy them, and I don't waste my time whining that they didn't record an album just to cater to what I like.  Sorry, but its not Phil Collins or anyone elses job to record albums for any particular group of people, they just record what they want to record.

He can release whatever he wants, In my case I didn't bought any post ATTW3 album, except 3 Sides Live what I regret today because one side is not worth for 3 sides of crap (IMO).

But after his clear statements against early Genesis, Yes and Pink Floyd,  it's almost an insult to listen him (now that POP Genesis is history and nobody cares for them) saying things like The Lamb was always my favorite band or Yes was always my favorite band.

Well thats your problem if you find the music you like insulting to listen to because of public statements.  For me, if I liked the album, I'd buy it and think of it as paying for music I like.

As good as PG1, 2, 3 are, you've got to admit it is poppy... and not nearly as progressive as his Genesis work.  Its not like he left and outdid what he was already doing.

Nothing is nearly as Progressive as early Genesis except Steve Hackett (Most of his albums), but IMO the first three PG albums are very Progressive and even if not, what's the probblem? The music is good, adventurous and he didn't sold out, that's enough for me.

You must not have the same idea of selling out as I do.  I have heard Solsbury in a horrendous amount of movie previews and commercials and what not, and to me, to let your music be perverted by that association is selling out.

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Direct Link To This Post Posted: April 05 2006 at 20:29
int_2375 wrote:

Who said anything about paying for it without listening to it?  People that do that are the exact ones I blame for supporting artists even where their career turns to crap.

Maybe you are younger and you've been always in capacity of listening an album after listening some music before buying the album, but the older here don't, I bought ATTW3 the first morning it saw the light, before even listening it, it was impossible on those days, and honestly I felt robbed.

No sh*t?  And without the artists, the fans wouldn't get that music... so by your logic the fans must owe something to the artists for the albums they made?

I believe we owe some of them gratitude for the great music they gave us, and what's wrong about that?

Sorry but the fans got what they payed for, albums.  The artists got what they sold those albums for, money.  The fans pay their rich and famous lifestyle because they want the music, not for the ability to force the band to respect them.  Sorry, you don't become a share holder of the band when you purchase an album.

Nothing is that simple we aleways expect something more from them, in some cases they are considered enough to  thank the fans for their support, in other cases little drummers who became singers insult the fans for asking older music.

No,. we're not shareholders, as you should imagine I know legal issues  probably much more than you, but I feel that there's a mutual relation between the real artist and his fans, a mutual respect, but it's obvious some artists don't care for that.

I wasn't defending any public statements he made, only his and the bands right to record whatever they want, progressive or not.

At least we agree with that, and I have the right to say that music is crap and blame Phil Collins for that.

See, again, I was not defending anything other than his right to record what he wants.  If people want to insult him based on his public statements then go right ahead.  I can't see how he can possibly be so short on money that he needs to kiss ass to get it.

Well, he's kissing a$$es, he has changed from a guy who thaked Punk for destrying Prog (He believed Prog was dead) to a guy who claims he always was a proghead, ewho loved Yes over his mother and that The Lamb is the best allbum ever recording.

I'm sure he doesn't need more money, as he didn't need it when he signed for Disney. but he wants more, now the POP cow is dry, so he's trying to obtain some extra milk from the Prog' cow, but fans are not so stupid and remember all the aberrations he said, he will end selling DVD's of Calamity the Cow if he knew people was going to buy this.

Well thats your problem if you find the music you like insulting to listen to because of public statements.  For me, if I liked the album, I'd buy it and think of it as paying for music I like.

I never said that, I believe you have a problem reading, i bought ITCOTCK even when I believe Robert Fripp is a jerk, i buy the albums that I like, but I give my respect to those who deserve it.

I didn't stopped buying Genesis albums because Phil has no hair or his statements, I stopped buying them because I believe that after W&W but more clearly after Duke all are crap, that's my honest point of view.

You must not have the same idea of selling out as I do.  I have heard Solsbury in a horrendous amount of movie previews and commercials and what not, and to me, to let your music be perverted by that association is selling

Just a couple of things, Peter Gabriel didn't recorded Solsbury Hills as a soudtrack, it was an explanation why he left Genesis, of coutrse it is being used in movies and commercials, and what's the problem, if you add good music to a commercial movie it's better, abd even better if you get some extra bucks. But Solsbury Hills was not written for that purpose-

There's King Cimson and Yes music in commercial movies, we could listen Karn Evil 9 in Friends, Tubular Bells was played in The Exorcist, Vangelis made music for Blade Runner, OSIBISAmade the music for Superfly TNT and this doesn't take any value from this  music.

To sell out is to abandon art and make third class music only for the money, and I believe that's what the three guys with Phil Collins in the head of the table did.

Iván

            
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Direct Link To This Post Posted: April 05 2006 at 21:12

"You'll be inside of me, deep inside of me....."

(had to be said)

 

"Democracy is the theory that the common people know what they want, and deserve to get it good and hard." -- H.L. Mencken
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Direct Link To This Post Posted: April 05 2006 at 21:23
I'm a huge fan of older Genesis, and I have nothing against Phil. I think he's a fantastic drummer and singer, and I have always had trouble holding it against soemone when they change their artistic style. I think they can do what they wish with their music. He gave us a lot of amazing moments, and we owe him our respect.
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Direct Link To This Post Posted: April 06 2006 at 00:49
Originally posted by ElwoodHerring ElwoodHerring wrote:

Originally posted by Guillermo Guillermo wrote:

I think that he has a very long time playing music. He has lived almost all of his life working in music, so, maybe when he looks back to some things that he did in his youth, maybe he doesn`t like them anymore. He played Progressive Rock for many years. He needed a change. Maybe he was tired of singing "I Know What I Like" tour after tour. Persons grow and change. The same is for many musicians.


The film "Buster" has some good things, but other things are not funny.


Fair enough - he wanted to move on and do something different. I have no problem with that. It's when he then turns about face and calls his earlier prog work "crap" that instantly annoys the fans. If it was all entirely his work then perhaps he could justify the remark, but it wasn't. It was (let's be honest) mostly Peter Gabriel's work that he was rubbishing, and that's simply not on. Phil Collins may be a fine performer but he can't hold a candle to Gabriel, not then, not now, not ever.

I remember Peter Gabriel saying in interviews that  rejoining Genesis could be for him like "going to school again" or something like that. He also grew and changed. He maybe is very critical about his past work, like Collins. I think that Collins wants a reunion of the Genesis quintet with Hackett and Gabriel more than Gabriel, because his voice has changed a lot and maybe he couldn`t reach higher notes as 20 years ago, so he only wants to play the drums. Gabriel is not interested in the idea, maybe because the music he composed and recorded with Genesis is not as interesting as his music today for him, or maybe, like Collins, his voice also changed and he couldn`t reach higher notes as in the seventies. Even in the "Six of the Best" concert in 1982 with Genesis, he couldn`t reach some of those high notes.

I can`t understand why many people despise Phil Collins.  I never have seen too much despise for other musicians, including Michael Jackson, Madonna, Sting, etc.

Some people doesn`t know that even John Lennon didn`t like very much some albums he recorded with The Beatles. For example, he didn`t like the "Abbey Road" album, and he once described the "Sgt. Pepper" album as "crap"*. He never was totally happy even with his solo albums. What`s wrong with that? If Collins was bored of playing Progressive Rock, what`s wrong with that?

BUT, I think that Collins`lowest point is to compose music for Disney`s films. I agree with the people who criticizes his work for these films. I despise Disney`s ideology, which is always there in their films.

 

* If someone is interested, those commentaries are available in "The Beatles:Recording Sessions" book, written by Mark Lewisohn, Harmony Books, 1988.



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Direct Link To This Post Posted: April 06 2006 at 00:59
mmm...






Nah, he's a very good drummer, thats a fact.
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Direct Link To This Post Posted: April 06 2006 at 01:43
Originally posted by Guillermo Guillermo wrote:

I remember Peter Gabriel saying in interviews that  rejoining Genesis could be for him like "going to school again" or something like that. He also grew and changed. He maybe is very critical about his past work, like Collins.

Yes Guillermo, but the problem is the constant contradictions depending in what's more profitable at a determined moment:

  • I rather listen Punk than Yes or Pink Floyd albums....... Yes was always my favourite band?
  • I Never undersstood The Lamb.......The Lamb is the best album ever written
  • I will never let Peter rejoin Genesis....I will only rejoin Genesis if Peter sings.
  • Thanks God that punk came and shake the tree, the Prog bands fell like rotten apples....I want to rejoin the Classic Progressive Genesis lineup????

 I think that Collins wants a reunion of the Genesis quintet with Hackett and Gabriel more than Gabriel, because his voice has changed a lot and maybe he couldn`t reach higher notes as 20 years ago, so he only wants to play the drums.

I believe that the problem is that he's afraid of the reaction of the fans, if the show is full of Progheads, he will not be well recieved, and if the hall is full of POP fans they will shout for Collins to replace Peter, in any of both cases, he wins with Peter singing.

BTW: His voice is not the problem, I believe it's his audition.

Gabriel is not interested in the idea, maybe because the music he composed and recorded with Genesis is not as interesting as his music today for him, or maybe, like Collins, his voice also changed and he couldn`t reach higher notes as in the seventies.

Peter is a better singer today than in the 70's, he was never able to reach high tones, that's why he used his falsetto.

The problem is that Peter keeps evolving and doesn't want to loose everything, he has a big work with the Workl Cup and new projects. Phil hasn't made anything remotely decent for many years.

 Even in the "Six of the Best" concert in 1982 with Genesis, he couldn`t reach some of those high notes.

According to Mike, everybody sucked that night, they almost didn't rehearsed and Steve joined for the encores without any rehearsal. Peter was just reaching his peak at Milton Keynes, he was only 32 years old!!!!!!!! At that age you don't loose voice, you get better.

I can`t understand why many people despise Phil Collins.  I never have seen too much despise for other musicians, including Michael Jackson, Madonna, Sting, etc.

Because Wacko Jacko, Madonna and Sting neverplayed in a Prog band and nobody cares about them here. Outside the Forum, Sting is respected (Inside also) he's a correct man and a good artist, Madonna is fashion once each 3 or 4 years, the mutant is considered a freak everywhere.

Some people doesn`t know that even John Lennon didn`t like very much some albums he recorded with The Beatles. For example, he didn`t like the "Abbey Road" album, and he once described the "Sgt. Pepper" album as "crap"*. He never was totally happy even with his solo albums. What`s wrong with that? If Collins was bored of playing Progressive Rock, what`s wrong with that?

After The Beatles, John never talked, he only moved his lips and Yoko spoke through him. Plus John was tottally dissapointed with The Beatles and the path Paul took.

BUT, I think that Collins`lowest point is to compose music for Disney`s films. I agree with the people who criticizes his work for these films. I despise Disney`s ideology, which is always there in their films.

Drumming with N'Sync wasn't precisely a high point  But I agree Disney represents the lowest point ofhis career

* If someone is interested, those commentaries are available in "The Beatles:Recording Sessions" book, written by Mark Lewisohn, Harmony Books, 1988.

I'm short of bucks now

Iván



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Direct Link To This Post Posted: April 06 2006 at 02:17

He is a very good singer, and even better drummer. I don't hate him but I guess I have few regrets against him... The problem is that he prophanated the name of one of the most legendary bands from prog rock history.

He had the right to sing, after all he needed money.... but why he used the same name "Genesis" for his band. Wasn't his solo carreer enough???    

I cannot understand and honestly that makes me angry and it is so difficult to tolerate.

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Direct Link To This Post Posted: April 06 2006 at 02:36
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

Originally posted by Guillermo Guillermo wrote:

I remember Peter Gabriel saying in interviews that  rejoining Genesis could be for him like "going to school again" or something like that. He also grew and changed. He maybe is very critical about his past work, like Collins.

Yes Guillermo, but the problem is the constant contradictions depending in what's more profitable at a determined moment:

  • I rather listen Punk than Yes or Pink Floyd albums....... Yes was always my favourite band?
  • I Never undersstood The Lamb.......The Lamb is the best album ever written
  • I will never let Peter rejoin Genesis....I will only rejoin Genesis if Peter sings.
  • Thanks God that punk came and shake the tree, the Prog bands fell like rotten apples....I want to rejoin the Classic Progressive Genesis lineup????

 I think that Collins wants a reunion of the Genesis quintet with Hackett and Gabriel more than Gabriel, because his voice has changed a lot and maybe he couldn`t reach higher notes as 20 years ago, so he only wants to play the drums.

I believe that the problem is that he's afraid of the reaction of the fans, if the show is full of Progheads, he will not be well recieved, and if the hall is full of POP fans they will shout for Collins to replace Peter, in any of both cases, he wins with Peter singing.

BTW: His voice is not the problem, I believe it's his audition.

Gabriel is not interested in the idea, maybe because the music he composed and recorded with Genesis is not as interesting as his music today for him, or maybe, like Collins, his voice also changed and he couldn`t reach higher notes as in the seventies.

Peter is a better singer today than in the 70's, he was never able to reach high tones, that's why he used his falsetto.

The problem is that Peter keeps evolving and doesn't want to loose everything, he has a big work with the Workl Cup and new projects. Phil hasn't made anything remotely decent for many years.

 Even in the "Six of the Best" concert in 1982 with Genesis, he couldn`t reach some of those high notes.

According to Mike, everybody sucked that night, they almost didn't rehearsed and Steve joined for the encores without any rehearsal. Peter was just reaching his peak at Milton Keynes, he was only 32 years old!!!!!!!! At that age you don't loose voice, you get better.

I can`t understand why many people despise Phil Collins.  I never have seen too much despise for other musicians, including Michael Jackson, Madonna, Sting, etc.

Because Wacko Jacko, Madonna and Sting neverplayed in a Prog band and nobody cares about them here. Outside the Forum, Sting is respected (Inside also) he's a correct man and a good artist, Madonna is fashion once each 3 or 4 years, the mutant is considered a freak everywhere.

Some people doesn`t know that even John Lennon didn`t like very much some albums he recorded with The Beatles. For example, he didn`t like the "Abbey Road" album, and he once described the "Sgt. Pepper" album as "crap"*. He never was totally happy even with his solo albums. What`s wrong with that? If Collins was bored of playing Progressive Rock, what`s wrong with that?

After The Beatles, John never talked, he only moved his lips and Yoko spoke through him. Plus John was tottally dissapointed with The Beatles and the path Paul took.

BUT, I think that Collins`lowest point is to compose music for Disney`s films. I agree with the people who criticizes his work for these films. I despise Disney`s ideology, which is always there in their films.

Drumming with N'Sync wasn't precisely a high point  But I agree Disney represents the lowest point ofhis career

* If someone is interested, those commentaries are available in "The Beatles:Recording Sessions" book, written by Mark Lewisohn, Harmony Books, 1988.

I'm short of bucks now

Iván

I think that musicians change their opinions about music many times. Their mood when they were interviewed also influences their answers. Anyway, their most recent opinion is the most important, and Collins is more inclined to a reunion than Gabriel. Even Hackett wants a reunion. I don`t know what Banks and Rutherford think about it now.

About money: music is their job. I can`t see anything wrong if they think about money. Collins is one of the richest men in England, so I think that he doesn`t need more money.

BTW: His voice is not the problem, I believe it's his audition. Yes, you`re right. I thought about it too. But his voice is another reason.

About voice / vocals: I think that some singers are very lucky to improve their singing with age. In the case of Collins and Gabriel, I don`t think so. In his last tour with Genesis, the band had to play some songs in a low tone to help Collins to sing (for example, "Tonight, Tonight, Tonight"). Gabriel`s voice has become more lower. Even Sting`s voice has changed a lot.

Lennon: I don`t agree with the idea that he was totally manipulated by Yoko. The interview in which he said "crap" to "Sgt. Pepper" was done in December 1970 for the Rolling Stone magazine. In Lewisohn`s book, George Martin says that he was very hurt by these commentaries, and that in 1974 he talked with John about these commentaries, and John said "George, forget those commentaries, I was out of my mind then". 1970 was the year when The Beatles split. In December 31, 1970, Paul sued the other 3 Beatles, and in January 1971 a trial was started. So, John was angry in 1970 against Paul, mainly, because Paul left the band in April 1970, using the split to promote his "McCartney" album, which also was released in April.

About a Genesis reunion with or without Gabriel: times have changed. Even in 1997-98, their last album with Ray Wilson wasn`t successful in the U.S., so they canceled their U..S. tour and Wilson was fired in 2000. Banks and Rutherford knew that times changed and they were afraid to record another album, even when Collins returned briefly for a party show for Tony Smith, thier manager, who won an award in September 2000. Collins wanted to officially return to Genesis, but the other two were afraid that their success was in the past, and that new albums, even with Collins, couldn`t be successful again. So, they retired from Genesis. Even Collins`success is not the same as a solo artist like in the 80s. Then, 3-4 years ago Collins had his audition problems, and I think that he has not recovered totally yet. Maybe a reunion with Gabriel and Hackett couldn`t be successful, but who knows?

Again, I can`t see why a former Progressive musician is very despised and criticized for composing and playing Pop music later in his career. Prog Rock is not a "Religion" to me. There is good and bad music in every genre. I prefer to be flexible (to a certain  point, for example, towards Disney Music )  to listen to good music from any genre. I don`t see Collins as a "traitor to Prog Rock Music". My views also changed: in the early 80s, anything that wasn`t Prog Rock wasn`t good music. But  I changed my mind with the passing of time.

Anyway, I respect your opinions.



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Direct Link To This Post Posted: April 06 2006 at 02:58
Originally posted by Guillermo Guillermo wrote:

I think that musicians change their opinions about music many times. Their mood when they were interviewed also influences their answers. Anyway, their most recent opinion is the most important, and Collins is more inclined to a reunion than Gabriel. Even Hackett wants a reunion. I don`t know what Banks and Rutherford think about it now.

No Guillermo, Collins case is special, he almost said Prog is trash when POP Genesis was popular and not only one or two tuimes, he kept repeating that for at least 5 years.

Now that Pop Genesis is a joke, he wants a Prog reunion and "loves" Prog more than Robert Fripp.  Yes ceased to be a boring band to change in his main inspiration and love. The guy thinks and speaks with his wallet.

About money: music is their job. I can`t see anything wrong if they think about money. Collins is one of the richest men in England, so I think that he doesn`t need more money.

He was already one of the richest men when signed with Disney, but he wanted more. Face it, the guy is greedy.

The big problem for a reunion is on the two main interests for it, Gabriel doesn't want and everybofddy knows Banks is not precisely a Hackett fan, that's the reason why he was not invited to Six of the Best and all started with Voyage of the Acolyte.

Tony didn't wanted solo careers, but Hackett decoided and even invited Phikl and Mike.

.Anyway, I respect your opinions.

Thanks, the respect is mutual.

Iván



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Direct Link To This Post Posted: April 06 2006 at 03:20
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

int_2375 wrote:

Who said anything about paying for it without listening to it?  People that do that are the exact ones I blame for supporting artists even where their career turns to crap.

Maybe you are younger and you've been always in capacity of listening an album after listening some music before buying the album, but the older here don't, I bought ATTW3 the first morning it saw the light, before even listening it, it was impossible on those days, and honestly I felt robbed.

No sh*t?  And without the artists, the fans wouldn't get that music... so by your logic the fans must owe something to the artists for the albums they made?

I believe we owe some of them gratitude for the great music they gave us, and what's wrong about that?

Sorry but the fans got what they payed for, albums.  The artists got what they sold those albums for, money.  The fans pay their rich and famous lifestyle because they want the music, not for the ability to force the band to respect them.  Sorry, you don't become a share holder of the band when you purchase an album.

Nothing is that simple we aleways expect something more from them, in some cases they are considered enough to  thank the fans for their support, in other cases little drummers who became singers insult the fans for asking older music.

No,. we're not shareholders, as you should imagine I know legal issues  probably much more than you, but I feel that there's a mutual relation between the real artist and his fans, a mutual respect, but it's obvious some artists don't care for that.

I wasn't defending any public statements he made, only his and the bands right to record whatever they want, progressive or not.

At least we agree with that, and I have the right to say that music is crap and blame Phil Collins for that.

See, again, I was not defending anything other than his right to record what he wants.  If people want to insult him based on his public statements then go right ahead.  I can't see how he can possibly be so short on money that he needs to kiss ass to get it.

Well, he's kissing a$$es, he has changed from a guy who thaked Punk for destrying Prog (He believed Prog was dead) to a guy who claims he always was a proghead, ewho loved Yes over his mother and that The Lamb is the best allbum ever recording.

I'm sure he doesn't need more money, as he didn't need it when he signed for Disney. but he wants more, now the POP cow is dry, so he's trying to obtain some extra milk from the Prog' cow, but fans are not so stupid and remember all the aberrations he said, he will end selling DVD's of Calamity the Cow if he knew people was going to buy this.

Well thats your problem if you find the music you like insulting to listen to because of public statements.  For me, if I liked the album, I'd buy it and think of it as paying for music I like.

I never said that, I believe you have a problem reading, i bought ITCOTCK even when I believe Robert Fripp is a jerk, i buy the albums that I like, but I give my respect to those who deserve it.

I didn't stopped buying Genesis albums because Phil has no hair or his statements, I stopped buying them because I believe that after W&W but more clearly after Duke all are crap, that's my honest point of view.

You must not have the same idea of selling out as I do.  I have heard Solsbury in a horrendous amount of movie previews and commercials and what not, and to me, to let your music be perverted by that association is selling

Just a couple of things, Peter Gabriel didn't recorded Solsbury Hills as a soudtrack, it was an explanation why he left Genesis, of coutrse it is being used in movies and commercials, and what's the problem, if you add good music to a commercial movie it's better, abd even better if you get some extra bucks. But Solsbury Hills was not written for that purpose-

There's King Cimson and Yes music in commercial movies, we could listen Karn Evil 9 in Friends, Tubular Bells was played in The Exorcist, Vangelis made music for Blade Runner, OSIBISAmade the music for Superfly TNT and this doesn't take any value from this  music.

To sell out is to abandon art and make third class music only for the money, and I believe that's what the three guys with Phil Collins in the head of the table did.

Iván

So you're a lawyer?  I wouldn't hire you.  "Gentleman of the jury, my clients demand respect from Phil Collins!"

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Direct Link To This Post Posted: April 06 2006 at 12:36

int_2375:  hope for your case that the jury are not members of this Forum, because probably wiill condemn Phil to:

Dead

Iván

            
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