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Topic ClosedPhil Collins: A Nasty Man?

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Anguiad View Drop Down
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Direct Link To This Post Posted: April 06 2006 at 18:50

wow!!

Originally posted by Gigi Gigi wrote:

oh no, not another Phil Collins thread!!!!

SORRY!!I looked for other threads about this topic in search of an answer but only found a drum talk about him! I'm really sorry! You can close it if you wish i've already seen the whole point. It was his attittude not his musical talent or style choice or the hair or whatever(is being bald that bad?)

Thanks for sharing thy thoughts! It seems there are also some that respect the man. I still respect him, sometimes money can transform your person into a very dark creature, at least I cannot blame him

"Tis your birth and faith that wrong you...not I."
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Direct Link To This Post Posted: April 06 2006 at 19:19
OK. I'm setting up Russell's Counselling Service for Hurt and Abused
Proggers. I'll charge exorbitant fees (while wiping froth from quivering
mouths) while gently explaining that it's contradictory to want artists to
follow their own muse but at the same time always deliver the musical
direction the fans want. I'll have a big poster of Phil on the wall, and will
require all my clients to kiss his chubby face while chanting the names of
all his top 10 hits.

Lads, get over it. Phil Collins is not the reason you've grown old. His
musical 'change of direction' did not inevitably lead the the depression
and bitterness you feel. You identify with early Genesis because that's
when you were young and, to be blunt, doing it. Now you're old and
incontinent it's tempting to hold one man responsible. But here's a tip:
things change.

Phil went and did what he wanted. You'll never forgive him for it, will you.
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Direct Link To This Post Posted: April 11 2006 at 11:46
Wise words. So are you saying new generation prog fans like me sooner or later will forget this whole Gabriel Vs. Collins thing? If so that would be a relief, everyone will be happy with Genesis in a dozen years or so. 
"Tis your birth and faith that wrong you...not I."
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Direct Link To This Post Posted: April 11 2006 at 22:58

Originally posted by russellk russellk wrote:

OK. I'm setting up Russell's Counselling Service for Hurt and Abused
Proggers. I'll charge exorbitant fees (while wiping froth from quivering
mouths) while gently explaining that it's contradictory to want artists to
follow their own muse but at the same time always deliver the musical
direction the fans want. I'll have a big poster of Phil on the wall, and will
require all my clients to kiss his chubby face while chanting the names of
all his top 10 hits.

Lads, get over it. Phil Collins is not the reason you've grown old. His
musical 'change of direction' did not inevitably lead the the depression
and bitterness you feel. You identify with early Genesis because that's
when you were young and, to be blunt, doing it. Now you're old and
incontinent it's tempting to hold one man responsible. But here's a tip:
things change.

Phil went and did what he wanted. You'll never forgive him for it, will you.

Well, I will search for another therapist , your theory is flawed.

I discovered Genesis in 1978, when I was 13 (My 14 birthday was August 2 1978 and the album was released before), of course I listened first ATOTT and SEBTP, but found repulsive the 3 men Genesis, I wasn't old, by the contrary, I was almost a child.

When Invisiible Touch was released I was 21, and already made me vomit (Sorry for the fans but this is my honest feeling). I was still in my twenties (26 or 27) when the last Phil Collins Genesis album was released, so I was far from being old and bitter.

So I wasn't old, I was a young student and already hated Phil Collins Genesis and Phil Collins solo.

He did what he want, but I dislike what I want also.

Iván



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Direct Link To This Post Posted: April 12 2006 at 00:19
Ah, c'mon, how can you hate the guy after reading this - he brought down communism practically all by himself, lol :

http://www.pitchforkmedia.com/news/01-04/13.shtml


[IMG]http://i22.photobucket.com/albums/b311/Progueuse/Album.jpg">
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Direct Link To This Post Posted: April 12 2006 at 01:01
1978 brought us the band's magnum opus, And Then There Were Three,

Sorry, I had to stop reading there.
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Direct Link To This Post Posted: April 12 2006 at 01:04

Originally posted by Hibou Hibou wrote:

Ah, c'mon, how can you hate the guy after reading this - he brought down communism practically all by himself, lol :

http://www.pitchforkmedia.com/news/01-04/13.shtml


ROFLMAO simply hilarious. ROFL

Who is this guy? Simon Phillips with a pseudonym?

Some highlights:

Quote it wasn't until Peter Gabriel left the band, and Collins stepped up to replace him as frontman, that Genesis achieved true genius. 1978 brought us the band's magnum opus, And Then There Were Three,

Wow, Gabriel era Genesis must be crap, because if songs like Follow You Follow Me are the example of real genius, well, something less important should be almost sh!t. 

ATTW3 Magnum Opus?? This album is considered a watered version of Prog Genesis by the die hard Progfans and still not quite accepted by POP fans. Probably the most mediocre and anodyn album.

Quote "The spooky keyboard drone, the pulsing, programmed percussion. And that, 'Well, I rememba!' part with the vocoder... only Phil, man. Only Phil."

Funny,this guy is praisngĻPhil Collins for what Tony did (Unless Phil played keyboards) and a machine playing drums? But something is true and a sad tuth...Only Phil man, only Phil 

Quote Pitchfork celebrates his legacy, and cherishes his godly contributions. Phil Collins, this day is for you.

GODLY CONTRIBUTIONS???????????? I have to say something used as an expression, but this time I mean it literally...HOLY CRAP BATMAN.This guy should found a Church....The Phil Collins Witness.

 Worship

And the strangest thing is that some people say that we Prog fans blame Collins for the Genes9is change....For God's (the real, not the 4 feet bald one) the POP fans give Collins all the credit for that aberration.

So it's not our hate for Collins music, if Prog fans blame him for the change. don't accuse us, because POP lovers adore him for the change and place the responsability on his shoulders. 

Hope after this nobody again call us fanatics, because this guy is ready for Loonyville.

Iván



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Direct Link To This Post Posted: April 12 2006 at 01:31
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

[QUOTE=JusLisn]I think many are too rough
on him. At the time that Genesis swayed toward pop-rock, it was better
(proggier) than anything else being played on the radio (remember, no
internet). Maybe we should give Genesis credit for keeping progressive-
rock alive and not completely dissapearing from the music scene.[/
QUOTE]


Sorry to disagree, but IMHO he did nothing remotely Progressive with
genesis (low case is not a mistake in this case), he didn't helped to keep
Prog alive.


That honor is for Neo Prog who  kept Progressive Rock alive despite
being underrated, simpler bands not accepted by mainstream listeners
and seen as second class by progheads. But hey did good Prog Rock,
simpler than Symphonic, but some very good.


This were the guys that kept Prog Alive, because a bald guy who sings
crappy ballads is doing nothing to save the genre only to fill (rhymeds
with Phil) his pockets.


But that's not the only problem, when he saw Prog was not profitable
he helped to throw trash to Prog, his interviews were really incredible.



  • I rather listen Punk than a Pink Flloyd or Yes album.
  • I never understood The Lamb Lies Down on Broadway
  • I would never let Peter rejoin Genesis (Genesis a History)
  • If we were ever remotely popular is when Peter left.
  • Yes genesis music is boring, but boring is good also....he, he.
  • [/
    LIST]

    But 15 years after, when only Prog fans care for Genesis, he changes
    his argument for:



    • My all time favorite album is The Lamb Lies Down on Broadway.
    • I would only rejoin Genesis (Now with high case) if Peter sings.
    • Yes was always my favorite band.

    He's a wonderful drummer (A top 10 IMHO), a very good backing
    vocalist and a decent singer, but a lousy songwritter that spoke in the
    most contradictory way possible.


    So sorry for Phil, but he got what he deserved.


    Iván


Ivan, do you have links for any of these interviews where he defames
prog? I've been very interested to see it direct from the cow's udder so to
speak.

10 days travel by foot;
I Wait neath the skin

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Direct Link To This Post Posted: April 12 2006 at 01:41

Ah, what the hell. He made a fortune peddling pop and disco to the "SHEEP"

What a complete turn around.

Like Phil or not, he certainly knows where the money is.

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Direct Link To This Post Posted: April 12 2006 at 02:12
Originally posted by dojonane dojonane wrote:

Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:



  • I rather listen Punk than a Pink Flloyd or Yes album.
  • I never understood The Lamb Lies Down on Broadway
  • I would never let Peter rejoin Genesis (Genesis a History)
  • If we were ever remotely popular is when Peter left.
  • Yes genesis music is boring, but boring is good also....he, he

    Iván


Ivan, do you have links for any of these interviews where he defames
prog? I've been very interested to see it direct from the cow's udder so to
speak.

Yes, you can find all in Genesis a History (Except the one of The Lamb that was quoted in Prog Archives some time ago, pronbably 2005), Video Biography of the band, not an interview, ha says everything word by word (or very similar words.

Of the others, there are a lot of Internet, as a Genesis fan I read evrything related, but don't have everything in the memory.

Just in case, here's a later interview (when he was no longer popular in 1993)

Quote

Q: In retrospect, how much did punk rock really affect your life?
Well, I always felt that, hey, this big shake up ain't going to affect us, because there's substance to what we're doing. I never really felt threatened by it. But what I did feel was that it was going to get rid of a lot of that crap that was around.

Q: Like who?
Let's name names (laughs). Well, I mean, I had never been a fan of the bands that we'd always been compared to. I never really liked Jethro Tull that much. I never liked ELP at all. I was a big fan of the early Yes, but after Fragile I kind of lost interest. And the Floyd I've never loved apart from Arnold Layne. But we did this gig on Saturday at Cowdray Park for King Edward VII Hospital, and it was Queen, us, Clapton and the Floyd, and actually I went to the soundcheck and I was listening to the Floyd and a couple of the things they played I thought; I quite like that. There's a couple of things in there that, you know ...

http://www.philcollins.co.uk/q1293.htm

Even in 1993 after he was more moderate he dared to call CRAP to Jethro Tull, Pink Floyd, Yes after Fragile (Including Close to the Edge, Tales and Relayer) and ELP.

Some more:

Quote - you put them in corners. I hate doing it ... and I hate it happening to us. you put Genesis over there in a corner with yes, ELP. Moody Blues and the Floyd. because that's the period we happened to come up in."

"Personally," admitted Phil. "I don't like any of those groups - so it angers me and frustrates me when we got compared to them. because I don't think . . . well. we've got a lot more substance and a lot more balls. and we're constantly questioning ourselves much more than any of them. And we've tried - and succeeded - to develop over the years, we've changed our music, because we keep our ears to the ground more than, say. the Moody Blues."

http://www.philcollins.co.uk/sounds251282.htm

In 1983 he said clearly he didn't liked Yes, ELP, Moody Blues and Pink Floyd (But of course in the first quote he said he lijked Yes, but of course it was in 1993, when POP Genesis didnt existed.

Jusrt two examples, if you get tye video you'll find most of them.

Iván



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Direct Link To This Post Posted: April 12 2006 at 02:41

it seems he did not like Genesis either

Quote

Q: Did you understand it all?
No. No, no. A lot of the early Genesis stuff was surreal sci-fi fantasy escapism and I can't listen to it I'm not a big fan of our past. When I listen to an old Genesis record, nine times out of 10 I tend to be embarrassed by it. I mean, Tony Banks would sit here and say he's not embarrassed by it.

Q: Was Genesis the only job you went for?
No. God, no. I was a professional auditioner for about six months. I played in the Cliff Charles Blues Band for a few months, playing shuffles all night. That was good fun. I went for the audition for Vinegar Joe - didn't get it - and Manfred Mann's Chapter Three I went for - didn't get it - and I used to go and see Yes pretty regularly at the Marquee Club, and when Bill Bruford was going back to Leeds University before their first album they were looking for a drummer to replace him. I went backstage to see Jon Anderson, he said 'Give me a call Tuesday'. Never called him back. And I often wonder how my life would have been different had I gone for that and got it.

http://www.philcollins.co.uk/q1293.htm

 

 

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Direct Link To This Post Posted: April 12 2006 at 02:43
I don't hate him. In fact, I think his one special drummer. Was. Anyway, I don't hate him, I just ignore him since after the "wuthering" album...
ĄBeware of the Bee!
   
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Direct Link To This Post Posted: April 12 2006 at 04:07

Originally posted by russellk russellk wrote:

OK. I'm setting up Russell's Counselling Service for Hurt and Abused
Proggers. I'll charge exorbitant fees (while wiping froth from quivering
mouths) while gently explaining that it's contradictory to want artists to
follow their own muse but at the same time always deliver the musical
direction the fans want. I'll have a big poster of Phil on the wall, and will
require all my clients to kiss his chubby face while chanting the names of
all his top 10 hits.

Lads, get over it. Phil Collins is not the reason you've grown old. His
musical 'change of direction' did not inevitably lead the the depression
and bitterness you feel. You identify with early Genesis because that's
when you were young and, to be blunt, doing it. Now you're old and
incontinent it's tempting to hold one man responsible. But here's a tip:
things change.

Phil went and did what he wanted. You'll never forgive him for it, will you.

 

 

THANK YOU ruselllk for putting down in typo what needed to be said. Too many sad anorack type comments on why and why not PC was not one of the PEOPLE of prog.Just because we buy progressive music for 30 odd years and deem ourselves " serious" fans does not make our opinions right ( or wrong). PC was and still is a remarkable contributor to progressive music. Don't date stamp your music listening, people, enjoy it in the now. Too much pompus negative criticism for my liking....rave on PC!!!

<font color=Brown>Music - The Sound Librarian

...As I venture through the slipstream, between the viaducts in your dreams...[/COLOR]
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Direct Link To This Post Posted: April 12 2006 at 04:11
Originally posted by cuncuna cuncuna wrote:

I don't hate him. In fact, I think his one special drummer. Was. Anyway, I don't hate him, I just ignore him since after the "wuthering" album...
YOU ARE RIGHT! after that he destroy the genesis legacy
Nothing can last
there are no second chances.
Never give a day away.
Always live for today.


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Direct Link To This Post Posted: April 12 2006 at 06:10

After reading "The Book of Genesis"(1984) by Hugh Fielder itīs hard to see why so many people are blaming Phil and almost only praising Gabriel and Hackett for the good progalbums Genesis did 1970-76.

I donīt think itīs fair to judge someone by 30 year old (or even 5 years) quotes but in this thread there are a lot of things Phil supposedly said. Here are some qoutes from the book - do they change our opinions of why Genesis sounded prog then but later evolved to something else?

  • Steve: "I was an innocent bystander on the Lamb... It happened despite me, not with me... The nightmarishly long sides - everything linked to everything else... I couldnīt quite get to grips with it or contribute something great in a guitar sense...I donīt think Tony has ever done a finer album."
  • Tony(about the Lamb): "...Pete went off and wrote lyrics and everyone else wrote the music."
  • Mike(about the Lamb): When it came out it was a commercial failure. People talk about it now as a classic, but at the time, it died a death.
  • Phil(about the Lamb): "It certainly wasnīt my one of my favourite albums at the time but I can see now that itīs one of our better recordings...still suffering from bad production..."
  • Peter(about I know what I like): "We always tried to avoid writing hits...actually now I think it was really dumb."

Reading the book it seems like Mike and Tony were the most proggish, both playing and composing in that manner. Phil didnīt like confrontations and therefor(?) heīs liked by the other ones, of course his drumming, composing and singing skills plays in as well . Steve was never really a part of the Genesis sound. Noone(even Gabriel) really understood the Lamb lyrics.ī

These are my interpretations of a book I read just recently. Let me read it one more time and I see something new.

What is the truth? Does it matter? All I know is that I like Genesis in the 70īs more than I like them in the 80īs or 90īs(even if they still have their moments). The change of direction - who is to blame? All of them - Iīm sure they would have changed directions even with PG and Hackett in the band. Itīs not Phils fault!

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Direct Link To This Post Posted: April 12 2006 at 06:26

Originally posted by russellk russellk wrote:

OK. I'm setting up Russell's Counselling Service for Hurt and Abused
Proggers. I'll charge exorbitant fees (while wiping froth from quivering
mouths) while gently explaining that it's contradictory to want artists to
follow their own muse but at the same time always deliver the musical
direction the fans want. I'll have a big poster of Phil on the wall, and will
require all my clients to kiss his chubby face while chanting the names of
all his top 10 hits.

Now there's a thought.

I must admit that I have also had this little black spot on my soul for not liking PC enough. I know deep in my heart that I should like him more, and everybody keeps asking me why I don't like PC as much as they do. Even if I start by saying how much I admire him as a drummer, they'll somehow sense this dark side of me right away.

I know his music must be the pinnacle of joy and enlightenment, since there are so many fun things to do whilst listening to his music, like shopping, ice-skating, eating burgers, traveling by elevator or going to the zoo. I can see that people who listen to his music are doing well in life also and do not catch diseases as soon as people who do not like him enough, like homeless people or drug-addicts.

Please help me like him more.

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Direct Link To This Post Posted: April 12 2006 at 06:42
Phil Collins is a great singer, a great drummer and a very good musician. He didn't change the direction of Genesis single-handedly. It was a decision of the whole band and a sign of the times anyway.
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Direct Link To This Post Posted: April 12 2006 at 16:09

Seems like people can't read quotes and analyze what is written between lines:

Piltdown Man wrote:

Quote

I donīt think itīs fair to judge someone by 30 year old (or even 5 years) quotes but in this thread there are a lot of things Phil supposedly said. Here are some qoutes from the book - do they change our opinions of why Genesis sounded prog then but later evolved to something else?

I believe it's fair, because you can analyze who is always coherent (even when his ideas may evolve) and who changes his opion in virtue of the finantial situation each 5 years

Piltdown man wrote:

Quote

  • Steve: "I was an innocent bystander on the Lamb... It happened despite me, not with me... The nightmarishly long sides - everything linked to everything else... I couldnīt quite get to grips with it or contribute something great in a guitar sense...I donīt think Tony has ever done a finer album."

Steve said he didn't participated too much in The Lamb, but he believes it's Tony's finest musical job in other words, he always liked The Lamb, this is coherent with his behaviour, he never ceased to do Progressive Rock albums and was the first and only Genesis member to do a tribute ("Genesis Revisited" and "Tokyo Tapes").

He even invited Tony who first accepted and after a while refused (Taken from the same site where the Steve Hackett interview was copied at the end of this post). 

  • Tony(about the Lamb): "...Pete went off and wrote lyrics and everyone else wrote the music."

What about this? He saiid something that is not new for anybody, Peter did the whole lyrixcs, Tony made the music and his words about "everyone else wote the music" prove how humble he is, because even Steve mentions the music of The Lamb as TONY'S FINEST JOB

  • Mike(about the Lamb): When it came out it was a commercial failure. People talk about it now as a classic, but at the time, it died a death.

He prepares the ground, The Lamb was not popular when relased, but it's popular now, something we all know. Can't find the relevance of this quote, Mike is saying nothing new.

It's important to notice that Mike says nothing about the musical quality, he says it was a commercial faillure, something we all know.

  • Phil(about the Lamb): "It certainly wasnīt my one of my favourite albums at the time but I can see now that itīs one of our better recordings...still suffering from bad production..."

We know Tony made the music, Peter the lyrics and stiry, probably the rest madse some arrangements but nothing else, but Phil said that he didn't liked The Lamb when it was unpopular and he was gaining millions with his music, but now that The Lamb is 100 times more popular than any thing done by Three  men Genesis (And of course much more profitable) jhe discovers a hidden love for it.

Remember that the guy said on many interviews (When his POP music was cool) that he hated Prog', the quotes are here, he disliked Yes, Pink Floyd, Jethro Tull and ELP.....HE CALLED THEM CRAP!!!!!!!

But even worst, he  felt embarrased when he listened the albums that now says he loves.....Phil's behaviour is clear, he knows where the bucks are and his natural contradictions work in the same direction as the market.

  • Peter(about I know what I like): "We always tried to avoid writing hits...actually now I think it was really dumb."

What about this? He left Genesis with almost no money, he spent the few bucks he had in a non profitable but artistically acclaimed WOMAD, so it's normal that making some hits without compromising the quality would have been economically better.

But check something, Pete offered a huge amount of money to any person or company who had a full copy of The Lamb for 30 years, The Lamb was his concept, his child, I see nothing incoherent in his behaviour and/or words.

Reading the book it seems like Mike and Tony were the most proggish, both playing and composing in that manner. 

What??? Mike's first 100% own composition was Your Own Special Way, his work with the Mechanics and even his own is mostly POP.

Tony was Prog oriented, but Peter set the path for the band, use The Lamb as an example, he created the concept and made the lyrics before the music and everybody followed him.

Phil didnīt like confrontations and therefor(?) heīs liked by the other ones, of course his drumming, composing and singing skills plays in as well .

Sorry, but Phil barely did anything except More Fool Me until ATTW3, not even in ATOTT and much less in W&W which was mainly a Banks (At least 70%) - Hackett product with one Rutherford track

Steve was never really a part of the Genesis sound. Noone(even Gabriel) really understood the Lamb lyrics.ī

What?? Steve created the Atmospheric trademark of Genesis, Genesis really grows when he joins and changes to POP whe he leaves. And please, Peter created The Lamb concept and lyrics, he had to understand them

What is the truth? Does it matter? All I know is that I like Genesis in the 70īs more than I like them in the 80īs or 90īs(even if they still have their moments). The change of direction - who is to blame? All of them

Of course, the three of them, but if

  • Prog fans blame Phil for the change,
  • POP fans credit Phoil for the change and
  • Collins solo work is almost identical to Genesis late work,

Then the answer is clear, Phil lead the change.

 - Iīm sure they would have changed directions even with PG and Hackett in the band. Itīs not Phils fault!

Yes, but I0m sure that Peter and Steve would never allowed things as Illegal Alien, Misunderstanding or Who Dunnit?

Steve felt that W&W was weak and left his music was much more similar to early Genesis than any other member's stuff, so imagine what he would have thought about lņater albums?

In case yoiu don't know, here is a quote from him:

Quote

WOG: Do you recall a particular moment when you were in Genesis when you felt that it just wasn't worth staying in the band anymore?

SH: Basically, the deciding factor was the fact that I had material that I felt was very strong, but I felt was outside the capability of the group to perform. Like, for instance, the song that Randy Crawford sings, "I Think Love Will Last," on Please Don't Touch!, which was the opening track of side two of that album. I thought the whole musical extravaganza of that side was strong, and I still do.

I was really edging away from the group at that point. I was getting tired of bringing ideas into the group which I felt they weren't going to do.
If the ideas were more radical, they weren't necessarily going to do them. I felt that the band was heading towards an area that was becoming very safe.  

(...)

WOG: There have been all sorts of rumors and speculation that particular members of the band sort of steered Genesis into a different musical direction. Was there a natural progression into another style of music or was there a conscious effort to do something more commercial?

SH: Well, nobody said, "Let's do something more commercial." Not at that point. The last studio album I had done with the band, which was Wind & Wuthering, was still very much in the spirit of the albums which had preceded it. I think when I left it was another matter.


http://www.worldofgenesis.com/SteveHackettInterview2001.htm 

His point of view is clear, he didn't liked the path that Genesis was taking, and he's pretty nice to use the expression SAFE AREA to describe what Genesis was doing.

Then he said that until W&W the spirit of the reak Genesis was still alive, and when he left everything changed.

So yes, probably Genesis would have changed with Hackett and Gabriel, but never to something as embarrasing as they did.

Iván



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Location: Sweden
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Points: 107
Direct Link To This Post Posted: April 13 2006 at 03:54
[QUOTE=Ivan_Melgar_M]

Seems like people can't read quotes and analyze what is written between lines:

I`ve read a lot of your messages during my short time at the progarchives and I think you write well and passionate about many subjects. Iīm a little bit surprised by your opinion on my capability of reading between the lines. I donīt know if you read the book by Hugh Fielder I referred to but I know that itīs quite possible that two indviduals would find different meanings behind the lines. I think itīs better with a more open opinion than to say Iīm right, youīre wrong. I admit that the quotes I used were quickly found and that it isnīt a fair way to judge someone. They have the right to change opinions in my world. This time I`ll try to leave out the direct quotes and more talk about what I read between the lines. If anyone else have read it Iīll be glad to hear your opinions.

The Genesis so many of us like wouldnīt have been without any of members. They all put in something that made their music special. In the book Tony says that Phil liked Yes and brought some of their playing ability to Genesis. Mike says that Philīs drumming added a new dimension to Genesis. Mike, Tony and Peter seem to be working very well together composing and itīs hard for Phil and Steve in the beginning to contribute. Peter says that Steve wrote things they all liked but quite a lot that they didnīt like. Steve saw it as a compromise joining the band. He wasnīt a fan of the music. Reading the book I get the feeling that he only felt really involved in Selling England...First he says he had a slight inferior complex as a composer, his ideas were not well recieved, his marriage ended etc. Still his guitarplay was very important to the music even if his composing didnīt reach the albums.

If I were to sum up my opinions of the five (actually leaving out Ant Phillips seems wrong since I think his guitarplay was important to the early Genesissound and the fact that Mike called him the key member at the time) members life after Genesis:

  • I have the highest respect for Peter Gabriel. I think is albums are really great. Not necessarily prog-music, sometimes pop, but always honest and with depth. He finds new ways both in composing and performing. My absolute favourite solocareer.
  • Phil is a fantastic drummer, good singer and composer but I donīt like his albums.
  • Steve is a great guitarplayer, ok composer. Iīve got several of his albums -there are some good songs but I think they are uneven and not consistent.
  • I love Mikeīs Smallcreeps day but then his albums donīt appeal to me.
  • Tony is somewhat a disappointment to me. In my opinion his solo albums lacks something, considering his influence on the composing Genesis-music.

I feel like Iīve sort of left the point wether Phil is nasty or not...

  • From what Iīve read the members have all stated that there were things they didnīt like about the albums I love.
  • Changing musical opinons is healthy in my opinion - we shouldnīt blame Phil for that. Their solo efforts have more or less with progmusic to do.
  • You canīt go on making music your fans like, do what feels right for you at the moment.
  • Philīs Face value was regarded groundbreaking for the drumsound - isnīt that musical progress?
  • Reading the book the other members praise Phil for his contributions to the band both as a musican, writer and friend making evreryone feel good.

Summary: I donīt think Phil is a nasty man and he doesnīt deserve all the critisicm he sometimes gets here at Progarchives.

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Joined: April 04 2006
Location: Canada
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Points: 135
Direct Link To This Post Posted: April 13 2006 at 07:12

I think P. Collins just sold out for the money. He's not the only prog artist to go pop. Mike Oldfield didnt get radio play with Ommadawn or Incantations so he made Islands half pop. (but side 1 "Wind Chimes" is superb). Or Equator by Uriah Heep. Yikes! But P. Collins comments about prog were very foolish, it alienated fans for no purpose.

As for Slayer!'s comment about Fripp I heard that too. Why else were so many band members changing. If you get the re-mastered albums on CD the liner notes are very interesting, with some old news clippings about his breakup with Sinfield etc. Maybe a good topic for a new thread?

 

Originally posted by Slayer! Slayer! wrote:

I don't know about Phil Collins....but I hear Robert Fripp is a real jerk. Not busting the guy, I actually have a lot of respect for him, I'm just saying what I heard.  

Can anyone confirm this?

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