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Topic ClosedDavid Gilmour > Jimi Hendrix

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Direct Link To This Post Posted: April 13 2009 at 17:44
I like both, but Hendrix is my favorite.  He was incredible and had so much potential that we'll never hear now.  I feel his playing surpassed the sound spectrum.  It was and still is magical.  
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Direct Link To This Post Posted: April 13 2009 at 13:54
and he influenced them by being one HELL of a great guitarist...  sorry... those great guitarists of that age (and later) didn't worship him because of the reported size of his equipment. LOL
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Direct Link To This Post Posted: April 13 2009 at 13:36
I am afraid that far too many people here (and elsewhere) mistake their opinions (or personal tastes) for fact... Though Gilmour is undoubtedly very good at what he does, Hendrix influenced whole generations of guitarists. Without him, there would be no Heavy Prog subgenre, for instance.
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Direct Link To This Post Posted: April 13 2009 at 13:18
Originally posted by crimhead crimhead wrote:

 Miles > David Gilmour? Tongue

Oh yes.
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Direct Link To This Post Posted: April 13 2009 at 13:17
Originally posted by Easy Money Easy Money wrote:

^ One qoute? Miles went on about Jimi often.


From what I have seen so far it appears Miles influenced Jimi as well so will we have another thread on Miles > David Gilmour? Tongue
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Direct Link To This Post Posted: April 13 2009 at 11:59
^ One qoute? Miles went on about Jimi often.

Edited by Easy Money - April 13 2009 at 12:00
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Direct Link To This Post Posted: April 13 2009 at 11:56
Originally posted by Alberto Muņoz Alberto Muņoz wrote:

Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:

Originally posted by Visitor13 Visitor13 wrote:

Originally posted by Tony R Tony R wrote:

I love these stories about Hendrix playing out of tune as if he was some hack who just messed about, got some interesting sounds and was very lucky. The guy earned a living as a session musician for many years and was certainly in demand in the mid 60's. If he couldnt really play then he wouldnt have lasted 5 minutes! Then there's the stories about all the top guitarists standing open-mouthed in awe when they saw him in concert, including Eric Clapton, they would hardly give props to someone who played out of tune.

Hendrix was the Picasso of the electric guitar and his style transcended blues or pop or even psychedelia. He is unique and if he'd survived I'm damn sure he'd have been a giant of the jazz-fusion scene, as some have mentioned.

Gilmour?  Wonderful guitarist and the right man for Pink Floyd when they needed to move to the next level, but better than Hendrix? He'd be the first to laugh at this I reckon.


Yes, exactly. And that whole 'good' vs 'bad' technique argument is moot anyway. If you play good music, you have good technique, simple as that. It's like when Certified says Gentle Giant were much better technicians than Dream Theater, I completely agree with him.

FWIW, Hendrix was one of the first, if not the first guitarist to wow Miles Davis. They never got a chance to record together due to Hendrix's death, but Davis went on to include the guitar as a permanent feature in his bands since then. 

I'm yet to hear any musician of Davis's stature lavish praise on Gilmour.  


"If you play good music, you have good technique, simple as that"

That is ridiculous, sorry.
I think the Clash made good music, but good technique they did not have.
I love the old Metallica records, yet Kirk Hammett is one of the sloppiest guitarists of any guitarist who came from the 80s thrash metal scene.
My sister likes the Sex Pistols, to her it's good music, but the fact is they couldn't play for sh*t.
 
"If you play bad music, you have a bad tecnique, simple as that"
"If you play good music, you have a bad technique, simple as that"
"If you play bad music, you have a good technique, simple as that"
 
Well the prisoner's dillema applies to this and also the whole sentences are a fallacy


I'd like to read that quote from Miles. He played with McLaughlin who is no slouch in his own right.
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Direct Link To This Post Posted: April 13 2009 at 11:55
Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:

 
My sister likes the Sex Pistols, to her it's good music, but the fact is they couldn't play for sh*t.

It may be good music to your sister, but is it good music in the first place?

Anyway, if you make good music, that means you've got good technique, I stand by it. If your house can withstand an earthquake, it's well built, even if it is built of something most people would never use for one reason or another, or built using weird technologies.

BTW, Nick Cave can't sing for sh*t either.... sing Tuvan throat singing, that is. But who cares. 
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Direct Link To This Post Posted: April 13 2009 at 11:41
Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:



My sister likes the Sex Pistols, to her it's good music, but the fact is they couldn't play for sh*t.




Oh dear. Taxi for PM.

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Direct Link To This Post Posted: April 13 2009 at 11:21
Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:

Originally posted by Visitor13 Visitor13 wrote:

Originally posted by Tony R Tony R wrote:

I love these stories about Hendrix playing out of tune as if he was some hack who just messed about, got some interesting sounds and was very lucky. The guy earned a living as a session musician for many years and was certainly in demand in the mid 60's. If he couldnt really play then he wouldnt have lasted 5 minutes! Then there's the stories about all the top guitarists standing open-mouthed in awe when they saw him in concert, including Eric Clapton, they would hardly give props to someone who played out of tune.

Hendrix was the Picasso of the electric guitar and his style transcended blues or pop or even psychedelia. He is unique and if he'd survived I'm damn sure he'd have been a giant of the jazz-fusion scene, as some have mentioned.

Gilmour?  Wonderful guitarist and the right man for Pink Floyd when they needed to move to the next level, but better than Hendrix? He'd be the first to laugh at this I reckon.


Yes, exactly. And that whole 'good' vs 'bad' technique argument is moot anyway. If you play good music, you have good technique, simple as that. It's like when Certified says Gentle Giant were much better technicians than Dream Theater, I completely agree with him.

FWIW, Hendrix was one of the first, if not the first guitarist to wow Miles Davis. They never got a chance to record together due to Hendrix's death, but Davis went on to include the guitar as a permanent feature in his bands since then. 

I'm yet to hear any musician of Davis's stature lavish praise on Gilmour.  


"If you play good music, you have good technique, simple as that"

That is ridiculous, sorry.
I think the Clash made good music, but good technique they did not have.
I love the old Metallica records, yet Kirk Hammett is one of the sloppiest guitarists of any guitarist who came from the 80s thrash metal scene.
My sister likes the Sex Pistols, to her it's good music, but the fact is they couldn't play for sh*t.
 
"If you play bad music, you have a bad tecnique, simple as that"
"If you play good music, you have a bad technique, simple as that"
"If you play bad music, you have a good technique, simple as that"
 
Well the prisoner's dillema applies to this and also the whole sentences are a fallacy




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Direct Link To This Post Posted: April 13 2009 at 11:15
Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:

Originally posted by Tony R Tony R wrote:

Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:


Originally posted by Tony R Tony R wrote:

I love these stories about Hendrix playing out of tune as if he was some hack who just messed about, got some interesting sounds and was very lucky. The guy earned a living as a session musician for many years and was certainly in demand in the mid 60's. If he couldnt really play then he wouldnt have lasted 5 minutes! Then there's the stories about all the top guitarists standing open-mouthed in awe when they saw him in concert, including Eric Clapton, they would hardly give props to someone who played out of tune. Hendrix was the Picasso of the electric guitar and his style transcended blues or pop or even psychedelia. He is unique and if he'd survived I'm damn sure he'd have been a giant of the jazz-fusion scene, as some have mentioned.Gilmour?  Wonderful guitarist and the right man for Pink Floyd when they needed to move to the next level, but better than Hendrix? He'd be the first to laugh at this I reckon.
Really, I don't think anyone is accusing Hendrix of ALWAYS having poor intonation and/or being sloppy with other areas of guitar technique, because he wasn't always obviously.The point is more, in order to have what is considered good technique, you need to be consistent all the time.Consistency of good technique is what makes people like Allan Holdsworth or Chopin the viruosos they were/are. For someone like Holdsworth, a bad playing day would be a few minor mistakes and even then you almost wouldn't notice the mistakes anyway unless you were a guitarist like myself.Hendrix was lacking in consistency.He had great nights from what I hear, where he was on the ball and played tight, but other times he wasn't quite on the boat and his playing was all over the placeDavid Gilmour, on the other hand, has a reputation for his precise, controlled playing.


Regarding his "off- nights," you do know he was a heavy drug-user don't you?



No, of course, as someone who has been listening to him for a few years, I wouldn't know that *sarcasm*

So what if he was a drug user? You think that excuses someone from a bad performance?
I really wouldn't want to pay to go to a gig, only to have the artist sound like turd because he is off his nut on drugs/alcohol/has been awake for 72 hours straight or whatever.
Why is it any more acceptable for Hendrix to have turned up on stage totally fried, yet if Steve Wilson were to come on stage totally hammered, forget half the lyrics, play out of key for half the time, people would positively pissed off their spent that money on a crap performance?
Sorry, but being drunk/on drugs is not an excuse for a bad performance. A  good excuse might be because of equipment malfunction beyond the artist's control or something pretty reasonable like that.
It is within someone's control as to whether they get on stage blazed or not, so there is no excuse. And no, addiction is not an excuse either, go to rehab and get yourself sorted out before you continue gigging.
You wanna stay on top of your game? Practice and retain a reasonable level of self control in regards to drug or alcohol use. Jimi wasn't always on top of his game unfortunately.



It's only rock 'n' roll...many, many artists have and continue to go on stage whilst heavily under the influence. The morality of it is incidental to that fact. These were different times and most of the audience were in similar states of chemically-induced mental dysfunction.


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Direct Link To This Post Posted: April 13 2009 at 11:08
Originally posted by Visitor13 Visitor13 wrote:

Originally posted by Tony R Tony R wrote:

I love these stories about Hendrix playing out of tune as if he was some hack who just messed about, got some interesting sounds and was very lucky. The guy earned a living as a session musician for many years and was certainly in demand in the mid 60's. If he couldnt really play then he wouldnt have lasted 5 minutes! Then there's the stories about all the top guitarists standing open-mouthed in awe when they saw him in concert, including Eric Clapton, they would hardly give props to someone who played out of tune.

Hendrix was the Picasso of the electric guitar and his style transcended blues or pop or even psychedelia. He is unique and if he'd survived I'm damn sure he'd have been a giant of the jazz-fusion scene, as some have mentioned.

Gilmour?  Wonderful guitarist and the right man for Pink Floyd when they needed to move to the next level, but better than Hendrix? He'd be the first to laugh at this I reckon.


Yes, exactly. And that whole 'good' vs 'bad' technique argument is moot anyway. If you play good music, you have good technique, simple as that. It's like when Certified says Gentle Giant were much better technicians than Dream Theater, I completely agree with him.

FWIW, Hendrix was one of the first, if not the first guitarist to wow Miles Davis. They never got a chance to record together due to Hendrix's death, but Davis went on to include the guitar as a permanent feature in his bands since then. 

I'm yet to hear any musician of Davis's stature lavish praise on Gilmour.  


"If you play good music, you have good technique, simple as that"

That is ridiculous, sorry.
I think the Clash made good music, but good technique they did not have.
I love the old Metallica records, yet Kirk Hammett is one of the sloppiest guitarists of any guitarist who came from the 80s thrash metal scene.
My sister likes the Sex Pistols, to her it's good music, but the fact is they couldn't play for sh*t.
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Direct Link To This Post Posted: April 13 2009 at 10:44
Both played in a pentatonic-based style, used lots of bends, fused blues with psychedelia, it's not an unreasonable comparison.
 
Both had incredible touch, both could be expressive and truly seem like they were channelling something deep or otherworldly.
 
"All along the Watchtower" is psychedelic rock guitar at its apex. Considering how many imitators have failed to match that work (Page came closest) I rank Hendrix up among the inciendary stars of rock. The guy invented rock guitar as we know it.
 
Having a guitar teacher who basically used those guys solos as my textbook, I would say that Gilmour's are much easier to understand, though reproducing his touch is remarkably elusive. Of course, he spent years developing it, and claims that much of his early Floyd work was just mucking around.
 
I actually prefer listening to Gilmour now, as the compositions are more complete and I just connect more with the music.
 
Finally, neither of those guys were looking to be the "Best guitarist," but were trying to create transformative music. They both succeeded. Django Reinhart could kick both of them technically decades before. Chet Atkins could kick both of them technically at the time of their performances and he was an old coot. Who cares? I'd rather listen to Pink Floyd because that's just where my tastes lie.  
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Direct Link To This Post Posted: April 13 2009 at 10:30
Originally posted by Tony R Tony R wrote:

Originally posted by Petrovsk Mizinski Petrovsk Mizinski wrote:


Originally posted by Tony R Tony R wrote:

I love these stories about Hendrix playing out of tune as if he was some hack who just messed about, got some interesting sounds and was very lucky. The guy earned a living as a session musician for many years and was certainly in demand in the mid 60's. If he couldnt really play then he wouldnt have lasted 5 minutes! Then there's the stories about all the top guitarists standing open-mouthed in awe when they saw him in concert, including Eric Clapton, they would hardly give props to someone who played out of tune. Hendrix was the Picasso of the electric guitar and his style transcended blues or pop or even psychedelia. He is unique and if he'd survived I'm damn sure he'd have been a giant of the jazz-fusion scene, as some have mentioned.Gilmour?  Wonderful guitarist and the right man for Pink Floyd when they needed to move to the next level, but better than Hendrix? He'd be the first to laugh at this I reckon.
Really, I don't think anyone is accusing Hendrix of ALWAYS having poor intonation and/or being sloppy with other areas of guitar technique, because he wasn't always obviously.The point is more, in order to have what is considered good technique, you need to be consistent all the time.Consistency of good technique is what makes people like Allan Holdsworth or Chopin the viruosos they were/are. For someone like Holdsworth, a bad playing day would be a few minor mistakes and even then you almost wouldn't notice the mistakes anyway unless you were a guitarist like myself.Hendrix was lacking in consistency.He had great nights from what I hear, where he was on the ball and played tight, but other times he wasn't quite on the boat and his playing was all over the placeDavid Gilmour, on the other hand, has a reputation for his precise, controlled playing.


Regarding his "off- nights," you do know he was a heavy drug-user don't you?



No, of course, as someone who has been listening to him for a few years, I wouldn't know that *sarcasm*

So what if he was a drug user? You think that excuses someone from a bad performance?
I really wouldn't want to pay to go to a gig, only to have the artist sound like turd because he is off his nut on drugs/alcohol/has been awake for 72 hours straight or whatever.
Why is it any more acceptable for Hendrix to have turned up on stage totally fried, yet if Steve Wilson were to come on stage totally hammered, forget half the lyrics, play out of key for half the time, people would positively pissed off their spent that money on a crap performance?
Sorry, but being drunk/on drugs is not an excuse for a bad performance. A  good excuse might be because of equipment malfunction beyond the artist's control or something pretty reasonable like that.
It is within someone's control as to whether they get on stage blazed or not, so there is no excuse. And no, addiction is not an excuse either, go to rehab and get yourself sorted out before you continue gigging.
You wanna stay on top of your game? Practice and retain a reasonable level of self control in regards to drug or alcohol use. Jimi wasn't always on top of his game unfortunately.

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Direct Link To This Post Posted: April 13 2009 at 10:01
Originally posted by Tony R Tony R wrote:

I love these stories about Hendrix playing out of tune as if he was some hack who just messed about, got some interesting sounds and was very lucky. The guy earned a living as a session musician for many years and was certainly in demand in the mid 60's. If he couldnt really play then he wouldnt have lasted 5 minutes! Then there's the stories about all the top guitarists standing open-mouthed in awe when they saw him in concert, including Eric Clapton, they would hardly give props to someone who played out of tune.

Hendrix was the Picasso of the electric guitar and his style transcended blues or pop or even psychedelia. He is unique and if he'd survived I'm damn sure he'd have been a giant of the jazz-fusion scene, as some have mentioned.

Gilmour?  Wonderful guitarist and the right man for Pink Floyd when they needed to move to the next level, but better than Hendrix? He'd be the first to laugh at this I reckon.


Yes, exactly. And that whole 'good' vs 'bad' technique argument is moot anyway. If you play good music, you have good technique, simple as that. It's like when Certified says Gentle Giant were much better technicians than Dream Theater, I completely agree with him.

FWIW, Hendrix was one of the first, if not the first guitarist to wow Miles Davis. They never got a chance to record together due to Hendrix's death, but Davis went on to include the guitar as a permanent feature in his bands since then. 

I'm yet to hear any musician of Davis's stature lavish praise on Gilmour.  
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Direct Link To This Post Posted: April 13 2009 at 02:22
Originally posted by Atavachron Atavachron wrote:

of course I'm just trying to argue, and your clarification is appreciated


 
No problem. Thumbs Up
 
And, aren't we all? Wink
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Direct Link To This Post Posted: April 13 2009 at 02:19
Originally posted by MisterProg2112 MisterProg2112 wrote:

I'm going to agree with Harry 100%, David Gilmour by a long shot. I honestly don't see what anyone see's in Hendrix.


Maybe you should ask David Gilmour. He used to cover Hendrix songs before he joined Pink Floyd ...

BTW: If you don't get what's special about Hendrix ... take a look at the time line. Hendrix really changed the way the electric guitar was used in a band context. He influenced virtually every other guitarist of his time and beyond, including Gilmour.
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Direct Link To This Post Posted: April 12 2009 at 22:25
Originally posted by crimson87 crimson87 wrote:

Originally posted by p0mt3 p0mt3 wrote:

Originally posted by crimhead crimhead wrote:

Originally posted by Easy Money Easy Money wrote:

^ I'm no Chuck Berry fan, but nobody plays his songs right except that ugly guy in the Stones. Berry actually uses real nice inventive sparse RnB chords, while your typical local bar band tramples all over that.


We all know that Chuck stole that sound from Marty McFly when he went back in time to play at his mom and dad's prom to get them together. Doesn't anybody remember Back to the Future?
 
"Hey, Chuck? Chuck! It's Marvin. You're cousin, Marvin Berry?! Y'know that new sound you're lookin' for? Well listen to this!!!"
 
Actually Marty Mc Fly invented sweep picking way back in 1955 , talk about a guitar god.
 
Not to mention tapping. The guy was waaaaay ahead of his time.
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Direct Link To This Post Posted: April 12 2009 at 21:48
I'm going to agree with Harry 100%, David Gilmour by a long shot. I honestly don't see what anyone see's in Hendrix.
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Direct Link To This Post Posted: April 12 2009 at 21:23
Originally posted by p0mt3 p0mt3 wrote:

Originally posted by crimhead crimhead wrote:

Originally posted by Easy Money Easy Money wrote:

^ I'm no Chuck Berry fan, but nobody plays his songs right except that ugly guy in the Stones. Berry actually uses real nice inventive sparse RnB chords, while your typical local bar band tramples all over that.


We all know that Chuck stole that sound from Marty McFly when he went back in time to play at his mom and dad's prom to get them together. Doesn't anybody remember Back to the Future?
 
"Hey, Chuck? Chuck! It's Marvin. You're cousin, Marvin Berry?! Y'know that new sound you're lookin' for? Well listen to this!!!"
 
Actually Marty Mc Fly invented sweep picking way back in 1955 , talk about a guitar god.
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