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Topic ClosedDo you like Never Mind the Bollocks?

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Poll Question: do you enjoy this landmark album by The Sex Pistols?
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19 [47.50%]
14 [35.00%]
7 [17.50%]
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Cygnus X-2 View Drop Down
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Direct Link To This Post Posted: February 12 2009 at 14:12
At least Lydon appreciated Peter Hammill enough to name-check him, other than that I don't care for the Sex Pistols.
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Direct Link To This Post Posted: February 12 2009 at 13:58
Originally posted by Lucent Lucent wrote:

The beginning of bad music started with Never Mind the Bollocks.

No.


Some might say the same about Disco. I don't recall the Chicago White Sox having a Punk night where people brought their punk albums to be blown up.

To each there own. Punk has a place in music history much like Disco and Grunge.
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Direct Link To This Post Posted: February 12 2009 at 12:22
^ modern punk eh ... I've been teaching some young teens how to play songs by Patent Pending, they are a funny band with a guy in a whale mascot costume on stage with them dancing around etc, sarcastic goofy teen humor like that still cracks me up.

Edited by Easy Money - February 12 2009 at 12:38
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Direct Link To This Post Posted: February 12 2009 at 12:19
^ at least no one's mentioned modern Punk. Wink
What?
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Direct Link To This Post Posted: February 12 2009 at 12:16
Originally posted by NaturalScience NaturalScience wrote:


Originally posted by Easy Money Easy Money wrote:

For the record: punk didn't kill prog-rock.
It did not, but it made it a hell of lot more difficult to start a prog band circa 1977 than it was 6 or 7 years prior - the record companies wanted nothing to do with that kind of music.  And really, prog was never even killed anyway as far as I'm concerned, it just went more underground and never regained the sort of commercial success it (i.e. the big name groups) enjoyed throughout most of the 1970s.



Yeah, there is a lot of truth to that, but what I was trying to say was that all my old favorite bands began to loose their creative spark. I remember seeing ELP Works tour and just being disgusted, not because of the music but by the fact that they obviously didn't care anymore and were just going through the motions.

Same thing with Genesis after Hacket split. I had just seen them a year or two earlier with Bruford and they were incredible, but soon after that their shows were lifeless.

Fripp was the only old favorite that wasn't 'phoning it in'. Meanwhile I saw Black Flag at a small club and rock was alive and well again and very creative and energetic. It didn't hurt that Black Flag's music had obvious King Crimson, Deep Purple and Black Sabbath influences.

Anyway, I didn't mean to get off subject here, let's not have another boring debate about prog and punk, that has been done to death on this site many times.

Edited by Easy Money - February 12 2009 at 19:19
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Direct Link To This Post Posted: February 12 2009 at 12:12
The more I read about this, the more I want to hear SP again.  I never shared their anger towards prog but I certainly share it towards the new cycle most days. 
 
At the risk of repeating myself, check out Minutemen for one of the best punk bands of the old days. 
...that moment you realize you like "Mob Rules" better than "Heaven and Hell"
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Direct Link To This Post Posted: February 12 2009 at 11:58
Punk is quite combineable with prog and I don't hate it like I used to a long time ago but i just don't dig the Sex Pistols/Clash (they sound pretty similar to me) sound... I like some old hardcore punk like Minor Threat or Black Flag though. And Ramones are ok.

RHCP cover of Havana Affair=ApproveApprove


The whole Slane DVD is masterlinessWink


Edited by The Miracle - February 12 2009 at 12:01
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Direct Link To This Post Posted: February 12 2009 at 11:40
Prog never died... it just smelled funny for a couple of years +++coughlovebeachcough+++

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Direct Link To This Post Posted: February 12 2009 at 11:37
Originally posted by Easy Money Easy Money wrote:


For the record: punk didn't kill prog-rock.


It did not, but it made it a hell of lot more difficult to start a prog band circa 1977 than it was 6 or 7 years prior - the record companies wanted nothing to do with that kind of music.  And really, prog was never even killed anyway as far as I'm concerned, it just went more underground and never regained the sort of commercial success it (i.e. the big name groups) enjoyed throughout most of the 1970s.
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Direct Link To This Post Posted: February 12 2009 at 11:35
Originally posted by Blacksword Blacksword wrote:

I always liked it. I've read numerous critiques by idiot journalists who harp on about it's cultural significance, in a similar way they did over Nirvanas 'Nevermind' (which is clearly musically superior)

Lets not lose grip of the rope here; it's a ramshackle collection of simplistic rock 'n' roll songs, by a gang of virtually talentless kids. Lets take it for what it is; a bit of fun.


I think you've hit the nail firmly on the head there, Blacksword; to me (and I know many will disagree with me) The Sex Pistols were a 4th rate (bad) pub heavy metal band with a clever manager; NMTB was written, played & produced badly & to these ears had virtually no redeeming features whatsoever - especially when compared to debut albums by The Clash, The Stranglers, The Buzzcocks & even to an extent Souixie & The Banshees.

But that's probably just me...

Jon Lord 1941 - 2012
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Direct Link To This Post Posted: February 12 2009 at 11:29
Originally posted by Rocktopus Rocktopus wrote:



I've asked this before: Did he audition for Henry Cow, ?

 
 
Not really the answer but.... Alan Freeman co-author of the Krautrock book Crack in The Cosmic Egg, tells me Lyden auditioned for Can at one time and their lead vocalist position.
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Direct Link To This Post Posted: February 12 2009 at 08:46
Great album good fun. not really punk thoughErmm
I'm always almost unlucky _ _ _ _ _ _ _ _ Id5ZcnjXSZaSMFMC Id5LM2q2jfqz3YxT
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Direct Link To This Post Posted: February 12 2009 at 08:28
Also these results are really pleasantly surprising.
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Direct Link To This Post Posted: February 12 2009 at 08:28
Dreadful, just dreadful!  Thumbs Down
 
I liked Megadeth's version of Anarchy in the UK though.
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Direct Link To This Post Posted: February 12 2009 at 08:28
Originally posted by mystic fred mystic fred wrote:

Though many have an affection for many of the bands during this period, i feel Punk Rock became an inevitable stain on our music history page


This really only works if you hate all alternative/indie music, since a great deal of it is influenced by punk.  Punk changed music, and vastly for the better.

Quote Even Rap has become a sanitised neatly packaged establishment institution


Dalek, El-P, Wale, Binary Star, Cannibal Ox, Clipse, Deltron 3030, Edan, Madvillain, King Geedorah, Viktor Vaughn, Quasimoto, The Roots, etc, hardly qualify as part of a "sanitized neatly packaged establishment institution."

Even more mainstream artists like Eminem, Jay-Z, and Kanye West don't fit that bill.

Quote it is also about fashion statements not music, though its decadent anti-establishment overtones are all very tongue-in-cheek, and should only influence or offend the foolish .


Are bands like Joy Division, Talking Heads, Sonic Youth, Pavement, Pixies, etc foolish for being influenced by it?

Quote With the lack of anything new appearing these days, music will to continue to safely go round in circles for many years to come.


You're presupposing a lack of anything new.  It seems to me that it's more a case of everyone having the resources to realize their own vision, so they don't have to latch onto someone else's.
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Direct Link To This Post Posted: February 12 2009 at 08:16
I only listened to it a few times, and thought it was ok. But that was some fifteen years ago, I haven't heard it since. I used to be more into The Exploited and The Toy Dolls, and a few Polish punk bands too. I can even remember some of the lyrics:

The autumn wind,
The autumn wind,
The autumn wind,
The autumn wind,
The autumn wind,
The autumn wind,
Blew the worker off the f**king roof,
The autumn wind,
The autumn wind,
etc.

Praised be punk. You won't get such lyrics elsewhere.
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Direct Link To This Post Posted: February 12 2009 at 07:30
I always liked it. I've read numerous critiques by idiot journalists who harp on about it's cultural significance, in a similar way they did over Nirvanas 'Nevermind' (which is clearly musically superior)

Lets not lose grip of the rope here; it's a ramshackle collection of simplistic rock 'n' roll songs, by a gang of virtually talentless kids. Lets take it for what it is; a bit of fun.
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Direct Link To This Post Posted: February 12 2009 at 03:28
I enjoy Punk and this album, but I feel too old and cynical for the whole rebellious stage, and the music itself certainly never was much to talk about. It's still a nice record, but it doesn't offer me anything at this point of my life.
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Direct Link To This Post Posted: February 12 2009 at 02:30
Originally posted by Logan Logan wrote:



Incidentally, I like this album picks list that Johnny Rotten (John Lydon) came up with for an interview  (before anyone brings up his "I hate Pink Floyd" shirt), which includes Bowie, Peter Hammill, Captain Beefheart, John Cale, Third Ear Band, and Can.


I've asked this before: Did he audition for Henry Cow, or have I just dreamt it ( I know he was a fan)?

And yes, I like Never Mind the Bollocks. The only pure punkalbum I've genuinely cared for. Haven't listened to it in years, though. John Lydon was brilliant, and artisically on a different level than the rest of the group. He proved that with PIL.

Never could stand The Ramones, and I don't consider them the same thing. If any punks destroyed music or whatever (which they didn't), it would have to be them. From that "school" I think The Misfits were great fun.
Over land and under ashes
In the sunlight, see - it flashes
Find a fly and eat his eye
But don't believe in me
Don't believe in me
Don't believe in me
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Direct Link To This Post Posted: February 12 2009 at 02:05
Punk gave us post-punk. :)

I don't form my opinions on punk music from listening to the records, thus I can confidently say it's better than anything Beethoven wrote.
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