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The Renaissance Zone |
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rogerthat ![]() Prog Reviewer ![]() Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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Which is all the more reason I struggle to understand why he didn't do contrapuntal basslines more because it's harder to play lead bass viz Black Flame.
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SteveG ![]() Forum Senior Member ![]() ![]() Joined: April 11 2014 Location: Kyiv In Spirit Status: Offline Points: 20617 |
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^I think that Camp is completely underrated due his admittedly heavy influence by Squire. But Camp was ten times more melodic and always added to the music without overpowering it. Not an easy thing for "lead bass" player in a prog band.
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rogerthat ![]() Prog Reviewer ![]() Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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The one thing I don't really like about Camp's approach is it is not harmonically very adventurous at all. Especially with the lack of overpowering electric guitar, there was plenty of scope for independent, contrapuntal bass and he seemed to largely fight shy of it (Trip to the fair is one exception). Literally, other than Trip to the fair and maybe Things I don't understand, there isn't one track of Ren MK-II where Tout or Camp try a few things harmonically and that's very strange in a prog rock band. To contrast this with Squire, see South Side of Sky where he is playing beautiful independent basslines as Anderson & Co vocalise. In a way, Camp is the bass version of a Satriani or Gilbert, technically amazing for sure but not very interesting (like say a McLaughlin or Holdsworth). Of course, it's possible Michael Dunford wanted it that way but there's no evidence from the later Camp dominated albums to that effect and when Rave Tesar and Jason Hart decided to express themselves in live performances of Trip to the fair, Dunford didn't stop them.
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kenethlevine ![]() Special Collaborator ![]() ![]() Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 9219 |
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I understand he is very influenced by Chris Squire, but Renaissance moves me much more than Yes, and he works very well with their material. Bass isn't my favorite instrument, but I can't think of another band where I enjoy the bass as much as I do with Renaissance.
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fudgenuts64 ![]() Forum Senior Member ![]() ![]() Joined: January 17 2013 Location: NY Status: Offline Points: 470 |
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I have been slowly coming back to Renaissance after a long absence of listening to other bands. I forgot how much I love Camp's bass. People have tried but failed to win me over, I still think he's my all time favorite player. No other band has so many melodic bass lines and even on the 80s albums, listen to Faeries (at the bottom of the garden) and tell me that bass isn't infectious.
Edited by fudgenuts64 - November 27 2016 at 05:17 |
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kenethlevine ![]() Special Collaborator ![]() ![]() Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 9219 |
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Ah I see, thanks! Let's hope so
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rogerthat ![]() Prog Reviewer ![]() Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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Update about the Bethlehem show. The recording was not done by the band but by the venue for live projection on the screen. But they MAY release depending on the quality of the footage.
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rogerthat ![]() Prog Reviewer ![]() Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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Annie has taken good care of her voice. Doesn't do too many shows. There was a time when she did but the 80s imposed an involuntary hiatus and since then she has done fewer shows anyway.
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The Son of Gorp ![]() Forum Senior Member ![]() ![]() Joined: December 25 2014 Location: Kyrgyzstan Status: Offline Points: 146 |
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Just got back from a Renaissance concert. Annie's voice is still absolutely top notch, I don't know how she does it. Some pretty solid music played all around. She forgot the first line of Mother Russia, which gave her and the crowd a good laugh
![]() Apparently, Annie's a painter! I was never aware of that. Some of her works were on display, and I thought they were pretty good. I hadn't really listened to the new album, but I might have to now, as the new songs sounded good live. Overall, good stuff.
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When Da Zeuhl Wortz Mekanik, you just know.
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kenethlevine ![]() Special Collaborator ![]() ![]() Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 9219 |
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wow fantastic!
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rogerthat ![]() Prog Reviewer ![]() Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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As per their FB page, Ren's show at Bethlehem has been filmed, so a new DVD could be expected and hopefully this one has both Song for All Seasons and Closer than Yesterday.
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SteveG ![]() Forum Senior Member ![]() ![]() Joined: April 11 2014 Location: Kyiv In Spirit Status: Offline Points: 20617 |
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kenethlevine ![]() Special Collaborator ![]() ![]() Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 9219 |
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this came up on my facebook due to my association with Renaissance, a decent cover of "Opening Out"
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kenethlevine ![]() Special Collaborator ![]() ![]() Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 9219 |
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good point about the touring.
Dunford did a lot of research too I think, and had a lot of influences among the composers. It's perhaps a bit harder to spot his influences from the pop world
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rogerthat ![]() Prog Reviewer ![]() Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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Yup and also spent a lot of time touring which may have also left too little time to actually write more songs than required. Dunford in any case was more of a meticulous craftsman, enlisting the help of Camp and Tout in particular to improve upon his compositions and not a prodigal songwriting virtuoso like a Donald Fagen who could go on churning songs with his knowledge of blues and jazz.
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kenethlevine ![]() Special Collaborator ![]() ![]() Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 9219 |
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yeah it seems like they were more the perfectionists, taking the material they had and working it till they were satisfied, rather than going by volume and then choosing the best cuts
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rogerthat ![]() Prog Reviewer ![]() Joined: September 03 2006 Location: . Status: Offline Points: 9869 |
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In I think 2009 or 10, they issued a remaster of Scheherazade along with the Azure D Or promo videos (including an unplugged version of Carpet of the Sun that's, unusually, played a half step lower). Since then, there's been nothing nor has Annie hinted at any remasters in the works. She has mentioned a new studio album in a recent interview but nothing concrete yet.
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kenethlevine ![]() Special Collaborator ![]() ![]() Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 9219 |
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Here's a question that Rogerthat may have an answer to. Are there any Steven Wilson styled remasters planned for the classic period Renaissance albums? Any bonus tracks in the vaults? Obviously, we have all the live versions we will ever need, but if there were some unreleased studio tracks, that could be a treat
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Rednight ![]() Forum Senior Member ![]() ![]() Joined: January 18 2014 Location: Mar Vista, CA Status: Offline Points: 4812 |
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^You're probably right.
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"It just has none of the qualities of your work that I find interesting. Abandon [?] it." - Eno
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kenethlevine ![]() Special Collaborator ![]() ![]() Prog-Folk Team Joined: December 06 2006 Location: New England Status: Offline Points: 9219 |
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![]() At the time the album came out I thought it was one of the better tracks, like maybe 4th or 5th out of 10. I haven't listened to it in a long time but it strikes me as a bit too synthetic, which was a problem I had with most of the album.
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