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Jaja Brasil View Drop Down
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Direct Link To This Post Topic: 10 BEST PROG GUITAR SOLO
    Posted: April 07 2005 at 19:44

Hi Everybody, 

I know there must be a topic about it. But here I go again. 

Which are the Top 10  Prog Guitar Solos ? 

Here is my list:

 

1-Confortably Numb – David Gilmour

2-Time – David Gilmour

3-Firth of Fifth – Steve Hackett

4-The Gates of Delirium (the “SOON” part) – Steve Howe

5-Ice – (from “Never Let Go” live album version) - Andy Latimer

6-Yours is No Disgrace – (from "Yessongs" live album) - Steve Howe

7-Aqualung – Martin Barre

8-Lady Fantasy – Andy Latimer

9-The Web – Steve Rothery

10-From The Beggining - Greg Lake (I know he is a bassist, but I love this solo!)

 

Please note that I didn’t make a list with one music from each Guitarrist. This is the list of my favourite solos. (and, surprise! My favourite guitar player is Steve Howe...)_

I know it’s very hard, but it’s only 10...  

And remember this is just MY opinion... 

What about yours ?

 

Best Greetings...

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Dick Heath View Drop Down
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Direct Link To This Post Posted: April 07 2005 at 19:49
Bill Bruford who knows a thing or two musicals, says it all in the liner notes of the recent  Allan Holdsworth Against The Clock : Holdsworth solo when in UK for In The Dead Of Night - simply makes every guitarist listed above sound ordinary and cliched.
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Direct Link To This Post Posted: April 07 2005 at 19:59
My top 10:

Gilmour - Comfortably Numb (middle solo)
Gilmour - Dogs (all solos)
Gilmour - Mother
Howe - Starship Trooper
Hackett - Firth Of Fifth
Hackett - Dancing With The Moonlit Knight (not sure if this would really be considered a solo per se, but I'm talking about the fast part that follows "Knights of the green shield stamp and shout"
Howe - America
Lake - From The Beginning
Lifeson - 2112 (first solo)
Lifeson - Digital Man
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Direct Link To This Post Posted: April 07 2005 at 20:03
Opeth - Wreath

Not technically-wise but i get the chills every time i hear it.
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Direct Link To This Post Posted: April 07 2005 at 21:24

Guitar solos, eh? I think the last really good guitar solo I really loved was on an SOAD album. And then they got big, and suddenly the kids were all wearing their shirts... bummer. They were my personal band for one year and I felt like the only one who knew about them. *sighs*

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Direct Link To This Post Posted: April 07 2005 at 21:38

okay: for the sound quality:

1-steve rothery - jigsaw

2-alex lifeson - marathon (and most of the solos on power windows)

3-steve hackett - spectral mornings

4-steve hackett - every day

5- steve hackett - the steppes

6- frank zappa - black napkins

7 - frank zappa - packard goose

8- steve rothery - she cameleon

9-gary chandler (jadis) - hiding in the corner

10- alex lifeson - here again

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Direct Link To This Post Posted: April 07 2005 at 21:51

I have one!!

Genesis's Anthony Phillips guitar solo during the second half of 'The Knife'!

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Direct Link To This Post Posted: April 07 2005 at 22:47
yeah, 10 is a quite a few to think of.. but i think steve howe's solo on sound chaser is pretty awesome.. it really displays his distinctive, almost sloppy(in a cool way) style.. and pat moraz's synth accompanyment really adds to the thrill of it
hmm.. since im on steve howe.. some other songs with awesome solos by him:
                   -perpetual change (plays his jazz box to the fullest)
                   -yours is no disgrace (the one in the intro is pretty killer)
                   -going for the one (he sure knows how to work the pedal steel)  
                   -don't kill the whale (this one's always stuck out to me.. has a certain
                                                                         improvised sound that I dig)
                   -pennants(from the steve howe album.. this one flows with the progression really
                                                                 well.. sounds almost dicky betts-ish, southern rockish)
                   -surface tension (classical.. but a guitar solo nonetheless.. and real contemporary
                                                                  so i think it counts as 'prog contemporary classical')
                   -close to the edge intro solo (musical chaos.. pure genius)

i'm a big yes fan.... these are my favourites
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Direct Link To This Post Posted: April 07 2005 at 22:50
Originally posted by Jaja Brasil Jaja Brasil wrote:

10-From The Beggining - Greg Lake (I know he is a bassist, but I love this solo!)


 



he was actually a guitarist first .. played bass because they needed someone to do it
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Direct Link To This Post Posted: April 07 2005 at 23:15

Originally posted by Dick Heath Dick Heath wrote:

Bill Bruford who knows a thing or two musicals, says it all in the liner notes of the recent  Allan Holdsworth Against The Clock : Holdsworth solo when in UK for In The Dead Of Night - simply makes every guitarist listed above sound ordinary and cliched.

Thing is, Dick, most people wouldn't know it's worth, even if they heard it twenty times. Some things can't penetrate concrete.

 

 



Edited by danbo
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Direct Link To This Post Posted: April 08 2005 at 00:12

Greg Lake:  guitar solo on KE9-1-2

Greg Lake:  From the Beginning

David Gilmour:  Comfortably Numb

David Gilmour:  Dogs

David Gilmour:  Coming Back to Life (opening)

David Gilmour:  SOYCD

David Gilmour: Sorrow

David Gilmour:  Time

David Gilmour:  Marooned

Robert Frip:  21 Century Schizoid Man

 

THIS IS ELP
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Direct Link To This Post Posted: April 08 2005 at 00:33
Originally posted by threefates threefates wrote:

Greg Lake:  guitar solo on KE9-1-2

Greg Lake:  From the Beginning

David Gilmour:  Comfortably Numb

David Gilmour:  Dogs

David Gilmour:  Coming Back to Life (opening)

David Gilmour:  SOYCD

David Gilmour: Sorrow

David Gilmour:  Time

David Gilmour:  Marooned

Robert Frip:  21 Century Schizoid Man

 

good call, but too many David gilmour!

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Direct Link To This Post Posted: April 08 2005 at 00:34

Here are my favs in no particular order

Lateralus- Tool

A Fair Judgement- Opeth

Comfortably numb -david gilmour

others i dont know right now....

 

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Direct Link To This Post Posted: April 08 2005 at 00:43
Originally posted by danbo danbo wrote:

Originally posted by Dick Heath Dick Heath wrote:

Bill Bruford who knows a thing or two musicals, says it all in the liner notes of the recent  Allan Holdsworth Against The Clock : Holdsworth solo when in UK for In The Dead Of Night - simply makes every guitarist listed above sound ordinary and cliched.

Thing is, Dick, most people wouldn't know it's worth, even if they heard it twenty times. Some things can't penetrate concrete.

 

 

yeah i know that you mentioned the solos "ABOVE" are cliche: mine were below! i know they rule! those solos are the top of the tops!

regarding holdsworth, his solo on in the dead of night  is very good but holdsworth made better ones:

the one on "Three sheets to the wind" (road games) is much better!

the one on "tokyo dream" is also more melodic.

have you heard the one on bruford's "The Abingdon Chasp" (one of a kind)? IMPRESSIVE!



Edited by greenback
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Direct Link To This Post Posted: April 08 2005 at 01:35

Lifeson- La Villa Strangiato  

I can't think of any to compare maybe I'll come back to this.

 

"The rock and roll business is pretty absurd, but the world of serious music is much worse." - Zappa
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Direct Link To This Post Posted: April 08 2005 at 05:29

01 Steve Rothery - Easter

02 Dave Gilmour - Comfortably Numb (from Pulse)

03 Dave Bainbridge (Iona) - Inside My Heart (from Heaven’s Bright Sun)

04 Steve Rothery - Hotel Hobbies

05 Steve Rothery - Seasons End

06 Steve Rothery - Sugar Mice

07 Dave Gilmour - Sorrow (Pulse)

08 Steve Hackett - Firth of Fifth

09 Steve Howe - Soon

10 Dave Bainbridge - Flight of the Wild Goose

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Direct Link To This Post Posted: April 08 2005 at 05:30

Some nice solos mentioned so far.

Camel - Chord Change (Guitar, Andy Latimer). Not a technically stunning solo, but so very beautiful and emotional.

Buckethead - Jump Man (Guitar). Hard and cold, but still very emotional.

King Crimson - Islands (Saxophone, Mel Collins). This one speaks for itself

Alot of Ozric Tentacles works: Eternal Wheel, Coily, Aura Borealis. Much of their music consists of solos and complex instrumental patterns, thus its hard to pinpoint any specific solos.

Off topic, can anyone tell me how I get to the next line in this text editor, without having to write enough text for it to automatically go down? Whenever I press enter it skips one line. Its pretty frustrating.

 

 

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Direct Link To This Post Posted: April 08 2005 at 05:42

Xanadu - Alex Lifeson
La Villa Starngiato - Alex Lifeson
Lunar Sea - Andy Latimer
Dogs - Dave Gilmour
Chelsea Monday - Steve Rothery
Everyday - Steve hackett
Spectral Mornings - Steve Hackett
Starship Trooper (Wurm) - Steve Howe
Willie the Pimp - Frank Zappa
No Quater (Live) - Jimmy Page (Not really prog, I guess, but do I look like I care )

In no particular order.

Ultimately bored by endless ecstasy!
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Direct Link To This Post Posted: April 08 2005 at 05:44

Robert Fripp - The Night Watch/Fadeaway and Radiate(Blondie)
Sorry.Can't choose between the two

Franco Mussida (PFM)-Alta Loma 9to5 - Live in the USA

Steve Hackett - Firth of Fifth

Keith Cross (T2)-Morning

Andrew Latimer - Lunar Sea

Frank Zappa - Muffin Man

Steve Howe - Remembering...

Allan Holdsworth (UK)- In the Dead of Night

Steve Hillage (Gong)- A Sprinkling of Clouds

Stewart Lickerish (The Enid)-In the Region of the Summer Stars






Edited by Man Erg

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Direct Link To This Post Posted: April 08 2005 at 05:55
Originally posted by greenback greenback wrote:

[regarding holdsworth, his solo on in the dead of night  is very good but holdsworth made better ones:

the one on "Three sheets to the wind" (road games) is much better!

the one on "tokyo dream" is also more melodic.

have you heard the one on bruford's "The Abingdon Chasp" (one of a kind)? IMPRESSIVE!

 

I would agree with you that AH has done better things, but that very guitar solo was so innovative (but if you listen carefully there are at least 2 separate takes cut and pasted together), I can't think of anybody inside the rock world who had taken that level of risk before and gone against the main melody/theme and illuminated the middle of the tune (subsequently Holdsworth illuminated many otherwise mediocre tunes).

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