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Topic ClosedRolling Stone's Top 50 Prog Albums

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Svetonio View Drop Down
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Direct Link To This Post Posted: June 21 2015 at 04:54
Originally posted by rogerthat rogerthat wrote:

Aha, shifting goalposts cleverly to mk-i?  Monsieur, the question was about whether the American influences on mk-ii Renaissance can really precede their British influences.   That the discussion was about mk-ii is clear from the fact that the RS article discussed Ashes are Burning.   If you actually have any quote from Dunford or Camp or even Tout that says that they were influenced more by American music than British music, please do share, will be happy to learn something new.  Else, kindly shut the f up and shove your cleverer-than-thou attitude up your arse
LOL! Well, I think that you have finally to start to carefuly listening to the music about which you know a lot of details and than you will hear who influenced ALL those female fronted bands at that early 70s English psych-folk scene where Renaissaince undoubtedly belonged in their early phase.

(videos are just for a decor)

 
 
 
 
 
 

 

 
 







Edited by Svetonio - June 21 2015 at 08:52
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Direct Link To This Post Posted: June 21 2015 at 05:02
Ok you think I haven't heard THE White Rabbit? Why exactly am I having this discussion now? You clearly don't have a life so I will go back to mine.
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Direct Link To This Post Posted: June 21 2015 at 12:24
SteveG wrote:
"Sorry if I woke up on the wrong side of the bed Doc (I was in a grouchy mood), but I stand by my statements.
 I'll reiterate my position by explaining navel gazing:
 
NOUN
noun: navel-gazing
self-indulgent or excessive contemplation of oneself or a single issue, at the expense of a wider view
The fact that members are more interested in the contents and priority of this list is what disturbs me more than Rolling Stones' failure to constructively educate and report rock music, especially genres with an artistic bent.
 
This does not seem silly to me, just sad. "
----------------------------------------------------------
Ok....explain the... 'self-indulgent or excessive contemplation of oneself or a single issue, at the expense of a wider view' comment,  so I can mercilessly deconstruct it. Who exactly and how exactly is anyone navel gazing regarding this specific aspect?
Stern Smile
 
 
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Direct Link To This Post Posted: June 21 2015 at 13:32
^Doc, I'm not that naïve to further engage you in this conversation, as that would be another form of diversion from the true topic on hand, RS Magazine, which I will address in a time and place of my convenience. (I'm currently travelling.)
 
When I'm done posting my response, you can mercilessly deconstruct it at your leisure.
 
Oh, I almost forgot...
 
Good luck.


Edited by SteveG - June 21 2015 at 13:57
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Direct Link To This Post Posted: June 21 2015 at 15:05
Originally posted by SteveG SteveG wrote:

^Doc, I'm not that naïve to further engage you in this conversation, as that would be another form of diversion from the true topic on hand, RS Magazine, which I will address in a time and place of my convenience. (I'm currently travelling.)
 
When I'm done posting my response, you can mercilessly deconstruct it at your leisure.
 
Oh, I almost forgot...
 
Good luck.
 
Ah...diversion from the 'true topic'...,,,,now let's see, who exactly is guilty of  that on this topic ?
 
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Direct Link To This Post Posted: June 21 2015 at 16:14
Yeah the topic was the top 50 wasn't it?  But it's turned into a hate-fest for Rolling Stone magazine. Whatever...
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Direct Link To This Post Posted: June 21 2015 at 17:48
geez sorry about the firestorm my comments set off before I left for the weekend.  I, and later Roger, were only musing that RENAISSANCE, this very English sounding band, was being cited as primarily influenced by two SF scene groups, with a bone being thrown to the more likely British influences almost as an afterthought.  I was noting it in support of my long standing thesis that RS simply had nary a kind word for "obscure" British bands, even those well known in their homeland, while falling gleefully at the feet of the most obscure American bands.  I stll remember another great line from the Record Guide 1st Edition, about CURVED AIR, that they were at their best, which was seldom, when mimicking It's a Beautiful Day and Jefferson Airplane.  After all, they had a violinist and so did IABD, and IADB came first, right?  I am not even a fan of CURVED AIR, but come on!  The greatest single piece they ever did was "METAMORPHOSIS", which doesn't sound one bit like those bands!
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Direct Link To This Post Posted: June 21 2015 at 20:41
RS were not alone in their disdain/distrust of British bands (and IIRC they gave a fair review to CTTE); Christgau's reviews almost reeked of xenophobia.  I am sure he was half-joking but it's the other half that wasn't so good.  It seems that British reviewers responded by indiscriminately painting American bands as overhyped and overrated and not truly matching their British counterparts in talent.  I remember coming across a particularly acidic review of Steely Dan's shows in UK in 1974; can't find the link now.  That was the last year they bothered touring and dedicated their time to studio perfection thereafter.  In sharp contrast to RS' reviews, it was the American audience that embraced Renaissance's music warmly whereas British listeners perhaps couldn't help comparing them all the time to the erstwhile Relf-led group.

Edited by rogerthat - June 21 2015 at 20:43
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Direct Link To This Post Posted: June 21 2015 at 21:35
Strange for a magazine named after a very popular british band to have so much disain towards bands from that country (well, I have always assumed it was named after that band, perhaps I'm mistaken... perhaps it's named after the Bob Dylan song... or something else altogether). And perhaps it's my lack of knowledge towards some bands, but I am of the opinion that Britain is absolutley stronger as far as rock bands go... at least since the 60's (though perhaps lately that perception has been greatly dimminished).
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Direct Link To This Post Posted: June 21 2015 at 22:16
In prog rock, there is no contest. In rock it gets closer. From the late 70s British rock began to decline while American rock benefited from the coming of age of metal. Though the first movers in metal were British bands, the scene was much stronger in America and Sweden/Norway. Also America too has produced many great, influential bands/artists like Dylan, Doors, Airplane, Joan Baez, The Band, Steely Dan, BOC, Van Halen, etc. Their scene did lack two heavyweights like Beatles and Rolling Stones and to that extent they had to play little brother to Britain.
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Direct Link To This Post Posted: June 21 2015 at 22:58
Great list indeed - with a non-prog [psychedelic rock] album on the top of everything but who cares? even the prog fans dont care about the historical facts anymore....
edit: its nice to see RPI stuff on the list, though.

Edited by Komandant Shamal - June 22 2015 at 08:40
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Direct Link To This Post Posted: June 22 2015 at 02:50
Originally posted by rogerthat rogerthat wrote:

In prog rock, there is no contest. In rock it gets closer. From the late 70s British rock began to decline while American rock benefited from the coming of age of metal. Though the first movers in metal were British bands, the scene was much stronger in America and Sweden/Norway. Also America too has produced many great, influential bands/artists like Dylan, Doors, Airplane, Joan Baez, The Band, Steely Dan, BOC, Van Halen, etc. Their scene did lack two heavyweights like Beatles and Rolling Stones and to that extent they had to play little brother to Britain.
Bah. e.g. Jefferson Airplane in 60s was nothing less heavyweight in any sense than The Beatles as thinkful, experimental, groundbreaking music, except poppish side of early The Beatles. U.S. 60s scene actually did lack of mod bands like The Who and The Kinks who were played R'n'B at much more agressive way than original U.S. R'n'B' acts of that time; that  thing America did not have in 60s. And in 70s, only real English thing was that Symphonic rock. All other genres and stlyles were directly imported from U.S. to the Great Britain or at least has strong roots in 60s U.S. music as pscyhedelia, jazz-rock, punk or whatever. 
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Direct Link To This Post Posted: June 22 2015 at 03:37
^ Have you been reading that banal NME book by Nick Logon again?
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Direct Link To This Post Posted: June 22 2015 at 03:46
Originally posted by NutterAlert NutterAlert wrote:

^ Have you been reading that banal NME book by Nick Logon again?
Nah. I'v been reading at wiki about one of the greatest 70s British bands called Bay City Rollers with 30 millions sold vinyls and think to suggest them for prog related just because they are British LOL

Edited by Svetonio - June 22 2015 at 03:55
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Direct Link To This Post Posted: June 22 2015 at 07:23
Originally posted by Raff Raff wrote:

Just found this link on the ProgEars forum: http://www.rollingstone.com/music/lists/50-greatest-prog-rock-albums-of-all-time-20150617

 I know RS has a very bad reputation (in most cases deservedly so) with prog fans, but this list contains some interesting choices besides the usual suspects, and the mini-reviews of each album are rather well done. Personally, while there's no denying its ground-breaking impact, I don't particularly agree with DSOTM as #1 - though the presence of three King Crimson albums in the list almost makes up for it.

Hope this is the correct location for this one (rather than the Top 10 and Lists). If not, feel free to move itSmile!

I think this is a very good list all things considered. Like many have mentioned, there will never be one list that satisfies everyone. At least this one's got a few albums included that weren't recorded in England. 
Any list that has Yeti in it has got my thumbs upThumbs Up


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Direct Link To This Post Posted: June 22 2015 at 07:32
^Agreed. Personally I like the fact that they didn't shy away from noisy tech stuff (Meshuggah) and picked an Opeth album with growly goodness in it.
I noticed nothing 'post-rock' was included, probably because the biggies in that genre fit more with the alt/indie crowd I guess? Same with Radiohead. They did give Tool a nod as a 00s mega-seller that was prog without most buyers realizing it.
Good list.
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Direct Link To This Post Posted: June 22 2015 at 07:51
I think you're right in regards to the post-rock and Indie crowd. Godspeed may be on PA, but the vast quantity of their fan base has absolutely no interest in prog rock.
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Direct Link To This Post Posted: June 22 2015 at 08:02
Originally posted by Guldbamsen Guldbamsen wrote:

I think you're right in regards to the post-rock and Indie crowd. Godspeed may be on PA, but the vast quantity of their fan base has absolutely no interest in prog rock.

Surely you jest? They have complete and fulfilling lives without Suppers Ready?  
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Direct Link To This Post Posted: June 22 2015 at 08:06
Originally posted by Nogbad_The_Bad Nogbad_The_Bad wrote:

Originally posted by Guldbamsen Guldbamsen wrote:

I think you're right in regards to the post-rock and Indie crowd. Godspeed may be on PA, but the vast quantity of their fan base has absolutely no interest in prog rock.

Surely you jest? They have complete and fulfilling lives without Suppers Ready?  

I know - it's crazy. Call someone please!

I gather most of Radiohead's fans live without it too.


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Direct Link To This Post Posted: June 22 2015 at 08:13
Originally posted by Nogbad_The_Bad Nogbad_The_Bad wrote:

Originally posted by Guldbamsen Guldbamsen wrote:

I think you're right in regards to the post-rock and Indie crowd. Godspeed may be on PA, but the vast quantity of their fan base has absolutely no interest in prog rock.

Surely you jest? They have complete and fulfilling lives without Suppers Ready?  


LOLLOLLOL

Hey! I am by and large considered a prog fan (to the point of going under the nickname of Progmistress), but hardly ever listen to "Supper's Ready"Wink.

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