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Interactive Poll: Sounds of Asia

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Poll Question: Which three are your favourites?
Poll Choice Votes Poll Statistics
4 [12.12%]
0 [0.00%]
5 [15.15%]
2 [6.06%]
2 [6.06%]
1 [3.03%]
2 [6.06%]
4 [12.12%]
2 [6.06%]
0 [0.00%]
3 [9.09%]
2 [6.06%]
4 [12.12%]
2 [6.06%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
0 [0.00%]
You can not vote in this poll

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JD View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote JD Quote  Post ReplyReply Direct Link To This Post Posted: September 04 2021 at 15:02
I'll nominate Kodo - Stomp for my pick.
Thank you for supporting independently produced music
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Mila-13 Quote  Post ReplyReply Direct Link To This Post Posted: September 04 2021 at 14:32
Originally posted by Cristi Cristi wrote:

when's the deadline for final nominations?

See above. Cheers! Smile



Edited by Mila-13 - September 04 2021 at 14:33
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Mila-13 Quote  Post ReplyReply Direct Link To This Post Posted: September 04 2021 at 14:26

INFO - Nomination Deadline: Sunday 5. September 2021

Hi everybody,

I'm sorry for being a bit late. Now that all suggestions are in, I would like to ask you to nominate your final choice, if possible until tomorrow evening, by about 22:00 CET. Otherwise Monday would be fine as well.

For overview I have made a playlist including all your suggestions. You can find all info also on the first page of this thread.


01-03 jamesbaldwin

Nursat Fateh Ali Khan (PAK)

04-06 JD:

Stomp, Jap. Kodo (JPN)

Harry Partch (U.S, influences Japan, Ethiopia?)

Electronicos Fantasricos (JPN)

07-07 The Anders

Dewa Alit & Gamelan Salukat (IDN, Bali)

08-12 Mathman

Wahh World Fusion Band (U.S., influences India)

Jonas Hellborg (Sweden, ft. Indian artists)

Kyaw Kyaw Naing & Ensemble Bang (MMR, Burma)

Yoshida Brothers (JPN)

Black Strings: Hanging Gardens of Babylon (KOR)

13-15 Logan

Geinoh Yamashirogumi (JPN)

Haco + Sakamoto Hiromichi (JPN)

Yoshihiro Kanno (JPN)

16-19 Lewian

Anoushka Shankar ft. Alev Lenz (IND, TUR/DEU)

Cornelius (JPN)

Talvin Singh (IND/UK)

Toshimaru Nakamura (JPN)

20-22 Shadowyzard

Fatih Erkoc (TUR)

Haktan (TUR)

Erkan Gümüşsuyu (TUR)

23-25 TCat

Kahimi Karie (JPN)

Jambinai (KOR)

Sales (U.S./CHN)

26-28 Snicolette

Marla Leigh (U.S., influences, i.a. India, Middle East)

The Chieftains ft. Akiko Jano (IRL/JPN)

Wang Xue (CHN)

29-32 suitkees

Altin Gün (TUR/NLD)

33-34 I prophesy disaster

Balinese Monkey Chant (from the 1992 documentary film Baraka) (IDN, Bali)

Toe (JPN)

35-39 Cristi

Atravan (IRN)

Lovebites (JPN)

Casiopea (JPN)

Mono (JPN)

Skyharbor (IND/UK)

40-42 Mila

Anandi Bhattacharya (IND)

Kikuo ft. Hanatan (JPN)

Isfar Sarabski & Band (AZE)

43-45 Mirakaze

The Monks of the Dip Tse Chok Ling Monastery (CHN, Tibet)

Toru Takemitsu (JPN)

anNina (vocals: Annabel, composition: Inazawa, JPN)

46-46 cstack3

Fareed Haque (PAK/CHL)


Thank you very much for participating and for your great contributions! Smile


Playlist with nominated songs:

https://www.youtube.com/watch?v=Z71tKxrztC4&list=PLRF2N4J-pa5SpaPmgsKvyFcPNXFSiVEaY





Edited by Mila-13 - September 05 2021 at 02:50
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Post Options Post Options   Thanks (0) Thanks(0)   Quote TCat Quote  Post ReplyReply Direct Link To This Post Posted: September 04 2021 at 12:42
My nomination is Jambinai - "Prelude/Onda"

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cristi Quote  Post ReplyReply Direct Link To This Post Posted: September 04 2021 at 12:32
when's the deadline for final nominations?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 04 2021 at 07:51
I just might do that.  Smile
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Cristi Quote  Post ReplyReply Direct Link To This Post Posted: September 04 2021 at 04:26
Originally posted by Snicolette Snicolette wrote:


Cristi:  Atravan “My Wrecked House”  Rock sounding start, heavy drums, guitars bass and keys. Very emotive male vocalist.  The piece picks up into a more heavy vocal.  An apocalyptic vision of the world.  Searing lead guitar, with the band carrying on underneath with the repeated basic melody and some whirly organ flourishes.  Scales back for a bit, then back full-bore, with the vehement vocal reemerging.  Song ends fairly abruptly.  Lovebites “Rising”  Orchestral hits and full band wastes no time in going into a doubled-type lead guitar with an all-female band.  Has a bit of an 80’s feel to me.  Rockin’ bunch of ladies, with an upbeat message. Nice bridge break featuring the vocalist and pianist, then right back to business, with a lead guitar solo.   Casiopea “Time Limit”  Here is a jazzy start, drums, bass, horns.  Goes into some pretty nifty bass riffs with keyboard embellishments, horns jump back in, then to an electric piano run.  Now it’s the guitar’s time to shine, horns punctuate again, then bass bubbles in and out with keyboards.  Sax solo is up next.  Nice, tight band.  Mono “Nowhere, Now Here”  Live outing this time some quiet guitar notes begin this one, which may be moody, perhaps.  Drums enter quietly.  There is a swelling sort of sound (keys? Or something like a cello?  Can’t tell yet).  Contemplative tone being set.  Ah, now comes the apocalypse.  I like it here.  It was strings, after all.  Guessing this will be my favourite of yours, Cristi.  Builds into a lovely climactic wash of guitar, about halfway in, still keeping with that hopelessness in emotional feel.  Everyone joins back in as the piece comes to fever pitch.  Excellent!  Skyharbor “Evolution” Heavy right out of the box.  Washes and heavy rinses of guitars and drums, another apocalyptic feeling one.  Male vocalist, the vocals have a very different feel than what I would have expected from the start of the piece.  He does get into vehemence eventually, but it is more tempered than straight metal.  Plenty of power, but well-forged.

I'm happy you enjoyed Mono, one of the best bands out there, highly recommended, you should explore their discography. Big smile

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 03 2021 at 19:04
First impressions on most of Page Three:

Cristi:  Atravan “My Wrecked House”  Rock sounding start, heavy drums, guitars bass and keys. Very emotive male vocalist.  The piece picks up into a more heavy vocal.  An apocalyptic vision of the world.  Searing lead guitar, with the band carrying on underneath with the repeated basic melody and some whirly organ flourishes.  Scales back for a bit, then back full-bore, with the vehement vocal reemerging.  Song ends fairly abruptly.  Lovebites “Rising”  Orchestral hits and full band wastes no time in going into a doubled-type lead guitar with an all-female band.  Has a bit of an 80’s feel to me.  Rockin’ bunch of ladies, with an upbeat message. Nice bridge break featuring the vocalist and pianist, then right back to business, with a lead guitar solo.   Casiopea “Time Limit”  Here is a jazzy start, drums, bass, horns.  Goes into some pretty nifty bass riffs with keyboard embellishments, horns jump back in, then to an electric piano run.  Now it’s the guitar’s time to shine, horns punctuate again, then bass bubbles in and out with keyboards.  Sax solo is up next.  Nice, tight band.  Mono “Nowhere, Now Here”  Live outing this time some quiet guitar notes begin this one, which may be moody, perhaps.  Drums enter quietly.  There is a swelling sort of sound (keys? Or something like a cello?  Can’t tell yet).  Contemplative tone being set.  Ah, now comes the apocalypse.  I like it here.  It was strings, after all.  Guessing this will be my favourite of yours, Cristi.  Builds into a lovely climactic wash of guitar, about halfway in, still keeping with that hopelessness in emotional feel.  Everyone joins back in as the piece comes to fever pitch.  Excellent!  Skyharbor “Evolution” Heavy right out of the box.  Washes and heavy rinses of guitars and drums, another apocalyptic feeling one.  Male vocalist, the vocals have a very different feel than what I would have expected from the start of the piece.  He does get into vehemence eventually, but it is more tempered than straight metal.  Plenty of power, but well-forged.

Mila:  Anandi Bhattacharya “In Between Us”  More of the sort of perhaps drum vocalisations, with table, some male ones first, then a very pretty female vocal from the main artist.  The male “singing,” is delegated to the back, while she occupies the fore. Sitar also joins in (or was that her father on slide guitar?).  Very ornate and haunting.  Kikuo ft. Hanatan “The Girl That Sells Misfortune”  Sounds perhaps like a Japanese folk tale, put to music, from the title.  Ah, now I see what you wrote below, it’s for a video game (kinda of a folk tale, after all).  Very electronic sounding at first, but regular keyboards enter in and there is a very light sort of female vocal, she sounds a bit sarcastic to me, with some whang and wonks in a percussive manner.  I like the scribble people, very interesting way to depict despair, but this is about the music, not the video. Music wanders back and forth from electronic to the vocalist.   Isfar Sarabski & Band “Novruz”  I’m anticipating that I’ll prefer this one the most.  Very rapid solo piano begins the piece, it soon starts to pull together into a beautiful, contemplative melody.  However will I come up with three favourites out of this whole poll?  The pace picks up and the whole band joins in.  Not sure what the lead string instrument is, looks like a tenor sort of saz if there is such a thing.  Standup bass and strings are included with this ensemble and drums (very understated).  Music returns to the quiet piano once again.  Again into a more ecstatic part, with the stringed instrument to the fore.  Back to the piano, this time in a much more jazz sort of frame, then back again to the more oriental feel.  This is more of a conversation between 2 styles as opposed to more of an amalgamation for the most part, but the ending does make them meet in the middle.

Mirakaze:  The Monks of the Dip Tse Chok Ling Monastery “A Traditional Composition for Gya Ling and Dung Chen”  Blaring sound at first (one of those deep horn things?), then a chorus of smaller horns and some chanting.  Very promising beginning!  Reminds me quite a bit of The Pipes of Pan at Jujuka that Brian Jones produced.  The higher horns create a swirl of sounds, with the deeper horn punctuating from time to time.  Very hypnotic.  Toru Takemitsu “Dodes’kaden”  Plaintively beautiful tune on a stringed instrument, delicate keyboards (or marimba?) and swelling orchestra.  A concertina-like instrument wanders in for a moment, as do some flutes. Flute then comes to the fore, in a lilting melody, backed with the orchestra.  A sort of stilted march of sorts next with some sort of odd froglike horn and another melody, with the concertina thing again and the full orchestra swelling.  Flute here sounds almost like an ocarina.  The piece is sometimes momentarily whimsical.  It seems like it may be an overture?   anNina “対象a”Piano with some plinky-ness going on, then orchestra and a dulcet-toned female vocal.  This one has a jazz feel to it.  Lovely break about halfway through with strings.  Sounds like a harp is added in after the break for a moment.  I really enjoy all three of yours, I have no idea which I would choose, either, if it were up to me. 




Edited by Snicolette - September 03 2021 at 22:10
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Post Options Post Options   Thanks (0) Thanks(0)   Quote I prophesy disaster Quote  Post ReplyReply Direct Link To This Post Posted: September 03 2021 at 11:04
For my second nomination, I present Japanese math rock toe - Esoteric:
 
 

 



Edited by I prophesy disaster - September 03 2021 at 11:12
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Shadowyzard Quote  Post ReplyReply Direct Link To This Post Posted: September 03 2021 at 08:40
^ Nice! Glad that you're interested, really. Beyond Twilight is also one of the "for fun" bands for me. Like watching a dark horror film, without disturbing gory stuff. BTW, its video clip is awesome, but the song is quite shortened there for obvious reasons. Also, this is not one of the songs of BT showcasing Zierler's virtuosity. I think he is a great guy, as he was the founder and the leader of the band, and he let his keyboard solo removed, instead of the guitar solo in this song's video.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 03 2021 at 07:45
Originally posted by Shadowyzard Shadowyzard wrote:


That part is from Beyond Twilight's sophomore album Section X's song entitled Shadow Self. I think that "steady percussive sound" serves as a metronome click. Finn Zierler must have used it for perfect precision in playing. I think he succeeded. I guess he was practicing for the recording there. Thanks for your take. Smile
  

Indeed, I was thinking it sounded like a click track, but usually it wouldn't be in the mix, just in the artist's ear during recording.  Will see if I can find a version of the entire piece, just for fun.  Smile
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Shadowyzard Quote  Post ReplyReply Direct Link To This Post Posted: September 03 2021 at 01:14
Originally posted by Snicolette Snicolette wrote:

Shadowyzard:  Finn Zierler “Beyond Twilight – Shadow Self”  A short, rapid piece on keyboarded organ sound, very dramatic.  There is also a steady percussive sound and the keys move into orchestral sounds as well, along with some clonking kinds of sounds.   Stops kind of abruptly.  

That part is from Beyond Twilight's sophomore album Section X's song entitled Shadow Self. I think that "steady percussive sound" serves as a metronome click. Finn Zierler must have used it for perfect precision in playing. I think he succeeded. I guess he was practicing for the recording there. Thanks for your take. Smile

Edited by Shadowyzard - September 03 2021 at 01:22
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 02 2021 at 17:55
First thoughts on Page Two entries, plus one addition.  

Shadowyzard:  Finn Zierler “Beyond Twilight – Shadow Self”  A short, rapid piece on keyboarded organ sound, very dramatic.  There is also a steady percussive sound and the keys move into orchestral sounds as well, along with some clonking kinds of sounds.   Stops kind of abruptly.  

Kees:  Sounds very interesting to me!  Here we go.  Altin Gün “Tatlı Dile Güler Yüze”  Electric band with a Farfisa sounding organ, female vocalist.  Nice electric oud and saz, maybe?  Very 60’s/70’s as you said, I really like what I’m hearing here.  Very plinky on the Farisa thingie.  Great beat for dancing, felt a wee bit short.    Altin Gün “Şad Olup Gülmedim”  Begins with some atmospheric whirring, quickly goes into an inspired saz feature.  Male vocalist this time.  Just gorgeous, contemplative music. Altin Gün “Süpürgesi Yoncadan”  This one has a very pointed electronic feel, as you stated, sorta disco-y.  I prefer the first two to this, but it is always fun to hear that combination of ancient and modern.  Altin Gün ”Yüce Dağ Başında”  Another electronic one, fun to see the band here.  Female singer again.  A bit of an 80’s feel with the shimmery keys and electronic drums, with handclaps.  The first two are strongest for me, here.  Definitely checking them out on bandcamp, thanks!

I prophesy disaster: Baraka “Balinese Monkey Chant” Love the start with the bell-percussion instruments.   Here again are a bunch of vocalizations, that sound like drum beats to my ear, but as I don’t know the language, it could be my ignorance.  Reminds me of a Balinese “Meetings With Remarkable Men,” as far as the video goes.  Chanting in unison and making more of the vocalizations, in a large choreographed scene.  Fascinating!  Kinda makes one want some of what they’re having, lol!

 




Edited by Snicolette - September 02 2021 at 18:16
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 02 2021 at 08:21
Originally posted by Shadowyzard Shadowyzard wrote:

^ Well said, Nicky. I also edited my post and made a clarification. You may want to read it again. Wink
  Ah, I see.  Well, I would have had no idea if you'd not let me know, so I appreciate deepening my understanding and appreciate that you shared that.  

I also was inspired to edit my original response, for my country would do well to adopt much from other countries as well, at least in my opinion.


Edited by Snicolette - September 02 2021 at 08:25
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Shadowyzard Quote  Post ReplyReply Direct Link To This Post Posted: September 02 2021 at 08:16
^ Well said, Nicky. I also edited my post and made a clarification. You may want to read it again. Wink
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 02 2021 at 08:14
Originally posted by Lewian Lewian wrote:

Nicky: Thanks, as always a great read! I was wondering whether the vocals might be a problem for Cornelius, they're rather, let's say, "functional", but the spectacular live show didn't leave me the option to pick something else. Big smile
  It was quite the extravaganza!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 02 2021 at 08:14
Originally posted by Shadowyzard Shadowyzard wrote:

^ FYI, I don't deem my country as Middle-Eastern. Not that I get disturbed when someone does, but that is just a Westernized categorisation. Lots of Turks -generally the ones they see our public as inferior, immoral ignorants- agree with you, lots don't (including myself).

Ah, I also don't think that most of the Americans are stupid. LOL That is also a common view in here. But, if I have to be honest, I think that there are LOTS of ignorants in Turkey and the USA. Perhaps we had better try to be like the Europeans in this regard. Cool

Oh, I certainly don't see any particular nation as "inferior," I'm fascinated with how other people live around the world and respect them their right to be different from my country.  It also cuts both ways, usually ultra-extremism of any sort starts to lose my respect, as it tends to disallow other ways of being and often resorts to violence.  And that goes for any in my own country as well, we've sadly seen a sharp uptick of extremism and bigotry here, over the last few years in particular.  And sadly, there seems to be more ignorance of late here than ever before.  But that's another topic altogether.  

Edited to add also that I wish my country would adopt policies, attitudes, and mores that I find to be more humane and inclusive from other countries.





Edited by Snicolette - September 02 2021 at 08:23
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Shadowyzard Quote  Post ReplyReply Direct Link To This Post Posted: September 02 2021 at 07:59
^ FYI, I don't deem my country as Middle-Eastern. Not that I get disturbed when someone does, but that is just a Westernized categorisation. Lots of Turks -generally the ones who see our public as inferior, immoral ignorants- agree with you, lots don't (including myself). A note here: I don't intend to insult the Middle-Easterners here. But, unfortunately, lots of Turks use the condition of being Middle-Eastern, with their wording as a slur. Bitter truth...

Ah, I also don't think that most of the Americans are stupid. LOL That is also a common view in here. But, if I have to be honest, I think that there are LOTS of ignorants in Turkey and the USA. Perhaps we had better try to be like the Europeans in this regard. Cool

Edited by Shadowyzard - September 02 2021 at 08:18
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Snicolette Quote  Post ReplyReply Direct Link To This Post Posted: September 02 2021 at 07:44
Originally posted by Shadowyzard Shadowyzard wrote:

^ Thanks Nickie. In Fatih Erkoç's performance, the part with "habibi" is sung in Arabic actually. In the middle, he apologetically asks people, like "I hope no one here epeaks Arabic?" LOL We borrowed (and adapted to our phonetic style) lots of words from Arabic, but we did the same from some Western languages too, mostly from French.

Glad that you enjoyed my picks. Smile
  I should have gone for the more generic "Middle Eastern."  Languages are fascinating, how they evolve over time.  
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Mila-13 Quote  Post ReplyReply Direct Link To This Post Posted: September 02 2021 at 04:24
Originally posted by cstack3 cstack3 wrote:

Fareed Haque.  Is father is Pakistani, mother is Chilean, and he fuses those influences and many more into some amazing guitar-based jazz-rock fusion. 

His stage act includes traditional Pakistani and Indian instrumentation (Fareed plays the amazing fretless oud).


Hey, welcome on board! This is great stuff, indeed. Do you have an individual song that you want to share or could you please select one from this concert instead and tell me where it starts? Smile



Edited by Mila-13 - September 02 2021 at 04:24
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