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Interactive Poll 3some: 3 Tracks for 3 Decades |
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Lewian ![]() Prog Reviewer ![]() ![]() Joined: August 09 2015 Location: Italy Status: Online Points: 15388 |
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I'm pretty sure I did the first one with a theme, and it was my own idea. Not sure whether Micky had suggested something like this before, but in that case I don't remember having seen it.
I'd very roughly think it's good to have a clear majority of non-prog but occasionally also prog. Which is pretty much in line with your percentage indications (and I suspect pretty much all of us think like that). Edited by Lewian - September 01 2022 at 11:18 |
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jamesbaldwin ![]() Prog Reviewer ![]() ![]() Joined: September 25 2015 Location: Milano Status: Offline Points: 6052 |
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Yes, I agree, in fact I try to be flexible all the times. I've never said No to any proposal or will to change - at most I have only asked that the theme be expanded to give more options. Also, I dont consider myself the "owner" of the Interactive polls or the judge whose job it is to judge their eligibility or otherwise (they are okay, they are not okay), I have always tried to create a team that decides collectively. (However, it must be said that, in recent months, many people participate only in the song proposal stage, and then leave the poll without voting, which is not good, not so much because of the lack of votes, but because it means that these people propose songs that are listened to by others but they dont listen to others' songs) In general, the theme is a good idea (it was Micky the first to suggest it) and I am in favour to open the Interactive Polls to the prog songs. In my opinion, the right balance is: 1) IPs of non prog songs (about fifty per cent) 2) IPs of non prog songs and prog songs (about fifty per cent) and sometimes IPs of prog songs. - It is a good idea even the combination of 2 or 3 songs. Edited by jamesbaldwin - September 01 2022 at 10:55 |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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jamesbaldwin ![]() Prog Reviewer ![]() ![]() Joined: September 25 2015 Location: Milano Status: Offline Points: 6052 |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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Snicolette ![]() Forum Senior Member ![]() ![]() Joined: November 02 2018 Location: OR Status: Offline Points: 6069 |
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YVW, Greg. I've found them a really great way to get to know people in this site, more than other places, as there is discussion, and the virtual nonexistence of flareups over opinion. One thing that was suggested early on, was to be gentle, as the picks were to be beloved music of the participant. It's been relatively kind discussion, and even if something isn't someone's cup of tea, it is still expressed civilly. |
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"Into every rain, a little life must fall." ~Tom Rapp
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Mila-13 ![]() Forum Senior Member ![]() ![]() Joined: June 02 2021 Location: Switzerland Status: Offline Points: 1555 |
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Pure coincidence or should I say predetermination? Since I'm on business atm and therefore I hardly have the opportunity to check the threads or social media. And of course, I'm pround of my Swiss compatriots and wanted to introduce them to you guys. :) Maybe I should pick an earlier recording, because that shows their innovative spirit even better. Let me see if I can find the time to go through their earlier material. Edited by Mila-13 - September 02 2022 at 17:39 |
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 38368 |
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Interesting, had you noticed my post yesterday where I mentioned listening to that album for the first time after I was asked by Nick on my thoughts on the Young Gods due to the band's Swans relation, or is the timing just coincidence? Nice either way. --------------------------- I'm still very undecided on what my three will be, other than I think that Jenny Hval's "The Great Undressing" (off Blood Bitch 2017) will be my 2010s choice. The Lingua Ignota is my favourite, but I know it's known to some here (and I did a poll with it, not an Interactive one, not long ago) and the use of the f* word and its context might be off-putting to some (though "The Great Undressing" also refers to consummation). "Tis a consummation devoutly to be wished" (Hamlet). Edited by Logan - August 31 2022 at 13:36 |
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"Questions are a burden to others; answers a prison for oneself" (The Prisoner, 1967).
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 38368 |
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Lorenzo: You may well have had that idea of sentimental attachment with that first poll that people, starting with TCat picked up on which helped lead to this being a series, but it was not explicitly expressed (at least in your OP or others subsequent polls) and so I would not have shared your expectation that they would mostly be songs we grew up with. That said, I know it's important to you from various comments you have made subsequently (but I did not approach the polls made by people that way -- may be with one I've forgotten. I made a list so I could review most) Lewian brought in a specific theme which like your first poll idea, caught on, others brought in some all prog ones and some some prog ones. I like the variety. I like that people come up with different ideas and expectations and variations. I don't think that had it stayed like the first poll it would have had momentum. I think the longevity is due to people adapting, come up with new rules and expectations, variation, and individuality coming into play for each person who conducts one of these. My OP would look very different than if, say, David_D did one with a different approach.
I try to be quite open in my themes generally, at least in leaving room for interpretation (I've seen it expressed that it is harder to choose without a defined in past poll or more). And look at Cristi's post here: "Three songs from three different decades is quite difficult to choose TBH. Where do i start? Why style of music do i choose? What country even? ![]() I'm not nearly as sentimentally attached to music that I discovered long ago as many others at PA are. I often see people in polls say, I vote for because I have known it for four decades and it has meant a lot to me. I genuinely tend to be more attached and want to listen to newer-to-me music. By the way when I spoke of newer music and the way I interpreted Mila's use of new music as new to others, and possibly new-to-you no matter how modern it is. I continue to discover music from the 60s up that is new-to-me. I was interpreting it as sharing music that is new to the other participants in the thread no matter when they music was released or recorded. Sometimes with music I post for Interactive Threads, I have also shared those in other topics. That said, while I think we can expect people to adhere to the rules in a person's thread who participated (as well as point where we think they could be improved), I do think we should avoid telling people wat they do generally. I may have communist sympathies but I am also an individualist. I value that people take different approaches, I value that the polls are not all the same, I value that people value different art, I value that we each have our own ways to express things and respond to such topics. As long as we are respectful of each other, and not too domineering, and team players while appreciating the individualism. Each poll has been done rather differently depending on the poll starter, and that's the beauty of these to me, that it's a team effort and an individual effort, and we each bring in our own expectations for the polls we do. I like the individualism of the polls. I also think the themes played a major role in the longevity of this. Coming up with themes has been a lot of fun for me, and trying to think within those boxes has been a challenge that I have enjoyed. I like that each new poll can bring something different to the table and the individuality of the poll starter comes into play in how the topic is approached, how the OP is expressed, and how that person interacts. Without the different approaches and expectations from different posters, and the fun I have had in coming up with Interactive Poll ideas, I would have lost interest in these long ago.. For my topic, we aren't "competing" with others (not that I treat these as competitions anyway), it's seeing which three you choose to nominate others appreciate most in part. For that exercise, I did want to not allow one Prog track from each person, and I have done various in and out of PA topics. I have sometimes voted for the Prog choice and very often not. I don't care that much about the poll results. Generally I do prefer to hear ones not in PA. Most of what I listen to now is of the past decade, and most of it is not in PA (well, I have been listening to a lot of Anna von Hausswolff, and modern Swans over the past months). But I would say a lot of what I listen to could be described as art pop, chamber pop, experimental and progressive pop. In my nine mentions, I have only mentioned one deemed Prog by PA inclusion, Swans, and I chose an oddity that I would not describe as Prog (and in fact, I wouldn't describe Swans as Prog to others even though I think it should be in PA). I haven't paid much attention the the results of when Prog is mixed with non-Prog. By the way, I can get a really strong attachment (and a sentimental-feeling one although I am not a sentimentalist) to music that is new to me. I have only known Nick Drake's River Man for about five years, yet almost immediately when I heard it I felt a sentimental attachment to it. The vast majority of music I now love is not from my distant past, yet it moves me as much and seems more meaningful in a way as it relates to ne as I am now with my current interest more.. I too do not favour the technically perfect. By thee way, prog like many other genres (or subgenre) has music I love, am meh about and dislike. What David_D might call the modern Prog proper does not tend to interest me. ^ and thank you Nickie, I'm glad that you appreciate this theme. And indeed, thank you Lorenzo for putting so much thought into that post. Edited by Logan - August 31 2022 at 13:13 |
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"Questions are a burden to others; answers a prison for oneself" (The Prisoner, 1967).
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Snicolette ![]() Forum Senior Member ![]() ![]() Joined: November 02 2018 Location: OR Status: Offline Points: 6069 |
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Thank you for letting us in on your thought process, Lorenzo. And the history of these polls, as well, including the original intent.
I do like the idea of themes, but also not to make them too restrictive, also of non-themes. Also that it should be what you love already, comes easily to mind, instead of a deep search to fit the theme. That all being said, I like the premise of this one, with three songs to represent 3 decades, for the participant on a personal level, as well as being more representational in a widespread way. Edited by Snicolette - August 31 2022 at 12:33 |
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"Into every rain, a little life must fall." ~Tom Rapp
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Mila-13 ![]() Forum Senior Member ![]() ![]() Joined: June 02 2021 Location: Switzerland Status: Offline Points: 1555 |
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Here's another track that I'm going to add to my initial post. here
The Young Gods: Kissing the Sun (Album: Only Heaven, 1995) The Young Gods are a three-piece industrial rock band from Geneva, formed in 1985. The band's music is largely based on sampling and sound manipulation. In their later releases they incorporated elements of ambient and electronic music such as in particular on their 1995 album "Only Heaven". Through their innovative sample-based approach to rock music they gained international spotlight, which is relatively rare for a Swiss band. Edited by Mila-13 - August 31 2022 at 16:56 |
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jamesbaldwin ![]() Prog Reviewer ![]() ![]() Joined: September 25 2015 Location: Milano Status: Offline Points: 6052 |
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These polls were born from the idea of sharing non-prog songs we are sentimentally attached to. So it is clear that most of these songs will be songs from the past, not the present, songs we grew up with. Then it was added, as a pattern, to give a theme to the poll, which narrows the field within which to choose, and to allow prog songs. Personally, I remain of the opinion that the theme is NOT necessary and that, if chosen, it should be as broad as possible, as inclusive as possible. The theme should not force us to do a long search to find a song, among our favorites, that fits it, nor should the theme force us to search for new songs in order to participate in the poll. On the inclusion of prog songs, I also remain puzzled. I have often allowed them (my last IP was exclusively on prog), but I realize that very often if there are comparing non-prog songs with prog songs the vote ends up on the prog ones. This in my opinion loses a bit of the flavor of these polls. I enjoy it more when Crhistian (Lewian) posts a nice German verse-chorus song that he liked as a teenager. That too is new music to me. New music is not only the music of the present, it is also the music of the past that you don't know. Let's open a parenthesis about the music of the past and the present. I was born in 1970. I grew up with the music of the 1980s and 1990s. I had my reference music magazines, my reference TV shows. Then, starting more or less in the 2000s, everything changed: the Internet came, and music magazines and music broadcasts disappeared (or almost disappeared). Vinyls and tapes slowly disappeared, and then CDs too; there are no longer large CD departments in supermarkets. Music has become invisible. And there are so many music groups. Compared to the past, musicians of the present are more technically proficient at their instrument and are great connoisseurs of the music of the past. The songs are more complex, and everyone has access to professional recording studios. In short, the music of the past often sounds very naive and amateurish compared to that of today. Still, the best music to my ears is the music of the past. I find it more direct, urgent, inspired - seminal. The music of the present is, for the most part, more professional and competent, but less inspired, less artistic. I am speaking for myself; I do not claim that this discourse is shared. Of course there are still great songs and great artists, but they are a small percentage of those around (also because, I repeat, there are so many bands today). It is objective, however, to say that the main innovative breakthroughs in music happened in the past, today you can only rework them in new ways, but not create new ones (with some exception). This argument applies to all the arts: literature, film, theater. The real innovations happened in the past. And today there are so many artists (writers, directors) that it will be difficult in school texts to select the most important writers or musicians or directors of the 2000 century. I am passionate about literature, film and theater: most of the books and films of the present do not tell me much, I have to make a big selection to get to something I think is good. Even if I read a novel from the past or if I see a movie from the past I can come across a bad work of art, this is obvious, but in the past there were fewer works of art, and artists worked on material that was yet to be developed - and now following the lines of established critics you can get an idea of where you can find good novels or good films or good music. If I love an artist, because his or her music speaks to my heart (no matter what critical judgment I may make of it), I post his or her songs, selecting those that are less well known or that may appeal most to an audience of prog lovers. And I do this over and over again. I have done it for example with Springsteen, Nick Cave, Guccini, De André. I prefer to post songs that engage me emotionally than songs that are formally perfect, that have critical acclaim (and even my own) but that I am not passionate about. For example, Frank Zappa and Captain Beefheart have my esteem; if I have to rate their works, I give them very high ratings. But I don't empathize with their music. Then, I compromise, often between my tastes, my passions, and my critical judgments, looking for songs that satisfy both my heart and my mind. This is why I currently listen to more music of the twentieth century than music of the two-thousandth century. My knowledge of twentieth-century (1960s-1990s) music is good but not complete, it does not reach the encyclopedic knowledge of Logan or SillYPuppy, and so I still have a lot of very good (and new, to me, to my ears) music to listen to. Probably when I know enough of it, I will focus more on the present. For now, I seek out music of the present only where I can be fairly certain of finding something interesting, so I'm looking for recommendations and reference points -- but my tastes are more selective, I think, than those of the prog lovers on this site: I don't easily get excited by prog of the present; Black Midi, for example, leaves me skeptical. In general, I am an atypical prog listener. Edited by jamesbaldwin - August 31 2022 at 07:30 |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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Lewian ![]() Prog Reviewer ![]() ![]() Joined: August 09 2015 Location: Italy Status: Online Points: 15388 |
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Nice posting!
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 38368 |
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I understand you, and that is important to me, but also a sense of camaraderie and relaxed and accepting attitudes I think help people keep coming back. When it starts to feel like a chore, as in (overmuch) we have to do this and that, are expected to put more effort into it, and maybe watch our backs worried about personal criticism as so often happens at forums, that would be the end of this, at least for me. It's about appreciating the music and appreciating each other and appreciating and accepting our differences to me. But I'm a real softie. Most of all, I think it should be fun. When I was a teenager my friends and I would get together and play each other's music and we genuinely seemed to appreciate the music each brought. Mind you, our tastes were still forming perhaps and our tastes grew together. We also enjoyed returning to kinds of music together. That communal experience was wonderful as I remember it. Obviously here we each have preferred music, one that connects more with us as individuals, but it's been a nostalgic desire for that in part that has kept me coming to these forums (a way to connect with others over music even if we don't hear it quite the same). We didn't judge each other for the music or really judge the music in that case (at least not outwardly/ explicitly), we shared an experience even if each of our experiences was also unique. As for my choices, I am swayed by other's perceptions, so if I= have mentioned a band too much and someone would rather a newer one, then I will take that advice on board. I do favour listening to other people's choices that are fresh to me, so I do think I should try to get fresh with them, so to speak. |
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"Questions are a burden to others; answers a prison for oneself" (The Prisoner, 1967).
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Mila-13 ![]() Forum Senior Member ![]() ![]() Joined: June 02 2021 Location: Switzerland Status: Offline Points: 1555 |
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^ Sharing and discovering new music is what keeps things going. We have to put some effort in to get there.
Edited by Mila-13 - August 30 2022 at 18:17 |
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 38368 |
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Good to see you properly back, Lorenzo (home in Milano).
Two of the above tracks don't work for me: the Claudio Lolli: Anna di Francia (1976) and the Paolo Conte: Novecento (1992) I added ones that do work for me to the playlist CLICK for all mentions thus far These are the links I used: - For Claudio Lolli: Anna Di Francia https://www.youtube.com/watch?v=QW6SMYDuew0 - For Paolo Conte: Novecento https://www.youtube.com/watch?v=m2uEHxJ2BCc Edited by Logan - August 30 2022 at 16:31 |
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"Questions are a burden to others; answers a prison for oneself" (The Prisoner, 1967).
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jamesbaldwin ![]() Prog Reviewer ![]() ![]() Joined: September 25 2015 Location: Milano Status: Offline Points: 6052 |
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First selection: 1) La Crus: Lontano (1995) La Crus came to prominence in the 1990s with two excellent albums, too bad they then got lost. "Lontano" is from their debut album: atmospheric music, carpet of keyboards and electronics, languid and fatalistic singing, trumpet giving a sophisticated tone to the piece. 2) Paolo Conte: Frisco (2004) Paolo Conte has yet to receive justice here on Progarchives. A unique, exceptional artist, capable of mixing jazz (especially Latin jazz), milonga, tango, European folk and popular dances of various kinds until he arrived at a synthesis that was cultured and at the same time popular and ironic, perhaps comparable to that of Tom Waits. This song is explicitly jazz, retro in style. And let's not forget his voice. 3) Francesco Guccini: L'Ultima Thule (2012) Ultima Thule is the last song on Guccini's last album, a kind of testament. Guccini comes to terms with the past, in the role of a ship captain who has crossed the Seven Seas and bids farewell to his crew, saying, however, that he will not stop traveling. Guccini has now been a novelist for 30 years, and has abandoned music for literature. Here he packs one of his most forbidding lyrics. I who have rounded Cape Horn three times And sailed the seven seas seven times And have seen monsters and rare animals, the amphesibena, the mermaids, the unicorn. I who returned proudly to each port After a fight, after a boarding, I am no longer that and no longer have the courage To sail on a dead vessel. Where is the crew that accompanied me And indulged every ribaldry? Where is the force that surrounded us? It is gone now, gone away. I watch the sails hang limp With ropes dangling in the void, Slowly flapping against the broadside With continuous motion, aimless. And I see in the air a senseless dance Of strange birds against the dreary sky Singing a song in this gray world, a dull song now, hopeless. And here alone I think of my past, I go backward and rummage through my life, a lost and endless saga Of what I have done, of what has been. The untrue truths in which I believed burst scattering all around,but others I had and day after day If I died stronger I was reborn. And now I am alone and no longer have the comfort Of friends gone and more and more I am assailed Boredom to empty the last tankard Like a thought that's twisted in my mind. But still I will set sail and depart I alone, and though exhausted, the bow I direct toward infinity Which sooner or later, I know, I shall reach. The Ultima Thule awaits in the far north, realm of eternal, lifeless ice, And up there this mine will be over In the cold where we will all end. The Ultima Thule awaits and inside the fjord Will forever extinguish all passion, will be lost in one last song Of me and my ship even the memory. ---------------- Second selection: 1) Claudio Lolli: Anna di Francia (1976) Claudio Lolli is perhaps the quintessential "committed" Italian singer-songwriter. Unlike Francesco Guccini, his friend and countryman, who has always filtered politics while remaining at a distance, Lolli took an active part in the leftist student movements of the 1970s, and churned out his masterpiece in 1976: "Ho visto anche degli zingari felici," an album that contains this romantic and delicate song, "Anna di Francia", the arrangement of which could border on prog. 2) Diaframma: Siberia (1984) Rock in Italy developed in the late 1980s. The first underground, indie rock band par excellence was Diaframma, who recorded their masterpiece, "Siberia," in 1984. Dark sounds, heirs of Joy Division, in a clear new wave atmosphere, a rarity in Italy. 3) Paolo Conte: Novecento (1992) Here's Paolo Conte again, churning out this sensational song with a circus atmosphere, worthy of a Kusturica film, with the usual wacky lyrics, an imaginative Paolo Conte who with his cavernous, grotesque baritone voice embellishes this piece with its simple structure but sophisticated arrangement. And wonderful video. --------------- PS: I'm back home, in Milan, vacation over, Sea of Puglia finished :-( Thanks to Greg Edited by jamesbaldwin - August 30 2022 at 14:28 |
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Amos Goldberg (professor of Genocide Studies at the Hebrew University in Jerusalem): Yes, it's genocide. It's so difficult and painful to admit it, but we can no longer avoid this conclusion.
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 38368 |
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I'm more of the intuitive and feeling type rather than a kind of analytical. When I see such topics, immediately music I like comes to mind. All I then have to do is figure out how to explain how it fits with the theme (in this case, and in my case I am pretty vague with that... lol. But I can be fairly creative in that department). I'd start with what I love or have loved and is meaningful to me, but for those with seriously eclectic tastes and a huge amount to consider, that is harder. Good luck. |
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"Questions are a burden to others; answers a prison for oneself" (The Prisoner, 1967).
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 38368 |
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I will start adding my next trio, will edit more in later:
I expect that some may listen to my lists and think, who knew so mnay decades could sound so much the same? Sorry if that is the case. The 1990s: This is a rare song in these things that I actually knew and liked when it came out and got back into of late. It definitely has a strong 90s feel and vibe to me (pretty sure had I never heard it before that I would guess 90s). It's quite hauntingly beautiful and features what is one of my very favourite singers, Liz Fraser. If everyone knows it, that's fine by me. Great song imo from one of the great bands of the 90s. Massive Attack - Teardrop (off Mezzanine 1998) The 2000s: One thing about the early 200s is that it was often very hard to distinguish from the last 90s, especially when bands were making much the same music, which is hardly unique to this time. So I see this as an extension of the 90s. Nevertheless, the early 2000s do continue to represent that revival in lounge, psychedelia and space-age pop for its progressive art pop and chamber pop artists. Stereolab - Suggestion Diabolique (off Sound-Dust 2001) The 2010s: The 2010s are really mostly about kinds of ethereal, ambient and experimental art pop. It also is a very strong era for women who acts as composers, musicians, arrangers and producers on their own albums. I have found more interesting female artists of the past ten years than male, but that's probably because that's what I have been interested in (so there is a sort of confirmation bias). Jenny Hval - The Great Undressing (off Blood Bitch 2017) I am tempted to do a Jenny Hval from the 2020s ("Year of Love" - https://www.youtube.com/watch?v=2i2oJJwgLTk ) ultimately for this topic. Not we can mix and match our trios or add any other ones up until next Monday when we decide our nominations (just in case people think that they are stuck with any mentioned trios -- mix and match, shake it up, come up witha new one, only mention one trio etc.). Edited by Logan - August 30 2022 at 12:23 |
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"Questions are a burden to others; answers a prison for oneself" (The Prisoner, 1967).
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Cristi ![]() Special Collaborator ![]() ![]() Crossover / Prog Metal Teams Joined: July 27 2006 Location: wonderland Status: Online Points: 46480 |
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Three songs from three different decades is quite difficult to choose TBH. Where do i start? Why style of music do i choose? What country even?
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Logan ![]() Forum & Site Admin Group ![]() ![]() Site Admin Joined: April 05 2006 Location: Vancouver, BC Status: Offline Points: 38368 |
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^ I think Lorenzo has serious access to the internet issues (thus why he was not able to provide descriptions nor links -- methinks may be not being able to write descriptions is down to his device which makes it harder for him to type) and not easy access to his collection, so it's not as easy for him to check the dates and remember names as us (I have a weirdly good memory for such things). I enjoyed those artists songs, anyway, and this did start off as being a loved by us kind of personal thing that indicated your particular taste.
I brought up Portishead again, twice, although I'm not saying I have decided on that trio and already have another trio in mind, but want to wait for some songs from others before posting those. Lorenzo is handicapped by circumstance, although he might have chosen those anyway. It does get increasingly hard to choose acts that one hasn't mentioned multiple times before without researching (especially if one is going with ones already loved that have been meaningful to oneself, rather than, say, choosing ones that one thinks others will like even if not that special to you). Edited by Logan - August 30 2022 at 09:42 |
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"Questions are a burden to others; answers a prison for oneself" (The Prisoner, 1967).
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Mila-13 ![]() Forum Senior Member ![]() ![]() Joined: June 02 2021 Location: Switzerland Status: Offline Points: 1555 |
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I'm sorry to say this, Lorenzo but would you mind to bring a few new names for a change? We have the whole week to make our choices, there's no need to rush! |
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