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Prog Britannia - Album Reviews |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia NICK MAGNUS When you're on a roll of listening to some good prog albums - especially in the case of Nick Magnus - then why stop? Just keep going Straight on Till Morning. ![]() ![]() ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - October 07 2023 at 08:25 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia
DUNCAN MACKAY (born 1950) is a British keyboard player who's worked with several well-known artists over the years, including Steve Harley & Cockney Rebel (1975-1977), 10cc (1978-1980), and also with Kate Bush on her first three albums. This album "Chimera" (1974) is his first solo album. Four further albums followed, "Score" (1977), "Visa" (1980), A Picture of Sound (1993), and his most recent album, "Kintsugi" (2019). Duncan Mackay provided vocals on the "Chimera" album and his brother Gordon Mackay also featured on the album, playing violin and keyboards. The album features two long pieces of music occupying Side One and a long 20-minute suite taking up the whole of Side Two. A bonus track was included in the 2009 CD reissue of the album.
The album opens impressively with "Morpheus", an 11-minute-long symphonic opus. The sonorous sound of the synth hits you right between the eyes from the first few opening bars. As you'd expect, there's plenty of intricate keyboard noodling and dramatic changes of pace to keep the listener entertained, with a few classical motifs thrown in for good measure. Duncan Mackay could certainly give Rick Wakeman or Keith Emerson a good run for their money with the keyboard skills displayed here. He's a pretty good singer too, which is just as well with him performing vocal duties on all of the songs contained within. The second of the three long suites on the album, "12 Tone Nostalgia" is another dramatic piece and it certainly does have an air of nostalgia about it. It's enough to make you long for the halcyon days of the 1970's when superb prog albums like this were being released on an almost weekly basis. This 9-minute-long epic might be described as overblown, pompous and pretentious by the snooty music press, but who cares!? To true blue aficianados of Symphonic Prog, this is prog heaven! Side Two of the album is fully occupied by the 20-minute-long suite "Song for Witches." A clap of thunder announces the dramatic opening of this epic song. Again, there are alternating fast and slow keyboard passages, combining synths and piano, and it even features a church pipe organ. It's grandiose, it's triumphant, it's magnificent, but above all, it's a marvellously entertaining 20 minutes of classic Symphonic Prog, and you can't ask for anything better than that. As Duncan Mackay announces with some satisfaction right at the end of the album, "I think that might have been it." A "Chimera" is described as anything composed of very disparate parts, or perceived as wildly imaginative, implausible, or dazzling, all of which could apply to this complex album. Just as one would expect from such an accomplished keyboard player, this is a very keyboard-oriented album, but it's none the worse for that. It's very much in the style of Emerson, Lake & Palmer and Rick Wakeman, with fast arpeggios, complex keyboard runs and constant changes of tempo. You never know quite what to expect on first hearing the album, and it's worth giving the album several listens to truly appreciate what an accomplished work this is. It's classic Symphonic Prog with long extended pieces that YES or any other prog band of the era would be proud of. It's definitely worth a listen, especially for fans of Symphonic Prog generally. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - September 26 2023 at 00:20 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia: A-Z Album Links
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia: A-Z Album Links
JON LORD (1941-2012), the legendary keyboard wizard of Deep Purple, is probably the loudest piano player known to mankind. The piano is a stringed instrument in the orchestra and his characteristic Boom of the Tingling Strings can clearly be heard on his debut Gemini Suite album, if we care To Notice Such Things. In fact, Jon Lord is so marvellously versatile, he can easily switch between playing Hard Rock, or performing a Sarabande dance, or even a Durham Concerto. If we go Beyond the Notes and really listen to the albums Pictured Within this blog, it'll hopefully open up whole new Windows into Jon Lord's wonderful music. Before I Forget to mention it, check out Jon Lord's superb Concerto for Group & Orchestra with Deep Purple, and also his powerhouse trio album under the group name, Paice-Ashton-Lord. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() British Keyboard wizard JON LORD needs no introduction. Oh Lordy-Lordy, where do we begin with such a legend of the keyboards. He was born in Leicester in 1941, where he studied classical piano from the tender age of five. He moved to London in 1959-60 and joined his first band, The Artwoods, in 1964. Jon Lord is of course best-known for being the co-founder of Deep Purple in 1968, but he's also been a brief member of Whitesnake, Paice-Ashton-Lord & The Flowerpot Men at various times. He also composed the music for the first Live Deep Purple album in 1969, a Symphonic Rock opus recorded with the Royal Philharmonic Orchestra. Jon Lord played on all of Deep Purple's albums from 1968 through to 1998. This album "Gemini Suite" (1971) is Lord's first solo album in a long and illustrious career spanning five decades with ten classically-inspired solo albums to his credit. His most recent album "Concerto for Group and Orchestra" (2012) was released the same year as his untimely death from cancer at the age of 71. "Gemini Suite" consists of six fairly long orchestral pieces of music with a soloist featured on each song, including Ian Paice and Roger Glover of Deep Purple, blues guitarist Albert Lee, and singers Tony Ashton and Yvonne Elliman. The six suites have such imaginative titles as "Guitar", "Piano", "Drums", Vocals", Bass Guitar" & "Organ", but at least you're left in no doubt who the soloist is on each piece of music. Renowned composer Malcolm Arnold conducted The London Symphony Orchestra in this magnum opus of Symphonic Rock.
"Guitar" opens the album in grand triumphant style with the London Symphony Orchestra playing in all of their full symphonic glory and splendour. Guitar legend Albert Lee is the soloist given a chance to showcase his talents here. This uplifting piece of celebratory music alternates magnificently between orchestral parts, solo electric guitar and also the two combined together for some magnificent Symphonic Rock. It's a tremendous 9-minute opening piece designed to impress with the power and the glory of the music. It's orchestral, it's magisterial, and it's worthy of being played in a cathedral. Jon Lord is the powerhouse behind Deep Purple, and this marvellous music is the Deep without the Purple. In other words, it has the Deep driving force and resonance of a Deep Purple number, but without the Purple Hard Rock element. Onwards now to "Piano", where Jon Lord plays his heart out as if his life depends on it, in a stunning piece of musical virtousity. Wow! Can a solo piano really sound that LOUD! Jon Lord displays his classically-trained credentials here with some dextrous keyboard runs, playing both solo and combined with the orchestra. Even a full orchestra can't overwhelm the sound of a piano though when Jon Lord is running rampant on the keyboard. This is where the Lord of the Keyboard really stamps his mark on the album and announces his presence in full bombastic fashion. And now we come to "Drums", and no surprise that this features Ian Paice, the bandmate of Jon Lord in Deep Purple. Obviously, Ian Paice isn't going to let this track go by without embarking on an impressively long 3-minute drum solo to demonstrate why he's one of the most respected drummers in the world. Finally, When the orchestra re-emerges after being awestruck by the pace of Ian Paice's drum solo, the music sounds like a triumphal marching theme, along the lines of what might be heard as an army goes marching off to war. To paraphrase Mr Bachman, Mr Turner & Mr Overdrive though, you ain't heard nothing yet, because along comes Track 4: "Vocals", a glorious symphonic epic, combining the vocal talents of Tony Ashton (of Ashton, Gardner & Dyke fame) and Yvonne Elliman (best known for the song "If I Can't Have You"). This is a full-blown symphonic masterpiece, guaranteed to awe-inspire you with the power and the passion of the music. Another one of Jon Lord's Deep Purple bandmates, Roger Glover, is given the chance to display his virtuosity with the bass guitar on Track 5, which comes as no surprise as this track is titled "Bass Guitar". This leads us on to the sixth and final number, the 12-minute-long epic, "Organ". This marvellous piece of music is epic in every way. Jon Lord's colourful musical feathers are in magnificent plumage here as he demonstrates his prowess on the keyboards in truly dramatic fashion with some stunningly powerful blasts from his Hammond organ, which will be oh-so-familiar to fans of Deep Purple. A glorious and spectacular end to a symphonic extravaganza! A magnificent masterpiece of Symphonic Rock! Edited by Psychedelic Paul - October 04 2023 at 02:31 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia
KESTREL You'd need eyes like a hawk to ever catch sight of this rare album. ![]() |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia
KARDA ESTRA You're travelling through another dimension - a dimension not only of sight and sound but of mind. Are you brave enough to enter the nightmarish Twilight Zone world of Karda Estra? This is the scariest, Neoclassical Darkwave music you're ever likely to hear this side of the progosphere. It's Symphonic Prog, Jim, but not as we know it, so if you're planning on listening to any of these creepy albums late at night, then make sure you leave the lights on - especially in the case of Karda Estra's spine-tingling Voivode Dracula album. You unlock this album with the key of your imagination, beyond which lies another dimension of sound, but beware, once you enter, you may never want to leave. Oh, the horror of it all! Fangs for your time.
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia: A-Z Album Links
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia
JULIAN'S TREATMENT were a British band led by Julian Jay Savarin, a West Indian sci-fi writer and keyboard player born on the small island of Dominica. He moved to London in the early 1960's and formed a band, and the group recorded their first album "A Time Before This" in 1970. The twelve songs on the album were listed as chapters in the form of a sci-fi novel. The second album, "Waiters on the Dance" (1971) was credited to Julian Jay Savarin alone. Both albums were science fiction concept albums and the original LP albums have since become rare collectors items that are said to fetch incredibly high prices. Let's travel back in time now to the sound of "A Time Before This". The "First Chapter: First Prophecy - First Oracle" opens forbiddingly to the haunting ethereal sound of Savarin's solo organ. The music has a very dark and doom-laden atmosphere with vocalist Cathy Pruden announcing ominously:- "Out of the cinnamon sky a face appears, Out of the tamarind byre, come darkest fears and the first prophecies." ..... The portentous doom and gloom ambience sounds very foreboding and it's enough to send a shiver up the spine and give you a touch of the heebie-jeebies, a bit like a well-known Bee Gees tribute band. The "Second Chapter: The Coming Of The Mule" is magnificent. Watch out though, because this is an angry mule with attitude! It's a vibrant keyboard piece featuring some outstandingly powerful guitar outbursts which kick like a recalcitrant mule. This incredible music picks up in pace midway through and thunders along to the finish-line like a runaway express train. The "Third Chapter: Phantom City" does indeed sound like a train rumbling along down the tracks at full-speed ahead. The pulsating music barrels along relentlessly with the wailing vocals of Cathy Pruden sounding like she's on some weird psychedelic acid trip. This express locomotive song is loaded with so much speed and incredible energy, you feel as if the "train" might be derailed at any moment. The "Fourth Chapter: The Black Tower" slows down the pace slightly, but there's still enough latent power and energy contained within this awesome music to illuminate a lighthouse with one million candle power. The powerful combination of Julian Jay Savarin's tremendous keyboards and Cathy Pruden's incredible vocal range are what really lifts this music into higher out-of-this-world realms. After all, this IS a science fiction themed album where the music sounds just as fantastic as the fantasy sci-fi storyline. The "Fifth Chapter: Alda, Dark Lady Of The Outer Worlds" is a magical mixed bag of tricks, featuring quiet and introspective keyboard pieces combined with wild dynamic outbursts of raw energy and power with Cathy Pruden's incredible vocals soaring right up into the stratosphere and beyond. In the words of Hawkwind, this stunning album debut represents "Astounding Sounds, Amazing Music! There's a complete change of pace for "The "Sixth Chapter: Altarra, Princess Of The Blue Women", a beautifully laid-back Jazzy number with some charming honey-coated vocals from Cathy. The haunting other-worldly music sounds like it could have come straight out of a 1960's sci-fi movie. This gorgeous music is simply sublime! Side Two opens with the "Seventh Chapter: Second Prophecy - Second Oracle", a haunting piano and organ prelude with a dark foreboding atmosphere where Cathy Pruden ominously warns us again:- "Out of the cinnamon sky a face appears, Out of the tamarind byre, come no more fears." ..... Spooky! The "Eighth Chapter" is divided into two 3-minute parts:- "Part One: Twin Suns Of Centauri" and "Part Two: Alkon, Planet Of Centauri". Part One is a heavenly celestial organ piece with occasional dynamic outbursts of reverberating guitar. Part Two represents a complete contrast though, where the music suddenly bursts into life with latent energy and vigour and where Cathy's incredible vocals take us on a wild psychedelic acid trip across the universe. The "Ninth Chapter: The Terran" is a storming Jazz-Rock keyboard instrumental that thunders along at lightning speed. This is the kind of barrelling powerhouse Rock music that might inspire you to skip the light fandango, and turn cartwheels across the floor, although try not to do yourself an injury. The "Tenth Chapter: Fourth From The Sun" is obviously a reference to the planet Mars. It's another boisterous and rollickingly good Jazz-Rock number, but We all know by now there are no such things as Martians, but Cathy is convinced she's "The daughter of the fourth from the Sun" and who are we to argue? After all, this was 1970, long before probes landed on the surface of Mars and proved beyond reasonable doubt that we weren't going to have a War of the Worlds-style Martian invasion any time soon. The "Eleventh Chapter: Strange Things" takes us on a magical journey across time and space into another musical dimension. We're on a TARDIS (Time and Relative Dimension in Space) ride back in time to 1970 for an explosive rabble-rousing burst of high-energy Rock & Roll. Set the controls for the heart of the Sun, because we're coming to the end of our wild intergalactic ride across the universe now with the final "Twelfth Chapter: Epilogue - A Time Before This". This nine-minute-long stellar masterpiece is an ecstatic galactic, psychedelic pleasure trip back in time of truly epic proportions. This incredible album of Astounding Sounds, Amazing Music has gone into orbit and achieved instant five-star status with this fantastic out-of-this-world conclusion. A long time ago, in a galaxy far, far away, came an album of such awesome brilliance, it shone like an exploding supernova. "A Time Before This" IS that album! |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia
JANISON EDGE One of the best prog bands no one's ever heard of and a band who are so Goode I've featured them here twice (they're in the Neo Prog section too). Janison Edge have an edge over many of the better-known prog bands, mainly due to some stunning keyboard wizardry and the soaring, honey-voiced tones of singer Sue Element. Janison Edge consists primarily of members of various other notable bands which reads like a veritable Who's Who of Neo Prog, with Sue Element being the only member who has no earthly connection to another band. If you like female-fronted Neo Prog bands such as Magenta, then I'm sure you'll enjoy The Services of Mary Goode too. It's very unlikely there'll be a follow-up album after all this time, so best make the most of this one, as that's all there is and it's rather Goode too. ![]() ![]() |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia: A-Z Album Links
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia: A-Z Album Links
THE INNER ROAD The road less travelled... The Inner Road are slightly off the beaten track, so no surprise if you've never heard of them. They're a Symphonic Prog duo who compose mainly instrumental music with the occasional heavenly choir providing angelic backing vocals. All they need now is a lead singer - preferably female - for that little bit of extra mileage. ![]() ![]() ![]() ![]() ![]() |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia
GREENSLADE The English band Greenslade are named after their founder and keyboard player, Dave Greenslade (born 1943). Greenslade sounds like an ideal name for a Prog-Rock band, conjuring up images of magical castles, occupied by fairies, elves & goblins. It's handy to have a proggy-sounding surname if you're going to name the band after yourself. It's a good thing Dave Greenslade wasn't named Smith, Brown or Jones. Dave Greenslade and the bass player Tony Reeves had previously been members of the Jazz-Rock band Colosseum. This album is the first of four albums released in the 1970's. The self-titled "Greenslade (1973) album was quickly followed by " Bedside Manners Are Extra" (1973), "Spyglass Guest" (1974) & "Time & Tide (1975). A comeback album "Large Afternoon" was released in the year 2000. Dave Greenslade also released five solo albums between the years of 1976 and 2011. The fantasy artwork for the "Greenslade" album was designed by renowned album cover artist Roger Dean. All but one of Greenslade's albums featured the familiar figure of the Greenslade wizard on the album cover. The album takes flight with "Feathered Friends". Is it a bird, is it a plane? No, it's a bluesy Jazz-Rock number. If you listen carefully, you can hear the mellifluous sound of a Mellotron in the background, which comes as no surprise, when Greenslade are often referred to as a Mellotron band, alongside other melodic Prog-Rock luminaries such as The Moody Blues, Barclay James Harvest and Genesis. Next up is "An English Western". What's it all about you may well ask. Well, it's impossible to say, because it's a bright and breezy, proggy instrumental with not a cowboy or indian in sight. And now we come across a "Drowning Man", a sad lament, which is only to be expected with a song title like "Drowning Man". Although we may have arrived too late to save him, the music is saved by some uplifting and rousing keyboard virtuosity from Dave Greenslade. "Temple Song" closes Side One. We're getting all flowery with this pleasing little Jazz-Rock ditty, as these lyrics reveal:- "See the flowers in the garden, All the petals there are falling, falling, falling." ..... This charming song sounds as English as, well..... an English country garden! Side Two opens with "Melange", which IS a bit of a melange, which can't be a bad thing as variety is the spice of life, or so we're told. It's seven and a half minutes of Jazzy prog, underlaid with the gorgeous sound of the Mellotron, so relax and enjoy "Melange", while you eat a blancmange. Onto the penultimate and sixth song on the album now with "What Are You Doin' to Me", a rollicking, rock & rolling, Jazz-Rock barnstormer of a song. The album is brought to a radiant close now with "Sundance", the stunning highlight of the album. At nearly nine minutes long, it's the longest song on the album, which gives Dave Greenslade time to really get into his element and let loose with some very impressive keyboard dexterity. Take it away Dave! If you're in the mood for some melodic and Jazzy prog, imbued with the mellifluous and hauntingly beautiful sound of the Mellotron, then "Greenslade" might be just the album you're looking for. It's a worthy addition to the progosphere and after listening to this first album, you may be inspired to check out Greenslade's later albums too! ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - September 29 2023 at 11:41 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia
GRACIOUS Goodness Gracious me! What have we here!? "This is...Gracious!!", the second album from the British Prog-Rock band Gracious! - complete with exclamation marks!! Their first album, self-titled "Gracious!" (1970), passed by virtually unnoticed at the time of its release, but the band remained undaunted, and on the presumption that you can't keep a good band down, they got together again around a year later and recorded the album we have before us now, which ALSO passed by virtually unnoticed, leading to the break-up of the band shortly afterwards, which is a shame because this is a damned good album. Gracious! might have been down and out for the count in the early 1970's after the commercial flop of two albums in a row, but they returned with a vengeance in 1996 with their third album, "Echo", although sadly, this album also failed to make much of an impression on the record buying public. A remastered CD version of the "This is...Gracious!!" album was issued in the 1990's with the non-album single "Once on a Windy Day" added as a bonus track to the original five songs on the album. "Super Nova" occupies the whole of Side One of the album. This 20-minute-long epic is a four-part suite, so prepare for blast- off with "Arrival of the Traveller". it's a pounding and throbbing Space Rock instrumental opener which immediately brings to mind Hawkwind and early Pink Floyd. That opening assault on the ears leads us into "Blood Red Sun" a two-part song, opening with a harsh-sounding and strident slow marching rhythm, foretelling a bleak dystopian future for the Earth, which has obvious parallels with King Crimson's "20th Century Schizoid Man". The second part of "Blood Red Sun" is a fast-paced, instrumental freak-out jam session, where the talented group of musicians sound like they're really having a blast. This powerful and energetic blast from the past might not have the awesome power and brightness of a super nova, but it's a luminous red giant of a song. We're really slowing things down now though for "Say Goodbye to Love", an unashamedly romantic tearjerker, so it might be time to get out the hanky, because this emotionally appealing ballad might just bring a tear to the eye. The singer really pours his heart out with these touching lyrics:- "Once there was peace on earth, Joined were thoughts of people, Who knew more of love and kindness from them, Living life always a thought for each other, So I can say good bye to love, Say goodbye to happiness." ..... You can put away the hanky now though and "Prepare to Meet Thy Maker" with the fourth and final part of the "Super Nova" suite. The song opens with a gloomy doom-laden atmosphere, but don't get too downhearted because the singer emerges in fine voice from the gloom with what turns out to be a very uplifting and exhilarating piece of beautiful music. The Prog Gods will be Graciously appeased, because this is a really grandiose and triumphal anthemic masterpiece to lift the spirits heavenwards. If you're looking for fun and feeling groovy, then have a listen to "C.B.S", the 7-minute long funky jam session which opens Side Two. There's no clue in the lyrics as to what "C.B.S." might be referring to, but it's nothing to do with the well-known record company of the same name. Just groove along and shake your booty down to the ground for this invigorating and intoxicating piece of music. This is a fast-paced, toe-tapping, organ-driven number with attitude. Onwards now with "What's Come to Be", a moody bluesy Mellotron song which sounds remarkably like The Moody Blues! It might not be quite as grandiose and spectacular as "Nights in White Satin" but it's not far off. In the immortal words of Barclay James Harvest, this symphonic epic could be described as a "Poor Man's Moody Blues", but in a good way. There's a nice use of alliteration in the title of our next song "Blue Skies and Alibis", even if it doesn't make a whole lot of sense. It's a great piece of music though which barrels along at impressive speed with all of the musicians going hell for leather to keep up the pace. A well-earned tea-break might be in order for both the band and the listener after this frantic and frenetic jam session. Good Gracious, is that the time!? We've nearly reached the end of the album now and it's time to slow down the pace just a little for the closing song, "Hold Me Down". You can't hold this band down for long though because they're still in good solid rock & rolling form with this uplifting barnstormer of a song. If you're in a Gracious mood for some good old-fashioned, classic British Rock from the early 1970's, then this is the album for you, because "This is...Gracious!!" - with two exclamation marks!! ![]() ![]() ![]() |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia
THE GIFT This London-based Symphonic Prog band are The Gift that keeps on giving, making their three superb albums the ideal Christmas gift for any discerning prog fan. ![]() ![]() ![]() ![]() |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia
GENESIS In the Beginning there were five members of Charterhouse School who One Day decided to form a band. That band was GENESIS. They were Looking for Someone to promote and produce their first album when a Window of opportunity came along in the shape of Jonathan King, a Duke of record producers working Behind the Lines at the time. The album "From Genesis to Revelation" entered a Land of Confusion and Misunderstanding though when many record stores placed the album in their religious music sections due to the religious-sounding title. The album and first single "Silent Sun" both flopped, and barely caused any Ripples in the music press either, despite Jonathan King Calling All Stations to try and promote the album and single on the radio. GENESIS' second single "A Winter's Tale" was also met with about as much indifference as A Fly on a Windshield by radio stations and barely No Reply at All from the music press. Their record company Decca became Entangled in a dispute when it was discovered there was another band in America called GENESIS, but by A Trick of the Tail, the band managed to keep their name Anyway by changing their name to "Revelation" in the United States.
The music business has always been as fickle as a Harlequin, where The Dividing Line between success and failure depends on a combination of good luck and hard work. Every new band is sailing through Uncertain Weather where they can easily be dragged down by the Undertow and Shipwrecked by having The Knife stuck into them by their record company or by the music press. That's All it takes to finish a band's career. There's Never a Time when it's been easy to make it in the tough music business, but Like It or Not, that's just the Way of the World. No astrological Watcher of the Skies can predict who's going to make it in today's cynical music industry, where the chances of success are about as hard as climbing a White Mountain of snow before the Fading Lights of Dusk close in. After the Ordeal of seeing the commercial failure of their first album, GENESIS were In Limbo and left out In the Wilderness during a short period of Stagnation when the band members returned to their studies at Charterhouse. They weren't Down and Out or Taking It All Too Hard though, because making great music was far more than Just a Job to Do for the five talented band members. Contrary to being In Hiding, GENESIS were just Counting Out Time in The Waiting Room of The Cinema Show of life before returning to the recording studio. The band members were confident of The Musical Box of talent they had between them and their Horizons were positively bright with the general feeling that It's Gonna Get Better soon. GENESIS were working to a Time Table and they didn't plan on Living Forever on borrowed time, or waiting around each day until Supper's Ready. They were In Too Deep to consider Throwing It All Away at this late stage. The band were more than ready to Turn It On Again with an Invisible Touch of magic with the release of their next album, "Trespass". It would be several albums later though before GENESIS were basking in the warm Afterglow of a successful album release, followed by the Domino effect of success breeding further success in the proverbial Aisle of Plenty. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia: A-Z Album Links
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - September 18 2023 at 18:22 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia
FRUUPP With a bizarre name like FRUUPP, you might imagine this five-piece band are some obscure Krautrock outfit from deep in the heart of Germany, but no, they're some obscure Belfast-based outfit from deep in the heart of Northern Ireland. They have four albums to their credit with this album "Future Legends" (1972) being their first. Later albums were "Seven Secrets" (1974), "The Prince of Heaven's Eyes" (1974), and "Modern Masquerades" (1975). A fifth album was planned for 1976, but due to poor record sales and the emerging Punk/New Wave movement, Fruupp were consigned to the prog history books when they broke up at the end of the year. Progressive Rock has triumphed over the shortlived Punk-Rock era in the long run though, because Fruupp have gone on to become "Future Legends" in their time, with their marvellous brand of mellifluous melodic prog experiencing a well-deserved resurgence of interest on the Internet. The 2009 CD remaster of "Future Legends" includes the bonus track, "On a Clear Day", which classical buffs may recognise as being a proggy reworking of "Jupiter" from Gustav Holst's "Planets Suite" "Future Legends" opens with the title track, a short classical piece of music which acts as a prelude to "Decision", a lively and rumbunctious number that gallups along nicely with a pounding rhythm and builds up to an impressively rousing finale. An awesome opening to the album. "As Day Breaks with Dawn" follows next, with a melodic classically-inspired opening, which breaks out into a powerful thrumming Genesis-like number with the singer sounding remarkably like Peter Gabriel. Yes, we're definitely in Genesis territory here, with a somewhat heavier sound, and very good it is too. Onwards now to Track 4 and "Graveyard Epistle", a song which begins as a melodic ballad before breaking out into some very proggy, heavy and intense riffing. In true prog fashion, there are constant changes of tempo, staccato breaks and a few key changes thrown in too, to keep the listener entertained and enthralled. We're halfway through the album now and this is sounding very good indeed! Side Two opens with "Lord of the Incubus". It's a grand-sounding title and the music is impressively grand too, Again, it sounds like a song Genesis could have recorded in their classic prog years. There's a thumping rhythm section and the guitarist is really in his element here as he demonstrates his virtuosity with some masterly soloing. Track 6 "Olde Tyme Future" has a more sedate pace, with some beautifully melodic keyboard motifs. The cryptic lyrics are shrouded in mystery but with music this good, who cares about the lyrics anyway!? And now we come to the penultimate and longest song on the album, "Song for a Thought". It's a seven and a half minute long magnum opus which opens in fine rollicking style and then transposes into a laid-back mellow and melodic groove in the middle section. before the resounding and reverberant grand finale, which might just blow your socks off. It's melodic, it's dramatic, and it'll leave you feeling euphoric. The final song is a brief and gentle vocal reprise of the classical title track which opened the album. It's a perfect ending to a magical album full of proggy tales of mystery and imagination. This is a very impressive debut album from this Northern Irish band that's likely to appeal to fans of the classic Peter Gabriel years of Genesis. It's hard to pick out a highlight of the album, because "Future Legends" is full to the brim with great songs. If you're looking for a band with the musical talent and melodic finesse of Genesis with a somewhat heavier edge, then you'll be in prog heaven with this superb album. This prog masterpiece is such a delight to listen to that you may be inspired to give Fruupp's following three albums a spin too. A must-have album for any discerning collector of classic British prog. ![]() ![]() ![]() ![]() |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia
![]() FIRST+AID The British band FIRST+AID got together to record their one and only album "Nostradamus" in 1977. I prophesise that if you like the sound of some overblown Symphonic Prog, then this memorable ELP-style album may be just the prescription you need. Let's open the medicine cabinet now and see what the prog-nosis is. Will the album require medical care and attention or will it be given a clean bill of health? Well, let's find out. "Visions" opens the album in dramatic style and starts as it means to go on with the sombre voice of the narrator announcing, "When the two great powers of the world unite, Their greatness will be seen to grow, But their power brings fear to the East, And the man of blood is angered, Then it will begin!" ........ I don't know what it all means, but it sounds ominous. The spoken word prologue precedes the doom-laden sound of a swirling solo synth before launching into an ELP-style free- for-all where two manic keyboardists appear to be competing with each other to see who's the nimblest keyboard wizard of them all. Shades of Keith Emerson vs. Rick Wakeman. Now we come to the title track, the 6-minute-long "Nostradamus". Play it loud! This song is full of pomp and ceremony in the best traditions of classic Symphonic Prog in all of its glorious splendour. It's everything you'd expect, including a powerful singer, a male chorus, and two sonorous synths competing with full orchestra, which is guaranteed to reverberate around the room and rattle the windows. If Phil Spector was a Prog-Rock producer, then this is what it might sound like. It's the prog equivalent of the "Wall of Sound". Now comes "The Awful Truth" where the listener is given a bit of a breather when the keyboard player displays his classical credentials with this pleasant little piano interlude. The next brief tune "By Royal Appointment" lives up to its name as it sounds like the kind of dramatic fanfare that might herald the announcement of the arrival of royalty at some historic occasion. "Catherine" closes out Side One. It's an emotionally appealing and heartfelt tribute to Catherine de Medici, the Queen of France (1547-1559) back in medieval times when France still had a royal family. Opening Side Two is "Two Brothers", a 6-minute long instrumental piece with the uplifting sound of two swirling synths playing along side by side. When the full orchestra emerges, it feels like a ray of sunshine breaking through the clouds and bathing you in its warm glow. Who needs lyrics anyway when the music sounds as good as this. Now follows an orchestral reprise of "Visions", a gloriously beautiful piece of music which would make a marvellous film score. This orchestral piece is full of dramatic flourishes which wouldn't seem out of place gracing the screens of a Hitchcock thriller. To round off the album in impressive style comes the 13-minute-long opus "The Shape of Things to Come". The song title sounds dramatic and so it proves to be with the music. It's a suitably rousing song to end an epic Symphonic Prog album, with sudden shifts in tempo and time signature, so you never know quite what to expect on the first hearing. Prepare to be impressed though, because this long epic really grows on you and it's worth hearing for the stirring chorus and dramatic finale with voices from the pages of history, including Adolf Hitler and John F. Kennedy. Pretentious? Au Contraire! This album may sound like an overblown Symphonic Prog effort to some ears, but if you like Emerson, Lake & Palmer, then this album should appeal to you. An interesting album from a historical perspective, released at a time when punk was just emerging and prog was accused of being overblown and pretentious by the snooty music press, but what do they know? Not that this album was even noticed by many people at the time of its release. It's not an essential album, but it does have impressive power and symphonic majesty and it's definitely worth a listen. A good dose of Symphonic Prog is the best medicine. It's just what the doctor ordered! |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
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Symphonic Prog Britannia
SEAN FILKINS Not many of us have the time or inclination to read Leo Tolstoy's epic War and Peace with its 1,225 pages, but it'll only take up an hour of your time to listen to Sean Filkins musical equivalent: War and Peace & Other Short Stories, and no one dies in this abridged version either. Sean Filkins was previously aboard the Big Big Train, so why not take a trip with him on his one and only solo outing. I'm sure you'll find the journey worthwhile and to your exquisite tastes, just so long as you avoid the stale pork pies and the insipid coffee from the British Rail buffet car in cattle class. ![]() ![]() From English Electric to English Eccentric.... http://www.youtube.com/watch?v=_lOCboGfJE8 |
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