![]() |
Prog Britannia - Album Reviews |
Post Reply ![]() |
Page <1 1819202122 106> |
Author | |
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia
Deleted
![]() Edited by Psychedelic Paul - October 29 2023 at 03:48 |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia
MICKEY SIMMONDS A recent addition to ProgArchives hallowed halls and one of the best keyboard players that no one outside of the progosphere has ever heard of. Drawing his inspiration from Keith Emerson, Mickey Simmonds has worked with some of the major prog giants of our time, including Mike Oldfield, Renaissance, Camel and Fish, and er... The Bonzo Dog Doo-Dah Band - but you can't win them all. ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - October 27 2023 at 02:39 |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia
SALAMANDER were a British Proto-Prog quartet who had a brief but bright shining moment in the prog spotlight before slipping away like eels into the swirling mists of time. They came, they saw, but failed to conquer the progosphere with their one and only album "The Ten Commandments" in 1971, which virtually disappeared without trace, until now. Inevitably, it was a concept album, when the proggy concept album was king, with each of the ten songs loosely based on The Ten Commandments, so no surprise there then. You don't HAVE to be of a religious persuasion to enjoy this pompous prog album, because it's not meant to be taken seriously, but it's been ordained by the Prog Gods on high that we need to listen to this album, so let's check it out now, before we incur the wrath of the Prog Gods with a thunderbolt from the blue. Let us pray now, and give thanks to the Prog Gods for blessing us with this awesome album from on high:- "Our Father, Who art in Prog heaven, Give us this album, and forgive us our Genesis "Trespass" album, For thine is the Kingdom of Prog, and the Power and the Glory of Prog, For ever and ever, Amen."
Holy Moses! It's time now to have a listen to the first of the solid Prog-Rock tablets of stone handed down to Moses from the biblical Holy Mount of legend. We're in suitably reverential mood for "Prelude / He Is My God", which opens to the sound of a hauntingly-atmospheric church organ at the grand altar of Progressive Rock. This tremendous cathedral-esque opening number steadily builds up into the most wonderful crypt-kicking crescendo of overblown and pompous prog in all of its grandiose majesty and holy splendour. The religiously-inspired music sounds holier than the stained glass windows in Canterbury Cathedral with a grandness that's as awe-inspiring as the gleaming white marble of the Acropolis of Athens, or an ancient Roman Amphitheatre. You really have to hear this album to believe it, because the music is so powerfully inspirational that it's enough to turn a lifelong atheist into the most devout of religious believers, but that's the power and the glory of almighty Prog-Rock. After such a grand auspicious opening, How on God's Holy Earth do you follow that!?? You follow it with "Images", a dynamic Stormbringer of thunderbolt and lightning, very very frightening Heavy Prog that hits you straight between the eyes with the unrelenting pounding and percussive energy of a steamhammer. When you're sufficiently recovered from that sonic attack, you can relax and bask in the warm glow of "People", an altogether gentler refrain that's simply beautiful. It's the kind of gloriously uplifting tune that makes you want to run out into the street and sing "Oh Happy Day" at the top of your voice, despite the strange bemused looks from passers-by. In fact, the entire album has a delightful celebratory air to it that makes you feel glad to be alive and full of the joys of spring, even in the bleak midwinter, in a snowstorm at midnight. Feel free to join in too and sing along with "God's Day", a song that's as bright and radiant as a brilliant ray of sunshine breaking through the clouds, and sounding like a religious hybrid of early Blood, Sweat & Tears, on steroids. This fine upstanding album is like musical Viagra to the ears. It's positively bursting at the seams with joy and love and passion. Side One draws gently to a close now with "Honour Thy Father and Thy Mother", a sweet message of love and devotion that leaves you feeling all warm and cuddly inside. Altogether now, "Ahh!" Opening Side Two in dramatic style, we arrive now at the Sixth Commandment/Song in the Decalogue: "(Thou Shalt Not) Kill", a tremendously rousing and anthemic display of pompous prog in all of its magnificent glory, featuring theatrical spoken word passages (with shades of the Moody Blues), adding a solemn and sombre air to the high drama of the occasion. After all, this is a song about a heinous murder, followed by the dastardly villain being sentenced to death by hanging, so it's literally a matter of life or death, or just a matter of death, as there's no leniency to be shown or expected for the accused here. After that dark depressing tale, it's time to lighten the mood now with the wistfully nostalgic sound of "Thou Shalt Not Commit Adultery", a gorgeous Folk-Pop refrain, bringing back fond memories of The Seekers in their heyday. Salamander are Bringing on Back the Good Times again here, so it's time to put on those tie-dyed cheesecloth shirts, bright flared trousers and gold platform boots and celebrate the golden era of the early 1970's, when everything was fab and groovy. This uplifting song is positively awash with golden scintillating strings, bathing the listener in a warm radiance of brilliant Sunshine Pop. The music's so bright, you gotta wear shades, and break open a bottle of suntan lotion at the same time. Onto the Eighth Commandment/Song now with "(Thou Shalt Not) Steal", a sonorous non-stop artillery barrage of heavy Heavy Prog, with the dynamic fired-up organ player attacking his keyboards with all of the passionate fury and gusto of a whirling dervish in a sandstorm. No one's going to Steal his thunder here! And so dear friends, we come to Commandment/Song No. 9: "False Witness", a lively and energetic Jazz-Rock number with a bold and brassy attitude - very much in the style of Ginger Baker's Air Force - with the powerful singer imbuing the music with all of the emotional intensity his vocal chords can muster. He was probably in need of a throat lozenge, a stiff drink and a good lie down after that impressive performance. The Tenth Commandment decrees that thou shalt not covet thy neighbour's "Possessions", but you can certainly "covet" this sensational storming Rocker, which rounds off the album in furiously fine style. Salamander have seared a blazing trail of God Almighty Symphonic Prog with the magnificent majesty of their marvellous ultra-rare one-off masterpiece. The Eleventh Commandment of Prog, ordained by the Prog Gods on high, should be that every self-respecting prog fan owns a copy of Salamander's "Ten Commandments". This superb album is as welcome an addition to your prog collection as being given the welcome news that you're to be employed as a stage hand by Fleetwood Mac for one night only, where your job will be to adjust Stevie Nicks' knicker gusset when she's on stage. If, on the other hand, you're lucky enough to already own a rare vinyl copy of this fine album, then that's as lucky as walking into an antiques shop to buy some trinkets and curios, and discovering the Ark of the Covenant for sale at a bargain price. Well, maybe not quite THAT lucky. The Ten Commandments of Prog:- 1. The Prog Gods are the Lords of Prog and Thou shalt have no other Prog Gods before thee 2. Thou shalt not make unto thee any graven image of a classic Prog-Rock album cover 3. Thou shalt not take the names of the Lords of Prog in vain 4. Remember the Black Sabbath day, for the seventh day is for the Holy worship of Prog-Rock 5. Honour thy father and thy mother's Prog-Rock collection 6. Thou shalt not murder a classic Prog-Rock anthem 7. Thou shalt not commit adultery with a fellow Prog-Rock fan's husband or wife 8. Thou shalt not steal a Prog-Rock album 9. Thou shalt not bear false witness against a fellow Prog-Rock fan 10. Thou shalt not covet thy neighbour's Prog-Rock collection |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia: A-Z Album Links
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - November 21 2023 at 02:26 |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia
RENAISSANCE - Northern Lights: A Story for All Seasons The Prologue to this tale begins with a Trip to the Fair, held annually by The Sisters of Mercy charity. The trip led to The Discovery of the book "One Thousand and One Nights". I Remember the Golden Thread of the story concerns The Captive Heart of Scheherazade, The Entertainer of the Rajah Khan, a Midas Man of immense riches with a Black Flame burning in his heart. The Air of Drama in the Opening Out of the story tells how Scheherazade finds the Golden Key to saving her life is to relate the tale of the 1001 Nights. She wins over the Jekyll and Hyde nature of the King with her exotic tales, and he shows her Kindness at the End by managing to Spare Some Love in his black heart by marrying his Precious Love. She becomes his queen in this dramatic tale of Kings and Queens and lost Innocence. One of the Pearls of Wisdom I learned from the book is that Love Goes On to conquer all in the end when Love is All you need. I'm a Wanderer at heart and the book inspired me to travel on a Secret Mission to the Distant Horizons of Istanbul On the Frontier of Asia aboard the Orient Express. It sometimes feels like time is Running Away from You and I was Running Hard like a Bullet out of a gun in The Race to arrive on time At the Harbour. I arrived just in time to set sail across the English Channel on the Ocean Gypsy ferry and leave behind the Island of Great Britain. I love the Sounds of the Sea and it was a beautiful day In the Sunshine, underneath the Carpet of the Sun which glimmered like sparkling Porcelain. Upon arrival in France, I felt like I was Bound for Infinity, with the most dramatic adventure In My Life just about to unfold. Can You Understand how good it felt to realise a dream when I'd Let It Grow in my heart for so long? I still had a long way to go though but at least I was Closer Than Yesterday to realising my dream. The Face of Yesterday was behind me now because this was the Day of the Dreamer! I dreamed of travelling to exotic places like the Island of Kalynda, A Magical Isle with a Waterfall which sparkles Blood Silver Like Moonlight and where The Vultures Fly High in their Flight over distant shores. That was about as likely as seeing Faeries Living at the Bottom of the Garden though and my dreams vanished as quickly as the flames on a funeral pyre when only the Ashes Are Burning. My real ambition was to eventually travel north from Istanbul to Kiev to experience exotic Things I Don't Understand, including those mysterious Ukraine Ways. I'd have to be careful to avoid Touching Once on the delicate subject of the current war with Russia though. I was planning to head to the northwest of Mother Russia where I'd heard the extreme Cold is Being like the inside of a freezer. I'd love to see the Northern Lights for the first time with their Majik shimmering Symphony of Light. It'd be like one of those awesome moments when you could sing A Song for All Seasons and Cry to the World with joy and shout "Can You Hear Me now"? I had a long journey ahead but I was looking forward to being Back Home Once Again with my Friends, when I'd be sure to remind them that I Think of You when I'm away. Annie's Complete Renaissance, including:- Illusion; Annie Haslam solo; Jane Relf's Renaissance; Michael Dunford's Renaissance; & Annie Haslam's Nevada, in roughly chronological order. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - October 31 2023 at 03:19 |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
^ Yes, it's quite a coincidence that Phil Collins lookalike "Blinky" Davison just so happens to be a drummer too.
![]() ![]() Edited by Psychedelic Paul - October 01 2023 at 02:13 |
|
![]() |
|
Hrychu ![]() Forum Senior Member ![]() ![]() Joined: November 03 2013 Location: poland? Status: Online Points: 5984 |
![]() ![]() ![]() ![]() ![]() |
Hahaha! A friend of mine listened to one of Refugee's songs and looked at the album cover. He said that the singer not only sounded like Phil Collins but also looked like Phil Collins. I then explained to him, that the one who sings, is the dude with the shades and the dude that looks like Phil Collins is the drummer.
|
|
![]() |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia
REFUGEE were a short-lived Symphonic Prog threesome from London. You could be forgiven for thinking Phil Collins was a member of Refugee, because the man in the middle on their one and only self-titled album cover from 1974 bears a striking resemblance to the Genesis drummer. There's no mistaking Swiss keyboard player Patrick Moraz on the right of the album cover though. He was brought in as a last-minute replacement for Keith Emerson, who was otherwise engaged with a little side-project by the name of Emerson, Lake & Palmer at the time. The other two members of Refugee besides Patrick Moraz were both ex-members of The Nice:- Lee Jackson on bass, electric cello, electric guitar, 12-string acoustic guitar and lead vocals, and Brian Davison on drums and percussion, where "percussion" meant virtually anything the versatile drummer could lay his hands on, including tympani, various gongs, Tibetan temple bells, African drums, kabassa (whatever that is!?) and broken glass! Patrick Moraz wasn't exactly slacking in the keyboards department either with this very impressive array of keyboard instruments at his disposal:- Mini- moog, AKS synthesiser, piano, electric piano, clavinet, organ, pipe organ, marimbaphone, alpine horn, electronic slinky, mellotron, and occasional vocals too! Patrick Moraz would of course go on to be a member of YES and a "days of future passed" member of The Moody Blues. Who could forget the famous music trial of the century!? The sole Refugee album was recorded in 1974 at ART Studios in Geneva in Patrick Moraz' native Switzerland, so he would have felt right at home there, whereas the two English members of the band, Lee Jackson and Brian Davison were temporary "refugees". The title of the imperious 5-minute-long opening number "Papillon" can have several meanings:- Either a black butterfly; a symbolic breaking free of societal restraints and restrictions; or even a toy breed of dog with large butterfly-like ears! One thing's for sure though, the "Papillon" on this album is no delicate butterfly. No, this is an aggressive and impressive Pictures at an Exhibition-style display of powerful keyboard prog in the best tradition of Emerson, Lake & Palmer. There's no shortage of classically-inspired, lightning-speed keyboard runs to be heard from Patrick Moraz in this tremendous instrumental album opener, which also features a storming salvo of machine-gun-like drumming from Brian Davison. Yes, it looks like we could be in for quite a treat here with this gloriously pompous one-off album of unashamedly exhibitionistic Symphonic Prog. On the second song "Someday", We get to hear the emotionally-wrought (and some might say "over-blown") vocals of Lee Jackson for the first time, which also features another incredible keyboard performance from Patrick Moraz before he went on to join YES for their "Relayer" album in late 1974. "Someday" is one of those grand magisterial prog epics that gathers in pace and intensity as it progresses, so it could be described as the true definition of Progressive Rock. If "Papillon" represented a symbolic breaking-free, then "Someday" continues the theme of liberation with the powerful message contained within these lyrics:- "Someday, I'll go away, Pack my bag, Get on a plane, I'll fly up through my cloud, I'll smash right through, Right into the sun." ..... This is the kind of powerfully uplifting feel-good prog that'll leave you flying high on a wave of joyous and exhilarating emotion. If you haven't quite reached seventh prog heaven yet, then the third piece of music might help get you there, because next up is the awesome 17-minute-long, "Grand Canyon" suite, the first of two epic suites on the album. This magnificent five-part magnum opus is every bit as grandiose and spectacular as the song title implies. Be prepared to be stunned by this brilliant landscape of dazzling musical colours. The outstanding "Grand Canyon" suite represents the musical equivalent of the real Grand Canyon bathed in rich golden colours at sunset. The title of the Side Two opener "Ritt Mickley" is a humorous reference to the strong Swiss accent of Patrick Moraz when he pronounces "rhythmically". It's another 6-minute-long demonstration of ELP-style keyboard prog at it's absolute best, so you can expect another dazzling display of keyboard histrionics from Mr Moraz & Co. The final piece of music on the album is the second of the two epic suites. It's a thunderous 18-minute-long masterpiece titled "Credo". The majestic music is divided into eight movements of stunning symphonic splendour and delight, which just HAS to be heard to be believed. This is incredible! You can't fail to be over-awed by this stunning display of ELP-style keyboard prog. This outstanding one-off album has a treasured place in the hallowed halls of ProgArchives. Refugee might not be in the Rock & Roll Hall of Fame, but they truly deserve to be included with full honours and flags flying with this very impressive powerhouse debut! Edited by Psychedelic Paul - October 01 2023 at 02:26 |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia
![]() ![]() ![]() ![]() ![]() RARE BIRD were a London-based Prog-Rock quartet who released five albums between 1969 and 1974:- "Rare Bird" (1969); "As Your Mind Flies By" (1970); "Epic Forest" (1972); "Somebody's Watching" (1973); and finally, "Born Again" (1974). Rare Bird's best-known song, "Sympathy", featured on their first album and the single reached No. 27 in the U.K charts. Their music is a very keyboard-heavy sound, due to the fact that the four-piece line-up included two keyboard players. Rare Bird's original LP albums have now become "rare birds" too, as they're pretty hard to get hold of these days. Incidentally, the "Rare Bird" album reviewed here, was the first album to be issued on the Prog-Rock Charisma label. Two bonus tracks were added to the original nine songs on the album in the re-mastered 2007 CD edition. The album opens powerfully and dramatically with "Iceberg", an imposing cliff of pristine white ice as tall as a building with the awesome latent power to sink ships. This imposing organ-powered piece of music has similar grandeur and magnificent majesty. The song begins as a delicate and atmospheric slow fugue, sounding like a church organ, before erupting into a wild keyboard jamboree in which the organist goes absolutely berserk in a roaring storm of sound. The golden-voiced singer emerges from the organ storm in full impassioned voice in this dramatic refrain. It's powerful and heavy, but also beautifully melodic at the same time. This is the kind of thunderous and unrestrained organ music they ought to play in a grand cathedral as the bishop glides diagonally down the aisle across the chequered floor. How can Rare Bird possibly follow that storming opening foray onto the music scene. They follow it with "Times", a fast-based barnstorming number with all the unstoppable power of Stormin' Norman Schwarzkopf leading his army into battle. This powerful raw and raucous song features fantastic fugues and pounding percussion, so don't play it TOO loud or it might just give you a pounding headache. Onwards now to "You Went Away", a refined and sweet-sounding organ piece with the vocalist imploringly pouring his heart out over his lost love:- "You went away, And left me one that day, When we were much too close, Dreaming of a private piece, You went away." ..... This is no gentle ballad though, because the crazy organist and manic drummer are just waiting in the wings, so be prepared for a sonic onslaught in their wild moment of glory for the powerful grand finale. There's no let-up in the incredible pace and power of this album with "Melanie", a flamboyant and foot-stompingly good slice of funky fusion to close out Side One. Opening Side Two comes "Beautiful Scarlet", an elevating and exuberant blitzkrieg of music which explodes into life with a dramatic chord sequence. This is energetic keyboard playing to die for, the like of which we don't hear any more. This is exhilarating and exuberant music designed to lift the spirits up into the stratosphere. The pianist and organist battle it out in unison to see who's the greatest keyboard player of them all. It's pompous and passionate and everything we could wish for in a powerful burst of Progressive Rock. And now for Rare Bird's BIG number, "Sympathy", their main claim to fame which was a massive hit across Europe but only made it to No. 27 in the British charts, so it looks like the good people of continental Europe knows a good song when they hear it. "Nature's Fruit" is another rollicking and rambunctious keyboard-driven song on an album full of outstanding songs where every song sounds like it's good enough to be released as a single. We're taking flight now with "Bird on a Wing", an emotionally-rich song featuring soaring vocals and the sound of that oh-so-beautiful organ in accompaniment. The dazzling guitarist deserves a mention too with his stirring power chords carrying the music along on a sonorous wave of sound. Just when you thought this album couldn't get any better comes "God of War" to close out the album in dramatically fine style. The music rumbles along like a powerful express train steaming down the tracks with the powerful voice of the singer sounding like he's ominously prophesising doom and gloom and catastrophe. It's a suitably dynamic and dramatic conclusion to a superb album. You can't beat a good solid dose of boom and bombast in a Prog-Rock album and this passionate and powerful album has it in spades. This is spectacular organ-driven British Rock, going full speed ahead on full locomotive power from beginning to end. it's also melodic and occasionally melancholic, but it's ALWAYS great music. This first Rare Bird album deserves to be treasured and preserved like a magnificent golden eagle. |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia
RAIN A simply marvellous album of exquisite beauty from a mysterious multi-instrumentalist who's simply known as "Rain". You don't have to take my word for it though. Tony Banks and Phil Collins both describe "Cerulean Blue" as being the quintessential Progressive Rock experience of the 21st Century, so there you go. ![]() |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia: A-Z Album Links
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - October 27 2023 at 03:38 |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia: A-Z Album Links
ANTHONY PHILLIPS The original guitarist with Genesis and all-round good egg. Anthony was forced to quit the band he loved due to crippling stage fright, and being wise after the event, he realised his talents would be better-suited to pursuing a solo career, and so, the only "Live" album you'll ever hear from Anthony Phillips is "The Living Room Concert", recorded (you guessed it) live at home in his living room with only his close friends and family and the dog for company - which is roughly equal to the audience numbers who'd turn up to see Roger Waters performing live at a Republican convention. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ANTHONY PHILLIPS (born 1951) is best-known as the original guitarist with GENESIS. He appeared on their first two albums "From Genesis to Revelation" (1969) and "Trespass" (1970), but decided to quit the band due to crippling bouts of stage fright when performing live. He took a long hiatus from recording music and studied classical music for awhile until 1977 when he embarked on his long and illustrious solo career with the release of "The Geese and the Ghost" album. Three further albums followed at the tail-end of the 1970's:- "Wise After the Event" (1978); "Private Parts & Pieces" (1978); and "Sides" (1979). Altogether, Anthony Phillips has recorded an incredible thirty-one albums, including eleven volumes of "Private Parts & Pieces" and four volumes of "Missing Links", consisting primarily of demos, out-takes, and previously unreleased material from his vast library of music recordings. He still continues to record to this day with his latest album "Strings of Light" released as recently as 2019. Anthony Phillips' first album "The Geese and the Ghost" is notable for including his Genesis bandmates Mike Rutherford on bass and Phil Collins on vocals on a couple of tracks, and Steve Hackett's brother John Hackett on flute. Ant Phillips played all of the guitar and keyboard parts on the album. The 2008 CD reissue included a bonus disc of unused material from the album.
The album opens with the brief prelude "Wind-Tales", featuring a light breeze of keyboards floating past the listener like a zephyr in a mellow wave of calming pastoral sound, which leads us into "Which Way the Wind Blows". This song is a gorgeous slice of melodic prog with the familiar voice of Phil Collins reminding us that this song would have fitted very nicely onto a classic Genesis album, although the music is altogether gentler and mellower than anything Genesis have ever recorded. We're travelling back in time to the royal court of Henry VIII now with "Henry: Portraits from Tudor Times", in the first of two long suites on the album. The six-piece "Henry" suite is a glorious 12-minute-long combination of gentle acoustic passages and marching battle themes and it also features a tremendously rousing chorus for the grand finale. The dynamic contrast between Ant Phillip's gentle acoustic guitar combined with his sonorous outbursts from the almighty keyboards are what really sets this long suite of music alight with passionate and powerful intensity. It's dramatic symphonic music imbued with all of the regal power and magnificent majesty of a King upon his throne. Phil Collins returns to vocal duties in a lovely duet with Vivienne McAuliffe for "God If I Saw Her Now". It's another beautiful piece of gentle melodic prog in an album that's positively overflowing with charming and enchanting English tunes. Opening Side Two is "Chinese Mushroom Cloud" which sounds just as dramatic and doom-laden as the song title suggests. It's a short prelude featuring the rousing and resonant deep rumble of a cello, conjuring up a portentous and disturbing image of some cataclysmic disaster. This leads us into the two-part suite and title track "The Geese and the Ghost". Running at nearly sixteen minutes long, it's an epic masterpiece, combining orchestral, pastoral folk and proggy themes in a timeless timbre of tuneful melodies, which also includes some rousing grand symphonic keyboard flourishes too for our delectation and delight. We get to hear Anthony Phillip's voice for the first time on "Collections", and a very fine singer he is too. The music is a gorgeous flute and guitar melody floating on a sea of sensational strings. The final piece of music "Sleepfall: The Geese Fly West" is as gentle and peaceful as the gentlest of lullabies and it's a perfect dream-like melody to bring a marvellous and masterful album to a close. "The Geese and the Ghost" is a timeless album full of reverberant refrains and mellifluous melodies combined together in a magnificent melange of pastoral folk, classical compositions and melodic prog symphonies. It's a superb album that should appeal equally to Genesis fans and non-Genesis fans alike. The music has been described as sounding like a "mixture of Vaughan Williams and Mike Oldfield" which sums it up rather well I think. Edited by Psychedelic Paul - October 22 2023 at 10:20 |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia: A-Z Album Links
MARTIN ORFORD Known as awful Orford by his schoolmates (probably), keyboard player extraordinaire Martin Orford is Living Proof that there's life after being a member of a major Progressive Rock band. Prog fans will know him best as a founder member of IQ until announcing his departure from the band back in 2007. Martin's also worked with increasing Frequency with John Wetton and Jadis too and in The Wake of leaving IQ, he's created one of the best Neo Prog albums you're Ever likely to hear - "The Old Road" - even if you have some Resistance to Neo Prog generally. ![]() ![]() ![]() Edited by Psychedelic Paul - September 29 2023 at 08:01 |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia
THE NICE The original power trio who really take the biscuit! The Nice were the early progenitors of Emerson, Lake & Palmer, and could lay claim to being the first Symphonic Prog band, although Justin Hayward & John Lodge might have something to say about that. The Nice trio consisted of dagger-wielding keyboardist Keith Emerson, bassist and singer Lee Jackson, and drummer and Phil Collins lookalike, Brian 'Blinky' Davison. Lee Jackson later went onto even greater Heights by forming his own band, Every Which Way, as well as forming Jackson Heights, and then lastly, Refugee in 1974 with Brian Davison and Swiss keyboard wiz, Patrick Moraz. All in all then, a busy time was had by all, but it's Nice work if you can get it. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - September 28 2023 at 16:51 |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia
IAN NEAL One of the great unsung heroes of Symphonic Prog with albums ideally suited to a Golden Afternoon. I'll let Ian Neal's glorious and magnificent albums speak for themselves, suffice to say that this is the most Immaculate Collection since Madonna's Greatest Hits compilation. ![]() ![]() ![]() ![]() ![]() |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia: A-Z Album Links
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia
MORGAN A two-album band who are so obscure that even DrWu23 hadn't heard of them before. ![]() ![]() ![]() |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia
THE MOODY BLUES It's time to celebrate the music of The Magnificent Moodies as we look back in time to their classic songs from Days of Future Passed. The Moody Blues embarked on a proggy quest In Search of the Lost Chord for their second album, and they were On the Threshold of a Dream of success with their third album. Their fourth magnificent album featured classic prog that's really stood the test of time and should be passed down through the generations To Our Children's Children's Children. It required A Question of Balance for the Moodies next album, which featured a back-to-basics approach without the lush orchestration of earlier albums, making the songs easier to perform in concert. As every student of music will know, the lines of the treble clef: E-G-B-D-F are remembered by the mnemonic, Every Good Boy Deserves Favour, and that's how we remember the name of the Moody Blues sixth album too. The Moodies aptly-named Seventh Sojourn in 1972 would be their last album for six years, with the exception of the Justin Hayward/John Lodge Blue Jays project in 1975. The band returned with a whole Octave of great songs in 1978 and their next album marked the arrival of the Swiss Long Distance Voyager Patrick Moraz on keyboards, who journeyed all the way from the bands YES and Refugee. Moraz remained with the Moody Blues for The Present, but he had a huge fall-out with the band in 1991 in what was billed as The Music Trial of the Century, revealing The Other Side of Life in the notoriously cut-throat and litigious music business. The band were ready for a long holiday Sur La Mer (By the Sea) after that sobering experience. The Moody Blues gathered together The Keys of the Kingdom of prog once again for their next album, following those Strange Times in legal limbo, and they recorded a final Christmas themed album in 2003 to mark the metaphorical December of their long and illustrious musical career. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - October 09 2023 at 08:41 |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia
MANDALABAND Oh Mandala, the man who dedicated his life to the struggle for the African people, but no, it's not THAT Mandala. It's Mandalaband, the best Symphonic Prog band you've never heard of, starring Egyptologist David Rohl, the real-life Indiana Jones - at least according to the Sunday Times anyway. ![]() ![]() ![]() ![]() Indiana Jones (Aka. David Rohl)
Edited by Psychedelic Paul - September 27 2023 at 14:27 |
|
![]() |
|
Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 45236 |
![]() ![]() ![]() ![]() ![]() |
Symphonic Prog Britannia
MAGRATHEA The ancient planet of Magrathea was one of the wealthiest in the galaxy due to its extraordinary trade. Its inhabitants built customised planets to order. These were fabulously expensive, so during the great galactic stock market crash they went into hibernation..... You may not believe that, but Hold Your Fire, because if you believe in the power of prog, then you'll believe in the awesome power of Magrathea. They're no Fly By Night band either, leaving most bands lingering behind in their Vapor Trails. Time Stands Still for no one though, so catch them while you can, as Magrathea are the British Counterparts of Canadian band RUSH and all the Signals indicate they're destined to become Legends in their own lunchtime - at least until 21:12 anyway. ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - September 27 2023 at 08:21 |
|
![]() |
Post Reply ![]() |
Page <1 1819202122 106> |
Forum Jump | Forum Permissions ![]() You cannot post new topics in this forum You cannot reply to topics in this forum You cannot delete your posts in this forum You cannot edit your posts in this forum You cannot create polls in this forum You cannot vote in polls in this forum |