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Prog Britannia - Album Reviews |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
SAND SNOWMAN Enter Sandman! How do you make a snowman out of sand? Snow good asking me. Ask Gavan Kearney. He's the man behind the spooky psych-folk of Sand Snowman - the creepiest experience since Jim'll Fix It, when Jimmy Savile fixed it for some young female fans to meet Gary Glitter. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - October 11 2024 at 08:29 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
THE SALLYANGIE The SallyAngie may have been a short-lived Prog-Folk duo, but both members went on to have long and distinguished solo careers, because they were none other than sister and brother duo Sally and Mike Oldfield! The SallyAngie recorded their one and only hippyish Folk album "Children of the Sun" in 1968. It would be another five years before Mike Oldfield stunned the world with his landmark "Tubular Bells" (1973) album. Sally Oldfield launched her long solo career as a Folk singer five years after brother Mike with the release of her "Water Bearer" album in 1978. The Oldfields were a very musical family - their brother Terry Oldfield was also a multi-talented musician who appeared on Mike Oldfield's "Hergest Ridge" (1974), "Ommadawn" (1975) and "Incantations" (1978) albums. Terry Oldfield also went on to establish a long solo career, specialising in his own particular brand of New Age World music. And so, it's time to travel back over half a century in time now to the late 1960's for Mike Oldfield and sister Sally's unique Prog-Folk offering, "Children of the Sun". The 2002 CD re- issue included a bonus disc, adding eight songs to the original fourteen songs on the album. Right from the opening few bars of "Strangers", we're in very familiar territory with the honey-sweet demure vocals of Sally Oldfield. She's best-known for the song "Mirrors" from her first "Water Bearer" album in 1978. Sally performed the song on Top of the Pops and the single reached #19 in the U.K charts, although the hippyish Sally Oldfield would be the last person to regard herself as a Pop star. One of the most surprising things about The SallyAngie album is hearing Mike Oldfield singing for the first time, when he's not normally noted for his vocal abilities, although he sounds in remarkably fine voice on this endearing Folk album, admirably accompanying his sister Sally in a duet. Mike Oldfield also provides accompaniment on acoustic guitar (obviously!) and there's the sound of a flautist to be heard too on this brief but charming 70-second-long opening introduction to the album. "Strangers" sounds more like two familiar old friends. We're off to meet "Lady Mary" next, a saccharine-sweet Folk song with some lovely harmonies and rich orchestration. Mike Oldfield even takes the vocal lead for a brief time on this song. There's no inkling of the masterpiece to come in five years time, when Tubular Bells was still a twinkling in Mike Oldfield's eye at this early stage in his career. The music on this charming Folk album so far sounds as delicately exquisite as a warm gentle breeze. And now we come to the title track and one of the longest songs on the album at five minutes long: "Children of the Sun". The song opens with a spoken introduction from Sally Oldfield before brother Mike joins in for a duet. This song sounds like the kind of pleasant pastoral Folk number that Peter, Paul & Mary or The Seekers might have recorded back in their heyday. The song certainly has commercial potential, had it ever been released as a single, although a warm and tender Folk melody probably wouldn't have stood much of a chance in the charts when they would have been up against some of the mighty giants of late-1960's Pop/Rock such as The Beatles. The fourth song "A Lover for All Seasons" continues in similar vein with another acoustic guitar and vocal duet, so there are no real surprises in store here. Although The SallyAngie are billed as Prog-Folk, you won't find many proggy elements here, as this is more of a traditional pastoral Folk album, but that's no bad thing as the gentle music contained within is very pleasing on the ears. The SallyAngie features a percussionist, although he's so low-key that you hardly even notice he's there. You certainly won't hear any pounding drums on this album. There's no sign of Mike Oldfield's trademark electric guitar sound to be heard either on this totally acoustic album, but it's still turning out to be a very agreeable Folk album judged on its own merits. Next up is the "River Song" which has a macabre sting in its tail, because despite the pleasant melody and the dulcet tones of sweet- voiced Sally, the lyrics reveal a shocking tale of a brutal murder, so there are no happy endings here. The frightful lyrics to this song bring to mind the classic Neil Young song "Down by the River", which also involves a murder. We'd better not delve too deeply into the horrifying lyrics of "River Song", so we'll move swiftly on to the next song, which is: "Banquet on the Water". We're on much safer ground here as this lovely song is all about going for a pleasant stroll along the river and stopping for a picnic with a romantic partner for company. Side Two opens with "Balloons", the longest song on the album at five and a half minutes long. The song begins as a very twee- sounding lullaby that sounds so light and delicate, you feel it might get blown away like a balloon by the slightest of breezes, but don't let that put you off, because it's really a great song once you get past the first minute or so. This song comes the closest to Psych-Folk of any of the songs so far on the album. Not that you'll hear any psychedelic fuzz guitars, but the music is a hauntingly-beautiful Folk refrain, featuring some eerie-sounding harmonising and witchy chanting in the style of Comus, although nowhere near as creepy as those witchfinder generals of Psych-Folk. "Balloons" is a helium-filled uplifting highlight of the album. We're travelling right back in time to the world of Shakespeare now for "Midsummer Night's Happening". This fluty duet sounds like a typical Elizabethan madrigal that you might hear accompanying a medieval banquet, so watch out for those flying chicken bones and glasses being thrown into the hearth fire with gusto and gay abandon! Yes, this is definitely minstrels in the gallery music, so you'll know exactly what to expect here with this merry-making music. The intriguingly-titled "Love in Ice Crystals" conjures up a frosty image of some romantic brief encounter at the South Pole, which is not that far from the truth, as the lyrics are about making love on a rug in front of the warm comfort of a blazing fire when it's freezing cold and snowing outside. Listen out for the soaring echoey vocals on this song, the like of which you may never have heard before. They're really quite incredible! Side Two of this lovely album is so far turning out to be even better than Side One. The next piece of music "Changing Colours" is a brief prelude, featuring some offbeat twangy guitar strings where Mike Oldfield sounds like he's tuning his guitar up, so we'll leave him there and move on to the next song which is the aptly- titled "Chameleon", which follows on nicely from "Changing Colours". The enchantingly mystical lyrics to this haunting refrain deserve a special mention here:- "The king of Orion brings, The jewels from his belt and his sword, The emeralds shine through the trees, To dance upon the high forest lord, I am to you as I am to me, I am a star in a deep blue sea, I am the queen of a million queens, I am a ripple on a crystal stream, The three kings from the east bring gifts of gold frankincense and myrrh." ..... It's a complex tune in which Mike Oldfield cleverly sings in counter-point to Sally Oldfield, bringing a whole extra dimension to this engaging piece of music. The next brief 30-second-long acoustic instrumental "Milk Bottle" sounds just like a "born on the bayou" twangy country steel guitar, which it probably is! This leads us into the penultimate Psych-Folk song on the album, the ominously-titled "The Murder of the Children of San Francisco". Mike Oldfield's semi-whispered vocals sound quite sinister on this song, giving the song an ethereal other-worldly haunting atmosphere, which makes a stark contrast to Sally Oldfield's traditional sweet-voiced Folky tones. This is another album highlight in what is turning out to be quite an extraordinary album, featuring mainly traditional Folk songs on Side One, spiced up with some spookier off-kilter Psych-Folk tunes on Side Two. We're entering a twilight zone world now, as It's time to bed the album down for the night with the 14th and final song and what better way than with the "Twilight Song", a delightful Folk melody where Sally Oldfield's gorgeous dulcet tones carry you away blissfully to a land of sweet dreams and peaceful slumbers. Mike Oldfield and sister Sally have come up with a very pleasant album of gentle pastoral Folk in their first musical outing together. It's not going to take the progosphere by storm, but it makes a pleasurable diversion to while away a warm summer's afternoon when we can all be transported back in time to the late 1960's and be "Children of the Sun" all over again. That's the theory anyway. If music be the food of love, then let Mike & Sally Oldfield play on forever! |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
TALITHA RISE Talitha Rise (often abbreviated to "Rise") is the alter ego of Jo Beth Young, whose delicate Indie Folk style of music has been described as Pink Floyd meets Kate Bush meets Shine Dion (whoever they are?), and just to add an air of mystery, Jo Beth appears as a redhead in her publicity photos, but as a blonde in her videos. Anyway, you'll know what to expect, or maybe you won't. ![]() ![]() ![]() Edited by Psychedelic Paul - September 30 2024 at 05:10 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
REVOLUTIONARY ARMY OF THE INFANT JESUS Hauntingly beautiful ethereal music from a neofolk collective whose unique sound has been described as an aesthetically tenebrous proposition steeped in sacred Christian mysticism. Well, what else did you expect with a name like that!? ![]() ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - September 29 2024 at 10:26 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
JOHN RENBOURN Too much Folk and not enough Prog for my liking, so for those of us who don't like Sir John Alot as a solo artist, he's one of the five stars of the Pentangle, alongside Bert Jansch and Jacqui McShee. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - September 29 2024 at 10:29 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
RED JASPER Why not spice up your life with some Red Jasper, a rambunctious Prog Folk band with attitude who sound like a punkier version of Jethro Tull on their first two albums, but quite literally progressing to their tremendously uplifting fifth and sixth albums - The Great and Secret Show and 777 - where they really take off into the stratosphere. ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
EDDI READER A flame-haired bonnie lassie from Glasgow and the voice of Fairground Attraction! ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
![]() ![]() RAMASES Ramases (real name Kimberley Barrington Frost) adopted his name after claiming to have been visited by the Egyptian Pharaoh Ramesses sometime during a car journey near his home in Sheffield, England. He began dressing and behaving in an eccentric manner, wearing silk robes and shaving his head, in the style of the Hare Krishna religious sect. He recorded his sublime "Space Hymns" (1971) album at Strawberry Hill Studios at Stockport near Manchester with his wife Dorothy (who he renamed Selket), together with the musicians Eric Stewart, Graham Gouldman, Kevin Godley and Lol Creme, who famously went on to form the Pop/Rock band 10cc, although this religiously-inspired album is far removed from anything 10cc ever recorded. Renowned album cover artist Roger Dean designed the spacey album cover. A second album "Glass Top Coffin" followed in 1975 which failed to achieve commercial success. Tragically, Kimberley Barrington Frost took his own life in 1976 in a fit of depression, aged 42, which makes this marvellous legacy of music he left behind all the more poignant in its appeal. "Space Hymns" - The final frontier! Prepare to blast off into orbit with an out-of-this-world collection of 11 devotional space- themed songs where Ramases boldly (or baldly!) goes where no album has gone before. The countdown has begun..... Five!.....Four!.....Three!.....Two!.....One!.....We have lift-off!..... Launching us into orbit in spectacular style on this 11-stage rocket is "Life Child", which opens in suitably atmospheric style with some spacey sound effects. The spaced-out song takes us on a wild acid guitar trip, where the singer tells us with a religiously-inspired passion for the environment that..... "The sun is fading from Your city, Life Child, From where I stand it ain't so pretty, Life Child, I see Your sun is going down, I see Your wreckage on the ground, Life Child, Your seas are full of poisoned water, Life Child......" Taking us through the stratosphere and up into orbit comes "Hello Mister", which sounds like a devotional Hare Krishna chant, with the title words of the song chanted seemingly ad finitum, although that's no bad thing. Achieving orbit now, and along comes Space Hymn No. 3, "And the Whole World", another Hare Krishna inspired song with the pleasant harmonies blending nicely with the gentle sound of the acoustic instruments. You can almost picture the singers gathered half-naked around a campfire at night with their eyes pointed towards the heavens. "Quasar One" continues our journey around the Earth in similar devotional style with much chanting and featuring a whole jamboree of acoustic instruments. "You're The Only One Joe" follows next, where the only lyrics are the song title repeated endlessly for 2 minutes, which does become rather repetitive and you're left wondering who on Earth Joe is. The next song "Earth People" features a beautiful female vocal lead and represents one of the highlights of the album. It's a delightful song to listen to at night with the lights turned down low where you can be carried away into a higher orbit, or failing that, you can drift off to sleep and have pleasant dreams of drifting through endless space with the magnificent Earth down below. The next song "Molecular Delusion" is probably the most religious-inspired of all of the Space Hymns on the album. It's an acid-tinged song George Harrison might have recorded during one of his more meditative moments after visiting the Indian guru, Maharishi Mahesh Yogi. Next up is "Balloon", where the singer imploringly sings "Don't burst your bubble, or you're in trouble." which doesn't make a whole lot of sense, but who cares, because it's a fun lyric and a great song. The intriguingly titled "Dying Swan Year 2000" is a short little a capella album filler before "Jesus Come Back", an unapologetically devotional song that wears its religious heart on its sleeve with these words, "Have you got fears for the future, my friend Jesus, Jesus come back". It's *almost* enough to turn a confirmed atheist into a devout follower of Jesus. Who needs Jehovah's Witnesses knocking at their door when there's devotional music as good as this to inspire you!? Finally, we return to Earth with "Journey To The Inside" to close out the album. It's a weird 6-minute-long, drug-induced acid trip, which is nothing less than you'd expect from a religiously-inspired album drenched in psychedelic colours. If you want to get all religious without going to church and fancy listening to some gentle and devotional Prog-Folk songs with a sprinkle of psychedelic flower-power, then this is the album for you. The album will have special appeal if you like the idea of dancing naked around a tree under a star-filled moonlit sky with some flowers in your hair. "Space Hymns" features enchanting harmonies and various acoustic delights designed to transport you to musical heaven on Earth. Edited by Psychedelic Paul - September 17 2024 at 03:35 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
RAD ORCHESTRA I'm guessing "Rad" is short for radical, as Rad Orchestra are slightly off the well trodden folk trail, sounding quite unlike any Prog Folk band you may have heard before, unless you happen to have spent much time knocking back glasses of slivovitz whilst roaming around Romanian gypsy campfires and watching two gypsy girls in a catfight... From Romania with Love. Cheers! ![]() ![]() |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() QUINTESSENCE Quintessence were a quintessentially English Psych-Folk band. Their unique brand of Indian-influenced psychedelic folk music came to be defined as Raga Rock. The London-based, six-piece band released five albums between the years of 1969 and 1972, beginning with the album we have here "In Blissful Company" (1969), and followed by "Quintessence" (1970), "Dive Deep" (1971), Self (1972), and finally "Indweller" (1972). There were also three later offshoots of the band, named Kala's Quintessence, Shiva's Quintessence and Raja Ram's Quintessence.. The 2004 CD remaster of "In Blissful Company" included two bonus tracks added to the original eight songs on the album. It's time now to cook up a hot Madras curry and settle down with the sitar for some psychedelic Raga Rock. "Giants" opens the album with a real giant of a song. It's a four and a half minute long psychedelic freak-out, featuring not only the sound of a wailing acid guitar, but some wailing vocals too. Tune in, turn on, and drop out to this psychedelic blast from the past. In the immortal words of Austin Powers, "It's groovy baby!" Onwards now to the intriguingly-titled "Manco Capac", who, just in case you wondered, was the first governor and founder of the Inca civilisation in Cusco, Peru. This Lovely song is overflowing with Love and flower power. It's sensual, it's spiritual and it's a song with perpetual appeal 50 years on from its recording. Take a look at these inspirational and devotional lyrics:- "High on a mount in the sacred place, The Holy sun is born to the lake, He radiates his life - the sun's so, In water and cosmic energy the God's flow, And he is the spirit in the lake of time, His eyes are the Truth you seek, His face is blue wishing cloud skies." ..... Hallelujah brother! This spiritual slice of late 1960's psychedelia will take you on a cosmic journey along the free love freeway, without the aid of any psychedelic substances. Far Out, Man! Onto Song No. 3 now and "Body", another song drenched in swinging psychedelic 1960's vibes. If you're looking for fun and feelin' groovy, then chill out to this mellow and laid-back groove and dream about going to San Francisco and wearing some flowers in your hair. And now we come to an uptempo and uplifting number "Gange Mai". What's it all about you may well ask. Well, it's all about the sacred (but very polluted) River Ganges as these lyrics reveal:- "Gange Mai, The river, Gange Mai, Holy water." ..... Yes, that's it in a nutshell. It's a lyrical, spritual hymnal tribute to the Indian river and Hindu goddess Ganga. The title of the next song, "Chant", might give you a clue as to what to expect. You won't be surprised to hear it's a devotional song full to the brim with repeated chants of "Hare Krishna, Hare Krishna, Hare Krishna", so you might be inclined to put on a robe and shave your head for this spiritual number. Then again, perhaps not. Onto groovy Side Two now and it's time to get on the magic bus for "Pearl and Bird". It's an enchanting and entrancing, laid- back devotional groove, with the golden-voiced rich mellow tones of the singer inviting us on a spritual journey. This inspiring music is your ticket to musical heaven. Onto Song No. 7 now and the best-known song by Quintessence which they'll always be remembered for, "Notting Hill Gate", which just happens to be the district of London where the band originally hails from. This bright and lively, flutey psychedelic number was released as a single in 1970 and reached No. 22 in the UK charts. We come to the end of this inspirational and spiritual album now with "Midnight Mode", an epic 9-minute midnight mass, featuring a gorgeously-long flute solo. which Ian Anderson of Jethro Tull would be proud of. It's a song full of Indian mysticism and psychedelic guitar grooves. It's hippy, it's trippy, and if you're in the right kind of mood, the music will make you feel part of an ever-expanding, loving, joyful, glorious, and harmonious universe. If you've remained in blissful ignorance of this marvellous album for the last 50 years, then give "In Blissful Company" a listen. This beautiful, inspirational and spiritual album will take you on an emotional, mind-expanding, psychedelic journey of love and devotion. Who needs a dopamine high from drugs to reach the heights of spiritual ecstasy when you can achieve an emotional and devotional high with this wonderful debut album. "In Blissful Company" is indeed a blissful album, which is best listened to in romantic company. It's fabulous, baby! |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
![]() QUICKSAND Quicksand were an obscure and short-lived Prog-Folk quartet from South Wales. They disappeared down the pit with their picks and shovels beneath the Welsh mining valleys just as quickly as they'd emerged. The band were in existence just long enough to mine one album of precious ore, "Home is Where I Belong" (1973), during their brief shining moment at the coalface. We've now unearthed that rare commodity for review here. The original album featured eight songs, with two more bonus tracks added for the later CD re-issue. It's time to take a deep breath and plunge head first into the Quicksand now to check out the album. "Yaki Da Boyo!" Although Quicksand might be as Welsh as a bunch of Welsh miners emerging from the pithead with blackened faces, the first track "Hideaway My Song" sounds like it could have been recorded by a bunch of blonde-haired surfer dudes riding the breakers at Big Sur in sunny California. Quicksand have truly captured the west coast California sound of the seventies here. They sound as blueberry-pie American as Billy Bob Thornton and Billy Jo Spears wearing stetson hats at a rodeo, with a McDonalds Quarterpounder and a bottle of Budweiser in each hand. "Yee-hah! Ride 'em cowboy!". We're still out in the sunshine for "Sunlight Brings Shadows", a storming artillery barrage of Heavy Prog which targets the listener with all of the deadly stealth and accuracy of a nuclear-powered hunter killer submarine. It's an unrelenting percussive wave of sound from beginning to end with some fast and furious Kentucky Fried guitar riffing that's finger-lickin' good. Telling these guys to turn the volume down would be like telling fighter pilots to be less aggressive. It's just not gonna happen! There's a complete change of pace now for "Empty Street, Empty Heart", a gentle Folk-Rock tune that's as pleasantly surprising as finding there's still a restaurant open during the coronavirus lockdown. Again, this warm and sunny song with its mellow guitar groove captures the spirit of California perfectly, despite the clear British accent of the singer. This exuberant and uplifting music has enough feel-good flower-power sunshine to brighten up the dullest of winter days. Closing out Side One now, we have the two-part song and highlight of the album so far, "Overcome The Pattern / Flying". This is incredible! You can almost smell the Incense and Peppermint in this tripped-out Californian west coast Psychedelic Rock extravaganza, that's actually coming to you from the mining valleys of South Wales. The first part "Overcome the Pattern" takes you to Prog-Rock heaven and back again with the manic guitarist going absolutely ape-crazy in a dazzling psychedelic display of frantic fretting. There's a crazy freak-out interlude around about the halfway point, sounding like some nightmarish psychedelic acid trip from Hell. Don't expect a return to sanity and normality any time soon though, because the second part "Flying" is flying as high as a kite in a smoking purple haze of spaced out Looney Tunes wackiness. Quicksand have completely thrown the prog "rulebook" away (not that there ever was a prog rulebook!) and taken off on a fantastic voyage in a free flight of fancy. This is wonderfully liberating music! It's like throwing the Monopoly rulebook away and then going around the board in whichever direction pleases you and then responding with a faraway stare into space if anyone challenges you. This stunning album really makes you feel good to be alive and what better way to celebrate the joys of life than with Song No. 5: "Time to Live". Although Quicksand are billed as a Prog-Folk band on ProgArchives, this joyously optimistic song has much more of a groovy Jazz-Rock feel to it. Just lay back and bask in the warm glow of this song. The music is as warm and sunny as Bondi Beach in mid-summer, in a heatwave, which makes it even harder to believe that this sunny tune comes from the dull rain-drenched valleys of South Wales. This energetic sunburst of bright shining joy should come with a beach umbrella and a free bottle of suntan lotion. We arrive back home for the title track now: "Home is Where I Belong", another gloriously uplifting summer song that makes you want to throw caution to the wind and jump for joy with gay abandon (in the old-fashioned sense) and dance like a whirling dervish in a green sunlit meadow filled with daisies, dandelions and daffodils. It's time for the second of the long two-part epics on the album now with "Seasons / Alpha Omega". This is another classic magnum opus (presumably the opposite of magnum 'opeless) in a stunning display of prog wizardry and virtuosity, where you feel you can almost reach up into the stratosphere and touch the face of the Prog Gods in all of their infinite musical wisdom and greatness. There are swirling synths, pounding machine-gun percussion and glittering guitar glissandos galore here in abundance, which will amaze and delight even the most hardened of prog aficionados. This is triumphal and pompous prog that will blow you away and take you above and beyond Cloud 9 and lift you right up to prog heaven in all of its glorious majestic splendour. Sadly, it's time to come down to Earth with a bump now for the closing song: "Hiding It All", a suitably anthemic and uplifting piece of powerful prog to close out the album in magnificently fine style. This magnificent music is guaranteed to lift you up and carry you along on a pleasure-wave of heart-warming emotion, leaving one feeling full of the joys of life, love and happiness. If music be the food of love, then play this sensational album and celebrate the power of music to set the heart and soul on fire with love and passion. Every self-respecting prog fan will feel right at home with Quicksand's stunning one-off album: "Home is Where I Belong". If prog was a religion, then this marvellous masterpiece would be deserving of a place on the highest altar in the most magnificent cathedral in the land. It's time to say "Hallelujah" and worship the Prog Gods for blessing us with this praiseworthy offering of manna from prog heaven. |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
MADDY PRIOR The look and the sound and the voice of Steeleye Span! It's best to give Maddy Prior & the Carnival Band a wide berth though - not unless your idea of fun is watching Morris Men gaily prancing around a Maypole with their brightly-coloured tassels and little bells jingle-jangling all the way. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
PRINCIPAL EDWARDS MAGIC THEATRE Lights! Camera! Action! Not just a band name, but an actual theatre group consisting of around 14 various musicians, poets, dancers, and sound and lighting technicians who were all students at the University of Exeter. The group were named after one of its members - Lyn Edwards - simply because they liked the sound of her name. The theatre group broke up in 1971, but that wasn't the end for Principal Edwards as they had one last curtain call as a conventional folk rock band (with a shortened name) for one more album, before finally bowing to the audience and exiting stage left. ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - September 08 2024 at 04:32 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
BRENDAN PERRY Best-known as one half of the Dead Can Dance duo, Londoner Brendan Perry moved with his family to New Zealand in 1973 and became a member of NZ punk rock band The Scavengers in 1977. Having failed to secure a recording deal and leaving his rebellious youth years behind, Brendan moved to Australia in the early 1980's where he met and fell in love with Lisa Gerrard, beginning a musical partnership which has endured on and off for four decades. Brendan Perry released his first solo album "Eye of the Hunter" in 1999 which included the mournful dirge "Death Will Be My Bride", making Leonard Cohen seem like the life and soul of the party by comparison. ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - September 07 2024 at 03:03 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
PERERIN Welsh for "Pilgrim". Prog Folk band Pererin sing in their native Welsh tongue - an inscrutable language to outsiders where Welsh people are allergic to vowels, apparently. "Pob lyc gyda chyfieithu hwn!" ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - September 12 2024 at 09:09 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
PENTANGLE A five-pointed star which features three stars of the British folk scene. Namely, Jacqui McShee, Bert Jansch and John Renbourn, with Danny Thompson and Terry Cox bringing up the rear on double bass and drums. There's a complete change of direction for the two later albums as "Jacqui McShee's Pentangle" though, where Jacqui takes a Light Flight away from her folk roots and reveals her jazzier side. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Edited by Psychedelic Paul - September 05 2024 at 05:25 |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
PEGGY'S LEG Peggy's Leg are a relatively recent addition to ProgArchives. We're travelling across the Irish Sea to meet them as they hail from Dublin in the Emerald Isle. Peggy's Leg were a short-lived band who released just one album "Grinilla" in 1973, which was apparently recorded in the space of just 24 hours. The bizarre album cover depicts a gorilla with a big cheesy grin (hence "Grin-illa"), apparently lumbering across the surface of the Moon in an astronaut's outfit with a big banana on its back, which might give some indication of the unique music contained within. The music of Peggy's Leg has sometimes been described as classically- inspired Symphonic Rock, so let's have a listen to "Grinilla" and find out for ourselves. We're travelling back in time for "History Tells" where the enigmatic musical mystery of Peggy's Leg is gradually unveiled, just like an Irish limerick. Their music is hard to describe, so, somewhat inevitably, the band have found themselves in the Eclectic Prog section of ProgArchives, a prog sub-genre that's reserved for bands who don't fit conveniently into one particular genre of music. The opening track is a curious mixture of Jazz-Rock combined with acoustic Folk and subtle shades of Psychedelic Rock thrown into the mix too. One thing's for sure though, it's a recipe for success and the hairy "Grinilla" pictured on the album cover deserves a whole bunch of bananas because "History Tells" us that this terrific opening song is top banana. It gets even better too with the second song "Think for Yourself", a very commercially appealing and joyfully optimistic tune that's loaded with passionate intensity and which is very reminiscent of the Fab Four. Yes, there are definite Beatles influences to be heard in this charming acoustic melody which features some lovely harmonising too, in true Beatle-esque fashion. If all was fair in love and war and the harsh music business - where many dreams of stardom have been shattered - this potential hit record could have gone storming up the charts and reached the number one spot, but sadly, it wasn't to be as the song was never released as a single - not even in their native Ireland - as far as can be gathered. Such are the vagaries of the cynical music industry though, where so many budding new bands have withered on the vine, and Peggy's Leg unfortunately never managed to gain the widespread recognition that they deserved, either at home or across the Irish Sea in Great Britain. Anyway, after that minor digression, it's time for our third song "Variations for Huxley", a reference to the English writer Aldous Huxley (1894-1964) who was best-known for his book "Brave New World", about a dystopian futuristic World State - a bit like the European Union, only on a much larger scale. "Variations for Huxley" is a lovely 10-minute-long acoustic Folk Rock number bathed in warm golden guitar strings. This gorgeous piece of music begins as a gentle instrumental, with delicately understated guitar and percussion, carrying the listener along on a mellow wave of blissful harmony and melody. The upwelling music slowly gathers in pace and intensity, shifting into high gear when the singer and electric guitarist emerge to give the glowing performances of a lifetime in a gloriously uplifting display of majestic epic splendour. The grand finale to this outstanding song is simply sublime and we still have Side Two to look forward to yet. We're Bach for the classically-inspired "Into the Nightmare", which opens deceptively-gently as a Jazz-Rock number with a good helping of classical Bach-style influences to be heard too. The clue to the music contained within is in the title though, because the song suddenly veers off the beaten track totally without warning and takes us on a storming nightmare ride of pounding machine-gun percussion and wild psychedelic guitar riffing in a sonorous explosion of raw power and energy. This is music that's meant to be played LOUD! The crazy off-the-rails nightmare train ride ends just as suddenly as it began as "Into the Nightmare" returns to the dream-like state of peaceful pastures for the gentle bucolic ending to this superb three- piece suite. This stunning album is no horrid nightmare though - it's turning out to be a heavenly dream-come-true album of classic Progressive Rock. We're on the move again with "Just Another Journey", where Peggy's Leg get to firmly establish their classical and jazz credentials in a glorious musical maelstrom of dynamic energy and sound. Again, the diverse music can't be easily pigeon-holed as it combines Jazz, Classical and Prog-Rock in equal measure in an intoxicating mixture that makes for great music. In fact, It's hard to compare this one-of-a-kind band with any other band as they've artfully managed to develop their own unique style, which isn't easy to do in the huge music industry. The sixth and final piece of music on the album will be instantly recognisable because it's none other than Aram Khachaturian's "Sabre Dance", although you've NEVER heard it played quite like this before. This storming number barrels along relentlessly at 100 miles per hour with all of the power of a runaway steam locomotive. You really have to hear it to believe it! Peggy's Leg have concocted a delicious Irish stew of Classical, Folk, Jazz and Prog-Rock in this stunning one-off album. This merry band of Irishmen could never be accused of aping the music of other bands, because "Grinilla" is a unique rarity in the progosphere which sounds like nothing you've ever heard before, and probably like nothing you'll ever hear in the future either. There's no monkeying around here, because the six outstanding pieces of music on this extraordinary album are all King Kong giants! This Eclectic Prog masterpiece will surely leave any ardent prog lover grinning like a Cheshire Cat, or indeed, grinning like a "Grinilla" upon hearing this outstanding album for the first time. Give the "Grinilla" a banana. He deserves it! |
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Psychedelic Paul ![]() Forum Senior Member ![]() ![]() Joined: September 16 2019 Location: Nottingham, U.K Status: Offline Points: 44907 |
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Prog Folk Britannia
PARCHMENT Oh Lordy, Lordy! Parchment were a Christian folk revival band who had a minor hit with "Light Up the Fire". They were known for being opposed to the permissive society of the early 1970's, so no doubt Mary Whitehouse would've been a Parchment fan. 🙌 ![]() ![]() ![]() ![]() |
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