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Moogtron III View Drop Down
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Direct Link To This Post Topic: Stagnant musical forms in 1970?
    Posted: October 23 2009 at 03:39
I was just wondering. Many of you know that Steve Hackett, before he joined Genesis, placed an ad in Melody Maker, saying that he was  'determined to strive beyond existing stagnant music forms' , and Peter Gabriel answered in December 1070 , saying amongst other things that Genesis had a track called "Stagnation", and inviting him to come and audition for the band.

But what sounds funny to me in retrospect: stagnant music forms in 1970? Was the period between 1967 - 1973, or maybe 1965 - 1975 not the most exciting period in the history of music in the last century, where all kinds of musical genres got a boost? 1970 to me sounds like an exciting year, or was that moment in time just the still centre of a musical tornado?
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Direct Link To This Post Posted: October 23 2009 at 04:01
Yes, I'm unsure as to what Hackett was refering to when he said 'stagnant forms' other than the lack of variation within a genre.

Here is a list of the British album chart entries (highest position thus far on the far left) from beginning January - to end on May 1970. It makes for some very interesting reading.

20 Fairport Convention - Liege And Lief Jan 1970   
22 Andy Williams - Andy Williams' Sound Of Music Jan 1970   
20 Creedence Clearwater - Revival Green River Jan 1970   
26 Deep Purple - Concerto For Group And Orchestra Jan 1970   
30 Incredible String Band - Changing Horses Jan 1970   
27 James Last - Non-Stop Dancing '69/2 Jan 1970   
25 Original Soundtrack - The Jungle Book (re-entry) Jan 1970   
25 Band - The Band Jan 1970   
16 Glen Campbell - Glen Campbell Live Jan 1970   
2 Original Soundtrack - Paint Your Wagon Feb 1970   
16 Peddlers - Birthday Feb 1970   
18 Taste - On The Boards Feb 1970   
8 Canned Heat - Canned Heat Cookbook Feb 1970   
28 Diana Ross & The Supremes & The Temptations - Together Feb 1970   
38 Jose Feliciano - 10 To 23 Feb 1970   
20 Temptations - Puzzle People Feb 1970   
1 Simon & Garfunkel - Bridge Over Troubled Water Feb 1970   
36 Elvis Presley - Portrait In Music Feb 1970 Notes
9 Frank Zappa - Hot Rats Feb 1970   
8 Black Sabbath - Black SAbbath Mar 1970   
34 Jefferson Airplane - Volunteers Mar 1970   
6 Johnny Cash - Hello I'm Johnny Cash Mar 1970   
29 East Of Eden - Snafu Mar 1970   
3 Elvis Presley - From Memphis To Vegas - From Vegas To Memphis Mar 1970

40 Herb Alpert & The Tijuana Brass - The Brass Are Comin' Mar 1970   
21 Tyrannosaurus Rex - A Beard Of Stars Mar 1970   
16 Jackson 5 Diana Ross - Presents The Jackson Five Mar 1970   
10 Creedence Clearwater Revival - Willy And The Poor Boys Mar 1970   
17 Mothers Of Invention - Burnt Weeny Sandwich Mar 1970   
32 Black Widow - Sacrifice Apr 1970   
6 Chicago - Chicago Apr 1970   
10 Nana Mouskouri - The Exquisite Nana Mouskouri Apr 1970   
40 Al Stewart - Zero She Flies Apr 1970   
1 Andy Williams - Andy Williams' Greatest Hits Apr 1970   
12 Doors - Morrison Hotel Apr 1970
9 John Mayall - Empty Rooms Apr 1970   
7 Ringo Starr - Sentimental Journey Apr 1970   
32 Van Morrison - Moondance Apr 1970   
8 Blodwyn Pig - Getting To This Apr 1970   
18 Glenn Miller & His Orchestra - A Memorial 1944-1969 Apr 1970   
4 Tom Jones - Tom Apr 1970   
35 Dusty Springfield - From Dusty…With Love May 1970   
2 Paul McCartney - McCartney May 1970   
21 Sacha Distel - Sacha Distel May 1970   
26 Santana - Santana May 1970   
4 Ten Years After - Cricklewood Green May 1970   
34 Eddie Cochran - Very Best Of Eddie Cochran May 1970   
14 Frank Sinatra - Watertown May 1970 Notes
30 Incredible String Band - I Looked Up May 1970   
3 Jethro Tull - Benefit May 1970

Do 'The Stanley' otherwise I'll thrash you with some rhubarb.
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Direct Link To This Post Posted: October 23 2009 at 04:35

Hackett was referring to what was then the predominant form of music (and still is today) - anything based upon 12-bar blues, the three-chord trick and verse-chorus-verse-chorus song structures (not that there is anything inherrantly wrong with that - it has remained the predominant form of popular music for over 50 years and even today does not look like it is running out of steam, whatever our criticisms of it are, it is a remarkably robust and versatile form for all its simplicity).

While from our perspective the era from 1967-73 looked like a time of great inovation in popular music, at the time Prog was still a vangard genre very much in the minority (even taking into account the relative populartity of key bands in the UK at the time), most bands formed at that time were standard pop or rock bands.
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Direct Link To This Post Posted: October 23 2009 at 05:06
Originally posted by Moogtron III Moogtron III wrote:



But what sounds funny to me in retrospect: stagnant music forms in 1970?
 
 
Most popular musical forms that lasted more than 18 months is possibly the answer - so apart from those artists that appealed across a wide age bracket (e.g. Glen Campbell, Cliff Richard, Cilla Black) and are persistent , then I would say the (British) blue boom, that went on from 1965 until at least 1970. Indeed the psychedelic hangover too - and I included Pink Floyd here, as many of us did in 1970. For instance Spirit's 12 Dreams of Sardonicus was greeted as a classic, but there were also those nagging thoughts that this album was the last shout of west coast psychedelia - especially when Spirit  soon split and for instance Jo Jo Gunne formed - with hindsight a classic example of 70's west coast pop-rock . Free did little to make change except  have amongst the best musicians playing their form of rock blues. Otherwise 1969/70 marked the the advent of the seriously heavy rock bands moving away from the straighter blues boom forms (also compare Jethro Tull's first and subsequent albums: blues followed by long term folk prog).  Personally I think 70/71 in the UK underground scene/progressive music (NOTE: not 'rock') was a very active period of experiment - for example listen to Stud's first album (reissued last year by Esoteric), Patto's first, (the original) Skid Row's 34 hours and you'll hear attempts to fuse rock with numerous forms of other music, to greater and lesser levels of success - but none of these albums you would call typical 'progressive rock'  nowadays - although in the days of their original release these were 'progressive music' to us freaks. This was the time when Yes were sorting themselves out and producing their first real but still incomplete prog album The Yes Album, Krimson were regrouping. Led Zeppelin shifted further away from music that would otherwise indicate a contiuum from the British blues boom, Deep Purple were In Rock....


Edited by Dick Heath - October 23 2009 at 05:10
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Direct Link To This Post Posted: October 23 2009 at 06:41
I think Dean hits the nail. There has always been innovative music, and 'stagnant' music, in every decade. Hackett simply wanted to join a progressive band, not just another rock/blues combo, of which there were ten a penny.
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Direct Link To This Post Posted: October 23 2009 at 07:11
Yes, I think that you, Dean and Blacksword, are right. In retrospect things look different, especially for us who focus on prog. And Hackett was right in it at the time.

Man Erg's list is interesting, and maybe does give an indication that there was still interesting music to be made, but on the other hand I can also understand that at the end of the 1960's many people would have had the feeling that the best innovative years were lying behind them.

I taste that feeling also in Dick Heath's post. If I look at the examples in your post, then maybe there was some kind of still point in a tornado, or let's say some sort of break. innovative bands split or seemed to get no further, and from then on several things would happen: the breakthrough of prog on the one had and the decline of some sixties acts on the other hand. Is that a sound theory?
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Direct Link To This Post Posted: October 23 2009 at 07:16
^ before Dick posted, one of the first examples of "stagnation" that came to mind was Jo Jo Gunne (though I think their UK success was 1971), a band that didn't progress what had been started in the late 60s.
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Direct Link To This Post Posted: October 23 2009 at 08:16
Originally posted by Dean Dean wrote:

^ before Dick posted, one of the first examples of "stagnation" that came to mind was Jo Jo Gunne (though I think their UK success was 1971), a band that didn't progress what had been started in the late 60s.
 
I think I agree with you - although for clarity please note Jo Jo Gunne incuded 3 ex members of Spirit, with great vocals coming from Jay Ferguson who shared singing duties with Randy California in Spirit.  I would include Fleewood Mac, Jefferson Airplane going Starship, maybe the Eagles, later Journey  and perhaps to a lesser extent  Jackson Browne and Warren Zevon, amonst the west coast 70's pop rockers. In many respects these were hippies who were recognising the almighty dollar, so regrouping to go stadium rock and hoping to make lots of money. Look at the ones that didn't make the jump: Randy California, Hot Tuna, remaining members of James Gang with took Tommy Bolin on board, who could be said to have ploughed somewhat separate furrows and were less successful.
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Direct Link To This Post Posted: October 23 2009 at 08:39
[QUOTE]I taste that feeling also in Dick Heath's post. If I look at the examples in your post, then maybe there was some kind of still point in a tornado, or let's say some sort of break. innovative bands split or seemed to get no further, and from then on several things would happen: the breakthrough of prog on the one had and the decline of some sixties acts on the other hand. Is that a sound theory? [QUOTE]
 
I think you are not far from the target. There were the bands who were more than psychedelic during  67-68, for instance NIce, Soft Machine, but there were those that not did shift much e.g. until Floyd (IMHO) created distance from Syd Barrett's influence, also bands like Tomorrow. Come early '69 with Touch only album being heard in London, then in quick succession ITCOCK and Renaissance's eponymous album appearing later that year, was there a tectonic shift  The innovation or novelty was such that the UK and then the US rock audiences had to be exposed to this radically different music. Nice tried catching up and  perhaps found themselves running up a cul de sac of rocking the classics, Soft Machine was quickly shifting from psychedelia to jazz rock.  Somewhat unprepared for these innovations on records, there was a lull as the innovators pushing their music awaty for the recording studio i.e.  the follow up album being an afterthought . However, the was increasing recognition that what KC, Renaissance, Soft Machine (and few others) were doing in fusing rock with a broader range of musics, while not simply sounding like rock-up Bach, could be employed in other ways to produce more innovative forms of rock. Nothing stoodstill, rather  musicians were trying out things in rehearsal and then in front of audiences, and some were then getting recording contacts. The boom in specialist record labels, interested in LP sales rather than singles, came 69 - 71; as ever the record industry was some time behind rock's vanguard. This maybe one reason for a recording release lull between Krimson and co, and an explosion of releases 6 to 12 months later.
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Direct Link To This Post Posted: October 23 2009 at 08:40
Originally posted by Dick Heath Dick Heath wrote:

Originally posted by Dean Dean wrote:

^ before Dick posted, one of the first examples of "stagnation" that came to mind was Jo Jo Gunne (though I think their UK success was 1971), a band that didn't progress what had been started in the late 60s.
 
I think I agree with you - although for clarity please note Jo Jo Gunne incuded 3 ex members of Spirit, with great vocals coming from Jay Ferguson who shared singing duties with Randy California in Spirit.  I would include Fleewood Mac, Jefferson Airplane going Starship, maybe the Eagles, later Journey  and perhaps to a lesser extent  Jackson Browne and Warren Zevon, amonst the west coast 70's pop rockers. In many respects these were hippies who were recognising the almighty dollar, so regrouping to go stadium rock and hoping to make lots of money. Look at the ones that didn't make the jump: Randy California, Hot Tuna, remaining members of James Gang with took Tommy Bolin on board, who could be said to have ploughed somewhat separate furrows and were less successful.


I remember Jojo Gunne, and I remember Jay Ferguson also trying to obtain a solo career with quite traditional music.

Jefferson Airplane - > Jefferson Starship also came to my mind. Maybe the innovating sixties acts did the same as a lot of progressive bands five years later: after a fertile innovative period trying to conform to the pop / rock music that was around them?
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Direct Link To This Post Posted: October 23 2009 at 09:09
Point of information lifted from the Jay Ferguson website
 
QUOTE
Their first album, "Jo Jo Gunne" was released in 1972 and contained the top 30 hit "Run Run Run". All the groups material was written by Jay, except a few (like "Run Run Run") that were co-written with Matt Andes. Jo Jo Gunne released three more albums during it's existence, "Bite Down Hard" (1973), "Jumpin' The Gunne" (1973) and "So...Where's The Show?" (1974). Jo Jo Gunne's career went downhill commercially after the first album and the group split up in 1974.
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Direct Link To This Post Posted: October 23 2009 at 09:19
Originally posted by Moogtron III Moogtron III wrote:



I remember Jojo Gunne, and I remember Jay Ferguson also trying to obtain a solo career with quite traditional music.

 
Ferguson,  I've just discovered turned to writing TV theme music ( like many, including Eddie Jobson!) and won an award or his music for the US version of The Office.
 
A friend and I chased after a few elusive Jay Ferguson solo albums mid/late 70's  but then discovered the regular drummer(?) Joe Vitale on the early LPs, had also released solo albums with substantial contributions from Ferguson (I think both musicians were contracted  Asylum Records). Then both were employed on Joe Walsh albums. We ended up with 4-5  albums of their music between us, i.e.  west coast pop rock - I have to admit these were fresh out of ideas by the 4th album. Very recently an American friend and musician rated Ferguson as one of the best keyboardist/vocalists from that period.


Edited by Dick Heath - October 23 2009 at 09:21
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Direct Link To This Post Posted: October 23 2009 at 09:46
The "Jumpin' The Gunne" cover probably qualifies for entry into the Amusing Album Cover Art thread LOL
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Direct Link To This Post Posted: October 23 2009 at 10:26
Originally posted by Dean Dean wrote:

The "Jumpin' The Gunne" cover probably qualifies for entry into the Amusing Album Cover Art thread LOL
 
James Gang Bang must get an award for something....... although the vaguely hill billy characters in cover photograph do  have an odd innocence......
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Direct Link To This Post Posted: October 23 2009 at 12:40
By the way, didn't Frank Zappa feel the entire psychedelia thing had become a marketable cliché as early as 1968 hence mocking it on We're Only In It For The Money? Is that the "psychedelic hangover" you're referring to, Dick Heath?

I incidentally also remember reading some really early interviews with Iggy Pop and Alice Cooper who voiced similar complaints, around 1969-1970... Cooper's exact words being "The hippies wanted peace and love. We wanted Ferraris, blondes and switchblades." LOL
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Direct Link To This Post Posted: October 23 2009 at 16:41
Interesting thread, maybe i find the first two albums of James Gang very good but after that they went downhill.
 
also Grand Funk an really great band (for me) but i find his mid 70's albums somewhat plain...




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Direct Link To This Post Posted: October 23 2009 at 16:42
Dave Mason do great things in early to mid 70's but his late 70's albums are very boring.
 
Including the same opinion about Stephen Stills.
 




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Direct Link To This Post Posted: October 23 2009 at 22:46
Originally posted by Dean Dean wrote:

Hackett was referring to what was then the predominant form of music (and still is today) - anything based upon 12-bar blues, the three-chord trick and verse-chorus-verse-chorus song structures (not that there is anything inherrantly wrong with that - it has remained the predominant form of popular music for over 50 years and even today does not look like it is running out of steam, whatever our criticisms of it are, it is a remarkably robust and versatile form for all its simplicity).

While from our perspective the era from 1967-73 looked like a time of great inovation in popular music, at the time Prog was still a vangard genre very much in the minority (even taking into account the relative populartity of key bands in the UK at the time), most bands formed at that time were standard pop or rock bands.
Agreed.  Look at all the blues-rock bands of the era.  I list the ones I remember off the top of my head, all of whom were basically mining the same vein, albeit with their own twist:
 
Ten Years After
Free
Savoy Brown
Cactus
Jeff Beck (e.g., Beck-Ola)
Blind Faith
Blues Image
Canned Heat
Led Zep (I, a bit of II)
Fleetwood Mac (post-Peter Green)
 
I could with a bit of motivation probably list another 50 bands of this ilk..  This was the music of my youth.  I don't mean to single out these bands as bad or not innovative (within the genre).  But as said they were all working that same seam in the mine, with almost predictably diminishing returns.
 
Zep found a way out of the rut (not meaning rut too derogatorily).  So did Jeff Beck.  As for the rest, well it's interesting any who had later success found it in pop-rock.
 
 


Edited by jammun - October 23 2009 at 22:47
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Lincoln County Road or Armageddon.
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Direct Link To This Post Posted: October 24 2009 at 00:19
I think Tim buckley was quite influential for that time period
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Direct Link To This Post Posted: October 30 2009 at 07:05
"Peter Gabriel answered in December 1070 "


I know Genesis sound dated but that is just ridiculous!
~Jump you f**ker jump~
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