Joined: May 25 2011
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Posted: September 30 2012 at 03:03
progbethyname wrote:
Dayvenkirq wrote:
Ambient Hurricanes wrote:
Epignosis wrote:
Ambient Hurricanes wrote:
I'm just listening to it for the first time right now, and enjoying it quite a bit.
I'm finished with it now. The Ancient is incredible.After finally listening to that, I think I better understand what one of the members of Yes (can't remember who) meant when he said that Yes was like what Stravinsky would have done as a rock musician. The album is at the avant-garde end of the symphonic spectrum, really.
This was your first time? ... ... and thou shalt hear it again. ...
🙌 has your mind been blown by the technical wizardry?? Be in the right head space to drink that sucker in. Wow
It's not so much the technical wizardry as the music itself and the atmospheres I really dig.
Joined: December 25 2011
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Posted: September 29 2012 at 19:29
cstack3 wrote:
^Sounds good to me, Dennis! You obviously have thought your response through, and I agree with your analysis!
When I saw Jon Anderson's recent "The Voice of Yes" show, he gave us a treat by performing generous excerpts from "The Revealing Science of God," accompanying himself on a lovely polyphonic synth!
Since I never saw the "Tales" tour (grrrrr, due to the oil embargo of that era!), I always enjoyed whenever the band would play some of it live. However, I've only seen "Ritual" in concert, with Moraz as well as with Wakeman. Here's Steve Howe playing "Ritual" on the "Relayer" tour, 14 August, 1976!
Steve Howe looks like such a beast in that picture.
Joined: July 20 2009
Location: Tucson, AZ USA
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Posted: September 29 2012 at 17:40
dennismoore wrote:
Haha, you are the ONLY one here who thinks I think anything through, thanks
Isn't that the Steve Howe picture you posted during our picture wars?
You never saw Revealing Science live??? They played that in 1996 (I drove to SLO for that one) and they played in on the national tour in 1999 I think. I saw that tour in upstate New York of all places....
Yes, the same photo! I thought it appropriate to toss it into the discussion.
Sadly, on the very same day when Yes were playing in Chicago in 1997 (with Igor on keyboards), my wife and I were flying out of O'Hare Airport on our way to the Virgin Islands to get married! We flew directly over the Rosemont Theater where Yes were playing, and I knew that several of my best friends were at that show! What we must sacrifice for love!
They did tell me that Yes played "Revealing Science of God" in that show, GRRRR!! However, these days, there are many good recordings via YouTube, so at least I can see what I missed!
And, Ginny more than made up for that missed concert by accompanying me to the 35th Anniversary show in Chicago (where they performed a blazing version of "Ritual"). The band members were attracted to Ginny as you can see! We had a wonderful time at that one.
Thanks Dennis! We can't see every single concert we wish we could, but we can try!! Cheers, Chuck
p.s. Alan says "Hi!" What a lovely chap he was!! Squire, on the other hand....GRUMP-EE!!
Joined: January 04 2007
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Posted: September 29 2012 at 17:31
Hi,
I always think that if the rock "idiot kiss the number one" press had not trashed this thing as they did, that Rick might have appreciated his work in it ... way more than he ever has. The fact that he is seeing the appreciation and fans discussion of that piece, has changed his words quite a bit and he is appreciating "the freedom" that he speaks of, and how much he had when he did that piece of music.
One more thing ... you know that one reason why Rick didn't like it, is because it was a nightmare to play live! You also know that Chris, Steve, John and Alan had no issues with it ... so it makes me wonder if his golden hair and long capes were more important than the music!
Few pieces of "progressive music" stand out for its 110% integrity ... and continuity ... and work ... and this piece is such.
Sorry Rick.
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told! www.pedrosena.com
Joined: April 19 2011
Location: America
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Points: 877
Posted: September 29 2012 at 14:50
cstack3 wrote:
^Sounds good to me, Dennis! You obviously have thought your response through, and I agree with your analysis!
When I saw Jon Anderson's recent "The Voice of Yes" show, he gave us a treat by performing generous excerpts from "The Revealing Science of God," accompanying himself on a lovely polyphonic synth!
Since I never saw the "Tales" tour (grrrrr, due to the oil embargo of that era!), I always enjoyed whenever the band would play some of it live. However, I've only seen "Ritual" in concert, with Moraz as well as with Wakeman. Here's Steve Howe playing "Ritual" on the "Relayer" tour, 14 August, 1976!
Haha, you are the ONLY one here who thinks I think anything through, thanks
Isn't that the Steve Howe picture you posted during our picture wars?
You never saw Revealing Science live??? They played that in 1996 (I drove to SLO for that one) and they played in on the national tour in 1999 I think. I saw that tour in upstate New York of all places....
"Yeah, people are unhappy about that - but you know what, it's still Yes." - Chris Squire
Joined: July 20 2009
Location: Tucson, AZ USA
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Posted: September 28 2012 at 23:57
^Sounds good to me, Dennis! You obviously have thought your response through, and I agree with your analysis!
When I saw Jon Anderson's recent "The Voice of Yes" show, he gave us a treat by performing generous excerpts from "The Revealing Science of God," accompanying himself on a lovely polyphonic synth!
Since I never saw the "Tales" tour (grrrrr, due to the oil embargo of that era!), I always enjoyed whenever the band would play some of it live. However, I've only seen "Ritual" in concert, with Moraz as well as with Wakeman. Here's Steve Howe playing "Ritual" on the "Relayer" tour, 14 August, 1976!
Sayeth Rick: "That was not my favourite Yes album and I said so at the time. Maturely, I renamed it Tales From Toby's Graphic Go-Kart."
Perhaps Wakeman's lack of interest was a good thing, since the keyboards are not as dominating as on other Wakeman projects. I believe TFTO was primarily a collaboration between Anderson and Howe, and the rest of the band more or less came along.
Squire plays fretless bass on "The Remembering," which gives it a very special vibe. Listen for it, he rarely used that instrument to my knowledge.
Tales was the fist major challenge for the band and they failed it miserably(with Wakeman leaving) The prior two smash albums, Fragile & CTTE were almost perfectly split among the contributors. Siberian Khatru being a great example of ALL band members contributing, it was inevitable that one or another band member dominate on a future album and that was Tales. Its right on the record that it was almost completely written by Jon & Steve in a hotel suite. Squire didn't seem to mind and he wound up adding some great bass work to the album. Rick's keys were actually some of the greatest orchestral work ever in prog. Obviously Rick didn't dig that Jon & Steve ran the show. Give and take I say, ride whoever has the hot hand, on a later ABW&H record Rick had a big part and the album was very weak, so artists can whine all they want but the music stands on its own. Tales is probably a BiLLION times better than the one ABW&H record which was much more evenly done between band members....
P.S. I am a HUGE Wakey fan , I have all his records & CDs so I am not anti-Wakeman at all....But Wakey should have hung in there like Squire and kept working with the band, I say...
What do ya think of that Chuckie???
"Yeah, people are unhappy about that - but you know what, it's still Yes." - Chris Squire
Sayeth Rick: "That was not my favourite Yes album and I said so at the time. Maturely, I renamed it Tales From Toby's Graphic Go-Kart."
Perhaps Wakeman's lack of interest was a good thing, since the keyboards are not as dominating as on other Wakeman projects. I believe TFTO was primarily a collaboration between Anderson and Howe, and the rest of the band more or less came along.
Squire plays fretless bass on "The Remembering," which gives it a very special vibe. Listen for it, he rarely used that instrument to my knowledge.
It's at it's best - Nice warm room, get ready to be relaxed - and lie down (get the room ambiently lit)....Put the two Cd's into the player and set it going - and let the music flow over you - don't forget that it's not that much longer than the whirlwind by Transatlantic....
I'm just listening to it for the first time right now, and enjoying it quite a bit.
I'm finished with it now. The Ancient is incredible.After finally listening to that, I think I better understand what one of the members of Yes (can't remember who) meant when he said that Yes was like what Stravinsky would have done as a rock musician. The album is at the avant-garde end of the symphonic spectrum, really.
This was your first time? ... ... and thou shalt hear it again. ...
🙌 has your mind been blown by the technical wizardry?? Be in the right head space to drink that sucker in. Wow
Joined: August 29 2011
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Posted: September 27 2012 at 07:54
You're right. I must admit that there is a little something of the first movement of the first Mahler's symphony. A perfume, I would say, but nothing more.
Joined: April 26 2005
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Posted: September 27 2012 at 07:43
hellogoodbye wrote:
Sorry, but I can't do a link between this album and the music of Beethoven, Mahler or Wagner.
No, I can understand that, since TFTO doesn't have much bombast. Rather it takes its time (probably too much according to Rick Wakeman) and stretches out, is rich in its abundance of melodies and different atmospheres rather than that it's an overpowering explosion of sounds. It floats more than that it erupts. I's more like a lifestyle record as Steve Howe once said.
The link could be in the fact that they wanted something that was even bigger than their magnum opus Close To The Edge. With Beethoven, Mahler and Wagner I see a similar kind of ambition of doing something on a grander scale.
But soundwise and compositionwise... it's something else completely, I agree. Melodies do come back, but it's something else than the Wagnerian Leitmotifs. Maybe a parallel with Mahler in his first symphony: I remember all kinds of themes coming by, being juxtaposed and connected. But I'm no real expert on any classical composer.
I would like to suggest that too much of our opinions are colored
by "pop music" and "top ten" ... with a mentality that has a tendency to
lower its ability and expression to something that we can recognize and
(supposedly) understand ... and that is bizarre! The history of music
is all about changes ... and that includes instruments ... and here we
are saying that it should not be done, and can not be done, or can not
be enjoyed!
In the studies of a lot of classical music there are a
lot of long passages (check out Wagner!) that are to be "descriptive" of
the scenery and the "story" ... and basically you are stating that this
is not allowed in "progressive" music or that YES, specially abused the
priviledge!
And that's your fallacy right there. Just because I don't like something, that doesn't mean it shouldn't be done or isn't "allowed". Musicians are free to make whatever music they want to, just as I'm free to like or dislike any of it. I don't have anything against long, ambient, "descriptive" or whatever passages per se, but like with anything they have to have something that interests me. A lot of TFTO, whether it be the sung parts or the instrumental parts, doesn't have that. That doesn't mean I don't understand it, I think I understand it just fine. Unfortunately that doesn't guarantee I will enjoy it.
moshkito wrote:
TFTO is just NOT a pop song! If song is what you want ... ciao baby! YES will never be for you except for 2 or 3 songs! ... and honestly? ... that's not progressive at all!
Hmm, how come then that Close to the Edge is my favorite album of all time and The Yes Album and Fragile are among my favorites as well?
It seems that what you're trying to do is argue that because TFTO doesn't follow the traditional form of pop music, it must therefore represent some form of progress, which automatically makes it better. By that logic, I would have to dislike everything that adheres to the standards of pop music and like everything that doesn't. At this point, I would be judging the value of music not by its content but by its form.
Joined: August 29 2011
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Posted: September 27 2012 at 06:18
Sorry, but I can't do a link between this album and the music of Beethoven, Mahler or Wagner. Yet I remember that a few years ago, I thought that the pagan poetry of the beginning of CTTE looked like "The rite of spring" by stravinsky. But it was only a fleeting thought.
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Posted: September 27 2012 at 04:40
I like it. Third fave yes album after CTTE and GFTO.
The Revealing Science of God is arguably the best thing they ever composed. The rest of the work is pretty patchy in my opinion, but it's been a long time since I have listened to the whole thing as one work. I'll try and schedule that into my life soon...
Joined: April 26 2005
Location: Belgium
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Posted: September 27 2012 at 02:44
moshkito wrote:
Moogtron III wrote:
...
Right, I can picture someone like Mahler wanting to have 10 mellotrons in his orchestra. Then the world would have had a bombast - bombardment
Nooooo ... this would be Wagner ... and then you get one of those super voices over it ... and it becomes a bigger, better and louder version of The Ring.
Wagner, of course! I could picture Ring des Mellotronen or something like that
Joined: May 25 2011
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Posted: September 27 2012 at 02:40
Ambient Hurricanes wrote:
Epignosis wrote:
Ambient Hurricanes wrote:
I'm just listening to it for the first time right now, and enjoying it quite a bit.
I'm finished with it now. The Ancient is incredible.
After finally listening to that, I think I better understand what one of the members of Yes (can't remember who) meant when he said that Yes was like what Stravinsky would have done as a rock musician. The album is at the avant-garde end of the symphonic spectrum, really.
This was your first time? ... ... and thou shalt hear it again. ...
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