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Dayvenkirq View Drop Down
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Direct Link To This Post Posted: September 30 2012 at 03:03
Originally posted by progbethyname progbethyname wrote:

Originally posted by Dayvenkirq Dayvenkirq wrote:


Originally posted by Ambient Hurricanes Ambient Hurricanes wrote:


Originally posted by Epignosis Epignosis wrote:


Originally posted by Ambient Hurricanes Ambient Hurricanes wrote:

I'm just listening to it for the first time right now, and enjoying it quite a bit.

ShockedBig smile
I'm finished with it now.  The Ancient is incredible.After finally listening to that, I think I better understand what one of the members of Yes (can't remember who) meant when he said that Yes was like what Stravinsky would have done as a rock musician.  The album is at the avant-garde end of the symphonic spectrum, really.

This was your first time? ... Shocked ... and thou shalt hear it again. Smile ... Headbanger

🙌 has your mind been blown by the technical wizardry?? Be in the right head space to drink that sucker in. Wow

It's not so much the technical wizardry as the music itself and the atmospheres I really dig.


Edited by Dayvenkirq - September 30 2012 at 03:04
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Direct Link To This Post Posted: September 30 2012 at 02:54
I like YES, Im a fan, but this album is (IMO) complete balderdash.
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Direct Link To This Post Posted: September 30 2012 at 00:17
Originally posted by HarbouringTheSoul HarbouringTheSoul wrote:

Originally posted by cstack3 cstack3 wrote:

Sadly [...] my wife and I were flying out of O'Hare Airport on our way to the Virgin Islands to get married!

Must have been a bummer! LOLWink

Tongue in cheek!!  However, I DID look at the theater's rooftop as we flew out (the place was right next to Chicago's O'Hare Airport).   

For your listening pleasure!  Hear angel Mellotrons and devil Rickenbackers. You are invited.


"The Revealing Science of God" starts at 0:41:18


"The Remembering" starts at 1:01:25 


"The Ancient" starts at 1:22:40


"Ritual" starts at 1:44:00





Edited by cstack3 - September 30 2012 at 02:02
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Direct Link To This Post Posted: September 29 2012 at 19:29
Originally posted by cstack3 cstack3 wrote:

^Sounds good to me, Dennis!  You obviously have thought your response through, and I agree with your analysis!  

When I saw Jon Anderson's recent "The Voice of Yes" show, he gave us a treat by performing generous excerpts from "The Revealing Science of God," accompanying himself on a lovely polyphonic synth!  

Since I never saw the "Tales" tour (grrrrr, due to the oil embargo of that era!), I always enjoyed whenever the band would play some of it live.  However, I've only seen "Ritual" in concert, with Moraz as well as with Wakeman.  Here's Steve Howe playing "Ritual" on the "Relayer" tour, 14 August, 1976!  




Steve Howe looks like such a beast in that picture.
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Direct Link To This Post Posted: September 29 2012 at 19:12
Originally posted by cstack3 cstack3 wrote:

Sadly [...] my wife and I were flying out of O'Hare Airport on our way to the Virgin Islands to get married!

Must have been a bummer! LOLWink
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Direct Link To This Post Posted: September 29 2012 at 17:40
Originally posted by dennismoore dennismoore wrote:

 

Haha, you are the ONLY one here who thinks I think anything through, thanksEmbarrassed

Isn't that the Steve Howe picture you posted during our picture wars?

You never saw Revealing Science live???  They played that in 1996 (I drove to SLO for that oneTongue) and they played in on the national tour in 1999 I think.  I saw that tour in upstate New York of all places....



Yes, the same photo!  I thought it appropriate to toss it into the discussion.  

Sadly, on the very same day when Yes were playing in Chicago in 1997 (with Igor on keyboards), my wife and I were flying out of O'Hare Airport on our way to the Virgin Islands to get married!  We flew directly over the Rosemont Theater where Yes were playing, and I knew that several of my best friends were at that show!  What we must sacrifice for love! 

They did tell me that Yes played "Revealing Science of God" in that show, GRRRR!!  However, these days, there are many good recordings via YouTube, so at least I can see what I missed! 

And, Ginny more than made up for that missed concert by accompanying me to the 35th Anniversary show in Chicago (where they performed a blazing version of "Ritual").  The band members were attracted to Ginny as you can see!  We had a wonderful time at that one.  

Thanks Dennis!  We can't see every single concert we wish we could, but we can try!!    Cheers, Chuck 

p.s. Alan says "Hi!"  What a lovely chap he was!!  Squire, on the other hand....GRUMP-EE!!  

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Direct Link To This Post Posted: September 29 2012 at 17:31
Hi,
 
I always think that if the rock "idiot kiss the number one" press had not trashed this thing as they did, that Rick might have appreciated his work in it ... way more than he ever has. The fact that he is seeing the appreciation and fans discussion of that piece, has changed his words quite a bit and he is appreciating "the freedom" that he speaks of, and how much he had when he did that piece of music.
 
One more thing ... you know that one reason why Rick didn't like it, is because it was a nightmare to play live! You also know that Chris, Steve, John and Alan had no issues with it ... so it makes me wonder if his golden hair and long capes were more important than the music!
 
Few pieces of "progressive music" stand out for its 110% integrity ... and continuity  ... and work ... and this piece is such.
 
Sorry Rick.
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Direct Link To This Post Posted: September 29 2012 at 14:50
Originally posted by cstack3 cstack3 wrote:

^Sounds good to me, Dennis!  You obviously have thought your response through, and I agree with your analysis!  

When I saw Jon Anderson's recent "The Voice of Yes" show, he gave us a treat by performing generous excerpts from "The Revealing Science of God," accompanying himself on a lovely polyphonic synth!  

Since I never saw the "Tales" tour (grrrrr, due to the oil embargo of that era!), I always enjoyed whenever the band would play some of it live.  However, I've only seen "Ritual" in concert, with Moraz as well as with Wakeman.  Here's Steve Howe playing "Ritual" on the "Relayer" tour, 14 August, 1976!  




Haha, you are the ONLY one here who thinks I think anything through, thanksEmbarrassed

Isn't that the Steve Howe picture you posted during our picture wars?

You never saw Revealing Science live???  They played that in 1996 (I drove to SLO for that oneTongue) and they played in on the national tour in 1999 I think.  I saw that tour in upstate New York of all places....


"Yeah, people are unhappy about that - but you know what, it's still Yes." - Chris Squire
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Direct Link To This Post Posted: September 28 2012 at 23:57
^Sounds good to me, Dennis!  You obviously have thought your response through, and I agree with your analysis!  

When I saw Jon Anderson's recent "The Voice of Yes" show, he gave us a treat by performing generous excerpts from "The Revealing Science of God," accompanying himself on a lovely polyphonic synth!  

Since I never saw the "Tales" tour (grrrrr, due to the oil embargo of that era!), I always enjoyed whenever the band would play some of it live.  However, I've only seen "Ritual" in concert, with Moraz as well as with Wakeman.  Here's Steve Howe playing "Ritual" on the "Relayer" tour, 14 August, 1976!  


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Direct Link To This Post Posted: September 28 2012 at 19:12
Originally posted by cstack3 cstack3 wrote:

In many ways, my favorite Yes album.  However, I always find it instructional to seek out the thoughts of the band members on TFTO. 

For example, we know Rick didn't think much of the project from the get-go.


Sayeth Rick:  "That was not my favourite Yes album and I said so at the time. Maturely, I renamed it Tales From Toby's Graphic Go-Kart."

Perhaps Wakeman's lack of interest was a good thing, since the keyboards are not as dominating as on other Wakeman projects.  I believe TFTO was primarily a collaboration between Anderson and Howe, and the rest of the band more or less came along.  

Squire plays fretless bass on "The Remembering," which gives it a very special vibe.  Listen for it, he rarely used that instrument to my knowledge.


Tales was the fist major challenge for the band and they failed it miserably(with Wakeman leaving)  The prior two smash albums, Fragile & CTTE were almost perfectly split among the contributors.  Siberian Khatru being a great example of ALL band members contributing, it was inevitable that one or another band member dominate on a future album and that was Tales.  Its right on the record that it was almost completely written by Jon & Steve in a hotel suite.   Squire didn't seem to mind and he wound up adding some great bass work to the album.  Rick's keys were actually some of the greatest orchestral work ever in prog.  Obviously Rick didn't dig that Jon & Steve ran the show.
Give and take I say, ride whoever has the hot hand, on a later ABW&H record Rick had a big part and the album was very weak, so artists can whine all they want but the music stands on its own.  Tales is probably a BiLLION times better than the one ABW&H record which was much more evenly done between band members....

P.S.  I am a HUGE Wakey fan , I have all his records & CDs so I am not anti-Wakeman at all....But Wakey should have hung in there like Squire and kept working with the band, I say...

What do ya think of that Chuckie???
"Yeah, people are unhappy about that - but you know what, it's still Yes." - Chris Squire
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Direct Link To This Post Posted: September 28 2012 at 08:21
In many ways, my favorite Yes album.  However, I always find it instructional to seek out the thoughts of the band members on TFTO. 

For example, we know Rick didn't think much of the project from the get-go.


Sayeth Rick:  "That was not my favourite Yes album and I said so at the time. Maturely, I renamed it Tales From Toby's Graphic Go-Kart."

Perhaps Wakeman's lack of interest was a good thing, since the keyboards are not as dominating as on other Wakeman projects.  I believe TFTO was primarily a collaboration between Anderson and Howe, and the rest of the band more or less came along.  

Squire plays fretless bass on "The Remembering," which gives it a very special vibe.  Listen for it, he rarely used that instrument to my knowledge.


Edited by cstack3 - September 28 2012 at 08:25
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Direct Link To This Post Posted: September 27 2012 at 15:46
It's at it's best - Nice warm room, get ready to be relaxed - and lie down (get the room ambiently lit)....Put the two Cd's into the player and set it going - and let the music flow over you - don't forget that it's not that much longer than the whirlwind by Transatlantic....
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Direct Link To This Post Posted: September 27 2012 at 12:28
Originally posted by Dayvenkirq Dayvenkirq wrote:


Originally posted by Ambient Hurricanes Ambient Hurricanes wrote:


Originally posted by Epignosis Epignosis wrote:


Originally posted by Ambient Hurricanes Ambient Hurricanes wrote:

I'm just listening to it for the first time right now, and enjoying it quite a bit.

ShockedBig smile
I'm finished with it now.  The Ancient is incredible.After finally listening to that, I think I better understand what one of the members of Yes (can't remember who) meant when he said that Yes was like what Stravinsky would have done as a rock musician.  The album is at the avant-garde end of the symphonic spectrum, really.

This was your first time? ... Shocked ... and thou shalt hear it again. Smile ... Headbanger

🙌 has your mind been blown by the technical wizardry?? Be in the right head space to drink that sucker in. Wow
Gimmie my headphones now!!! 🎧🤣
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Direct Link To This Post Posted: September 27 2012 at 07:54
You're right. I must admit that there is a little something of the first movement of the first Mahler's symphony. A perfume, I would say, but nothing more.
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Direct Link To This Post Posted: September 27 2012 at 07:43
Originally posted by hellogoodbye hellogoodbye wrote:

Sorry, but I can't do a link between this album and the music of Beethoven, Mahler or Wagner. 

No, I can understand that, since TFTO doesn't have much  bombast. Rather it takes its time (probably too much according to Rick Wakeman) and stretches out, is rich in its abundance of melodies and different atmospheres rather than that it's an overpowering explosion of sounds. It floats more than that it erupts. I's more like a lifestyle record as Steve Howe once said.

The link could be in the fact that they wanted something that was even bigger than their magnum opus Close To The Edge. With Beethoven, Mahler and Wagner I see a similar kind of ambition of doing something on a grander scale.

But soundwise and compositionwise... it's something else completely, I agree. Melodies do come back, but it's something else than the Wagnerian Leitmotifs. Maybe a parallel with Mahler in his first symphony: I remember all kinds of themes coming by, being juxtaposed and  connected. But I'm no real expert on any classical composer.
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Direct Link To This Post Posted: September 27 2012 at 06:42
Originally posted by moshkito moshkito wrote:

I would like to suggest that too much of our opinions are colored by "pop music" and "top ten" ... with a mentality that has a tendency to lower its ability and expression to something that we can recognize and (supposedly) understand ... and that is bizarre! The history of music is all about changes ... and that includes instruments ... and here we are saying that it should not be done, and can not be done, or can not be enjoyed!

In the studies of a lot of classical music there are a lot of long passages (check out Wagner!) that are to be "descriptive" of the scenery and the "story" ... and basically you are stating that this is not allowed in "progressive" music or that YES, specially abused the priviledge!

And that's your fallacy right there. Just because I don't like something, that doesn't mean it shouldn't be done or isn't "allowed". Musicians are free to make whatever music they want to, just as I'm free to like or dislike any of it. I don't have anything against long, ambient, "descriptive" or whatever passages per se, but like with anything they have to have something that interests me. A lot of TFTO, whether it be the sung parts or the instrumental parts, doesn't have that. That doesn't mean I don't understand it, I think I understand it just fine. Unfortunately that doesn't guarantee I will enjoy it.

Originally posted by moshkito moshkito wrote:

TFTO is just NOT a pop song! If song is what you want ... ciao baby! YES will never be for you except for 2 or 3 songs! ... and honestly? ... that's not progressive at all!

Hmm, how come then that Close to the Edge is my favorite album of all time and The Yes Album and Fragile are among my favorites as well?

It seems that what you're trying to do is argue that because TFTO doesn't follow the traditional form of pop music, it must therefore represent some form of progress, which automatically makes it better. By that logic, I would have to dislike everything that adheres to the standards of pop music and like everything that doesn't. At this point, I would be judging the value of music not by its content but by its form.
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Direct Link To This Post Posted: September 27 2012 at 06:18
Sorry, but I can't do a link between this album and the music of Beethoven, Mahler or Wagner. Yet I remember that a few years ago, I thought that the pagan poetry of the beginning of CTTE looked like "The rite of spring" by stravinsky. But it was only a fleeting thought.
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Direct Link To This Post Posted: September 27 2012 at 04:40
I like it. Third fave yes album after CTTE and GFTO.

The Revealing Science of God is arguably the best thing they ever composed. The rest of the work is pretty patchy in my opinion, but it's been a long time since I have listened to the whole thing as one work. I'll try and schedule that into my life soon...

Ultimately bored by endless ecstasy!
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Direct Link To This Post Posted: September 27 2012 at 02:44
Originally posted by moshkito moshkito wrote:

Originally posted by Moogtron III Moogtron III wrote:

...
Right, I can picture someone like Mahler wanting to have 10 mellotrons in his orchestra. Then the world would have had a bombast - bombardment LOL
 
Nooooo ... this would be Wagner ... and then you get one of those super voices over it ... and it becomes a bigger, better and louder version of The Ring.
  

Wagner, of course! I could picture Ring des Mellotronen or something like that LOL
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Direct Link To This Post Posted: September 27 2012 at 02:40
Originally posted by Ambient Hurricanes Ambient Hurricanes wrote:

Originally posted by Epignosis Epignosis wrote:

Originally posted by Ambient Hurricanes Ambient Hurricanes wrote:

I'm just listening to it for the first time right now, and enjoying it quite a bit.


Shocked

Big smile


I'm finished with it now.  The Ancient is incredible.

After finally listening to that, I think I better understand what one of the members of Yes (can't remember who) meant when he said that Yes was like what Stravinsky would have done as a rock musician.  The album is at the avant-garde end of the symphonic spectrum, really.

This was your first time? ... Shocked ... and thou shalt hear it again. Smile ... Headbanger
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