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    Posted: January 30 2025 at 13:58
Originally posted by Jacob Schoolcraft Jacob Schoolcraft wrote:

 
...
This is just an amazing album! Totally timeless for me!! For many years I had the Celestial Harmonies versions of Popol Vuh . There was no indication that their music had been for film and basically not noted as such that they were on the Celestial Harmonies album covers. I generally didn't acknowledge that aspect to their career and grew used to the idea that their music was not attached to that working concept and to be honest...you really wouldn't have known the difference or ever had reason to distinguish between the two. I remember years ago seeing a film of Florian Fricke walking into the mountains. Supposedly the Himalayas. He seemed so genuine to me. He was definitely a very unique artist. The music that came out of him was unlike anyone I ever heard. There were certain people that had that uniqueness such as Terry Riley, David Parsons, Peter Michael Hamel, David Hykes Harmonic Choir, Stomu Yamashta, Jade Warrior ( Island period), Mike Oldfield....but Florian Fricke was in touch with a very unique style and I've always separated him from others in those times. I really appreciate the music he gave us!

HI,

The Celestial Harmonies albums are not quite the same as the originals, btw. At least, though, the recordings got cleaned up some more which was needed, but it never interfered with the music itself! We loved it all the same!

There is fine joke that was once on the PV website that I really loved ... Werner Herzog and Florian Fricke were fairly good friends, and one day Werner said that he was going to do a new film and had no music to work with it ... Florian said something that in the closet there were all kinds of tapes and grab one and hopefully it helps. The following week, Werner shows up and goes ... I got a new film all done and your music is in it! That tape was great ... 

In many ways, that is really a nice take and view of what "krautrock" was and how it got into other areas of the arts ... even though we here on PA don't like to mention that ... and we forget that Wim Wenders and Werner Herzog both did films of a lot of the early days performances, by bands, actors and everyone else that showed up I'm sure.

No one, today, can even imagine that kind of thing and touch ... and it was the thing that made so much krautrock work ... and become well known ... despite a bad reviewer on MM saying something in poor taste ... but the joke ended up on him ... he put the music and the art scene on the map ... sadly we don't see that and we do not evaluate the movies, the theater and the rest of the arts that were something all of their friends in Germany were doing with a different stage, so to speak!


Edited by moshkito - January 30 2025 at 13:58
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: January 30 2025 at 13:47
Originally posted by kirk782 kirk782 wrote:

...
Krautrock had originality, I believe. Wasn't David Bowie enchanted by this sound [and the likes of Neu!] when making his Berlin trilogy?
Hi,

David Bowie is not a good person to discuss with, or about Krautrock. I think he was in Berlin because he wanted to feeling of the freedom that so many of those players had, when you look at Damo Suzuki, and so many other folks involved in the arts ... but David would be the worst of them all, because he was too concerned with his lyrics and its "voice" ... while the krautrock side was mostly free form and wild and all over the place ... this, David Bowie was not on stage ... but maybe off it, being a "bad boy" as he specified of his time with Iggy Pop. But on stage, things had to be clean and concise, and not wild, because it would take away David's ability to sing his words "correctly" as the song he devised.

One other example, is in Edgar Froese's book ... when he finally realized that David was not a good improviser, and even though he wanted Edgar to play, in the end, Edgar said that he was too wild and improvisational for David to be able to do something for him and he left the studio, so David could go find "his voice" in the new song ... without Edgar. At that point, Robert Fripp might have made an appearance, but I think that a song was already together by that time, with no guitar on it.

DB was too much of a lyricist ... to come close to anything "krautrock" and we know that in those days in Germany, lyrics were something to be satirized, distorted and killed in that order ... so that to this day, we still go bananas when we hear that the Mona Lisa is a bird brain! We wonder if that's true just like Eliot's famous line about Michelangelo ... what were the women thinking? It was likely a joke ... in bad taste, btw!


Edited by moshkito - January 30 2025 at 13:48
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Post Options Post Options   Thanks (0) Thanks(0)   Quote kirk782 Quote  Post ReplyReply Direct Link To This Post Posted: January 30 2025 at 08:21
Syd Barett certainly gave Pink Floyd an iconic sound on their debut. It has some great tunes. In fact, I like their debut album [though it's not as consistent as say, Dark side of the Moon] as much as any PF album.

Krautrock had originality, I believe. Wasn't David Bowie enchanted by this sound [and the likes of Neu!] when making his Berlin trilogy?



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Post Options Post Options   Thanks (1) Thanks(1)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2025 at 10:17
Originally posted by cstack3 cstack3 wrote:

Originally posted by kirk782 kirk782 wrote:

Originally posted by cstack3 cstack3 wrote:


Kraut Rock bands like Popul Vuh were instrumental to the amazing atmosphere conveyed by these films! 


What would be the ideal diving point into Popul Vuh's discography or one should just listen from the debut? Regarding German films, and this is off topic, but I really liked Fritz Lang though he worked in the halcyon silent era.


Thanks!  I'm not an expert on Popul Vuh's discography, what I do when presented with a "new" band is I go to YouTube and sample different postings.  This enables me to skip around and get an idea for the flavor of of a work of music.  

This is one of my favorite of their works, and it sets the tone for the movie beautifully! 




This is just an amazing album! Totally timeless for me!! For many years I had the Celestial Harmonies versions of Popol Vuh . There was no indication that their music had been for film and basically not noted as such that they were on the Celestial Harmonies album covers. I generally didn't acknowledge that aspect to their career and grew used to the idea that their music was not attached to that working concept and to be honest...you really wouldn't have known the difference or ever had reason to distinguish between the two. I remember years ago seeing a film of Florian Fricke walking into the mountains. Supposedly the Himalayas. He seemed so genuine to me. He was definitely a very unique artist. The music that came out of him was unlike anyone I ever heard. There were certain people that had that uniqueness such as Terry Riley, David Parsons, Peter Michael Hamel, David Hykes Harmonic Choir, Stomu Yamashta, Jade Warrior ( Island period), Mike Oldfield....but Florian Fricke was in touch with a very unique style and I've always separated him from others in those times. I really appreciate the music he gave us!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote cstack3 Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2025 at 06:36
Originally posted by kirk782 kirk782 wrote:

Originally posted by cstack3 cstack3 wrote:


Kraut Rock bands like Popul Vuh were instrumental to the amazing atmosphere conveyed by these films! 


What would be the ideal diving point into Popul Vuh's discography or one should just listen from the debut? Regarding German films, and this is off topic, but I really liked Fritz Lang though he worked in the halcyon silent era.

Thanks!  I'm not an expert on Popul Vuh's discography, what I do when presented with a "new" band is I go to YouTube and sample different postings.  This enables me to skip around and get an idea for the flavor of of a work of music.  

This is one of my favorite of their works, and it sets the tone for the movie beautifully! 


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Post Options Post Options   Thanks (0) Thanks(0)   Quote cstack3 Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2025 at 06:32
Originally posted by Hosydi Hosydi wrote:

Originally posted by Jacob Schoolcraft Jacob Schoolcraft wrote:

Originally posted by Hosydi Hosydi wrote:

Originally posted by moshkito moshkito wrote:

Originally posted by Hosydi Hosydi wrote:

...
 In particular, I mentioned that a number of contemporary bands are referred to as krautrock in addition to other tags like "experimental," "avant rock," "improvised music," etc., only in favor of describing their sound, which is partly inspired by 70s krautrock; the quality of many of those modern bands is indisputable.

 ... a drummer strictly doing the time thing, is more the American way than it is "krautrock" ... 
LOLLOLLOLLOLLOLLOLLOL


Do you mean the confederate way? Redneck Rock? CCR SWAMP ROCK? Is that the kind of drum beats you're talking about? The kind in amateur bar bands or in dive bars...where people would think that GREENSLADE is a crayon company...Ange is a fruit from Brazil...Pulsar is a stop watch....Atomic Rooster is the Jersey Devil...Art Zoyd is a serial killer...??
The Yorùbá dùndún ensemble, Lagos, Nigeria:



The dùndún drum is often described as a 'talking drum,' which means it has the capability to mimic the tonal patterns of spoken Yoruba language. The talking drum has been used historically for communication over long distances.

In modern times, the dùndún continues to be celebrated in popular music genres such as Jùjú and Fuji music:






Wellcome to PA, and thank you for that interesting contribution!  Clap
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Hosydi Quote  Post ReplyReply Direct Link To This Post Posted: January 24 2025 at 05:52
Originally posted by Jacob Schoolcraft Jacob Schoolcraft wrote:

Originally posted by Hosydi Hosydi wrote:

Originally posted by moshkito moshkito wrote:

Originally posted by Hosydi Hosydi wrote:

...
 In particular, I mentioned that a number of contemporary bands are referred to as krautrock in addition to other tags like "experimental," "avant rock," "improvised music," etc., only in favor of describing their sound, which is partly inspired by 70s krautrock; the quality of many of those modern bands is indisputable.

 ... a drummer strictly doing the time thing, is more the American way than it is "krautrock" ... 
LOLLOLLOLLOLLOLLOLLOL


Do you mean the confederate way? Redneck Rock? CCR SWAMP ROCK? Is that the kind of drum beats you're talking about? The kind in amateur bar bands or in dive bars...where people would think that GREENSLADE is a crayon company...Ange is a fruit from Brazil...Pulsar is a stop watch....Atomic Rooster is the Jersey Devil...Art Zoyd is a serial killer...??
The Yorùbá dùndún ensemble, Lagos, Nigeria:



The dùndún drum is often described as a 'talking drum,' which means it has the capability to mimic the tonal patterns of spoken Yoruba language. The talking drum has been used historically for communication over long distances.

In modern times, the dùndún continues to be celebrated in popular music genres such as Jùjú and Fuji music:





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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: January 22 2025 at 15:59
Originally posted by Hosydi Hosydi wrote:

Originally posted by moshkito moshkito wrote:

Originally posted by Hosydi Hosydi wrote:

...
 In particular, I mentioned that a number of contemporary bands are referred to as krautrock in addition to other tags like "experimental," "avant rock," "improvised music," etc., only in favor of describing their sound, which is partly inspired by 70s krautrock; the quality of many of those modern bands is indisputable.

 ... a drummer strictly doing the time thing, is more the American way than it is "krautrock" ... 
LOLLOLLOLLOLLOLLOLLOL


Do you mean the confederate way? Redneck Rock? CCR SWAMP ROCK? Is that the kind of drum beats you're talking about? The kind in amateur bar bands or in dive bars...where people would think that GREENSLADE is a crayon company...Ange is a fruit from Brazil...Pulsar is a stop watch....Atomic Rooster is the Jersey Devil...Art Zoyd is a serial killer...??
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Hosydi Quote  Post ReplyReply Direct Link To This Post Posted: January 21 2025 at 22:50
Originally posted by moshkito moshkito wrote:

Originally posted by Hosydi Hosydi wrote:

...
 In particular, I mentioned that a number of contemporary bands are referred to as krautrock in addition to other tags like "experimental," "avant rock," "improvised music," etc., only in favor of describing their sound, which is partly inspired by 70s krautrock; the quality of many of those modern bands is indisputable.
 ... a drummer strictly doing the time thing, is more the American way than it is "krautrock" ... 
LOLLOLLOLLOLLOLLOLLOL
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: January 21 2025 at 19:21
Originally posted by Hosydi Hosydi wrote:

...
 In particular, I mentioned that a number of contemporary bands are referred to as krautrock in addition to other tags like "experimental," "avant rock," "improvised music," etc., only in favor of describing their sound, which is partly inspired by 70s krautrock; the quality of many of those modern bands is indisputable.

Hi,

I would not discuss the "quality" per se, since that is what makes the band ... but there are smaller details that show up ... a drummer strictly doing the time thing, is more the American way than it is "krautrock" ... since American tastes are more commercial sounding. European groups tend to have more of their own culture and artistic values in mind ... it's really hard to find that in America, beyond C&W, Blues, Rap and so on ... to find something that we might consider close to krautrock.

Both samples are fine for me, no discussion there, but I feel the connection to krautrock is weak, and is aligned with something else ... which I am not sure I would consider "krautrock" at all even if the long cuts give an idea of it. But for me, the music in these samples, did not "change" and become something else ... and I think they created limitations by accident ... the first sample using words, broke it at the start ... meaning in "krautrock" was intentionally broken and disrupted, as a reaction to westernized music ... and we still don't believe the comments, that Holger Czukay and many other folks had made about their musical decisions, and many of them were about the American/English commercial designs ... and intentionally going against them. The second sample, for me, was ... just about an experimental jazz thing ... and it was interesting to a point, but after a while, it was the same thing over and over. 

I'm not sure that we will see much "real" krautrock any more ... it is a moment in time and place, and a strong result of its environment, and in America, for example, that is already owned by C&W, Blues, Rap, Jazz and Rock Music ... and any association with krautrock, is more incidental than real ... yes it could be said it was inspired by ... anyone is inspired by ... this or that ... but you might want to remember the words of Edgar Froese ... there were no "leaders" or inspirations to look for ... it was a new day and all that was there, left, was YOU ... no rules and no pressures to do the common public thing as it is in America and England, for commercial purposes.
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Hosydi Quote  Post ReplyReply Direct Link To This Post Posted: January 21 2025 at 15:47
Originally posted by moshkito moshkito wrote:

Originally posted by Hosydi Hosydi wrote:

...
I strongly disagree, because there is a lot of quite interesting contemporary stuff tagged, among other tags, as krautrock, as it is inspired by the early 70s kosmische Musik.
...

Hi,

Today's "krautrock" is very different from 45 years ago ... and while I would never say that it does not exist and it is not exactly "krautrock", there is something missing in it for me, in various examples (won't name them because I don't dislike them and diminish their work!!) the freedom for an improvisation is missing at times, not always, but many of the moments I hear are all of a sudden going into a riff, or one specific feeling that folks got attuned to.

There is a side of the early "krautrock" that is special ... it was wild, free and crazy and that was what made it special ... and of the 6 bands I have heard of recent material, I did not feel that "freedom" and "wildness" at all, and I wonder if the interpretation of what "krautrock" was and how it was used and done in the other arts, is not something that these bands are ... maybe ... aware of. That is not to say that it isn't good, or worth the listen ... I listen to them all ... the whole thing, but again, the "freedom", very evident in the other arts, for this artistic movement are not exactly clear in many of these ... and maybe this is the issue ... the TIME and PLACE ... and all your FRIENDS involved in some way ... is the difference, and many of these recent bands, do not have that "family" feel at all, and I think that we're calling it "krautrock" because it is the closest thing to it ... 

Not all "improvisations" are quite "krautrock" ... specially when they are idea driven, or riff driven ... in my book, that is not an improvisation ... it is an exercise for the band, and often a nice idea for finding a bit or two.

If I may suggest, stay away from the definition of things, and just listen, and you'll find some incredible differences, in how it comes about ... let's just say that more "Damo" is what the recent bands are missing for me ... so to speak ... and don't know what's gonna come out, or how ... but somehow, it makes itself viable and enjoyable ... but we (specially here!) are so tied to a definition that is not musical and an idea, that we forget that there were many people, and they were different and their friends and communities (and communes) were vastly different ... today's bands don't have that touch ... and instead try to sound like a band that is "together" ... when you and I could easily say that being together was not the primary feeling in a lot of that early music ... it was more about being that wild and crazy guy on the stage playing music ... and not just one person, but the whole band.

CAN was more designed and composed and we have to credit Damo here, because he was able to fit in a tough situation, specially folks with a very high university detail and work. But somehow a "busker" was able to mix and make it work ... you don't get this kind of feeling in the recent material. 

This is not an easy discussion, but we all need to get off the definition and listen some more in order to get a better idea of what it was and how it developed in time ... I'm not sure that you, or I, can exactly create "krautrock" in a DAW from your bedroom or kitchen! 

It was, an artistic evolution ... some might even call it a revolution ... and its beauty is still alive after all these years.

BTW, I'm not sure that I would consider both of those samples ... krautrock ... at all ... in both cases the drummer is not free and is mostly just keeping time to keep everyone going ... and in the 2nd example, it feels more like an experimental jazz group with a drummer looking for a groove to keep everyone together. As I mentioned, today, the ability to create "krautrock" is difficult, because it was an artistic scene, not a BAND at all ... at the start ... and it was that individuality that showed up and gave us great material ... in both those samples, there is no individuality at all ... I think it was made to be something else. Nice to listen to, but that's about it ... and something weird ... the opening words on the first one ... and "krautrock" was not about a "meaning" through the words ... and specially clear in Damo and Peter Handke's word plays where there were no sentences or conversations ... the whole of the one act plays were nothing but words ... nd acting that on stage is wide open to interpretation on how you throw the words out or in ... and freedom is wild, crazy and insane, and we put one of those plays on ... and it was hard ... performed OK, but we didn't know better then (1981 that was at UCSB).
Obviously you didn't understand what I wrote. In particular, I mentioned that a number of contemporary bands are referred to as krautrock in addition to other tags like "experimental," "avant rock," "improvised music," etc., only in favor of describing their sound, which is partly inspired by 70s krautrock; the quality of many of those modern bands is indisputable.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: January 21 2025 at 12:34
Originally posted by Hosydi Hosydi wrote:

...
I strongly disagree, because there is a lot of quite interesting contemporary stuff tagged, among other tags, as krautrock, as it is inspired by the early 70s kosmische Musik.
...

Hi,

Today's "krautrock" is very different from 45 years ago ... and while I would never say that it does not exist and it is not exactly "krautrock", there is something missing in it for me, in various examples (won't name them because I don't dislike them and diminish their work!!) the freedom for an improvisation is missing at times, not always, but many of the moments I hear are all of a sudden going into a riff, or one specific feeling that folks got attuned to.

There is a side of the early "krautrock" that is special ... it was wild, free and crazy and that was what made it special ... and of the 6 bands I have heard of recent material, I did not feel that "freedom" and "wildness" at all, and I wonder if the interpretation of what "krautrock" was and how it was used and done in the other arts, is not something that these bands are ... maybe ... aware of. That is not to say that it isn't good, or worth the listen ... I listen to them all ... the whole thing, but again, the "freedom", very evident in the other arts, for this artistic movement are not exactly clear in many of these ... and maybe this is the issue ... the TIME and PLACE ... and all your FRIENDS involved in some way ... is the difference, and many of these recent bands, do not have that "family" feel at all, and I think that we're calling it "krautrock" because it is the closest thing to it ... 

Not all "improvisations" are quite "krautrock" ... specially when they are idea driven, or riff driven ... in my book, that is not an improvisation ... it is an exercise for the band, and often a nice idea for finding a bit or two.

If I may suggest, stay away from the definition of things, and just listen, and you'll find some incredible differences, in how it comes about ... let's just say that more "Damo" is what the recent bands are missing for me ... so to speak ... and don't know what's gonna come out, or how ... but somehow, it makes itself viable and enjoyable ... but we (specially here!) are so tied to a definition that is not musical and an idea, that we forget that there were many people, and they were different and their friends and communities (and communes) were vastly different ... today's bands don't have that touch ... and instead try to sound like a band that is "together" ... when you and I could easily say that being together was not the primary feeling in a lot of that early music ... it was more about being that wild and crazy guy on the stage playing music ... and not just one person, but the whole band.

CAN was more designed and composed and we have to credit Damo here, because he was able to fit in a tough situation, specially folks with a very high university detail and work. But somehow a "busker" was able to mix and make it work ... you don't get this kind of feeling in the recent material. 

This is not an easy discussion, but we all need to get off the definition and listen some more in order to get a better idea of what it was and how it developed in time ... I'm not sure that you, or I, can exactly create "krautrock" in a DAW from your bedroom or kitchen! 

It was, an artistic evolution ... some might even call it a revolution ... and its beauty is still alive after all these years.

BTW, I'm not sure that I would consider both of those samples ... krautrock ... at all ... in both cases the drummer is not free and is mostly just keeping time to keep everyone going ... and in the 2nd example, it feels more like an experimental jazz group with a drummer looking for a groove to keep everyone together. As I mentioned, today, the ability to create "krautrock" is difficult, because it was an artistic scene, not a BAND at all ... at the start ... and it was that individuality that showed up and gave us great material ... in both those samples, there is no individuality at all ... I think it was made to be something else. Nice to listen to, but that's about it ... and something weird ... the opening words on the first one ... and "krautrock" was not about a "meaning" through the words ... and specially clear in Damo and Peter Handke's word plays where there were no sentences or conversations ... the whole of the one act plays were nothing but words ... nd acting that on stage is wide open to interpretation on how you throw the words out or in ... and freedom is wild, crazy and insane, and we put one of those plays on ... and it was hard ... performed OK, but we didn't know better then (1981 that was at UCSB).


Edited by moshkito - January 21 2025 at 13:02
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Hosydi Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 19:54
Originally posted by moshkito moshkito wrote:

Originally posted by Hosydi Hosydi wrote:

...
The term 'krautrock' was coined by British rock journalists in a derogatory manner for all bands from former West Germany during the late 1960s and early 1970s. Germans themselves, however, back then referred to their peculiar take on experimental rock/psychedelia/space ambient as "kosmische Musik," which served as an umbrella term for various influential bands from West Germany, including both the experimental rock band Can and electronic music acts like Tangerine Dream. 
...

Hi,

At the time, for many of us that were already into the music experimentation, the comment by a journalist that did not even listen to music whatsoever, the comment was stupid ... and that everyone "bought it" ... leaves a lot to be desired ... we don't go around saying something similar, or creating a term for 50 other countries that have rock music, so singling one out, was weird and probably a joke ... that in my thoughts Amon Duul 2 made fun of in the "Wolf City" album and another copy of the same song in the "Utopia" album. Both versions were satirical ... and then some ... but the English had one advantage that Germany and some of Europe at the time DID NOT ... a well versed and developed print media that had a lot of attention, and was considered a major comment on a lot of music ... MM and the other periodical were huge and sold well ... there was no such thing in Germany, not to mention that the "authorities" in Germany at that time, would not even release a lot of the albums until a wee bit later when some of them started selling.

Originally posted by Hosydi Hosydi wrote:

...
 Today, krautrock is synonymous with motorik psych, characterized by repetitive patterns and a minimalistic approach to music, and contemporary bands use it as a tag among other tags in favor of describing their music.

I rather think this is not the case at all ... today's folks are not really into "krautrock", especially when it is propped up against the rest of the arts their own friends and neighbors were involved in ... and this alone makes the music seem a lot inferior and not interesting ... which is sad. 
I strongly disagree, because there is a lot of quite interesting contemporary stuff tagged, among other tags, as krautrock, as it is inspired by the early 70s kosmische Musik.





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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 16:45
Originally posted by cstack3 cstack3 wrote:

The Beatles started in Hamburg, Germany....do they qualify as Krautrock?  LOL
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Post Options Post Options   Thanks (0) Thanks(0)   Quote cstack3 Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 16:43
The Beatles started in Hamburg, Germany....do they qualify as Krautrock?  LOL
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 13:00
In the late 60s, ( to my knowledge), Syd Barrett was or ( could have been), the person to invent a particular sound and style which was eventually identified as Space Rock. The slide with echo and odd sounding keyboard work would prove to be identified in the music of Amon Duul II on albums like YETI . They weren't literally copying the style of "Interstellar Overdrive" or "Astromony Domine" but simply trying to...or choosing to capture its sound. Sections of Can albums and early Guru, Guru . Early Ash Ra Tempel alongside several other German bands were influenced by the early Pink Floyd..

Syd Barrett was not a virtuoso musician. He did in fact invent that sound and or style which mostly surfaced with a 4 piece band during the Krautrock era. I believe that many Rock guitarists from England grew up hearing Sci-Fi TV themes during the 1950s and 1960s. Many of them sat in front of the TV and played along with the theme or listened to radio Luxembourg. In some ways the riff in "Lucifer Sam" has similarities to Peter Gunn or Batman. "Interstellar Overdrive " is some double string strumming which was familiar to some folks in the Twilight Zone theme.

Some of the Sci-Fi theme and improvisation bits in Interstellar Overdrive were noticeable in Krautrock. It differed from Psychedelic Music and was in fact a extension of it..but it's important to consider that Barrett may have invented a Space Rock style from different sources...such as MMM Music , Sci Fi, and white Noise improvisation.

Krautrock itself having originality in other areas as well..such as the particular style of Electronic Music which began with dark soundscapes and by 73' changed by adding more pulsating rhythms and oscillating effects. Tangerine Dream and Klaus Schulze, ( for example), would often create a repetitive pulsating rhythm and play an eerie sounding signature line over top while adding more layers of keyboard sounds which could take your mind to other places. People with a short attention span might become impatient with the music. Klaus Schulze and Tangerine Dream were releasing albums containing that style years prior to Electronic Music being utilized for Dance Music

Edited by Jacob Schoolcraft - January 20 2025 at 13:07
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 08:17
A band like Blood Incantations are fans of Krautrock. Some of the band members collect Krautrock. That cracks me up! Though it is interesting how they see Krautrock as an influence to their own music. It's probably not all that interesting to fans of Progressive Rock?...

The idea of creating music which is not based on traditional methods completely becomes unorthodox to many. Several words used to term this process end up being words that are ambiguous and therefore confusing to some. and people like Miles Davis became a chopping block by critics and partially western culture for producing music that came across as nonsensical to them..but if Miles Davis could do it then why not Germany?
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 07:47
Originally posted by Hosydi Hosydi wrote:

...
The term 'krautrock' was coined by British rock journalists in a derogatory manner for all bands from former West Germany during the late 1960s and early 1970s. Germans themselves, however, back then referred to their peculiar take on experimental rock/psychedelia/space ambient as "kosmische Musik," which served as an umbrella term for various influential bands from West Germany, including both the experimental rock band Can and electronic music acts like Tangerine Dream. 
...

Hi,

At the time, for many of us that were already into the music experimentation, the comment by a journalist that did not even listen to music whatsoever, the comment was stupid ... and that everyone "bought it" ... leaves a lot to be desired ... we don't go around saying something similar, or creating a term for 50 other countries that have rock music, so singling one out, was weird and probably a joke ... that in my thoughts Amon Duul 2 made fun of in the "Wolf City" album and another copy of the same song in the "Utopia" album. Both versions were satirical ... and then some ... but the English had one advantage that Germany and some of Europe at the time DID NOT ... a well versed and developed print media that had a lot of attention, and was considered a major comment on a lot of music ... MM and the other periodical were huge and sold well ... there was no such thing in Germany, not to mention that the "authorities" in Germany at that time, would not even release a lot of the albums until a wee bit later when some of them started selling.

Originally posted by Hosydi Hosydi wrote:

...
 Today, krautrock is synonymous with motorik psych, characterized by repetitive patterns and a minimalistic approach to music, and contemporary bands use it as a tag among other tags in favor of describing their music.

I rather think this is not the case at all ... today's folks are not really into "krautrock", especially when it is propped up against the rest of the arts their own friends and neighbors were involved in ... and this alone makes the music seem a lot inferior and not interesting ... which is sad. The so called "krautrock" was doing exactly the same thing that the other arts were at the time in Germany ... after all it is their neighbors and friends ... and therefore, not INVISIBLE like so many fans here continue to do.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Jacob Schoolcraft Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 06:48
Originally posted by kirk782 kirk782 wrote:

Funny thing, today I listened to Affenstunde as well [it's the debut right?]. Mainly instrumental. I would need to listen to more of Popol Vuh.

I think I had listened to one Cluster album a month ago but didn't find it very memorable.


Affenstunde seems to be more on the Electronic side. It's not one of my desirable Popol Vuh albums, but I still like it. In The Gardens Of Pharoah is more interesting imo..Hosianna Mantra is beautiful and more spiritual. They continue on that path throughout their discography...however by the late 80s I began to lose interest. During that time Popol Vuh were being categorized New Age. Not that New Age was such a bad choice for music...I just wasn't particularly fond of Popol Vuh at that time. I have many of their titles on CD. For me their music is a must have. They are magical.. spiritual...and in a world of their own.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote kirk782 Quote  Post ReplyReply Direct Link To This Post Posted: January 20 2025 at 06:26
Funny thing, today I listened to Affenstunde as well [it's the debut right?]. Mainly instrumental. I would need to listen to more of Popol Vuh.

I think I had listened to one Cluster album a month ago but didn't find it very memorable.
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