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BaldFriede
Prog Reviewer
Joined: June 02 2005
Location: Germany
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Points: 10266
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Posted: April 22 2010 at 22:43 |
A plain no - the music was better back then. It was a lot more daring. There are two factors which are responsible for this. 1) Back in the late 60s and early 70s there weren't that many bands around, and the few record companies that were around almost took on any band that played rock music and let them do whatever they wanted (often swindling them in their contracts, but that's another sad matter). The whole rock music industry was still in the build-up, and they were desperately in need of bands. And they let them more or less play whatever they wanted, just as long as they got an album out of the band. As a result many albums of that time were a lot more daring than today's albums. There are exceptions, but it can be said as a general rule of thumbs. 2) Modern production. Back in the late 60s and early 70s bands were glad when they got some studio time , and they definitely did not have the luxury to record a song several times; it was "first take or nothing". Today's production may be more perfect, but the spontaneity is gone; it all sounds sterile somehow, even music by my favourite artists. And music is a lot about spontaneity (which is why I usually prefer live albums to studio albums). Just read the liner notes of Dave Stewart on the only album of Arzachel or the biography of Amon Düül 2 or even the Genesis book by Armando Gallo and of course the VdGG book, and you will know what I am talking about. There are some exceptions, but interestingly most of them come from low budget productions, which seems to confirm what I say. And interestingly there is often at least one "oldtimer" involved in these exceptions.
Edited by BaldFriede - April 23 2010 at 05:03
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 BaldJean and I; I am the one in blue.
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TheGazzardian
Prog Reviewer
Joined: August 11 2009
Location: Canada
Status: Offline
Points: 8844
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Posted: April 22 2010 at 23:03 |
I don't believe so. I think about some of the '70s bands and albums that made a strong impact on me - stuff like Yes, Genesis, Van Der Graaf Generator, Gentle Giant, and King Crimson (okay, so all the big bands, sue me  ). Each of these bands (from what I've heard, which is most of the '70s stuff by all these bands except KC who I have yet to investigate) managed to write music that is deep, thoughtful, sounds good, and was adventurous. And, because they were all around in '70 before there was such a thing as prog, there is something special about knowing that they weren't trying to be someone else, but truly growing their own sound.
I've heard a lot more modern bands and few have had the overall same level of awesomeness to me. While there are tons of bands that I love that are modern (Moon Safari, Karda Estra, Nemo, Flower Kings, etc...), there are very few that have effected me on as many planes as the aforementioned bands. The only modern band that immediately springs to mind is Beardfish ... as has been mentioned previously in this thread, Destined Solitaire is a remarkable example of being adventurous, sounding great, having a unique sound, etc.
That being said, there are a lot of '70s bands I've listened to that haven't become legendary in my mind, but sit on a similar level as the above mentioned modern bands...Camel, Caravan, Le Orme, ELP, and Pink Floyd to name a few. So being from the '70s does not automatically make a band better than the moderns.
Anyways, back onto the topic proper, no, the '70s have nothing to do with nostalgia, at least not for me.
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WalterDigsTunes
Forum Senior Member
Joined: September 11 2007
Location: SanDiegoTijuana
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Points: 4373
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Posted: April 22 2010 at 23:08 |
progpositivity wrote:
Prog fans can be a cognitively dissonant, enigmatic bunch of music enthusiasts. Philosophically we value creativity and *progress*... In practice, however, many of us love 70's style Moog and Hammond sounds, and traditional ... |
Maybe its because music has been on regressive mode ever since...
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Dominic
Forum Senior Member
Joined: January 02 2008
Location: Liberation Land
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Points: 651
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Posted: April 22 2010 at 23:21 |
I say it's nostalgia, or more it's all about what style of music appeals to you most. Certain types of prog/music were more prevalent in the 70's, and possibly alot of the really creative people don't feel like repeating history.
Sure no one is doing 70's King Crimson as well as they did, or 70's Mahavishu Orchestra; yet, i don't believe any band in the 70's did Mogwai or The Samuel Jackson Five as well as those bands
It's seems to me that alot folks that despise all modern prog rock, simply aren't putting alot of effort into exploring new genuine styles of prog rock. Anyways, we've all experienced rehashes of this same discussion on these boards may times before, so i'll stop now.
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Ivan_Melgar_M
Special Collaborator
Honorary Collaborator
Joined: April 27 2004
Location: Peru
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Points: 19557
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Posted: April 22 2010 at 23:35 |
BaldFriede wrote:
A plain no - the music was better back then. Ir was a lot morer daring. There are two factors which are rersponsible for this. 1) Back in the late 60s and early 70s there weren't that many bands around, and the few record companies that were around almost took on any band that played rock music and let them do whatever they want (often swindling them in their contracts, but that's another sad matter). The whole rock music industry was still in the build-up, and they were desperately in need of bands. And they let them more or less play whatever they wanted, just as long as they got an album out of the band. As a result many albums of that time were a lot more daring than today's albums. There are exceptions, but it can be said as a general rule of thumbs.
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I would add something, the system of the labels in the 60's and 70's encouraged quality and long lasting artists, because the labels were managed by the owners or professional musical executives.
Take Tony Stratton Smith, the guy owned Charisma Records, and he personally took the risk with an unknown band like Genesis who came from releasing From Genesis to the Revelation that sold probably a couple hundred albums and all their previous experience was the school.
He saw something in Gabriel and Banks and said, hey this guys are artists and will develop.
That's not all, he hired Atomic Rooster, VDGG and Lindisfarme, bands that few labels would had invested in, because he knew he owned Charisma and wanted artists that would stay with him years, even if they never sold millions.
Richard Branson recruited a 19 years old kid who played all the instruments and nobody knew as Mike Oldfield, he could had hired any pre-disco musician who sold 2 million copies of one album and then vanish, but he wanted his label to grow and for that he required artists that could release one or two good albums a year for decades if possible.
Today the labels are managed by young executives who are judged by results, if they don't hire singer or rapper who sells at least a couple million albums, they will be fired, and for this reason this semi professional executive doesn't care for real artists, just somebody who sells a lot of money with little investment in a short time.
This executive doesn't own the label, so if he recruits a one hit wonder, it's OK for him; he's paid, probably receives a bonus and if the artist vanishes, he looses nothing, if the label goes on bankruptcy, he just looks for another job with a lot of money in his pocket and with one N° 1 song or album in his resume.
Only people who care for a label, will care to recruit real artists and see the label grow, a young (or old) executive who gets paid for fast success doesn't care if the label grows, because he's only hired and could be working anywhere else in weeks.
Iván.
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Atavachron
Special Collaborator
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Posted: April 22 2010 at 23:41 |
^ you can add Ahmet Ertegun to that list
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Ivan_Melgar_M
Special Collaborator
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Posted: April 23 2010 at 00:17 |
Atavachron wrote:
^ you can add Ahmet Ertegun to that list
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As a fact Ahmet was responsible of the Atlantic Policy of hiring adventurous artists like Yes, Led Zeppelin, etc.
You can add Jerry Moss too, he took personal interest in the artists A&M hired (Like Rick Wakeman).
It was another era and another system.
Iván
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Cactus Choir
Forum Senior Member
Joined: July 26 2008
Location: England
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Points: 1043
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Posted: April 23 2010 at 01:58 |
I love the late 60s to late-70s era in music more than any other.
There's plenty of modern music I enjoy but the 70s prog bands were
special because there was a genuine sense of excitement and adventure
about what they were doing. It had never been done before and they were
genuinely breaking down musical barriers. Whatever the quality of the
music being produced today it doesn't have that same sense of
iconoclasm or originality.
I also agree with the previous comment about the old 40 minute vinyl format exercising quality control, whereas some bands today seem to spread their ideas too thinly.
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"And now...on the drums...Mick Underwooooooooood!!!"
"He's up the pub"
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npjnpj
Forum Senior Member
Joined: December 05 2007
Location: Germany
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Points: 2720
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Posted: April 23 2010 at 03:00 |
This is a very difficult question.
Having been in my teens when Prog started and being an ardent follower
since then, it'd be difficult not to admit that nostalgia plays a great
role. On the other hand, admitting it would be akin to confessing that
my perception of later Prog is clouded, which I don't think it is, at
least not substantially.
To my way of thinking, I'd say that the 70s and the 00's are on an equal
level with a big slump inbetween.
But there are two big differences, and they're entirely personal:
1) Naturally I've had a few decades more time to become intimately
aquainted with the 'classics' and familiarity breeds comfort.
2) The nostalgia connected doesn't only apply to this intimate
aquaintance with the music, but to an equally large degree to the memory
I have of friends long lost contact with, that I shared this music with
and generally shared happy times with many years ago. How can anyone
escape such nostalgia (and would anyone want to, if the memories are
good)?
I suppose that for these reasons I will always regard the music of
Floyd, KC, Genesis, Gentle Giant, and Yes with a fondness I could never
muster with, say, Porcupine Tree and others, although I have to admit
that their music, creativity, and especially technical prowess seems to
surpass or at least be on a par with these.
Then again, this means that none of the old bands would possibly be able
to produce any new recording that I'd regard with the same fondness as
the now 35 or 40 year old classic recordings. They can't win.
Give me another 40 years, and I'll not be able to distinguish the new
classics from the old classics on this level.
I feel a bit of a twit now, but at least I'm able to say that I didn't
stop in the 70s and I love a lot of new artists's music, but new music
will never be able to reach me as much through no fault of its own.
Edited by npjnpj - April 23 2010 at 03:01
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friso
Prog Reviewer
Joined: October 24 2007
Location: Netherlands
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Points: 2506
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Posted: April 23 2010 at 03:24 |
Nostalgia is having warmth feelings of a gone time you witnessed. I did not witness a thing of the seventies prog movement (I'm 21) and therefore my focus on '70 prog can't be nostalgia.
Having that said, I do think the historical element of the seventies prog gives it some extra magical vibe. It makes it sound more special then the new Porcupine Tree record, who I saw playing a little while ago.
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harmonium.ro
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Honorary Collaborator / Retired Admin
Joined: August 18 2008
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Posted: April 23 2010 at 04:48 |
jammun wrote:
Old fart checking in. I grew up with the stuff.
Nostalgia is me listening to something like The Beach Boys "I Get Around" or "Barbara Ann". It takes me back to the old days, the innocence of being a kid listening to that music. Or seeing my friend's band play a cover of The Animals "We Gotta Get Out of This Place" one summer, down on the college campus. These are all decent songs, by the way. But it's probably nostalgia that I consider them to be so.
Nostalgia is not me listening to something like Fragile or Tarkus or Wish You Were Here. The really good albums from the '60s and '70s tend to not remind me of the old days. They still stand in their own right. |
Great post! Nostalgia also comes into my listening, and makes me remember the early 90s when classic rock was huge in Eastern Europe, and makes me imagine the 60/70s (that's because I wasn't there, I'm too young). However, when I want to have a very intense musical experience, nostalgia doesn't come into play no matter the release date of the record. In any genre of music, the "post-classic" bands will be "good" (sometimes even as good) but never "great" as the "classic" bands were. It's natural.
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Qboyy007
Forum Senior Member
Joined: September 21 2009
Location: SoCal
Status: Offline
Points: 186
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Posted: April 23 2010 at 06:14 |
King By-Tor wrote:
I'm 22 and I say that music from the 70s/80s is, in large, better than what we get today. So no.
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I'm 19 and I despise just about every "classic" 70's prog band except for VDGG, KC and Yes.
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bsms810
Forum Senior Member
Joined: May 03 2009
Status: Offline
Points: 363
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Posted: April 23 2010 at 13:24 |
Im 26, i came to genesis (early) a cupla years back and it was magical, I rarely have that experience with modern music (Opeth being a notable exception). For me it is getting rarer and rarer to get that magical experience. So yeah I do think there is something special about some of those 70s bands
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'when was the last time you had a girlfriend?'
'I dont look at it as when, I look at it as who...and why' - David Brent
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Gerinski
Prog Reviewer
Joined: February 10 2010
Location: Barcelona Spain
Status: Offline
Points: 5160
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Posted: April 23 2010 at 16:33 |
First of all, I grew up in the 70's and for people of my generation I personally feel that there's a component related purely to age, at least in my case. My 40-plus brain simply does not have the receptiveness anymore as it had when I was 14. Back then I would listen to an album a few times and I would quickly be able to sing every single note of every instrument, I knew all the lyrics by heart even if english was not my language. They really soaked in me easily. Even today after 30-35 years I retain in my brain nearly every detail of the great classics which I grew up with in the 70's. I can listen to The Lamb or Tarkus or In the Court Of and they are literally still inside me, as if they were interwoven in my own brain fabric.
Today when I listen to a new album I find it much harder to fully digest and retain it my memory in as much detail, partly because I can not dedicate as much time to music as when I was a kid, and also because my brain is too busy with too many other issues of the adult life. I certainly enjoy many modern bands and albums but I simply can not integrate them so intimately in my brain anymore, they somehow feel more like "exterior experiences" compared to the "interior ones" of listening to the classics which I learnt in my teen years.
Having said that, I still honestly believe that for some reason the 70's produced unparalleled inspiration. There are great bands nowadays but I hardly find compositions so brilliant as let's say, Can Utility and the Coastliners, The Return of the Giant Hogweed, The Barbarian, 20th Century Schizoid Man, Long Distance Runaround, The Fairy Feller's Master Stroke, Broadway Melody of 1974 or so many others. They were and still are simply so bizarre, original and different, and yet at the same time so inspired, pleasant and with that feeling of "being so close to true beauty and perfection". It was not just a matter of experimentation, complexity per se or progressivity. It was really a wave of super-high creativity and inspiration, coupled in many cases with impressive interpretation performance. Bands can be really innovative and interesting today, but rarely have flashes of inspiration as high as those which happened in the 70's.
Possibly the drugs back then were of better quality too 
Nostalgia may play a small role but generally speaking I think there was something about that music that has not been repeated anymore in such a consistent way.
Edited by Gerinski - April 24 2010 at 03:52
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King Crimson776
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Joined: October 12 2007
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Posted: April 23 2010 at 18:20 |
I think the 70's had more good prog, because it was something new and people were inspired to make it back then. I am 20 so it can't be nostalgia for me.
Nostalgia is my parents putting on a Jackson Browne record. 
However I do think some modern prog is better than the vast majority of old prog. There are still good bands playing in the style of "symphonic, eclectic, RIO" etc. which has come to be termed "Progressive Rock", but the thing is these styles aren't really progressive anymore (though bands can still be original within these styles), so it's harder to find *inspired* bands playing this stuff. Hence, there are way more bands, but the proportion of good to bad, is far in the 70's favor.
Though there were plenty of godawful 70's prog bands.
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who-knows-it's-prog
Forum Newbie
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Posted: April 23 2010 at 19:19 |
For me nostalgia is not the music you like (70's Prog for me), but it is a particular song that brings back memories of a specific event, girlfriend, work etc. I am an old fart and with the exception of NWOBHM and The Manic Street Preachers and prog, i have absolutely nothing to do with music post 1980. Sad? Maybe but i know what i like and i won't change now.
However prog was best in the 60's/70's without a doubt, no dubioty or ambiguity......prog in the 60's/70's was real prog....today...well look at the posts on here still plenty of debate, i'll leave it there.
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peart_lee_lifeson
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Posted: April 23 2010 at 23:02 |
Lately, I would have to say that overall, the 70's had more interesting music than today even though I have basically just touched the surface of 70's prog. Though, this opinion probably changes after every few albums I listen to. Let me raise another question. If many of the big 70's prog bands never existed, would there even be a Marillion, Flower Kings, or any of the other previously mentioned bands?
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Gerinski
Prog Reviewer
Joined: February 10 2010
Location: Barcelona Spain
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Points: 5160
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Posted: April 24 2010 at 04:06 |
progpositivity wrote:
I will echo the statements about the sheer *volume* of music competing for our time and attention these days. It can tend to skew our perception toward a certain "lameness of today" verses the "greatness of yesteryear". Basically, we are comparing a semi-random selection of today's creative output, and comparing it against the most highly esteemed output of an entire decade (in this case the 1970's). Very much a case of comparing apples with oranges.
Think about it. A multitude of 70's rock music fans culled through tons of bands and songs. Progressive minded rock music fans formed favorites and passed those favorites on to the following decades of music fans. Genesis, Tull, Yes, King Crimson, Gentle Giant, ELP, Frank Zappa ... These bands connected with large art-rock, symphonic rock, jazz-rock, prog-rock audiences - and not without reason.
No doubt, some very good bands went unrecognized at the time. But not very many prog bands got "handed down" to the next generation without some real and legitimate point of *connection* with a significant group of people.
Fast forward to today. Randomly grab any 7 self-described "progressive rock" bands from MySpace pages today. Mathematically speaking, what are the *odds* that one of those will be of the caliber to stand next to Genesis, Tull, Yes, King Crimson, Gentle Giant, ELP, or Frank Zappa? Very low. They may be good and certainly worth enjoying. But the odds that they will be in the same league with time honored music heroes of the 70's? Not very likely.
Think of it this way. What if we randomly grab a 1970's art-symph-electronic-or progrocker from the "pool"? The odds are very similar that this randomly selected 1970's prog band won't be of the caliber to stand up next to the GIANTS of Prog either.
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What you say may have some effect, indeed we have retained as "masters from the 70's" only the best of those years, the ones who have stood the test of time.
But it is not the real explanation. Think about the period 70-75 and think how many masterpiece albums came out in those 5 years. Now think about the periods 90-95 or 95-2000. Already 10 to 15 years have passed so we should also have had time enough to filter the output of those periods and tell which bands / albums have stood the test of time too.
I bet the number of masterbands or masterpieces came out in a 90's 5-year period do not reach even 1/10th as compared to the period 70-75.
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American Khatru
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Posted: April 24 2010 at 04:41 |
rdtprog wrote:
... Is Genesis better than ... IQ, for example? ... |
Sweet stinking b'jeez whiz yes Genesis were better than their pale imitation.
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 Why must my spell-checker continually underline the word "prog"?
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Dean
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Posted: April 24 2010 at 05:46 |
I don't think it's nostalgia. It's certainly an effect of memory and time, and the filtering of the music so that only the good and the great are remembered and passed on to the next generation. There was a lot of awful music in the 60s and 70s that people are happy to ignore/fail to remember/block out of their subconscious and in forty years time the same filtering will apply to bands of today.
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What?
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