THE YES ALBUM

In a world rife with heinous harrumphitude and tantrum yoga, the purveyors of positivity released this phenomenal transitional album way back in1971. One of my earliest introductions to progressive rock music was THE YES ALBUM which burst onto the scene in 1971. So powerful is this album that it completely overpowers the first two which often get completely ignored. Many erroneously believe this to be the first YES album because it is the first of the string of masterpieces that grace the early to mid-70s.

What we have here is a band who had already developed their sound quite successfully and ratcheted it up to the next several levels and deliver it with a sense of bravado not quite developed on the first two albums. Exit Peter Banks who contributed his signature progressive guitar runs over the basic blues licks of the 60s and in is alien extraordinare Steve Howe who took that sound and jazzed it up with gusto. In still is Tony Kaye on keyboards who just couldn't let that 60s moog sound go. Ultimately he exited stage right because of his unwillingness to progress with the band but on this sole album the crossroads are fertile creating a little musical goldmine in the process. Also gone are the covers and this is the debut of all original YES material which signifies that this band is now ready for prime time.

The magic of this album is how accessible and complex it is at the same time. Just listen to this next to say, "Tales Of Topographic Oceans" or "Relayer" and it's obvious how easy it is to love instantly. That matters not because it is so brilliantly executed. The melodies are contagious but the band is on fire!!!! The passion pit is sweltering with the coals of long lost musical tidbits resurrected to create a renaissance of musical magnificence. Steve Howe's solo piece "The Clap" is a perfect example of how he brings a sorta homey feel to the complexities that arise. The acoustic guitar virtuoso displays a good old countrified bluegrass ragtime blitzkrieg that only replicates itself amongst the more spacey and progressive tracks on this album thus keeping the tunes from spiraling into the stratosphere and reining them in to the accessisphere. A classic of classics that is the perfect place to dive into the wonderful world of YES where even the most hardened progger can entertain melodic magnificence with melodramatic progginess seeping into every nook and note. Hippy dippy and WTF lyrics rule here but that is what makes it so cute and charismatic at the same time. YES! I love this album! YES! Oh God YES!