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Dream Theater - Dream Theater CD (album) cover

DREAM THEATER

Dream Theater

 

Progressive Metal

3.28 | 923 ratings

From Progarchives.com, the ultimate progressive rock music website

jampa17
Prog Reviewer
4 stars A great add for your collection but not their best

The self-titled album of Dream Theater was a big step in their career because it was the first time they have a different drummer involved in the composition of the songs. And of course, the really big shoes of Mike Portnoy weren't easy to fit in and walk away just like that. Well, Mike Mangini proves in this album that he is really on the same page of the rest of the band and made a wonderful work making the music interesting, intriguing and powerful.

If it's your first DT album you're going to hear, you will be pleased with the amazing riffs, the complex time signatures and melodic lines you're going to hear. There are some really fresh tracks like THE LOOKING GLASS (very "Rush-y") or ENIGMA MACHINE (a really "happy" and "easy going" instrumental piece) while SURRENDER TO REASON is maybe the most memorable and intriguing. On the other hand, while all the songs of the album are great, is not near the best you can hear from them. AWAKE, METROPOLIS Pt_2 or A DRAMATIC TURN OF EVENTS are way more interesting and the lyrics and melodic lines are more engaging and beautiful at the same time. Maybe the issue with this album is the "snare" sounds, which don't match with the rest of the production. I mean, the ejecution of the drums are perfect, but the sound lacks strength and definition. It's a minor problem, of course, more to do with the mix than with the band itself. The rest is a solid, creative, "usual" stuff for DT, with powerful guitar sounds, great harmonies, fresh keyboards sounds and the enigmatic bass lines fitting great with Labrie's top notch vocals. It's indeed a strong 4 stars album, but it will not convert the detractors, 'cause the band is no interested on doing it so. It's a great addition for those who love Prog Metal and this proves that DT keeps as the referent for the sub-genre.

jampa17 | 4/5 |

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