MISPLACED CHILDHOOD

1985's 'Misplaced Childhood', which served as my introduction to the band, is a concept album that is often regarded as Maillion's best studio release, and the creative peak of their Fish-fronted early years.

Continuing with the "neo prog" sound that Marillion were notable for, which kept progressive music alive in an 80's music scene that wasn't all too interested in the self-indulgent pomposity the genre was known for, 'Misplaced Childhood' features some of the most melodic songs the band have ever written, and this, along with hit singles 'Kayleigh' and 'Lavender' helped them appeal to a mainstream audience.

Seeing as it's a concept album, the songs all flow together smoothly and effortlessly, requiring multiple listens until individual tracks really start to stand out. It's not all bad though, I mean, don't we prog fans expect that? In fact, the only major detriment to the record is that a lot of the songs are fairly slow-paced. While they're nice to listen to, I feel Marillion's music really comes alive in their more energetic, high-tempo tracks. Not a massive complaint though, mostly me nitpicking.

With some of the most beautiful pieces of music you'll ever hear, including 'Blind Curve', 'Childhoods End', 'White Feather' and the classic 'Kayleigh', as well as more rockier songs such as 'Waterhole (Expresso Bongo)' and 'Lords of the Backstage', it's easy to see why 'Misplaced Childhood' is considered an essential addition to any prog collection.