Progarchives, the progressive rock ultimate discography
The Beatles - Revolver CD (album) cover

REVOLVER

The Beatles

 

Proto-Prog

4.38 | 1098 ratings

From Progarchives.com, the ultimate progressive rock music website

DamoXt7942
Forum & Site Admin Group
Avant/Cross/Neo/Post Teams
4 stars The seventh album "Revolver" is one of my favourite creations by The BEATLES, both as for the content and as for the sleeve, but simultaneously I guess every Beatlemania might have got bewildered with such a political, introspective, and depressive, and especially innovative soundscape. In 1966, they decided to quit gigging upon stage and to exert much concentration upon studio-based recording. Using tape loops or reverses frequently, they (especially John) would have dug more and more psychic, psychedelic inner world out. Aside from a sweet love song "Here There And Everywhere" or a funky relaxing stuff "Yellow Submarine" (this stuff is flooded with effective sounds or noises quite novelly though), every single track in this album is thoughtful, and tough to digest linearly. And their novelty upon melodic, rhythmic, and directly auditory presentation would have completely ignored the audience's mind (the audience completely followed the bizarre combo, nonetheless!).

The first attack "Taxman" is one of George's masterpieces featuring his loud, powerful, exciting guitar grandeur. Quite dry melody and sound along with political, cynical lyrics is kinda difficulty, we could not often listen to in those days. On the other hand, the following "Eleanor Rigby" composed mainly Paul is crazy introspective and complex, against loneliness around life and death. We can feel such a severity in the life via his simple composition, complicated lyrics, and instrumental set / formation. This severity itself can be heard in another gem "For No One" by Paul. Both tracks feature instrumental simpleness indeed. "Got To Get You Into My Life", covered by Earth Wind And Fire later, is characterized with bombastic brass sounds and Paul's intensive shouts. John launches splendid psychedelia through "She Said, She Said" that notifies us of serious life and death, and "Tomorrow Never Knows" under starry, meditative condition produced by hallucinogenic agents maybe. Even if these songs only are in, this album is worth purchasing and listening to, let me say.

Anyway my fave upon this lp is a superb salubrious, danceable one "And Your Bird Can Sing" honest to say. ;)

DamoXt7942 | 4/5 |

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

Share this THE BEATLES review

Social review comments () BETA







Review related links

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — jazz music reviews and archives | MetalMusicArchives.com — metal music reviews and archives

Donate monthly and keep PA fast-loading and ad-free forever.