BLURRING THE LINES ... A DEMOCRACY MANIFEST

I can't stand it any longer. At first, quite obvious, this fairly unspeakable band name strikes, puzzles every time, me at least. Just something like 'Overforward' maybe? Anyhow, come what may, as announced lately, the US quartet are offering a new manifest due to this album. Where they are blurring the lines between diverse genres again with ease. While being completely instrumental lyrics aren't available in consequence. The very nice cover illustration at least will express some touch with nature. And so, if there is any concept intended behind that ever, at least it may be managing another balancing act. Which would be to deliver new music that is unpredictable and accessible at once.

Thus, while listening, and considering the album title, who really will be up to doubt, that this is based on a democratic foundation? Without exception the musicianship is flawless over the course. Instrumental impact and compositional aspect obviously enjoy equal rights regarding all members. Not long ago they released the live in the studio session 'Occupations Of Uninhabited Space', retrospective and looking ahead both, as they also have put some forward-looking teaser on that album. Mother Tongue appears to be one exemplar, but provided in a new outfit on this occasion, yeah! And now, of course, the unavoidable question ... which is the better one, heh? Can't say, don't know, sorry, pragmatically seen I should prefer the more extended one, hah!

Whatever, the fabulous jamming middle part features a symbiosis of jazz/fusion and space rock attitude, marks an album highlight in any case. This is a quite eclectic one hour show, comes with creativity, definitely running against prog mainstream boredom. Equipped with a bunch of twists and turns it's really hard to analyze and describe. One track title, mentioning a trappers daughter, once provoked me to wonder if they ever have thought about recording a song or two with a singer anyway. Probably a new further challenge, who knows. Not an easy task in the end, because this music is of a complex nature, regularly contradictive to harmonies, choruses, refrains aso.

I rather should avoid to highlight any band member, but Chris Malmgren's enchanting piano lines are remarkable all over the course, exemplarily to mention on the fantastic opener Wretch. There's some fine symphonic bombast feel given within Another Afterthought. Furthermore the mysterious Cosmic Pillow extends the guitar range with a sitar and some King Crimson reminiscence. If you should be longing for a proper comparisn, the band Djam Karet will come into mind occasionally. 'Blurring The Lines' is absolutely recommended, prog purists should pay attention, so much to explore. 4.5 stars as for the rating so far.