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Accordo Dei Contrari - Kublai CD (album) cover


Accordo Dei Contrari


Jazz Rock/Fusion

3.92 | 97 ratings

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Prog Reviewer
5 stars In 2011 Accordo dei Contrari released an excellent sophomore album "Kublai", confirming all the good promises of their debut. The line up is the same as in the previous work with two prestigious guests on one track, Richard Sinclair (vocals) and Antonio "Cooper" Cupertino (percussion). According to the band, Kublai represents ordered chaos, light and dark, the balance between written and improvised music.

The lively, jazzy opener "G.B. Evidence" is freely taken from a theme by Thelonious Monk. The band "prog" interpretation is absolutely convincing, full of energy with delightful keyboards rides alternating with frenzied electric guitar passages backed by a nervous rhythm section. Next comes "Arabesque", a long, complex track that recalls Area and features many Oriental influences. It's my favourite on this album, it starts softly and takes you far away for a long trip where you can smell spices and taste exotic fruits.

The following "Dark Magus" begins with the sound of a gong that, according to the band, marks the passage from the visible to the invisible. The atmosphere is tense, full of evocative passages where guitar and organ paint in chiaroscuro on their musical canvas. "L'ombra di un sogno" (Shadow of a dream) features Richard Sinclair on vocals. Richard Sinclair wrote the lyrics for this piece as well, a charming elegy for a lost companion, his beloved, faithful dog. Dreamy memories shine through this melancholic song of intense beauty.

"Pił limpida e chiara di ogni impressione vissuta part I" (Clearer, brighter than any lived impression) is more aggressive and according to the band tries to describe the hopes and fears of everyone's life while the last track "Battery Park" was inspired by the gentle flow of the Hudson river on a windy and sunny day in February 2007 in New York City. Here gentle piano touches contrast with the thundering force of some guitar riffs in an effective way. Well, a perfect conclusion for a wonderful album!

andrea | 5/5 |


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