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Jan Hammer

Jazz Rock/Fusion

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Jan Hammer Beyond The Mind's Eye (OST) album cover
1.42 | 5 ratings | 1 reviews | 20% 5 stars

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Studio Album, released in 1993

Songs / Tracks Listing

1. Seeds (4:10)
2. Too Far (3:26)
3. Magic Theater (3:43)
4. Sunset (3:10)
5. Transformers (2:31)
6. Nothing But Love (2:54)
7. Virtual Reality (3:21)
8. Pyramid (2:59)
9. Brave New World (3:34)
10. Windows (4:01)
11. Midnight (2:50)
12. Afternoon Adventure (3:45)
13. Voyage Home (2:32)
14. Beyond (2:14)
15. Seeds of Life [Vocal Version] (3:59)

Total Time 49:09

Line-up / Musicians

- Jan Hammer / composer, performer & producer

- Linda Brynan Sears / cybernetic voice
- Chris Thompson / vocals (15)

Releases information

Soundtrack for the computer animation Video, directed by Michael Boydstun, re-mixed and sequenced different for this release

Artwork: Lesley Schiff

CD MIRAMAR MPCD - 2902 (1993, US)
CD MCA Records ‎- MCD 10752 (1993, UK)

Thanks to PROGMAN for the addition
and to Quinino for the last updates
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Buy JAN HAMMER Beyond The Mind's Eye (OST) Music

No release results - showing artist results instead
Miami Vice: Music From the Television SeriesMiami Vice: Music From the Television Series
MCA Records 1985
$4.25 (used)
Seasons, Pt. 1Seasons, Pt. 1
CD Baby 2018
Escape from Television (UK Mid Price)Escape from Television (UK Mid Price)
Island Uk 1999
$5.59 (used)
Beyond the Mind's EyeBeyond the Mind's Eye
Miramar 1995
$7.98 (used)
Best of Miami ViceBest of Miami Vice
Aao Music 2004
$5.85 (used)

More places to buy JAN HAMMER music online Buy JAN HAMMER & Prog Rock Digital Music online:

JAN HAMMER Beyond The Mind's Eye (OST) ratings distribution

(5 ratings)
Essential: a masterpiece of progressive rock music(20%)
Excellent addition to any prog rock music collection(0%)
Good, but non-essential (60%)
Collectors/fans only (0%)
Poor. Only for completionists (20%)

JAN HAMMER Beyond The Mind's Eye (OST) reviews

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Collaborators/Experts Reviews

Review by Atavachron
SPECIAL COLLABORATOR Honorary Collaborator
1 stars I wouldn't come right out and say this album is 'poor'-- it did represent, for a brief moment, the cutting edge of commercial cyber-pop and music born of the computer, flashing, chirping and fractalating it's way into mainstream media, leaving a robotic taste in the mouth. Problem is, there was and is much better tech music being made - like Thomas Metcalf's 'One' (1989) for example - and so, in hindsight, Mr. Hammer's hugely successful TV soundtrack music with its algorhythmics and syn-phonic aspirations doesn't keep its shimmer over the years.

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