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SEI NOTE IN LOGICA

Roberto Cacciapaglia

Progressive Electronic


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Roberto Cacciapaglia Sei Note In Logica album cover
3.20 | 11 ratings | 1 reviews | 18% 5 stars

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Studio Album, released in 1979

Songs / Tracks Listing

1. First Part (16:07)
2. Second Part (16:51)

Total time 32:58

Bonus tracks on 2001 remaster - Six Notes :
3. First Part (acoustic version) (18:16)
4. Second Part (acoustic version) (19:06)

Line-up / Musicians

- Roberto Cacciapaglia /electronics, composer & producer

With:
- Alexandra Althoff / vocals
- Cettina Cadelo / vocals
- Elfriede Demetz / vocals
- Eloisa Francin / vocals
- Ensemble Garbarino
- Giuseppe Garbarino / conductor
- Ann Steel / reciting voice (not confirmed)

Releases information

LP Philips ‎- 6323 081 (1979, Italy)

CD Proper ‎- SP005 (2001, Europe) Remastered with 2 bonus tracks previously unreleased

Thanks to Ricochet for the addition
and to Quinino for the last updates
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Sei Note in LogicaSei Note in Logica
Mirumir 2015
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$27.05 (used)


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ROBERTO CACCIAPAGLIA Sei Note In Logica ratings distribution


3.20
(11 ratings)
Essential: a masterpiece of progressive rock music(18%)
18%
Excellent addition to any prog rock music collection(18%)
18%
Good, but non-essential (64%)
64%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

ROBERTO CACCIAPAGLIA Sei Note In Logica reviews


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Collaborators/Experts Reviews

Review by philippe
SPECIAL COLLABORATOR Honorary Collaborator
3 stars After the mind blowing and epically majestic first album Sonanze, the prolific and eclectic Roberto Cacciapalia explored diverse musical aesthetics. Before to define his music in more mainstream pop territories in later albums he had a short excursion into classical-minimalist music. Sei Nota in Logica is the result of this transition. As usual it's perfectly achieved with a real sense of harmony and composition. However in term of ideas and musical creation this is not really challenging. Sei Nota in Logica only re-visit recognizable intricate sound patterns released by U.S minimalist researches (I'm notably thinking about the most asceptic parts of Steve Reich's minimal structuralism). The gamelan, the sax and the piano's intertextual moves progress into a peaceful-dreamy envinonement interrupted by suspensfully electronic scintillations. The atmosphere is intimate, percussive and full of short rythmical modules but not quite dense. Sei Nota in Logica is gently calm and decorative without growing into absorbing-lysergic droning waves. Highly recommended for fans of minimalist-arpeggiated musical impressionism (early Philip Glass, Reich and Gibson).

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