SHH!

Firstly released through unclear "O Records", this most coherent output from the Finnish capital based underground freaks has been reissued later on CD-R by Pekka Airaksinen's "Dharmakustannus" and also on vinyl by De Stijl label. The first side of the LP begins with "Heinäsirkat I" (Locusts I). This over sixteen minutes long ambient journey space starts with echo-delayed oscillations of a guitar and distant analogue electronic humming. These two sonic entities quietly entwine, and resemble a darker version from Galactic Explorer's or Tangerine Dream's "Zeit" aural landscapes. Later the darker humming evolves as more high pitched feedback, altering the start's serene sequence as more disturbing abstract musical stagnation, which later gains rhythm from volume pulsing. I would believe this song mostly documents Mr. Airaksinen testing his electronic audio generators and possibly doing a second track layer with a guitar over it. On "Korvapoliklinikka Hesperia" it is possible that Nikke Nikamo holds the awesomely roaring low-pitched guitar, at least he has been credited as a composer for this track. It is also possible that the played instruments are also here done by Airaksinen, and the members of the collective participated to the creation process of these tracks with some other mysterious manners. However, the appearing celestial carpet of sound from this reverbed instrument unites with unearthly brilliance of electronic devices and excerpts from official-sounding radiobroadcast, which I believe are from traffic guidance systems of either taxis or emergency patrols, the final phrase stopping to location "Korvapoliklinikka" (an ear dispensary). The B-side spins forward with "Jazz Jazz", freely flowing saxophone solos casting shadows over electronic acoustic walls of tones, staying on very minimalist groovy level. The composition has been credited for Ilkka "Emu" Lehtinen, who later committed to prosperous record dealing and music business, and Antero Helander, who I believe played the saxophone. Mr.E. Kuitunen is also credited from the composition. The final long track "Dodekafoninen talvisota", who also has Nikke Nikamo credited as a composer, stands for twenty minutes lasting aural collage of percussions, noises and ambient humming. All this concludes as an album certainly worth of recommending for collectors of vintage avant-gardist psychedelic electronics, delivered from the iconic Finnish underground pioneers.

Two years after their bizarre experimental noise and free improvisation EP "3rd Erection" the Finnish band SPERM release their first and only strange and left-field full-length album with the amusing title SHH! (long before Chumbawumba thought of it!) This one was actually released as a double album on LP in 1970. SPERM may have only released a couple rarities in their day but they stirred up quite the scene in Finnish society and reined supreme in the underground scene. They were notorious for their outlandish performances and concerts that exhibited excellent psychedelic light shows to accompany their divorced-from-reality sonicscapes. Don't let the oft used term "drone" scare you away. This is much more sophisticated than just a repetitive tape loop unfolding to infinity. Each track has its own personality and yes indeed it is experimental but careful listens reveals underlying logic. While the members basically created all of the sounds incorporating samples and experimentation with guitar feedback and effects, it's quite amazing how diverse the soundscapes unfold

"Heinäsirkat I (Locusts)" delivers an extreme echo effect of guitar and tape manipulation. Sounds like listening to an alien invasion concert underwater! Guitar feedback is particularly tripped out with fuzz and reverb that creeps in and out. Reminds me of dolphin echolocation at times. The parts that have what sounds like a swarm of locusts is really scary and utterly alien

"Korvapoliklinikka Hesperia (Ear outpatient clinic western land)" sounds like a heavily distorted bass line of some sort with droning fuzz. This one might actually qualify for the drone label as it plucks away a single note repeating. The buzzing sounds like an amplified electric razor or something and strange ethereal ambience swirls around behind it. Towards the end are some samples of voices that sound as if they are being received on a primitive walkie talkie

"Jazz Jazz" imagine Ornette Coleman playing sax after smoking it out with the caterpillar in "Alice in Wonderland" and you're getting close :P

"Dodekafoninen talvisota (Dodecaphony winter war)" reminds me a bit of Karlheinz Stockhausen as it takes an pointillistic approach of burying an actual composition with layers of syncopated noise counterpoints that are deliberately jolted off key and out of timing to gain the desired effects. This one gets quite violent and probably the most disturbing sounding track on the album. It sounds totally chaotic at first but towards the end emerge the closest beats that could sound like a regular rhythm and a composition bubbles up from the darkness if you listen for it. Very strange track

This is a wild ride recommended for only the hardcore trippers who seek total escape from reality and want to enter an alien soundtrack that they have never experienced before. SPERM proved with their two releases that the most lysergic sounds didn't start with Krautrock and that psychedelic improv through electronic means during this period was merely an extension of the experiments that began in the 50s and then banished to alien world where they were allowed to evolve in totally unearthly manner. Personally i love this kind of stuff and SHH! has some interesting ways of keeping it busy and my attentive ears pricked up throughout its entire run

Like "3rd Erection," this is the rarest of the rare and was only released in limited supply once back in 1970 however it has been released on the compilation "Works 1968-1976" and is readily available on YouTube

4.5 but rounded down

This is THE one in the Finnish cult rock scene. It's pretty amazing such an incredible one was released in 1970 (anyway, I'm always wondering how the Finnish rock fans around 1970 would felt, due to its innovativeness and especially madness). SPERM's only one full-length opus "Shh!" was created and produced mainly by one of Finnish electronic giants Pekka AIRAKSINEN (it's a shame he passed away last year), who launched his solo debut album "One Point Music" two years later. Weirdness and eccentricity via "Shh!" is surprisingly superior to "One Point Music" at the auditory point of naive and fragile ambience.

The first big one "Hein'sirkat I" has such an impressive vibes of psychotropic infusion. Silky sound / noise texture gets up and gets down repeatedly. Psychic effects via this track are too incredible for you to meditate without any agent. Guess they (especially Pekka) would not have minded creating kinda typical form of tune, and this matter can immerse you. More and more complicated movements can be heard via the second tricky hoax "Korvapoliklinikka Hesperia" where dry, dessert-y darkness like chilling pieces of broken glass occupies fully. The combination of noisy synthesizer- based sounds, freak-out female voices, and kinky explosive noises, is tempting.

"Jazz Jazz" is another fantasy. Avantgarde improvised melody lines are created mainly by the wind instrument trio, and their sound basis is processed by deep, dreamy, colourful electronic effects. Not simple free-form jazz but something like mind-friendly dreammare. The last "Dodekafoninen Talvisota" is also expansive. Cool, glacial sound collective based upon sharp-edged rhythmic percussion makes you feel good. But do not be deceived. The latter phase is chaotic, like wild hair of a Japanese ghost. Sarcastic randomized acoustic guitar phrases plus dissonant metallic noses on the last stage drive you into another dimension.

"Shh!" has been released 50 years before, that sounds fresh and fruity even currently. What a surprise.