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INROADS, NEW YORK, NY, USA AUGUST 06, 1981

Robert Fripp

Eclectic Prog


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Robert Fripp Inroads, New York, NY, USA August 06, 1981 album cover
4.00 | 1 ratings | 1 reviews | 0% 5 stars

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Singles/EPs/Fan Club/Promo, released in 2009

Songs / Tracks Listing

1. Loop I 7.16
2. Loop II 7.32
3. Loop III 3.44
4. Loop IV 6.11
5. Loop And Solo I 7.15
6. Loop And Solo II 7.47

Total Time 41:05

Line-up / Musicians

- Robert Fripp / electric guitar, tapes, Revox

Releases information

DGM LIVE RECORDS
DD: 2009.10.19 WW DGM Live 1663 (FLAC)
DD: 2009.10.19 WW DGM Live 1663 (MP3)
1981-2009

Thanks to admireart for the addition
and to NotAProghead for the last updates
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ROBERT FRIPP Inroads, New York, NY, USA August 06, 1981 ratings distribution


4.00
(1 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(100%)
100%
Good, but non-essential (0%)
0%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

ROBERT FRIPP Inroads, New York, NY, USA August 06, 1981 reviews


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Collaborators/Experts Reviews

Review by admireArt
PROG REVIEWER
4 stars It ismy fault this Robert Fripp addition has no art/cover, although it is meaningless, in comparisson to trying to push this 1981 masterwork "live" performance, which has been "unearthed" by the DGM label, which has the full approval of the composer himself, as to its release as a downloadable/ cd in 2009. By the time of the performance, Mr. Fripp's "frippertronics" were becoming richer in his "writing" of simultaneous electric guitar lines or "riffs" (if it fits), happening alongside his pre-recorded material.

This by all means is "PROGRESSIVE/ELECTRONIC", so it will fairly be more appreciated by that "ever growing" crowd.

In able to have more edge, with this uncompromising song writing, is to understand the amplitude of a single musician, with an own re-structured language (although there are some very Crimson-like heavy/guitar solos), that constructs single handedly, huge, apparently "naked", dynamic, minimalistic structures, that are both rich in daring composition as performance. The whole album lasts less than 40 minutes, and yet it could not get better.

Forewarning the "world' of the upcoming great, "Let the Power Fall" in those days, this is by far its best precedent. Highly recommended to be owned, by any "alternative" Progressive/Electronic follower, or any one who wonders what this is all about. IMO, ****4 PA stars.

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