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EL ECO DEL SOL

Bubu

Eclectic Prog


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Bubu El Eco Del Sol album cover
3.99 | 128 ratings | 3 reviews | 28% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 2018

Songs / Tracks Listing

1. Resplandor (3:49)
2. El Eco Del Sol (9:05)
3. Ariel (3:45)
4. Omer (6:49)
5. Cielo Negro (5:41)
6. Penas (7:25)
7. Por La Mañana (3:52)
8. La Vaca Roja (7:39)

Total time 48:05

Line-up / Musicians

- Federico Silva/ electric & acoustic guitars
- Virginia Maqui Tenconi/ keyboards, choir conducting
- Alvar Llusá Damiani/ electric & acoustic violins
- Emilio Tomás Ariza/ transverse flute, backing vocals
- Juan Ignacio Varela/ tenor saxophone
- Daniel Andreoli/ bass, composer
- Julian Bachmanovsky/ drums

With:
- Pablo Murgier / keyboards
- Anibal Dominguez / transverse flute
- Manuel De La Cruz Zambrano / percussion
- Lucas Aguirre / voice
- Oscar Amaya Agostina Tudisco / backing vocals
- Ana María Battezzati / backing vocals
- Pablo Mancuso / backing vocals
- Florence Stefanelli / backing vocals
- Abigail D'Angiolillo / backing vocals
- Paula Liffschitz / backing vocals
- Tina Haus / backing vocals

Releases information

CD Viajero Inmovil Records ‎- BUBU076VIR (2018, Argentina)

FLAC download - bandcamp.com

Thanks to steveconrad for the addition
and to Quinino for the last updates
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Buy BUBU El Eco Del Sol Music


El Eco Del SolEl Eco Del Sol
Viajero Inmovil Records
$19.99


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BUBU El Eco Del Sol ratings distribution


3.99
(128 ratings)
Essential: a masterpiece of progressive rock music(28%)
28%
Excellent addition to any prog rock music collection(43%)
43%
Good, but non-essential (18%)
18%
Collectors/fans only (5%)
5%
Poor. Only for completionists (6%)
6%

BUBU El Eco Del Sol reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by siLLy puPPy
COLLABORATOR PSIKE, JR/F/Canterbury & Eclectic Teams
4 stars As the 21st century churns on it's amazing how popular classic progressive rock has made somewhat of a renaissance with some bands like Gentle Giant finding surging sales of their ambitious musical gems that have been surpassing the sales of the initial releases of the 1970s. As the public tires of simple and uninspiring musical mediocrity and turns to the more complex constructs to get their fix, they will ultimately find themselves scouring the classic years to see what they've missed out on. While many a band struggled to stay true to their musical vision, most folded under the financial pressure and zero record company backing. However despite the hardship they endured, many managed to release some of the absolute best music ever laid down to any musical format.

While one can point to England, France and Germany as having the lion's share of classic prog, they were hardly the only game in town. While lesser known Argentinean prog may not have been as popular in terms of world interest, this South American country which is more famous for the tango than prog has indeed generated some top notch progressive rock with the Buenos Aires based BUBU possibly ranking as the best the country after having dished out their classic 70s prog in the form of their masterpiece "Anabelas." While the band was active from 1975-79, they only managed to crank out the one album and then disappeared into the ethers never to be heard from again. Well?.

?.until the year 2016 when founder, composer, bassist and band leader Daniel Andreoli decided he should jump on the bandwagon of prog rock's upsurge in world popularity and resurrected his classic band to catch the new prog wave hitting every corner of the globe. So resurrect it he did, however this is not a typical reunion of past members but rather Andreoli rounding up the talents of a whole new younger generation, whipping them into shape and showing them how prog was done in the good old days. While this may sound tantamount to herding cats in a tuna cannery, somehow his efforts on the 2016 comeback "Resplandor" were quite satisfying.

"Resplandor" was quite the teaser. Seemingly emerging from nowhere with no prior warnings, BUBU was back which offered the prog world an initial gasp of excitement only to be quashed by the fact that this was just a three track EP that hit the fifteen and half minute mark. While no guarantees were given that this was a teaser prognosticating a bona fide comeback album, it was a satisfying return to form for this Argentinean outfit so beloved by many a proghead around the globe. Well, lo and behold, it was an omen indeed that the great BUBU was back for a second run and finally in 2018 we see the release of the long awaited second album EL ECO DEL SOL (The Echo Of The Sun) a full 40 years after "Anabelas."

Yeah, many a classic prog band that released a single album has made a comeback in years past only to disappoint beyond belief including the greats like Maxophone, Gnidrolog and Cherry Five just to name a very, very few. What sounds like a great idea to latch onto the current trend of retro prog doesn't always pan out as many bands seem to lose the mojo that made their music great in the first place, however BUBU thankfully still got it! Yep, Andreoli has lost none of his prog chops in the least bit and even though he's working with an entirely new generation of musicians, he successfully ekes out all the required ebbs and flows that made "Anabelas" so utterly brilliant.

If you were expecting something radically new from the BUBU of 2018 then you shouldn't bother. EL ECO DEL SOL faithfully picks up exactly where "Anabelas" left off and i would imagine that Andreoli has been working on some of these tracks for the past 40 years and perfecting them until they shimmer in the sun like a diamond. BUBU retains its core essence in every aspect. Eclectic as ever, the new rendition of the band returns with all those beautiful progified riffs and rhythms laid out symphonically and augmented with flutes, saxes and violins. Once again the choirs are back in full effect and Andreoli has lost none of his magic regarding the dynamic and mood shifts that made "Anabelas" a classic of the ages. One little disappointment of EL ECO DEL SOL is that it contains two tracks from the "Resplandor" EP, namely the title track and "Omer" but since they are such great track i guess i can't complain.

Unlike "Anabelas" which contained two sprawling tracks and a third shorty at a near 8 minute running mark, EL ECO DEL SOL exhibits eight shorter tracks but they all run together quite remarkably giving the album an overall unified feel. There is nothing on EL ECO DEL SOL that sounds out of place or derails the beautiful feeling that only BUBU can provide. Once again, BUBU dish out all the expected influences ranging from King Crimson, Genesis, ELP, Focus and their classical hero Tchaikovsky. The music runs on symphonic prog mode but adds touches of jazz, classical and occasional bursts of rock energy. The album is noticeably less aggressive and bombastic than "Anabelas" and drifts in a more ethereal mode yet retains a heavy presence of rock instrumentation. While Argentinean, BUBU's closest musical lineage sounds like they would easily fit into the Rock Progressive Italiano scene of the 70s as there are no tango tributes or anything tying the band to their geographical homestead.

As far as prog comebacks go, EL ECO DEL SOL is a smashing success and delivers everything i could want from a classic 70s prog band. While it does not outdo it's classic predecessor in intensity and compositional prowess, it does nevertheless deliver the goods as a brilliant sophomore album that in all honesty sounds like it truly could have come out two years after the debut "Anabelas." This album easily captures the zeitgeist of the original timeline of BUBU's first rendition and although some could deem that too safe for its own good, i would argue that i'd rather hear an anachronistic album that is done brilliantly than something half-baked that the band was trying to capture and had no realistic ability to pull it off. Andreoli knows his strengths and on EL ECO DEL SOL he nurtures them well making BUBU's long awaited comeback an effort well worth waiting for. Do expect a mellower album than "Anabelas" in the overall scheme but the compositional constructs exude the classic vibe that made that album so great.

Review by BrufordFreak
COLLABORATOR Honorary Collaborator
5 stars Where have these guys been for 40 years and why now?! This is an amazingly mature, diverse, and creatively fresh album of progressive rock songs in the very best sense of progressive rock. The integral use of full vocal choir on three of the songs is especially enjoyable.

1. "Resplandor" (3:49) choral voices singing over some very intricate and tightly performed symphonic prog music. The song has two significant parts to it, two different paces and dynamics, both very different. I think I like the first half best despite the somewhat discordant conflict between the choir and the rock music. (9/10)

2. "El Eco Del Sol" (9:05) jazzy, chameleonic Neo-Prog quite like Italy's LA COSCIENZA DI ZENO. After the intro period, the breakneck speed is quite impressive for the band's overall unity. It is, in fact, the more slowly drawn out vocal track that distracts and disturbs the latter, though, fortunately, the vocals are quite sparsely used throughout. Nice use of woodwinds and strings within, in front of, and outside of the overall weave. Quite a cinematic song with some very Bond-like "action" sections. The more Latin-flavored section that begins at the eight minute mark is unexpected but then smoothed over by the vocals that are consistent with earlier appearances. (18/20)

3. "Ariel" (3:45) a smooth and gentle instrumental with full band participation in the interlude-like weave--until, that is, the 1:45 mark when a heavier intensity is brought in with double-timed guitars and rhythm instruments. This "chorus" is, however, fairly short-lived as we are soon returned to the opening theme for the second verse--which plays out until the end. (9/10)

4. "Omer" (6:49) opens with a very gentle, spacious soundscape--full band all contributing to the subtly constructed tapestry. At 0:50 the music shifts into a second gear--a structure to support the entrance of the vocalist--but then it ramps up into third gear with some very busy bass work while the many layers provided by each of the band members steps in line to support the alternation of horns and vocals. Things begin to reverse their pace and complexity in the fourth minute, breaking down to pretty but much simpler tapestry in the fifth. The guitar solo and accompanying music in the sixth minute sounds like it's straight out of LYNYRD SKYNYRD's "Free Bird." This plays out till the end with some vocal support at the very end. (8.5/10)

5. "Cielo Negro" (5:41) opens like a theme to an old suspense/spy film's chase scene. Everybody is participating on this one (save the chorus). The structure and melodies feel very 1960s while the horns, electric guitar sound and stylings as well as the organ solo sound very early 1970s. The slowed down interlude in the third and fourth minutes are interesting--especially for their classical feel--reminding me of 1970s Québeçois band CONVENTUUM. Things ramp back up for the final two minutes as organ, sax, flute, and lead guitar take turns with their leads while noodling along in support throughout. Interesting song. (8.5/10)

6. "Penas" (7:25) notes the return of the chorus as well as the flute and saxes in lead roles--this time with the chorus's inputs being much more intricately orchestrated and dispersed. The complexity and slow development over the first three minutes combined with the seamless transition into the full-fledged song thereafter leads me to call this my third favorite song on the album. Great melodies, too! I especially enjoy the subdued yet real duet/duel between the lead guitar and violin in the sixth minute, which is then seemlessly handed off to sax and flute. Bass- filled stop-gap at the six minute mark is rather unexpected and interesting--especially as it ends up playing out (decaying) to the song's finish! (9.5/10)

7. "Por La Mañana" (3:52) opens up like a sad ballad for its first 30 seconds before bass and drums effortlessly elevate the song into a very comfortable grooving drive. Before the first minute has even passed a multiple guitar riff adds another layer of high tension and congestion before disappearing to allow the re-establishment of the cool groove. Then at 1:46 an orchestra-like slow down opens up the song to a lone solo guitar playing its arpeggi. This is very soon joined by orchestrated support to play out till the end. Wow! What a song construct! My second favorite on the album. (9.75/10)

8. "La Vaca Roja" (7:39) another song that begins with a soft, soulful, full band "orchestral" fusion before shifting into second and, later, more angular, Crimsonian third gear--all within the first three minutes--before cycling back to the heart-strings-pulling beauty of the pastoral opening. Just as one is getting used to the peaceful reverie of floating on a country river things begin to thicken and ramp up, and then, just before the beginning of the fifth minute, everything just disappears leaving "far away"-sounding cymbals, congas, and, soon, violin to paint a picture of late night streets. Then the equally distant activities of chorus and other independent and seemingly disconnected instruments appear and meld into a kind of neighborhood polyphony--to end! Very unusual and creative. I love it! My favorite song on this surprising album. (15/15)

Five stars; a masterpiece of progressive rock music. Excellent sound engineering with very mature songwriting (though sometimes showing a style that feels dated), there is very little "fat" or "slough"--as well as many surprising twists and turns--in any part of any of these songs.

Latest members reviews

4 stars RADIANCE and TRANSCENDENCE Una luz detrás de las puertas del Sol y detrás de esa luz la canción que vendrá por vos. Mundos de gris a la luz de otro sol su color cambian. Lo que alumbres será lo que verás y brillará más. Algo viene del cielo Algo va Las miradas L ... (read more)

Report this review (#2024105) | Posted by SteveConrad | Tuesday, September 11, 2018 | Review Permanlink

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