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DREAMS

Klaus Schulze

Progressive Electronic


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Klaus Schulze Dreams album cover
2.69 | 43 ratings | 3 reviews | 23% 5 stars

Good, but non-essential


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Studio Album, released in 1986

Songs / Tracks Listing

1. A Classical Move (9:40)
2. Five To Four (7:57)
3. Dreams (9:25)
4. Flexible (4:06) *
5. Klaustrophony (24:40)

* Absent from LP edition

Total time 55:48

Bonus track on 2005 reissue:
6. Constellation Andromeda (23:52)

Line-up / Musicians

- Klaus Schulze / Roland JX-10P, Super Jupiter & Planet S, Korg DW 8000, Midi Recorder & Digital Voice Processor, Akai sampler, Fairlight, Oberheim DMX drums, Publison Infernal Machine 90, producer

With:
- Ian Wilkinson / vocals (5)
- Nunu Isa / acoustic guitar
- Andreas Grosser / piano, electronics
- Harald Asmussen / bass
- Ulli Schober / percussion

Releases information

Artwork: Ulrike C. Gillmann

LP Brain- 831 206-1 (1986, Germany) Less 1 track then on CD edition

CD Brain- 831 206-2 (1986, Germany)
CD Revisited Rec. - REV 0503 (2005, Germany) With a bonus track recorded in 2003 (promotional use)

Thanks to Fantômas for the addition
and to Quinino for the last updates
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Buy KLAUS SCHULZE Dreams Music


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Made in Germany Musi 2016
$11.70
$15.24 (used)
Dreams / En=TranceDreams / En=Trance
Thunderbolt 1999
$29.99 (used)


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KLAUS SCHULZE Dreams ratings distribution


2.69
(43 ratings)
Essential: a masterpiece of progressive rock music(23%)
23%
Excellent addition to any prog rock music collection(14%)
14%
Good, but non-essential (30%)
30%
Collectors/fans only (21%)
21%
Poor. Only for completionists (12%)
12%

KLAUS SCHULZE Dreams reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Bonnek
SPECIAL COLLABORATOR Prog Metal Team
2 stars Dreams starts as uninspired as any other mid 80's Schulze album. But when we get to the title track, magic happens. Out of the unimaginative dross that preceded it, comes this gorgeous track propelling us back right into the magic universe of 'X'. The track sounds very much as if it could have come from that album, no sequencing, just a myriad of synths waving a vast texture like only Shulze can conjure up. One of his best tracks ever.

Also the Klaustrophony track starts off nicely but it breaks out of it's enchantment by the time the drum machine kicks in. I never understood why Schulze (nor Tangerine Dream) realized they completely failed at programming drum machines. They should have abandoned doing it after a few unfruitful tries. Their rhythms are tepid, lame and cheesy and bring down all tracks they feature in. Well, except for Dreams then, even the rhythm is wonderful here.

Review by ZowieZiggy
PROG REVIEWER
3 stars The participation to superb and definitely huge albums from Klaus is quite brilliant and unprecedented as far as I am concerned. For the novice fan who would be willing to enter his mighty work, it is of course wise to recommend his fabulous, and wonderful albums of the seventies (up to "Mirage").

Prior to this one, the eighties were a consistent and globally good effort, but no more. I wouldn't say that this "Dreams" are overwhelming me with great passion. The man has used me to so much better music, so much better soundscapes with extreme and passionate compositions. Still, the title track is awesome: cold, perfect, full of harmony and tact. THE highlight from this album.

While Klaus always brought only excellent pieces of music during his earlier work it is a fact that times have had quite a change on his music (but he was not the only one, right?). To listen to such a weak song as "Flexible" is quite disrespectful as far as a fan can be concerned.

I can't be thrilled with these "Dreams" to be honest. Even the epic "Klaustrophonie" is just shy of his mighty and earlier works. The magic has been erased and another glory of his music has been brought. Not for the best, I'm afraid. The vocal section is just weak and useless. How could such a genius accept these poor contributions?

This album is only a good one. Dear old Klaus has used me to so brilliant and gorgeous albums that I can only be a little disillusioned with this one.

Still, three stars.

Review by Warthur
PROG REVIEWER
2 stars By the mid-1980s Klaus Schulze's releases were coming thick and fast - like many other New Age keyboard gurus who were likewise flooding the market. In retrospect, this rapid release of material enabled by electronic recording technologies was probably detrimental to the progressive electronic scene as a whole; because the market was so inundated with material from artists making a large number of releases, other artists had to release a heap of albums themselves in order to prevent their own efforts being completely swamped. How much blame Klaus himself bears for this situation is impossible to ascertain: though his prolific early years certainly set a precedent for it, at least his 1970s releases maintained a generally high standard, but it was clear by Dreams that he couldn't keep up. A more unimaginative collection of New Age electronic cliches you couldn't hope to find.

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