LORIEN

The truth is that Lorien had not much to offer to the already grown British Neo Prog scene and their style was extremely influenced by MARILLION with some JADIS sensibilities in some vocal and a few guitar drives.So you will assume that skipping this album would not be a crime, in case you don't Lorien have at least some great musicianship, melodious textures and nostalgic 80's vibes to offer.Keyboard work appears to be much influenced by MARILLION's MARK KELLY and the guitar distortions are also inspired by the work of the British Neo pioneers, not to mention the FISH-like vocals of Filkins.Despite the presence of two guitarists, the sound is rather balanced and atmospheric with no particular heavier overtones, relying mostly on the poetic lyrics, the GENESIS/PINK FLOYD-ian solos and the dreamy keyboard moves of McLeod.As MARILLION did back in the 80's, the tracks contain different climates and segments with energetic, aggressive, romantic and melodic splits, delivered by the band in tight offerings with discreet symphonic keyboard orchestrations.The title track is a very ambitious effort by Lorian on non-interrupting 20 minutes of Prog music, scanning the Neo Prog fundamentals: A deep lyricism, melodic passages, powerful rhythms and darker soundscapes with a fantastic ending solo, MARILLION's ghost is all over the place again.

Lorien visited German and Czech Republic for the promotion of the album, but Filkins left the band soon after.This was the beginning of the end for the British band, its only other recorded document being on a cover of E.L.P.'s ''Tarkus'' on the 98' tribute album ''Fanfare for the pirates''.

MARILLION-esque Neo Prog, totally unoriginal, but composed and played with a fair amount of inspiration and passion.Nice melodies and atmospheres throughout.Recommended.

Again one might wonder why I gave 5 stars. Incomparable to Essentials like GENESIS or KC early albums, LORIEN's one is another EXCELLENT example of Neo-prg and it's truly deserves to be rated as Masterpiece of the Genre. Imagine early MARILLION mixed with Polish COLLAGE and featuring JON ANDERSON (of YES) on vocals (and lyrics)!!! Awesome!

Opener is powerful Neo-track in IQ manner; "Lost for Words" is a good ballad with typical YESy coda; "Losing It" is a 9-min long mini-epic a-la "Forgotten Sons"; "The Divide" is another YESy tune, very good radio-ballad. "Children's Games", a title-sake 19- min long epic, can serve as an example of good and pathetic Neo-Prog in COLLAGE's "In your Eyes" or RED SAND "Mirror of Insanity" vein. SIMPLY FLAWLESS! Filled with dozens of moods and themes changing, it alone makes CD worthy of buying! Album ends with "Love is", a simple keys-guitar song, very romantic and sincere.

EXTREMELY RECOMMENDED to fans of MARILLION, COLLAGE, RED SAND, CLEPSYDRA and YES. Also every Neo fan must put this item into his wishlist. This is not just "another one...", this is a True Neo Gem and it's a Must !!!

I wouldn't know what to compare this band to, as I'm hearing a great mix of all kinds of semi-familiar sounds. "Children's Games" is the album's epic, and it's probably the best track on the album, though I'm growing fond of "Hold The Key" as well.

Really, the chance is small, but if you ever get an opportunity to get your paws on this album, I assure you it's well worth your money, even if you're not a fan of the particular sub-genre. They should really re-issue this one. It deserves at least that.

Yours, Tailscent