TIDELINE

1. "Seasons" (4:52) 12-string guitar and Hadi Al Gammal's vocal open the song and sing a verse before the full band joins in during the first chorus. Nice, pleasant music with an overall uplifting feel to it. The melodies feel familiar from smooth jazz pop songs. (8.25/10)

2. "Presence" (3:20) a slightly more operatic singing style with piano accompaniment opens this one before heavily treated bass, drums join in. It could almost be Michael Bubl' or Andy Tillison (and with special similarities to Andy's music as The Tangent). (8.5/10)

3. "The crowded room" (4:32) 12-string guitar with multi-layered Morrissey/Dave Gahan-like vocals singing folk-like harmonies is soon joined by bass and drums and later interspersed with sections of piano soli and reversed piano chords. There is a nice, melodic bass solo in the third minute then a Moogie solo over bouncy Fender Rhodes in the fourth. Nice song. (9/10)

4. "Behind an open door" (3:10) finger picking acoustic guitar as Hadi sings solo over the top. Very folk-like--quite similar to the sound and sensibilities of Harmonium founder Serge Fiori as well as Scotsman Roddy Frame (Aztec Camera), though the bongos and acoustic guitar solo to finish are more like AMERICA. (9/10)

5. "Fields" (2:41) solo piano with Hadi singing over the top. This sounds so much like Peter Gabriel with a smoother voice like the that of the late great Robbie Wilson, lead singer of Autumn Chorus. (4.5/5)

6. "Dusty rehearsals" (3:40) piano jazz like ANDY TILLISON, BILLY JOEL, or TOM POWERS. Gorgeous song though not really proggy. (9/10)

7. "Painting your story" (5:53) wistful piano jazz is soon joined by acoustic guitar, bass and drums. Hadi's powerful, dulcet voice doesn't enter until 90 seconds in. Again Morrissey and Andy Tillison come to mind. It feels very much like an AL STEWART song. (8.75/10)

8. "As usual" (4:00) intricate AL STEWART-like acoustic guitar work with full band support and, later, excellent harmonizing background vocals create this nice STRAWBS-STEELY DAN-feeling song. My favorite song on the album. (10/10)

9. The club (4:18) piano and 12-string in equal measures open this one before drums and chunky bass join in. A beautifully melodic soundscape is produced every which way this band turns. Synth "recorder" solos over the top in the second minute. At 1:45 a chordal structure is set up for Hadi to sing in his emotionally gorgeous voice. This is like the best psych folk rock of the 1960s--The Association or Love or Strawberry Alarm Clock or My other favorite song on this increasingly impressive album! (10/10)

10. Locked (3:19) a far more electrified, acid-rock side of the band--definitely harkening straight back to the psychedelia of the late 1960s. This song is so different from everything that has come so far that I'm quite taken back--but, at the same time, fully impressed! The band definitely pulls it off--with flying colors! (9/10)

11. Portsmouth (3:17) acoustic nylon string guitar is quickly joined by 12-string in this medieval display of folk finger picking. Recorder (sounds real to me) appears to ply a melody before the band launches into a Celtic folk-sounding tune. Man! Is there anything these guys can't do? (9/10)

Total Time: 43:02

The songwriting, lyrics, musicianship, and sound reproduction are all top notch. I love the keys, the guitars, the drums, but most of all, the bass playing and, of course, vocals.

A-/five stars; a minor masterpiece of eclectic prog folk with a tinge of psychedelia; an excellent addition to any prog lover's music collection and a fine display of folk-like acoustic guitar work with outstanding vocals from leader/chief songwriter Hadi Al Hammal. If only for the voice (though the music is great, too) check out this band to hear the sadly unknown treasure that is Hadi Al Hammal.