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Psychedelic/Space Rock • Sweden

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Dungen biography
Founded in Stockholm, Sweden in 2001

DUNGEN are an excellent psychedelic rock band with influences from indie, progressive rock, and Swedish folk music. "Ta det lugnt", their finest album, brought them much popularity and acclaim from the indie rock scene. It was recordley soley by Gustav EJSTES and is considering by many a masterpiece. The two albums that followed, while worthwhile, simply do not live up to the peak that was "Ta det lugnt". The lyrics are all in Swedish but they are sung with such conviction and emotion that it works perfectly.

DUNGEN make an excellent addition to the Prog Archives becuase they contain the signature elements of prog: jazz and classical influences as well as non-conventional song structures. They would appeal to fans of classical psychedelia and prog folk. They are also very accessible, since their music is packed with great melodies and isn't self idulgent at all.

- Michael Crown (The Wizard) -

See also: HERE

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Tio Bitar [LP]Tio Bitar [LP]
Mexican Summer 2007
Ta Det Lugnt (2xLP)Ta Det Lugnt (2xLP)
Subliminal Sounds 2016
$26.43 (used)
Allas SakAllas Sak
Caroline 2015
$4.99 (used)
4 [LP]4 [LP]
Mexican Summer 2008
$20.55 (used)
Subliminal Sounds 2005
$7.96 (used)
Mexican Summer 2017
$4.00 (used)
Skit I Allt [LP]Skit I Allt [LP]
Caroline 2010
$19.77 (used)
Astralwerks 2005
$2.98 (used)
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Dungen 'Satt Att Se' LTD Edition 12" Single 2008 Mexican Summer USA 1000 Only USD $6.36 [0 bids]
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Dungen '4' LP Limited Edition White Vinyl 2008 Kemodo Records USA Space Rock USD $10.18 [0 bids]
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Invaders CD 2006 Saviours, The Sword, Dungen, Torche, Witchcraft, Kemado KEM 035 USD $7.95 Buy It Now 5 days
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DUNGEN-Skit I Allt Instrumental (5 x 7IN Box Set) (UK IMPORT) VINYL NEW USD $37.13 Buy It Now 6 days
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DUNGEN Panda/Tyst Minut/Jamna Plagor CD single Ta Det Lugnt USD $2.53 Buy It Now 6 days
THE AMAZING Picture You (Radio Edit) promo CD single Dungen Granada USD $3.80 Buy It Now 6 days
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DUNGEN discography

Ordered by release date | Showing ratings (top albums) | Help to complete the discography and add albums

DUNGEN top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.79 | 14 ratings
Dungen [Aka: Dungen 1999-2001]
3.26 | 23 ratings
Stadsvandringar [Aka: Dungen 2]
3.85 | 56 ratings
Ta Det Lugnt
3.83 | 34 ratings
Tio Bitar
4.05 | 43 ratings
3.84 | 23 ratings
Skit I Allt
3.84 | 19 ratings
Allas Sak
3.82 | 55 ratings

DUNGEN Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

DUNGEN Videos (DVD, Blu-ray, VHS etc)

DUNGEN Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

DUNGEN Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

5.00 | 1 ratings
Solen Stiger Upp
4.00 | 1 ratings
4.00 | 1 ratings
Jag Vill Va Som Du
4.00 | 1 ratings
12 EP
3.00 | 2 ratings
4.00 | 1 ratings
5.00 | 1 ratings
Sättt att se

DUNGEN Reviews

Showing last 10 reviews only
 Häxan by DUNGEN album cover Studio Album, 2016
3.82 | 55 ratings

Dungen Psychedelic/Space Rock

Review by Mellotron Storm
Prog Reviewer

4 stars I must admit I've lost track of this band over the last several years as the last album I bought from them was their 2008 release called "4". "Haxan" is their first all instrumental album and it's a soundtrack for what is believed to be the oldest cartoon in existence, a silent film called "The Adventures Of Prince Achmed" from 1926. "Haxan" is Swedish for Witch, one of the characters of this film. The appeal for me is the abundance of mellotron on this one, plus the many spacey sounds along with floating organ. I am surprised at how heavy and raw the final tune is, very much a fuzzed out guitar driven tune.

"Peri Banu Vid Sjon" is a trippy tune with percussion, bass and atmosphere. "Jakten Genom Skogen" is one of my favourites. Just a beautiful sound to this one with the acoustic guitar and mellotron. It picks up as the percussion and bass join in. Man that mellotron/ drum sound is incredible! "Wak- Wak's Porter" is surprisingly noisy with flute playing over top. Not big on this one.

"Den Fattige Aladdin" is a short and light flute led piece with shuffling drums. "Trollkarlen Och Fa Geldrakten" opens with bass as piano, drums and more kicks in. This is repetitive with experimental sounds over top. The rhythm stops after 3 1/2 minutes as the organ continues to the end. "Grotten" is spacey throughout. "Haxan" is heavy sounding with plenty of fuzz until it mellows out before 2 minutes and eventually keys join the repetitive beat.

"Aladdins Flykt Over Havlt" has lots of keys and deep sounds. "Kalifen" reminds me a lot of PROCOL HARUM with that organ sound leading the way. That vibe changes though when the guitar expressions and keyboard sounds take over with a beat. "Achmed Flyger" is another favourite of mine. Piano to start before we get hit with a mellotron storm, head for cover! A driving rhythm kicks in quickly and the mellotron here is relentless until it gives way to flute before 3 minutes but the mellotron does return later. Great tune!

"Aladdin Och Lampan, Del 1" features laid back piano lines that come and go throughout. "Aladdin Och Lampan, Del 2" is flute driven with a beat. "Achmed Och Peri Banu" opens with piano and it will come and go as we get a bass line joining in. This is fairly simple and laid back. "Andarnas Krig" ends the album as I mentioned earlier in a raw and heavy manner with lots of distorted guitar from Fiske. They just seem to jam in a heavy way.

I do prefer the spacey sections, especially the mellotron driven ones over this heavy tune and the odd other heavy section on this album. Still a very solid 4 stars for this mellotron feast, one of the better mellotron albums of 2016.

 Häxan by DUNGEN album cover Studio Album, 2016
3.82 | 55 ratings

Dungen Psychedelic/Space Rock

Review by BrufordFreak
Collaborator Honorary Collaborator

5 stars A brilliant new collection of instrumental songs composed/created in an analog domain as a soundtrack to what is believed to be the oldest surviving full-length animated feature film, from 1926, "The Adventures of Prince Achmed" by Lotte Reiniger.

1. "Peri Banu vid sjön" (3:01) an atmospheric experimentation in dronescapes with bass and simple drumming. Nice. (8.5/10)

2. "Jakten genom skogen" (4:10) is an amazingly soothing though uptempo two-chord acoustic guitar-based instrumental jam drenched heavily with Mellotron and incredible percussion work. One of my favorite songs I've heard from all year. Not to be missed by any prog lovers! (10/10)

3. "Wak-Wak's portar" (1:35) heavily distorted electric guitar strums and pans while free-form flute 'child's play' form this wildly psychedelic song.

4. "Den fattige Aladdin" (0:30) sounds like someone listening to flute over the radio or television.

5. "Trollkarlen och fågeldräkten" (4:30) sounds like a VINCE GURALDI TRIO or KOOP loop over which guitar(s?) and organ(/synths?) are racing in a wild tapestry. Cool! Psychedelic entropy. (9/10)

6. "Grottan" (0:58) eery space music culminates in 7. "Häxan" (2:48) plays like a funeral march over which folk themes are explored. "The Witch" to be sure. (9/10)

8. "Aladdin's flykt över havet" (0:59) is a brief synth and Mellotron play over toms and bass. This one sounds like it could come out of a Miyazaki/Studio Gibli film. More of this! (9.5/10)

9. "Kalifen" (4:37) starts out sounding very much like the organ, drums and bass tracks to PROCUL HAREM's "Whiter Shade of Pale"--which came from a Bach melody, if I'm not mistaken. By then end of the third minute it has shifted into something more jazz experimental--almost SUN RA or LARRY YOUNG like. Awesome song! (9.5/10)

10. "Achmed flyger" (4:33) piano, Mellotron and upbeat drums and bass make this uptempo instrumental another winner. The true adventurer in this one is the Mellotron (especially in trying to keep up with that piano). The main melody is quite familiar. Awesome jam--like an ANEKDOTEN live jam. (9/10)

11. "Aladdin och lampan, del 1" (0:49) heavily treated solo piano. It's pretty. And still quite DUNGEN/ESTES-like. 12. "Aladdin och lampan, del 2" (1:12) flute and upright piano take the leads for this one--over bass, drums and acoustic guitar. Nice flute play. Strange fade out into 'radio background' while "del 1" returns.

13. "Achmed och Peri Banu" (3:10) broody, moody, and deeply emotional, this gorgeous song sounds like it could come out of some Greek tragedy film--except for the KOOP-like bass play. Incredible song! I feel like crying! (10/10)

14. "Andarnas Krig" (6:21) the only long song on the album, it opens with some Hendrix-like feeback & distortion strums of electric guitar. Alone. At 0:40 the rest of the band kicks in to create a jam that is truly reminiscent of the best psychedlia from the late 1960s and early 1970s (both CREAM and NEKTAR come to mind). The pace gradually picks up until, by the fourth minute, the speed is almost breakneck. Just when you wonder whether they can go any faster or if the guitar shredding (literally) can get more frenetic, everything starts to 'crash' and 'fall apart.' (What kind of animated film was this??!) But then the phoenix gathers up its ashes and begins to pull itself back together for one more sprint into frenzied chaos. Wow! Quite free for all; quite a jam. THE WHO at their most violent. Makes one wonder what the studio looked like after this song was over! Amazing! (9.5/10)

A masterpiece of progressive rock music and one film that I definitely want to see (if it has this soundtrack attached to it)!

 Allas Sak by DUNGEN album cover Studio Album, 2015
3.84 | 19 ratings

Allas Sak
Dungen Psychedelic/Space Rock

Review by BrufordFreak
Collaborator Honorary Collaborator

4 stars After a five year hiatus in which band members freely and productively explored other musical projects, Sweden's Dungen is back with a new set of wonderful yet more mature, more diverse musical offerings. Band leader Gustav Ejstes's instrumental choices, recording techniques, and stylistic palette have expanded considerably since 2010's Skit I Allt.

1. "Allas Sak" (3:29) opens the album with a couple great hooks: high pitch Rhodes piano arpeggi, a repeated series of descending slide notes on the electric guitar, and then syncopated electric guitar strums. Once the full band joins in and lead singer and principle songwriter Gustav Ejstes begins to sing, all sounds like the Dungen we've come to know and love. Some odd horn in the "C" solo slot feels fresh and new (Gustav on tenor sax?). (9/10)

2. "Sista Festen" (2:25) is a bongo-based song set up for Gustav's multi-layered, harmonized vocals and some Reine Fiske guitar soloing. (8/10)

3. "Sista gästen" (2:40) is a kind of set up for layers of wind instruments (multiple flutes, saxophone) and electric guitar work, Gustav's forward but whispered vocal and some Michael Giles-like drum play. Very interesting to hear electric guitar woven in with the "horn section" of flutes and saxes! (9/10)

4. "Franks Kaktus" (5:40) is an awesome bongo-based flute and electric guitar face off. Ejstes and Fiske bring the best out of each other--and the support crew of drummer Johan Holmegård and electric bass player Mattias Gustavsson are so solid. This is one awesome song! (10/10)

5. "En gång om året" (4:32) begins with pretty solo electric piano play, establishing the melody that Gustav soon picks up with his solo Swedish vocals. At 1:12 the rest of the band joins in for a few seconds before flutes, mellotron and acoustic guitar establish a kind of BEACH BOYS feel. Some amazing effects are used on Reine Fiske's slow but emotional soling in the song's final minute. Such a gorgeous, mature composition! Don't miss this one! Quite outside the usual Dungen wheelhouse! (10/10)

6. "Åkt Dit" (3:00) begins with piano and bass making moves around one another before the song kicks into nice with some really nice drumming, great vocal melodies (sung in Swedish), and awesome tenor saxophone contributions. Is that Reine Fiske on the Mellotron? (9/10)

7. "En Dag På Sjön" (4:13) is a piano-based instrumental jam set up for Reine Fiske and drummer Johan Holmegård to go ape crazy over. It feels as if it were an edited piece from a longer whole band jam--faded into as all four instrumentalists are hitting on all cylinders. Nice, and not excessive. (9/10)

8. "Flickor Och Pojkar" (3:10) is another instrumental, this one a little more delicate and soft. It opens with a xylophone sound (Rhodes piano?), flute and some kind of strummed percussive (later becoming the strummed acoustic guitar?) maintaining a floral quality to it throughout. (8/10)

9. "Ljus In I Min Panna" (3:57) is a pretty straightforward rock song with Reine Fiske's fuzz guitar lead playing throughout, though more in the background than on "En Dag På Sjön." Este's singing in the first half of the song is less melodic, more monotonous. Nice jamming to end, but definitely the weakest song on the album. (7/10)

10. "Sova" (8:34) opens with slow moving, floating organ chords supported by simple, basic rhythm section, while a heavily-treated vocal joins in (singing in Swedish) within the first minute. This one has an almost PROCUL HARUM feel to it. Harp and some of Reine Fiske's finest lead guitar work on the album help fill the gaps between singing parts. The background organ work in the fifth minute is quite interesting: at times quite a bit like carnival music, at others almost reverent, church-like. Over the top RF's truly psychedelic lead work slowly takes us off-world, into other dimensions. (The other instruments somehow magically disappear as if to support and/or enhance this effect.) Extraordinary song. (9/10)

I do think this is Dungen's most diverse, varied and mature set of songs--less hard as Ta Det Lugnt, not nearly as poppy as Skit I Allt, more eclectic than 4. Great album. If you love the Dungen sound but want to see the band continue to grow and experiment, don't miss this album. Your wish has arrived! 4.5 stars! Give me a little while, I may bump it up to 5 stars!

 Stadsvandringar [Aka: Dungen 2] by DUNGEN album cover Studio Album, 2002
3.26 | 23 ratings

Stadsvandringar [Aka: Dungen 2]
Dungen Psychedelic/Space Rock

Review by Knapitatet

3 stars My relation to Dungen is not a very strong one. I first found out about them in High School when they performed their song "Panda" on Late Night With Conan O' Brien, and thought that it had a nice Hendrix/Zeppelin feel and also that it was very interesting that a Swedish band would be so bold as to try and make a career overseas, while singing in their own mother tounge. Later on, while carousing the record store, i found this CD and decided to pick it up although i had never heard it before. I was thinking that if "Panda" was a good example of their sound then it cant be bad, right?

Well, yes and no. According to the band, the reason why they decided to focus on a foreign market was because back in Sweden, they were constantly branded as a "Progg" band. Thats right, "Progg" not "Prog". If you have talked with any Swedish Progheads on this site, then you probably know what that means, but if you dont then here is a short description: "Progg" wich is short for "Proggressiva Musikrörelsen" ("The Progressive Musicmovement") was a musical phenomen in the late 60's and early to mid 70's in Sweden, wich can best be described as a sort of delayed Hippie movement. The original idea was to hold festivals and in other ways promote alternative and uncommercial music, but in the bigger picture it tied in with the general left wing social struggles of that time. The music that the "Progg" bands played was diverse, ranging from Reagge to Pop and yes, even real Progressive Rock! (Samla Mammas Manna was considered to be a part of the "Progg" movement, for example.) However, standard Rock was the most common. If we can return to Dungen for awhile then i must say that i am not surprised that they got that brand from the media atleast at this stage in their career, because this is real "Hippie music"! There aint necessarily anything wrong with that, but this album feels toothless. Reine Fiskes amazing guitar talents are seriously underused, except in the track "Vem Vaktar Lejonen?" ("Who Guards The Lions?") wich has a riff that reminds of the one in the Lenny White song "The Great Pyramid". Awesome, in other words. Unfortunately the 9 tracks before it except for "Fest" ("Party") and "Över Stock Och Sten" ("Over Log and Rock") just dont do it for me. There is way to much Organ, Flute and Violin and too little Guitar for my taste. Gustaf Estjes is a fantastically talented multi-instrumentalist and at the best times the music reminds me of Phish crossed with Jethro Tull, but in the very worst times it reminds me of two bit Indie Rock, wich is a shame when i know that these guys can do better.

The lyrics are also incredibly cheesy with nearly all of them dealing with Summer, Birds, Flowers, Being at one with nature etc, etc. This is something that was fixed on the following album aswell.

This is quite a pleasant little trip, but for the real Psychedelic ROCK album, i recommend the one after this.

 Stadsvandringar [Aka: Dungen 2] by DUNGEN album cover Studio Album, 2002
3.26 | 23 ratings

Stadsvandringar [Aka: Dungen 2]
Dungen Psychedelic/Space Rock

Review by Guldbamsen
Special Collaborator Retired Admin

4 stars 4 o clock in the summer morning watching the sunrise.

For some reason this album by the Swedish kings of psychedelic rock revival is rated the lowest on PA. Personally I find it to be a hidden gem in their discography, and while that very well may be down to me understanding the lingo, and the fact that a lot of this album sets scene in a Scandinavian capital filled to the brim with urban delights, flickering sunshine when the summer calls us out to the ocean, and something that a lot of we Northeners share, which is a similar sense of humour and that secret knowledge of what sitting at an empty shoreline at 4 in the morning watching the sky appear in orangy colours - drinking beers, talking about life, people, music and the finer things in life, - what such a thing can bring with it............While that very well may be, I still believe most PA people would dig this big time. I know of at least one American dude who has caught the bug, and inside a time frame of 2 weeks, he'd purchased every album of theirs(here's looking at you Steve).

Anyway back to that bond between us Scandinavians and our mutual adoration of the sparse summer days we get; maybe that is the key to an album that otherwise appears a little too straightforward to the average prog rock dude. I mean 11 cuts, and not a single long piece to scratch that ever so fleeting itch...?! Hold your horses though, because this album absolutely positively smokes! Why? Every song is brilliantly performed, the song writing is inspired, and you do get a lot of different moods wandering freely around a certain psychedelic core, which has always been the centre of attention in Dungen's music. Sure, they sound like they just stepped off the ol Delorian, after having spent the latter half of the sixties jamming together, they zoom straight into a modern studio and deliver the feel, energy and everything passionate and vibrant from the age of beards, - but what's not to like about that image?

While many of the tracks in fact are featured on their debut album, all of it seems new and infinitely more 'together' - at least sound wise. The production skills went up a notch, but only to the point of now being better able to distinguish the instruments from each other, and a certain bigness to some of the arrangements that include windswept flute journeys riding on top of some of the most alluring balladry psych music known to mankind - taking this listener back to Caravan's Love Song With Flute and KC's classic I Talk to the Wind. Beautiful................. Speaking of those two cuts, then imagine the feel and vibe of the production, and then transport it into a psychedelic rock n folk band that oozes early urban summer vibes.

Summer is pretty close to being omnipresent in Dungen's lyrics and music. The freedom it brings - the light - the way it opens up the city, makes it blossom with thousands of people who look like they've been waiting for the occasion for years on end. The feel of wandering through the streets bathed in sunlight or perhaps sitting by the stillness of the lake wearing only a pair of jeans - with the wind softly sipping through your hair.

There are many high points on Stadsvandringar(city wanderings), and I particularly dig the obvious sing-a-long song Har Du Vart' I Stockholm, that also includes some rather beautiful and airy synths at the tail end of the chorus................... I love the rocking groove of Över Stock och Sten, which quite aptly translates into over stock and stone........................ I love the earthiness and timbre of Fredrik Björling's fantastic rumbling drumming,................ I love the breezy character of Ejste's early morning vocals that sound like yearning and care-freeness all at once.

Hang on - what about the sitars, the gentle congas and that genuine Rickenbacker bass sound that tears up trees from the ground by their roots? What about Reine Fiske, - a man I personally consider to be one of the finest guitarists of the past two decades? This guy is remarkable, and as I've said so many a times, I really do consider him to be the perfect splicing of Jimi Hendrix and David Gilmour - only with a soul of his own - one that fumbles around in folk, strange atmospheric post rock gestures, a slide technique that truly sounds like shooting stars in olive oil. Lastly you get the genius of his wild spiralling solos, that on Stadsvandringar do tend to be short and somewhat restrained. Even so, when he breaks loose from the foundation of things, he can bring down buildings and woo women like there was no tomorrow.

I can't choose which part of the equation I like the best actually....

If you enjoy the sounds of the late sixties, early 70s, and feel comfortable enough with your manhood, back yard and former council man - to try out other spoken languages than the English, then you should track down a Dungen album as soon as possible. Many have tried to re-erect the greatness and pomp of the classic psychedelic rock explosion, and many have failed because of misconceptions about what constitutes warm and vibrant sound production, - yet with Dungen everything seems to have come together beautifully.

This album lacks some of the soon to come fusion bridges, Dungen would implement in their music the subsequent years(and actually still do), but the raw emotive power of the playing here trumps any need for those in my honest opinion. As much as I love that aspect of latter day Dungen, I feel it'd be unnecessary for this one. There's a charm, a smile and a certain twinkle in it's eye, - something that makes it one of my personal faves from the band.

Take this one with you down to the beach and experience the soundtrack of summer. 4.5 stars.

 4 by DUNGEN album cover Studio Album, 2008
4.05 | 43 ratings

Dungen Psychedelic/Space Rock

Review by HolyMoly
Special Collaborator Retired Admin

4 stars Two months ago, I purchased this album, not having heard a note of the band's music, just based on recommendations here at PA. Within a week I had all six of their albums, and although it's only late February, it's probably a safe guess that this band will be my greatest new discovery for 2013 (5 years after the release of this album, but better late then never, right?). Possibly because this album was "first" for me, it still remains the benchmark by which I evaluate their other work, and even after dozens of listens (including a self-imposed month of NOT listening to it, in order to not wear out its welcome), the magic of this album has not diminished a bit for me.

"Dungen 4" is actually the band's fifth album; though I believe one of the earlier albums may officially be an archival, post-hoc release of early material. No matter: this is Dungen reaching an apex of creativity. Having mastered the art of creating a warm, direct-from-1968 psychedelic sound on his first couple of releases, Gustav Ejstes eventually formed a stable band lineup by the time of the third album (the breakthrough "Ta Det Lugnt"), and then this band proceeded to add layers of subtlety and ornate arrangement into the pieces, even as the pieces became shorter and more succinct. This mature approach is epitomized on this album, which includes ten short songs totaling less than 40 minutes, yet most of these songs contain even more musical content than the seven minute monsters they were churning out just a couple of years prior.

The opening track, "Sätt Att Se", kicks off the album in much the same way that "Airbag" kicked off Radioheads "OK Computer" album: a thick haze of sound framing a moody piano ballad, with strings and piano providing the jazzy harmonics, bass and drums maintaining a quiet but steady pulse, and Reine Fiske's lead guitar creating the kind of palpable texture that only Fiske can provide (see his multitude of other projects for elaboration on this). "Målerås Finest" is next, taking things to an even more poignant level, Ejstes' piano taking the lead on an instrumental, for a sad, simple melody. Track 3 "Det Tar Tid" follows, picking up the pace just a little - the big WOW factor on this track is achieved from the close vocal harmonies, pushing this complex little miniature to ecstatic heights. "Samtidigt 1" is the first of two excerpts from an improvised guitar jam included on this album, and it pumps up the rock quotient considerably and gives Reine Fiske a chance in the spotlight with full-on squalor (the full 15 minute "Samtidigt" from which the two excerpts was taken was also released as an EP in its own right - well worth seeking out). "Imgenting Ar Sig Likt" (track 5) closes the first half of the album in a relatively unremarkable way - this kind of unmemorable atmospheric piece seems to be precisely the kind of tune that Dungen is usually so adept at avoiding; still, it's at least pleasant if a bit uneventful.

The second half of the album begins with the only other track on the album that doesn't WOW me, the instrumental "Fredag". Unlike the prior song, plenty of drama occurs in this piece; however, the main melody introduced by Fiske's echoed slide guitar just sounds a little too close to Morris Albert's "Feelings" for comfort ("Feelings... nothing more than Feelings..." augghh!). Still, not a deal breaker by any means. And the closing four tracks which follow meet or exceed the high level of quality set in the first few tracks. "Finns Det Någon Möjlighet" (track 7) and "Mina Damer Och Fasaner" (track 8) bring back the spine chilling vocal harmonies, compelling yet complex melodic themes, and thickly baroque instrumental arrangements. "Samtidigt 2" comes next, the second excerpt from the aforementioned guitar jam, this time occupying a surprisingly Santana/Allman Brothers-like territory. "Bandhagen" closes the album with a simple, piano-led (with Mellotron and celeste providing counterpoint) instrumental that seems like a more optimistic take on the sad piano piece from Track 2. A very appropriately understated ending to an album which never tries to overwhelm the listener, but rather aims to give the listener a rich, nutritious tray of musical hors d'oerves with a full array of flavors that satisfies, but doesn't fill you up. Hmm, it must be getting near lunch time.

I'll give this a very high 4. The album sags just a wee bit in the middle, but apart from a couple of less than stellar tracks, the other eight tracks have some of the most richly accomplished and ear-pleasing music I've heard in recent years. How Swede it is!

 Ta Det Lugnt by DUNGEN album cover Studio Album, 2004
3.85 | 56 ratings

Ta Det Lugnt
Dungen Psychedelic/Space Rock

Review by BrufordFreak
Collaborator Honorary Collaborator

4 stars The Swedish psychedelic rockers, Dungen, really go back to the 1960s' roots of psychedelia with this music--especially the more aggressive BEATLES/ANIMALS-type of music. As always, guitarist REINE FISKE is brilliant throughout: aggressive more than usual (Go Jimi, Jr.!) yet subtle and beautiful when that, too, is called for. One thing I really love about Dungen albums is that they sing in their own native Swedish. I wish more prog groups would do this.

Not my favorite Dungen album, but then, there are so many great ones. Still, this is a good one. Very good.

Album highlights: "Det Du T'nker Idag 'r Du I Morgon" (3:58) (9/10); the HENDRIX-like "Bortgl'md" (4:27) (9/10); the BEATLES-like melodic "Lipsill" (2:45) (8/10); the trippy, keyboard laden "Om Du Vore Vakthund" (3:02) (9/10); more HENDRIX in "Sluta F'lja Efter" (4:52) (8/10), and; the LIGHTHOUSE "One Fine Morning"-like, "Sjutton" (2:50) (9/10).

 Dungen [Aka: Dungen 1999-2001] by DUNGEN album cover Studio Album, 2001
3.79 | 14 ratings

Dungen [Aka: Dungen 1999-2001]
Dungen Psychedelic/Space Rock

Review by stefro
Prog Reviewer

4 stars The Swedish outfit's first, best and most overtly psychedelic release, this self-titled effort was originally issued in 1999 on vinyl only and in a (very) limited run of just 500 units. A surprise underground success throughout Scandanavia and mainland Europe - and then belatedly in the USA - original copies quickly became much sought-after collectors item for vinyl-junkies and psych-freaks before the album was finally reissued in CD format in 2005, six months after the release of the group's fourth album 'Ta De Lugnt'. Happily enough, however, it was well worth the wait. Featuring a hazy, ethnic-tinged retro-psych sound fused with engaging pop melodies and deeply-cosmic instrumental meanderings, 'Dungen' pulls of the remarkable trick of sounding authentically old-school, like some lost soundtrack to a late-sixties exploitation flick that never was. Unlike the original album though, 'Dungen' the CD reissue condenses and remixes the music into three lengthy pieces(the original album featured eight tracks) each buzzing around the twenty-minute mark and each blending effortlessly into the next and therefore giving the impression that there is in fact just one, epic track making up the album. With it's vibrant mixture of jangly guitars, soaring flute runs, skittering percussion, flipped- out electro passages and haunting female vocals, opener 'Stadsvandringar' is a perfect example of Dungen's gloriously psychedelic sound, especially in the serene mid-section of twittering birdsong, grinding organs and misty soundscapes that brings to mind the haunting mid-section of the Pink Floyd track 'Dogs' from the English quartet's 1977 album 'Animals'. Even mellower and beginning with a haunting medley of glistening keyboards, follow-up piece 'Midsommarbongen' takes the listener into even deeper psych-scape territory, jumping head- first into a jazzy, sitar-drenched jam, before the album's final epic 'Lilla Vaennen' finds yet more spectral acid- rock rhythms bubbling away underneath an array of mystical flutes and delicately-cooked raindrops of late-night keyboards. Unlike later albums, which pursued a more Beach Boys-inspired psych-pop direction, 'Dungen' is, simply put, the full psychedelic experience. Topped off with a contemporary gloss, this is a wonderful slice of deeply mystical cosmic rock that should more than delight fans of late-sixties psychedelia.


 4 by DUNGEN album cover Studio Album, 2008
4.05 | 43 ratings

Dungen Psychedelic/Space Rock

Review by Mellotron Storm
Prog Reviewer

4 stars Interesting that my review follows Tom Ozric's because he's the one who moved me to purchase this album. It's not that i'm unfamiliar with this Swedish band it's just that I was pretty content with the 4 records by them I already own. Well Tom was right about how good this one is, in fact it's now in my top three from them and follows only the debut which is still my favourite.

"Satt Att Se" opens with Reine creating a lot of fuzz with his guitar as the vocals come in followed by strings and more. This is very psychedelic. Excellent stuff. "Maleras Finest" is more of the same really only this is an instrumental. This is all so good then we get "Det Tar Tid" with more fuzzed out guitars as the vocals join in. I really like when the piano arrives. A beautiful song.

"Samtidgt 1" is where they crank it up several notches with some wicked guitar and a heavier sound. "Ingenting Ar Sig Likt" is dreamy with some guest female vocals from Anna Jarvinen. "Fredag" sounds great when the drums come in. "Finns Det Nagon Mojlighet" opens with some abrasive distortion then a catchy beat with vocals takes over. "Mina Damer Och Fasaner" has piano and a heavy beat followed by vocals. Some nice flute and piano as well more vocals from Anna. "Samtidigt 2" is another dreamy number and I love the guitar. "Bandhagen" is a relaxed song with piano, flute, organ and percussion.

A solid 4 stars maybe even closer to 4 .5 stars.

 Skit I Allt by DUNGEN album cover Studio Album, 2010
3.84 | 23 ratings

Skit I Allt
Dungen Psychedelic/Space Rock

Review by Guldbamsen
Special Collaborator Retired Admin

4 stars Bringing it all back home

Over the years I´ve heard a lot of old school rockers talking about how precious and unique the sound was, back when the guys had long hair and took up knitting for fun, and what a pity it is that music just doesn´t sound like that any more. Well all I can say to you folks is, that you haven´t been looking in the right places, because this Swedish band have been making that kind of music ever since they hit the stage in 2001 with their wonderful debut album.

Dungen are a psychedelic folk rock band completely lost in the wrong decade, and how I just love em´! Sometimes I get very tired of the "prog" vs "progressive" discussions, and how we aren´t listening to one or the other because it isn´t one of either... Well just call me a stupid sucker that listens to music that makes me live to the fullest, smile, dance, juggle, woo women, eat fish and go snorkel diving in the Danish desert. Music should be whatever you want it to be, but don´t, whatever you do, slap stickers on the poor thing just so you can make a better fit for it in whatever black box.

This music simply feels free. An overwhelming feel of letting yourself go, taking a day off - opening the jail-cell doors for the first time in a decade - releasing a soft and magical phoenix of joy. I dare anyone to listen to Dungen without feeling happy. Even though the music also brings forth moments of melancholy, often through the flute or the occasional female backing vocals, the emphasis on freedom and that specific time in space once so long ago, where people walked around with flowers, and it meant something without being silly - yeah that is what´s going down here. Adding to these rather nostalgic images are the usage of hand claps, wah wah pedals, soaring vocal harmonies alongside some beautiful flute sections, which in the end will have you transported back to a field in Haight Ashbury - looking at topless chicks and people with stark black eyes.

Gustav Ejstes´ voice is something of a Dungen trademark. The somewhat ethereal aspect of this band oozes through in Gustav´s vocalizations and into the other guys, and makes both the guitars, piano and flute work sound breezy and fluid like they were melting upwards like butter with wings. Ejstes has a highly original way of wrapping his lips around the words. He sounds so lazy and smooth at the same time. He adds a distinct lazy afternoon charisma to the overall sound, as well as giving the band a slight jazzy touch - one that works so well within the multitude of different styles on offer here. Playing a mean piano as well, I honestly think the notes from said instrument slowly and quite spontaneously over the years have seeped into his vocals, because what he really sounds like, when I close my eyes, is the light minor chords of a piano.

There´s no getting around him and why should I, as Reine Fiske without a doubt is my current favourite guitarist. I love his playing like I love sunlight. He sounds like the perfect combination of David Gilmour and Jimi Hendrix, and to me personally - praise just doesn´t get any higher than that. In Dungen he operates on many different levels. Playing sluggish rhythm sections with a careless attachment to the riffing that opens up the music and cuts of the rough edges. I think much of modern rock music revolves around clockwork timers, and what that really does, is adding an anodyne and clinical coating to something that´s supposed to be heartfelt and warm. Fiske is all over the place in whatever he does, and that seeps into the drums. Thankfully I say! Again, this is part of what makes this band so freaking fantastic! The feel is naive and not because they couldn´t be bothered to do the 5th take to get everything in check and all lined up to the nearest millimetre, but because they purposely seek that in the music, - and when Fiske whips out his guitar in full attack mode, the mountains fall down and everything stands on end. Talk about goosebumps city! A brilliant little instrumental track from this album, which will perfectly explain what I´m raving about, is Högdalstoppen. It consists of a beautiful piano driven melody that reinforces itself with the earthiness of the bass and loosely played drums - catapulting itself over that Högdalstop with a ferocious and firebreathing guitar solo wobbling through the music. Everything that Dungen stands for is right here in this track.

Skit I Allt is Dungen´s 6th and most recent album, and I can´t think of anything remotely offensive to say about it. In fact I would have a hard time saying that about any of the preceding ones as well. Maybe that´s because I am a big fan and drool uncontrollably every time I get within 2 feet of their records, but I´d like to think that these guys in some magical and forbidden way, have created a modern day counterpart to some of the biggest artists of the 60s. It is very rare that I fall head over heels for both the song writing and the psychedelic nature of the music, because very oftenly those 2 factors have a tendency to weed out each other, but just as The Beatles and The Pretty Things were able to bring these elements together in an elegant and impeccable way - Dungen now have safely brought back the dormant spark and lit up the long and winding road - once lit by stars that everyone could spot in a jiffy.

Thanks to Eetu Pellonpää for the artist addition. and to Quinino for the last updates

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