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Direct Link To This Post Posted: January 20 2013 at 15:54
Just like what Kotro said.
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Direct Link To This Post Posted: January 20 2013 at 12:50
Originally posted by Guldbamsen Guldbamsen wrote:

I am sorry if you feel disillusioned Steve, and I am even more sorry that I wasn't around to make any sort of meaningful contributions to what you were trying to do here. I am in a completely other world at the moment and I have a hard time gathering my thoughts on PA right now, but just so you know, and just so all others know, - you are a wonderfully kind and generous man. I know that with every fibre of my being. Hell, I just need to read your Christmas greeting again. Plus everything you tried to do here, was from a place of goodwill and care - not to stir up the place for the sake of argument. I believe that to be true.

All the best my friend, and maybe those pints will taste even better than you think

Thank you David, very much. The pints tasted very nicely indeedBig smile
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Direct Link To This Post Posted: January 20 2013 at 12:05
I think we should (always) keep the positives from such a discussion.

Are there ways to improve the site? Certainly. Many people agreed on the following:

1. We need to ensure we don't ping-pong artists from here to there (on the rare occasion) - in such a case a majority between teams, or a group of Admins can decide and this can be best done at the beginning i.e. when the band is suggested (when the artist's music shows multiple directions...). In my opinion this does not require a lot of resource.

2. Artist or album tagging - works elsewhere, why not here, but need to be careful of how it is done, i.e. the capability of the software, the people and time required and whether M@x agrees.

No need to re-invent the wheel and this applies to >90% of occasions.
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Direct Link To This Post Posted: January 20 2013 at 11:50
I am sorry if you feel disillusioned Steve, and I am even more sorry that I wasn't around to make any sort of meaningful contributions to what you were trying to do here. I am in a completely other world at the moment and I have a hard time gathering my thoughts on PA right now, but just so you know, and just so all others know, - you are a wonderfully kind and generous man. I know that with every fibre of my being. Hell, I just need to read your Christmas greeting again. Plus everything you tried to do here, was from a place of goodwill and care - not to stir up the place for the sake of argument. I believe that to be true.

All the best my friend, and maybe those pints will taste even better than you think
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Direct Link To This Post Posted: January 20 2013 at 11:36
I could use a couple pints myself.....though its still morning here.  And it's below zero degrees outside, so if I had a dog, he'd be in a world of hurt.  
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Direct Link To This Post Posted: January 20 2013 at 11:29
Okay. I have had my say, and I initiated this debate. It is clear that this debate has, effectively, ended with the senior collabs and admins in favour of keeping the status quo. Fine, I accept that.

Unless anyone makes a post which I regard as necessitating a response, I am signing off from here now, because this is a pretty lonely furrow to plough.

And no, Jim, I am not a bad fellow, really, and my comments and opinions were genuinely meant to help, although I accept that the comments might not have been read that way.

Oh well, Arsenal have lost, this debate has run its course, and I am now off to walk the dog and have a couple of pints.
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Direct Link To This Post Posted: January 20 2013 at 10:58
I would prefer some teams to be more inclusive and others to be more exclusive, 



Dean, I hear this.  We must be open and inclusive, but you have to be careful not to go too far in the other direction as well.  That's why I say it is a great responsibility.  I think sometimes people think its really easy to do evaluations.  Some are.  But many are not. 


 
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Direct Link To This Post Posted: January 20 2013 at 10:44
following on from here.
 
Originally posted by lazland lazland wrote:

Originally posted by Dean Dean wrote:

Having a few artists in "the wrong category" doesn't do any harm, it just reflects the diversity of opinion on the various styles of music that we regard as being Progressive Rock, few artists adopt one single style of music and stick to it throughout their musical career. Even a band like Status Quo, who many regard as a one-trick pony, ventured beyond 12-bar blues and so it is with most (if not all) Prog bands.
 
The aim should be the best fit, not the exact fit and often close enough is good enough.

And that is a perfectly reasonable, sensible, and pragmatic statement, and I would not argue with a single word.

Following on from this, then, is it not the case that teams should be a little bit more open to variations from their strict interpretation of the various styles, and also react positively to positive and open suggestions and criticisms when there are disagreements about additions? I would rather this than being shouted at and told to mind my own bloody business, as has happened on more than a few occasions. As I said in the other thread, the sub-genres form an important resource of the site as a whole, not individual empires.

The team process does work. This cannot be denied and a few exceptions (and they are very few in number) to that does not mean we should abandon everything and adopt a radically different approach.
 
The teams represent the whole PA, they do not represent the ideals of single people or narrow group of people - they are collaborators in an activity or endeavor or sphere of common interest and this is a collaboration site. Their actions and decisions are made on behalf of the site and their authority to do that is granted by the site owner through his representatives, the Admins.
 
Once we (as a whole) allow teams the responsibility to act on behalf of the whole membership then we must respect their autonomy and (this is a double-edge sword) once the teams accept the responsibility to act on behalf of the whole membership they must respect the right of any individual member to question the decisions made. Failure on either count is not acceptable.
 
Ideally we should canvas the whole membership for each and every band placement, but that is both impractical and (in deference to the membership) unmanageable. In its place we use a sample of the membership to represent the whole population, and we select those members that have an interest in, and a knowledge of, the specific subgenre they are selected for. These guys are not de facto experts, nor are they infallible which is why we prefer larger teams over smaller ones and insist on majority voting.
Originally posted by for information for information wrote:

Obviously everyone has it in their heads that a majority-vote means anything over 50% but that only applies when everyone votes. And I mean everyone, not just everyone in a team, but every member and every visitor to the PA. Once we apply that to a team then the concept of a majority becomes more difficult and certainly not 50%
 
Majority voting for a team has its own inherant problems and limitations and this has to do with the mathematics of sampling. I have tried to explain this before but I do not have the skill to do it succinctly because it is not an easy subject to understand, especially if mathematics is not your 'thing'.
 
When you have a large population (and we must regard a membership of 50,000 people as a large population here) then the sample size where a majority vote is representative of the whole membership is an equally large number of people. I mean numbers in the order of 1,000 or more (in the following I chosen a value of 100 for illustative purposes to make the maths easier to follow, the actual number would be 1,000s). So if we assume that a team has say 100 people then 51 is a majority that is a good representative of the views of 25,001 people from the population of 50,000 people - therefore if we reduce the team size below 100 then still 51 people must still vote "yes" to represent 25,001 people, if we only have a 90-man team then 46 "yes" votes does not represent the "yes" votes of 25,001 out of 50,000 people, the magic number is still 51 "yes" votes because the total population is still 50,000. [This is the first "hard bit" to comprehend, stick with it until you understand it and then read on].
 
So once we get to a team of exactly 51 people then all must vote "yes" to be representative of a population of 50,000. If we use a majority vote of a 51 man team then they can only represent a membership of 25,001 people. That's simple majority voting. As long as every man in a 51 man team votes "yes" then a single person outside the 51 man team can disagree with the vote but that only puts them in the 24,999 minority, 51 people can disagree and they are still only part of the minority, as does 24,999 people disagreeing. But if one of the 51 people in the team does not vote "yes" then they have not achieved a majority - the 50 remaining "yes" votes represents less than 25,000 people so the vote fails. Because of that any vote that isn't a "yes" vote has to be counted as a dissenting vote - even abstains, don't cares and "I was asleep/on holiday/PC was dead/could not vote" - every man must vote and they all must vote "yes".
 
Everyone got that? Because now it gets harder to follow.
 
We can keep reducing the team size below 51 people and still be representative of the whole population because probability comes into play. If they all vote "yes" then the probability that a larger 100-man team would produce a majority vote is high. Once there is dissent in the voting the probability drops like a stone, and the effect of the dissent has an inverse relationship to the team size (and it is exponential) - the smaller the team then the weight of a single dissenting vote increases exponentially and therefore the probability that the majority vote of that smaller team is representative of the 100-man team reduces exponentially.
 
So, we can have a team of less than 51 people and they do not all need ot vote "yes" as long as the probability of them represesenting the 25,001 man majority vote of a 50,000 man membership is high. [This is the second "hard bit" to understand].
 
Now, in most cases here the majority voting of the whole will not be a balanced split - in general we would all agree on most placements - the majorities would tend to be higher than 50.001% (80% or more is not an unreasonable expectation) so we would expect the majority vote in a 100-man team to be high and therefore the probability of an even smaller team disagreeing with the whole 100-man team is going to be small, which means we can have even smaller teams and still be representative.
 
Also not everyone of the whole 50,000 membership is going to have an interest or opinion on every band in every subgenre so we can exclude them from the population-count for specific subgenres and form those teams with a sample of the membership that is interested in that specific subgenre to ensure they are representative of that smaller population. This changes the probability of a majority vote being reached and thus reduces the requirement for having large team sizes for them to be representative. It means we can have very small teams of knowledgible people and they will still be representative of the whole population. But (and this is a big BUT) now any dissenting vote is even more significant - one non-yes vote carries more effective weight than any "yes" vote because the yes votes are only representative of a smaller selective population.
 
Ideally, regardless of team-size, we should have unanimous voting, but this is impractical and untenable. Majority voting does not guarantee that the majority of the total membership will agree, but it does mean that the probability that the majority will agree is acceptable.
Since the teams are representative collaborators then they must consider the views of other collaborators and the general membership, but disagreeing with their decisions does not automatically mean they are wrong.
 
I would prefer some teams to be more inclusive and others to be more exclusive, but that is personal opinion not policy, and it is not something that any team should be force to adopt. I would prefer that some teams consider the consequence of some of their unilateral decisions and their effect on the PA, other teams, collaborators and the general membership, but I cannot make them do that.
 
Originally posted by lazland lazland wrote:

This, btw, also, IMO, supports my view that artists should be added to the site where we agree it/they are prog, and argue about the semantics of styles afterwards.

It doesn't, and I have gone into that at great length in other threads.
What?
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Direct Link To This Post Posted: January 20 2013 at 10:39
Based on the examples you do give, I think when we are talking about a high profile artist, and disputes arise, we need to voluntarily ask for some opinion from Admin and then give that opinion some weight in resolution.  You are right that we should not have such situations, even if rare by percentage.

The examples you give Steve are problems.  My problem with you is that you'd present these examples as much more common than they really are.  And your solutions to dismantle the site genres or teams are a hugely overblown reaction to the scope of the problem. 

I'm repeating myself now too....extremely frustrated and bummed by what I see as a public presentation of the situation that is just not a fair or objective review.  You can say you're not talking about "my team" but you are.  All of these guys are "my team" and I think they deserve better.  I felt that last summer when we went through a similar ordeal and I had really hoped we could avoid it again by improving our teams and cooperation.  I'm still hopeful. 
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Direct Link To This Post Posted: January 20 2013 at 10:10
I don't think you're a bad guy Steve, but I do think you're wrong in your overall assessment.  And yes, even as applies to the specific people you have in mind.  There has been improvement there whether or not you acknowledge it.  And you're right, this isn't the place to have that discussion about individuals.

Cheap shots are in the eye of the beholder.  They give the readership a view of the teams that is objectionable to me, and I have to say that.  You just mentioned 2 or 3 bands, so to use your words that is clearly "isolated examples" when you compare it to the number of bands we added in 2012. 

How many bands did we add in 2012 Steve?  How does that compare to number of reject examples you can cite? 





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Direct Link To This Post Posted: January 20 2013 at 09:59
I don't think I am going to say a great deal more. Firstly, I am clearly upsetting people for whom I have the utmost respect, and like. Such was not my intent. Secondly, as is the norm on this site, any attempt at reaching some form of consensus is probably doomed from the beginning, no matter who is to "blame".

However, I will make this clear Jim, and Angelo. I do not take "cheap shots". The rules of this site prevent me from saying too much openly, and certainly naming individuals. Neither of you, however, are stupid, and you must surely know honestly that instances of certain teams, or individuals, lecturing, pontificating, and being bloody rude when others try to disagree, happens on an almost weekly basis. Not all teams. Not all collabs. Certain collabs, and certain instances. If you want to carry on that particular debate, PM me. I do not want to risk censure for breaking site rules.

Squackett was most certainly a high profile example, but Olav said(and if there is anyone on this site who is beyond reproach for behaviour and knowledge, it is him), that this was by no means an exception. It isn't.

I was, until recently, a collab on the neo team. I loved working with Keishiro and Apostolis, so please do not interpret these remarks as being personal, because they are not. But I do remember two major arguments we had on the team. Firstly, Alan Reed, ex Pallas frontman. His debut EP was rejected by our team. I disagreed strongly. Fair enough, but the rejection meant that he could not even be included on the site, a massive affront in my opinion, and wrong, at a time when the major Prog magazine in the world was featuring him, and other sites had him. I had to bear the brunt of communicating the rejection, and I do not think that it did us proud. And made me feel particularly bad.

The second was Edison's Children, THE success story of 2011. An album, and act, which broke some records in terms of exposure, and sales, particularly in the US. I am mightily proud of having been asked by Eric and Pete to review the album and get the act on the site. We had a huge row about that, as well.  I prevailed, but not before Olav had made the extremely pertinent point that neo, as well as all other styles, progresses and moves forward.

These are not isolated examples. I know for a fact that a very respected SC on this site stated in the CZ, to which I do not have access, of course, that he no longer submits acts for a certain sub-genre, because he has no faith that they will get on. Instead, he goes to neo and crossover as an alternative, a dumping ground, if you will. We also have the extremely unedifying position, on more than one occasion, of artists themselves being lectured in open forum about how we classify their music.

Do you want me to continue? Is there a need for me to be even more explicit?

I would, also, repeat a very important point. Eclectic and crossover especially do not exist as forms of music. They are wholly figments of our own imagination. They are convenient descriptions of music which we cannot, or will not, place elsewhere.

Jim. None of these criticisms apply to you or your team. You know that. I know that. You also know full well what I am talking about. That is my last word on the topic. In the interim, I will start exploring other sites, because this is getting me down. Regrettably, I am anal enough myself to continue fighting a losing battle. There you go. A comment you found rather objectionable being applied by myself to myself.
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Direct Link To This Post Posted: January 20 2013 at 07:51
Angelo, thanks for the long and thoughtful post, it is much appreciated.  When I tried to impart to Steve that his continually pushed view of the teams is unfair and inaccurate, I had missed his phrase "narrow empire" which is nothing more than again, another cheap shot that does not reflect the people I work with every day (on all the teams, not just RPI).   Steve will say he means no offense I'm sure....and yet, as the collective targets for the words I've been protesting, he could makes the same points without the jabs that give the members a skewed view of what kind of people the volunteer collabs are. 

I do not believe however that "sub genre pending" is a good road to go down and I'll tell you why.  Two things could happen....the new decision authority team could stack up bands that the genre teams may find problematic, causing a glut of bands noted "genre pending" which makes us all look silly, see Gerinski's comment below.....or consider the opposite....the new bands team may reject a band that the genre team would have approved.  It is nothing more than another level of potential conflict that sounds good on paper, but doesn't really help the end result.  It kicks the can down the road and the new potential conflict could cause strife that costs us valuable people.

Because remember, though Squackett gets bandied about here like it is an everyday occurrence, it is very rare that such an event happens.  When we start to see lists of prog bands that have been killed by the teams because we have a hard-on for rejecting bands, I might be more open to Sub Genres Pending.  Where exactly are the throngs of people rioting in the streets because the teams are refusing them??.....let there be some evidence that Squackett is the norm before you take the decision away from the genre teams and give it to others.  

Ultimately that is what frustrates me so about Steve's charges.  He puts forth the idea that his scenarios are the norm, and they are not!  The norm is that most bands get in, and lately they get in with increasing efficiency.  The norm is that my fellow collabs on these teams work well together most of the time and we get done what we are asked to get done.  Steve's view of the teams are the rare exception, not the rule.  We really don't need "sub genre pending", we take our responsibility for these decisions quite seriously and try very hard to be inclusive without watering down the site to a ridiculous level. 

I assume the site does want some level of review and checking by the people they've promoted to CZ.....if we're nothing more than a rubber stamp for every suggestion ever made, then yes, there is no point in having us around.  My contention is that the VAST majority of suggestions do get approved in a reasonable manner.  The ones that do cause some debate should be handled with care, and I agree genre teams should act more cooperative when disputes arise. I think we were heading that direction naturally for the most part. 



Edited by Finnforest - January 20 2013 at 09:40
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Direct Link To This Post Posted: January 20 2013 at 06:18
Originally posted by lazland lazland wrote:

Okay. Here goes:

Okay then. This is the post where I try and invite some comments as to what you all feel could possibly be the way forward for the site. In doing so, could I also ask members to look at the "Neo" thread as well on the Prog Lounge, because an awful lot of comments pertinent to this debate have been made there as well?

Let's not, this discussion is repetitive at best, and has been for years now.

Originally posted by lazland lazland wrote:

I will not repeat much of what has been said already, except to say, and repeat, my opinion, that the way we categorise artists and albums here is not only deeply unhelpful, but it also makes no sense whatsoever. Why do we, for example, make a differentiation between these categories? Look at Yes. They are a symphonic band, yes? Well, okay. But, is 90125? That would fit within Crossover as we define it here. How about Asia? Prog related on the site, but I would argue that the classic debut album contains more than enough symphonic prog to warrant inclusion there. Just listen to Wildest Dreams, for goodness sake, a symphonic masterpiece if ever there was one.
Changing rules and agreed ways of working because there are exceptions is never a valid reason. Ever heard of what we call 'non sequitur', false logic? It's like saying "In 25% of the cases of deadly traffic accidents, at least one driver had consumed alcohol. In 75% of the cases, at least one of the drivers had a coffee. We should ban coffee in traffic". 
As David already pointed out, a lot of bands are placed in a certain the category, based on musical as well as historical grounds. Don't change that, learn music history instead.

Originally posted by lazland lazland wrote:

I am breaking my rule here. I do not want to repeat the debating points, but to try to put forward some thoughts here that we could possibly take forward, so here goes:

1. I do not believe that we will ever reach a consensus on ridding the site of all sub-genres, my preferred option, so I think this will have to be dropped as a realistic option.

Thanks for adopting the conclusion that was drawn many times over the past 8 years.

Originally posted by lazland lazland wrote:

2. There is more of a consensus, although nowhere near unanimous, in some form of rationalisation of the sub-genres. Therefore, I propose these. Neo and symphonic to be merged into a single "symphonic influenced" sub-genre. Art Rock to encompass eclectic, crossover, Canterbury, psych, prog folk. Progressive Electronic, which is self explanatory. RPI. Prog Metal, to encompass all heavy and metal related acts. Finally, Fusion, which would encompass all avant, jazz rock, rio, zeuhl. Yes, we would still have piles of rows about these categories, but wouldn't it be a damned sight better than now?

I tend to disagree on that one, agin for the reasons of respecting musical history, as well as not trying to change classifications that are used world wide - there is a world outside PA that talks about jazz rock, fusion, zeuhl and neo progressive. It's not like things were just made up as we went along, did you notice there is a whole world outside prog archives as well?

Originally posted by lazland lazland wrote:

3. I support,fully, the many posts which have suggested album and artist multi tagging. This would address the many issues we have with so many acts who have not produced the "same kind of music". There was a very good post about Tull, here under Prog Folk. In fact, they are probably the archetypal eclectic band. We could do this along the lines of our sister sites. And I, for one, would be very happy to go through all of my reviews and tag them according to my interpretation of the style of music. First up, Pendragon's Passion, a heavy prog album if ever I heard one.
I've been a supporter of this idea since it first came along. It would be great if combined with the classification system that we have. The problem with an team driven classification system is that the input from the non team-members tends to be left unheard in some cases. Not because people don't want to listen, but because they simply don't hear or see what others are saying and doing, being to involved with their work (be aware that some spent a lot of time on their team work!). This could be solved by tagging in the sense that it will provide a means for regular members to influence the tagging of individual albums, while the overall classifiation, which is one of PA's strengths according to many who joined over the years, stays in place.

Originally posted by lazland lazland wrote:

4. Lastly, probably the most controversial suggestion. As things stand, someone will suggest a new artist for inclusion on the site. The New Artist team will say, okay, let us send it to, say, PE for evaluation. Trouble is, if that team say no, I.e. reject the suggestion, then we have perfectly valid artists not getting onto the site. Or, of course, with the move option, a game of ping pong between teams. Squackett was only the most high profile example. We have many others. How about, then, having an expanded New Artists team deciding whether an act is progressive enough to warrant inclusion on the site? If the answer is yes, and it usually is, then a special collab could add them, and members could add albums and review under an interim category of "Sub-genre pending".

This was suggested before, and if this is what you want mostly, this thread could've been a whole lot shorter. As far as I'm concerned, this is something that could be added right away. It fits the way of working, and it's technically a lot less challenging than introducing the tagging system. Provided that you can convince the teams and M@X, I agree fully.

Originally posted by lazland lazland wrote:

The teams could then argue and be as pedantic and anal as they wished, because it would not make an iota of difference. The artist is added, simple as.
There we go. Some suggestions to debate. We really do have to get away from the parochial system we have now, whereby a couple of people have the absolute right to decide upon addition or sub-genre, this based upon their own, at times, exceptionally anal viewpoint of a particular style of music. Let us open it up a bit. Lastly, a very important point. The teams here decide upon matters which are the property of the entire site, not just their own narrow empires. It should be open to all collabs and members to query decisions made, without fear of admonishment or retribution. If we can move forward on some of these issues, no more will we hear the phrase "do not interfere in my team". It is not your team. This site is a tool for the whole world to look at.

And here's where you murdered your own child. Well, not exactly, you murdered in in the starting post already. Having been around for five years, you should know by now that if it wasn't for the teams, and the willingness of their members to do a lot of work, and have fights when necessary, ProgArchives would have been dead before you even joined.
Building a site and a community like we have at ProgArchives involves the following:

1 a sound technical infrastructure, 
2 a few people mainintaining that infrastructure,
3 a team of willing and working collaborators
4 mutual respect amongst these collaborators, for their work, expertise and contribution

The disregard of what is going on in the world outside PA with respect to musical classification, ignoring the historical context of classifications made and dismissing the efforts the teams have put into getting us to where we are now voids your proposal almost completely. It may sound harsh when you read it out loud, but I fully agree with Finnforest here.

Disclaimer: I am a very irregular visitor of the forums these days. As a result, it may take quite a while to get back on any reactions to what I wrote above. This is not arrogance, nor laziness, but a fact of life - I have two companies to run these days and not a lot of time to hang around here.
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Direct Link To This Post Posted: January 19 2013 at 20:05
Originally posted by lazland lazland wrote:

Look at Yes. They are a symphonic band, yes? Well, okay. But, is 90125? That would fit within Crossover as we define it here.
But unless album tagging or band multi-tagging would be implemented (your # 3) with your proposal # 2 (merging of sub-genres) 90125 or Big Generator would go to Symphonic Influenced and not to Crossover either.

Implementation of # 2 unless there is also # 3 not only does not solve anything but it would make band tagging even less accurate than it currently is (in the sense of conveying less information content in the majority of the cases).

But if you have # 3 then the problems are solved and you do not need # 2 anymore (because normally for a single album it should be quite clear which of the current sub-genres can be used).

Which makes # 2 either undesirable or unnecessary IMHO.




Edited by Gerinski - January 20 2013 at 05:17
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Direct Link To This Post Posted: January 19 2013 at 19:40
Originally posted by lazland lazland wrote:

Look at Yes. They are a symphonic band, yes? Well, okay. But, is 90125? That would fit within Crossover as we define it here. How about Asia? Prog related on the site, but I would argue that the classic debut album contains more than enough symphonic prog to warrant inclusion there. Just listen to Wildest Dreams, for goodness sake, a symphonic masterpiece if ever there was one.
I think maybe a major difference we're all having is in one of historic perspective, something that seems to be important to many here.   90125 and Big Generator could be considered Crossover Prog, but it ended up being Yes' (the project at that time called Cinema and not originally intended as a Yes album) response to both the new possibilities and new realities of the 1980s.   It was still prog, it was still Yes, and relative to most other rock bands of the time, rather complex and innovative.   To require these albums to be considered or tagged as something separate from 'normal Yes' cheapens what the band was doing and may miss the point of progressive rock, which presumably is to progress.

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Direct Link To This Post Posted: January 19 2013 at 18:37
Originally posted by Gerinski Gerinski wrote:

In my opinion a "sub-genre pending" tag would look very unprofessional.
"Look at these guys, they call themselves 'the ultimate Prog resource on the net', they have added a band so supposedly they have listened to it enough to identify it as Prog and yet they can not tell what kind of Prog they play, hahaha"

The site user does not need to know how the site works internally, that team members are just volunteers, how does the addition process work etc, many casual users will probably assume that the site is run by a professional team who knows what it's doing.

There should be a simple democratic process, if the band is tossed between let's say, Symphonic, Crossover and Neo without quick consensus, all the members of these 3 teams vote and the band goes to whichever of the 3 sub-genres has been most voted, without further discussions. As simple as that.

For the rest I repeat that I am not in favour of merging sub-genres, the result would be even less accurate tagging than now, I would not like to see Rush tagged as a Prog Metal band Confused


Not a bad idea, man!  Let's remember to suggest this be tried next time we have a difficult placement that everyone agrees belongs.....
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Direct Link To This Post Posted: January 19 2013 at 18:32
In my opinion a "sub-genre pending" tag would look very unprofessional.
"Look at these guys, they call themselves 'the ultimate Prog resource on the net', they have added a band so supposedly they have listened to it enough to identify it as Prog and yet they can not tell what kind of Prog they play, hahaha"

The site user does not need to know how the site works internally, that team members are just volunteers, how does the addition process work etc, many casual users will probably assume that the site is run by a professional team who knows what it's doing and we should try that it looks as such for the outside world.

There should be a simple democratic process, if the band is tossed between let's say, Symphonic, Crossover and Neo without quick consensus, all the members of these 3 teams vote and the band goes to whichever of the 3 sub-genres has been most voted, without further discussions. As simple as that.

For the rest I repeat that I am not in favour of merging sub-genres, the result would be even less accurate tagging than now, I would not like to see Rush tagged as a Prog Metal band Confused


Edited by Gerinski - January 19 2013 at 18:37
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Direct Link To This Post Posted: January 19 2013 at 17:02
The band "holding pen" "sub" has been proposed many times and would seem to alleviate those very rare situations like Squackett.  However the idea has always been pretty soundly rejected in the CZ, if memory serves....though I can't remember the exact concerns they had.
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Direct Link To This Post Posted: January 19 2013 at 16:26
Steve

I do see some benefit in the "sub-genre pending" proposal, although I think this can be done by admins where a difficult case exists - e.g. from the suggestions thread and where there is a problem, a group of admins can decide and then send to a team.

I also agree with Jim's comment on the values of SCs being promoted for a specific reason etc etc, so to rule the whole process out (which I am sure it is not what you are proposing?) would not be a solution.

On your note about heavy and metal subs being one (just picking that as an example) I see a few problems: there are most of the time discrete tendencies in the subs, see for example the trademark heavy rock/prog sound of Atomic Rooster/Heep/Rush etc with the metal sound of DT/Fates. One is the evolution of the other, but the influences and sound are not the same. Same applies within the subs of metal (although I accept some overlaps). Fates Warning / Isis / Enslaved have almost nothing in common in terms of influences (as an example), although I would not care too much if they were all under PM.

EDIT: just remembered, there are plenty of cases where a band has been rejected for PM and was passed onto another team for evaluation, to ensure that we are not denying the opportunity - I think this happens elsewhere as well. But where there are blatant cases (no, Stratovarius are no PM, but metal definitely) then I think they don't need to be tossed around. And really, I don't expect us to be perfect Wink.

EDIT2: tagging would be beneficial if applied with care - we need a new team for this if we are to do it, which would agree between the genre teams (just to add a bit more complexity!)



Edited by aapatsos - January 19 2013 at 16:35
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Direct Link To This Post Posted: January 19 2013 at 16:23
Originally posted by Dayvenkirq Dayvenkirq wrote:

^ OK, ... maybe you have missed the numerous posts written by a number of people who argued that the "Top 100 Prog Albums" list is nothing but a joke. It's like a funny representation of what's cast in stone. Why would we even need this list? It's just math. We don't need another "Billboard chart" of sorts.
Well, for those who don't like the list, I'd advise not to look at it. There's not just one single top 100 list, you can also organize it the way you want - by genre, by year, by decade, by country, by live release, and any combination. It's ingenious, I love it, and it's how this site has introduced an incalculable wealth of new bands and albums to me.
 
There were some bands that just didn't click with me. Genesis, Camel, Marilllion, Hawkwind - and others I could go on to name. But because they're rated so highly here at PA, I stuck with them to try to figure out what's special about them. And eventually fell in love with these bands, or certain albums by them. For people who are new to prog, it's an invaluable resource.
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