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Dayvenkirq ![]() Forum Senior Member ![]() ![]() Joined: May 25 2011 Location: Los Angeles, CA Status: Offline Points: 10970 |
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Just like what Kotro said.
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lazland ![]() Prog Reviewer ![]() ![]() Joined: October 28 2008 Location: Wales Status: Offline Points: 13872 |
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Thank you David, very much. The pints tasted very nicely indeed
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Enhance your life. Get down to www.lazland.org
Now also broadcasting on www.progzilla.com Every Saturday, 4.00 p.m. UK time! |
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aapatsos ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: November 11 2005 Location: Manchester, UK Status: Offline Points: 9226 |
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I think we should (always) keep the positives from such a discussion.
Are there ways to improve the site? Certainly. Many people agreed on the following: 1. We need to ensure we don't ping-pong artists from here to there (on the rare occasion) - in such a case a majority between teams, or a group of Admins can decide and this can be best done at the beginning i.e. when the band is suggested (when the artist's music shows multiple directions...). In my opinion this does not require a lot of resource. 2. Artist or album tagging - works elsewhere, why not here, but need to be careful of how it is done, i.e. the capability of the software, the people and time required and whether M@x agrees. No need to re-invent the wheel and this applies to >90% of occasions. |
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Guldbamsen ![]() Special Collaborator ![]() ![]() Retired Admin Joined: January 22 2009 Location: Magic Theatre Status: Offline Points: 23122 |
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I am sorry if you feel disillusioned Steve, and I am even more sorry that I wasn't around to make any sort of meaningful contributions to what you were trying to do here. I am in a completely other world at the moment and I have a hard time gathering my thoughts on PA right now, but just so you know, and just so all others know, - you are a wonderfully kind and generous man. I know that with every fibre of my being. Hell, I just need to read your Christmas greeting again. Plus everything you tried to do here, was from a place of goodwill and care - not to stir up the place for the sake of argument. I believe that to be true.
All the best my friend, and maybe those pints will taste even better than you think ![]() |
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“The Guide says there is an art to flying or rather a knack. The knack lies in learning how to throw yourself at the ground and miss.”
- Douglas Adams |
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Finnforest ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: February 03 2007 Location: The Heartland Status: Offline Points: 17529 |
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I could use a couple pints myself.....though its still morning here. And it's below zero degrees outside, so if I had a dog, he'd be in a world of hurt.
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lazland ![]() Prog Reviewer ![]() ![]() Joined: October 28 2008 Location: Wales Status: Offline Points: 13872 |
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Okay. I have had my say, and I initiated this debate. It is clear that this debate has, effectively, ended with the senior collabs and admins in favour of keeping the status quo. Fine, I accept that.
Unless anyone makes a post which I regard as necessitating a response, I am signing off from here now, because this is a pretty lonely furrow to plough. And no, Jim, I am not a bad fellow, really, and my comments and opinions were genuinely meant to help, although I accept that the comments might not have been read that way. Oh well, Arsenal have lost, this debate has run its course, and I am now off to walk the dog and have a couple of pints.
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Enhance your life. Get down to www.lazland.org
Now also broadcasting on www.progzilla.com Every Saturday, 4.00 p.m. UK time! |
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Finnforest ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: February 03 2007 Location: The Heartland Status: Offline Points: 17529 |
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I would prefer some teams to be more inclusive and others
to be more exclusive,
Dean, I hear this. We must be open and inclusive, but you have to be careful not to go too far in the other direction as well. That's why I say it is a great responsibility. I think sometimes people think its really easy to do evaluations. Some are. But many are not. |
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Dean ![]() Special Collaborator ![]() ![]() Retired Admin and Amateur Layabout Joined: May 13 2007 Location: Europe Status: Offline Points: 37575 |
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following on from here.
The team process does work. This cannot be denied and a few exceptions (and they are very few in number) to that does not mean we should abandon everything and adopt a radically different approach.
The teams represent the whole PA, they do not represent the ideals of single people or narrow group of people - they are collaborators in an activity or endeavor or sphere of common interest and this is a collaboration site. Their actions and decisions are made on behalf of the site and their authority to do that is granted by the site owner through his representatives, the Admins.
Once we (as a whole) allow teams the responsibility to act on behalf of the whole membership then we must respect their autonomy and (this is a double-edge sword) once the teams accept the responsibility to act on behalf of the whole membership they must respect the right of any individual member to question the decisions made. Failure on either count is not acceptable.
Ideally we should canvas the whole membership for each and every band placement, but that is both impractical and (in deference to the membership) unmanageable. In its place we use a sample of the membership to represent the whole population, and we select those members that have an interest in, and a knowledge of, the specific subgenre they are selected for. These guys are not de facto experts, nor are they infallible which is why we prefer larger teams over smaller ones and insist on majority voting.
Since the teams are representative collaborators then they must consider the views of other collaborators and the general membership, but disagreeing with their decisions does not automatically mean they are wrong.
I would prefer some teams to be more inclusive and others to be more exclusive, but that is personal opinion not policy, and it is not something that any team should be force to adopt. I would prefer that some teams consider the consequence of some of their unilateral decisions and their effect on the PA, other teams, collaborators and the general membership, but I cannot make them do that.
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What?
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Finnforest ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: February 03 2007 Location: The Heartland Status: Offline Points: 17529 |
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Based on the examples you do give, I think when we are talking about a
high profile artist, and disputes arise, we need to voluntarily ask for
some opinion from Admin and then give that opinion some weight in resolution. You are right that we should not have such situations, even if rare by percentage.
The examples you give Steve are problems. My problem with you is that you'd present these examples as much more common than they really are. And your solutions to dismantle the site genres or teams are a hugely overblown reaction to the scope of the problem. I'm repeating myself now too....extremely frustrated and bummed by what I see as a public presentation of the situation that is just not a fair or objective review. You can say you're not talking about "my team" but you are. All of these guys are "my team" and I think they deserve better. I felt that last summer when we went through a similar ordeal and I had really hoped we could avoid it again by improving our teams and cooperation. I'm still hopeful. |
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Finnforest ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: February 03 2007 Location: The Heartland Status: Offline Points: 17529 |
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I don't think you're a bad guy Steve, but I do think you're wrong in your overall assessment. And yes, even as applies to the specific people you have in mind. There has been improvement there whether or not you acknowledge it. And you're right, this isn't the place to have that discussion about individuals.
Cheap shots are in the eye of the beholder. They give the readership a view of the teams that is objectionable to me, and I have to say that. You just mentioned 2 or 3 bands, so to use your words that is clearly "isolated examples" when you compare it to the number of bands we added in 2012. How many bands did we add in 2012 Steve? How does that compare to number of reject examples you can cite? |
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lazland ![]() Prog Reviewer ![]() ![]() Joined: October 28 2008 Location: Wales Status: Offline Points: 13872 |
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I don't think I am going to say a great deal more. Firstly, I am clearly upsetting people for whom I have the utmost respect, and like. Such was not my intent. Secondly, as is the norm on this site, any attempt at reaching some form of consensus is probably doomed from the beginning, no matter who is to "blame".
However, I will make this clear Jim, and Angelo. I do not take "cheap shots". The rules of this site prevent me from saying too much openly, and certainly naming individuals. Neither of you, however, are stupid, and you must surely know honestly that instances of certain teams, or individuals, lecturing, pontificating, and being bloody rude when others try to disagree, happens on an almost weekly basis. Not all teams. Not all collabs. Certain collabs, and certain instances. If you want to carry on that particular debate, PM me. I do not want to risk censure for breaking site rules. Squackett was most certainly a high profile example, but Olav said(and if there is anyone on this site who is beyond reproach for behaviour and knowledge, it is him), that this was by no means an exception. It isn't. I was, until recently, a collab on the neo team. I loved working with Keishiro and Apostolis, so please do not interpret these remarks as being personal, because they are not. But I do remember two major arguments we had on the team. Firstly, Alan Reed, ex Pallas frontman. His debut EP was rejected by our team. I disagreed strongly. Fair enough, but the rejection meant that he could not even be included on the site, a massive affront in my opinion, and wrong, at a time when the major Prog magazine in the world was featuring him, and other sites had him. I had to bear the brunt of communicating the rejection, and I do not think that it did us proud. And made me feel particularly bad. The second was Edison's Children, THE success story of 2011. An album, and act, which broke some records in terms of exposure, and sales, particularly in the US. I am mightily proud of having been asked by Eric and Pete to review the album and get the act on the site. We had a huge row about that, as well. I prevailed, but not before Olav had made the extremely pertinent point that neo, as well as all other styles, progresses and moves forward. These are not isolated examples. I know for a fact that a very respected SC on this site stated in the CZ, to which I do not have access, of course, that he no longer submits acts for a certain sub-genre, because he has no faith that they will get on. Instead, he goes to neo and crossover as an alternative, a dumping ground, if you will. We also have the extremely unedifying position, on more than one occasion, of artists themselves being lectured in open forum about how we classify their music. Do you want me to continue? Is there a need for me to be even more explicit? I would, also, repeat a very important point. Eclectic and crossover especially do not exist as forms of music. They are wholly figments of our own imagination. They are convenient descriptions of music which we cannot, or will not, place elsewhere. Jim. None of these criticisms apply to you or your team. You know that. I know that. You also know full well what I am talking about. That is my last word on the topic. In the interim, I will start exploring other sites, because this is getting me down. Regrettably, I am anal enough myself to continue fighting a losing battle. There you go. A comment you found rather objectionable being applied by myself to myself.
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Enhance your life. Get down to www.lazland.org
Now also broadcasting on www.progzilla.com Every Saturday, 4.00 p.m. UK time! |
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Finnforest ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: February 03 2007 Location: The Heartland Status: Offline Points: 17529 |
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Angelo, thanks for the long and thoughtful post, it is much appreciated. When I tried to impart to Steve that his continually pushed view of the teams is unfair and inaccurate, I had missed his phrase "narrow empire" which is nothing more than again, another cheap shot that does not reflect the people I work with every day (on all the teams, not just RPI). Steve will say he means no offense I'm sure....and yet, as the collective targets for the words I've been protesting, he could makes the same points without the jabs that give the members a skewed view of what kind of people the volunteer collabs are.
I do not believe however that "sub genre pending" is a good road to go down and I'll tell you why. Two things could happen....the new decision authority team could stack up bands that the genre teams may find problematic, causing a glut of bands noted "genre pending" which makes us all look silly, see Gerinski's comment below.....or consider the opposite....the new bands team may reject a band that the genre team would have approved. It is nothing more than another level of potential conflict that sounds good on paper, but doesn't really help the end result. It kicks the can down the road and the new potential conflict could cause strife that costs us valuable people. Because remember, though Squackett gets bandied about here like it is an everyday occurrence, it is very rare that such an event happens. When we start to see lists of prog bands that have been killed by the teams because we have a hard-on for rejecting bands, I might be more open to Sub Genres Pending. Where exactly are the throngs of people rioting in the streets because the teams are refusing them??.....let there be some evidence that Squackett is the norm before you take the decision away from the genre teams and give it to others. Ultimately that is what frustrates me so about Steve's charges. He puts forth the idea that his scenarios are the norm, and they are not! The norm is that most bands get in, and lately they get in with increasing efficiency. The norm is that my fellow collabs on these teams work well together most of the time and we get done what we are asked to get done. Steve's view of the teams are the rare exception, not the rule. We really don't need "sub genre pending", we take our responsibility for these decisions quite seriously and try very hard to be inclusive without watering down the site to a ridiculous level. I assume the site does want some level of review and checking by the people they've promoted to CZ.....if we're nothing more than a rubber stamp for every suggestion ever made, then yes, there is no point in having us around. My contention is that the VAST majority of suggestions do get approved in a reasonable manner. The ones that do cause some debate should be handled with care, and I agree genre teams should act more cooperative when disputes arise. I think we were heading that direction naturally for the most part. Edited by Finnforest - January 20 2013 at 09:40 |
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Angelo ![]() Special Collaborator ![]() ![]() Honorary Collaborator / Retired Admin Joined: May 07 2006 Location: Italy Status: Offline Points: 13244 |
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Let's not, this discussion is repetitive at best, and has been for years now.
Changing rules and agreed ways of working because there are exceptions is never a valid reason. Ever heard of what we call 'non sequitur', false logic? It's like saying "In 25% of the cases of deadly traffic accidents, at least one driver had consumed alcohol. In 75% of the cases, at least one of the drivers had a coffee. We should ban coffee in traffic". As David already pointed out, a lot of bands are placed in a certain the category, based on musical as well as historical grounds. Don't change that, learn music history instead.
Thanks for adopting the conclusion that was drawn many times over the past 8 years.
I tend to disagree on that one, agin for the reasons of respecting musical history, as well as not trying to change classifications that are used world wide - there is a world outside PA that talks about jazz rock, fusion, zeuhl and neo progressive. It's not like things were just made up as we went along, did you notice there is a whole world outside prog archives as well?
I've been a supporter of this idea since it first came along. It would be great if combined with the classification system that we have. The problem with an team driven classification system is that the input from the non team-members tends to be left unheard in some cases. Not because people don't want to listen, but because they simply don't hear or see what others are saying and doing, being to involved with their work (be aware that some spent a lot of time on their team work!). This could be solved by tagging in the sense that it will provide a means for regular members to influence the tagging of individual albums, while the overall classifiation, which is one of PA's strengths according to many who joined over the years, stays in place.
This was suggested before, and if this is what you want mostly, this thread could've been a whole lot shorter. As far as I'm concerned, this is something that could be added right away. It fits the way of working, and it's technically a lot less challenging than introducing the tagging system. Provided that you can convince the teams and M@X, I agree fully.
And here's where you murdered your own child. Well, not exactly, you murdered in in the starting post already. Having been around for five years, you should know by now that if it wasn't for the teams, and the willingness of their members to do a lot of work, and have fights when necessary, ProgArchives would have been dead before you even joined. Building a site and a community like we have at ProgArchives involves the following: 1 a sound technical infrastructure, 2 a few people mainintaining that infrastructure, 3 a team of willing and working collaborators 4 mutual respect amongst these collaborators, for their work, expertise and contribution The disregard of what is going on in the world outside PA with respect to musical classification, ignoring the historical context of classifications made and dismissing the efforts the teams have put into getting us to where we are now voids your proposal almost completely. It may sound harsh when you read it out loud, but I fully agree with Finnforest here. Disclaimer: I am a very irregular visitor of the forums these days. As a result, it may take quite a while to get back on any reactions to what I wrote above. This is not arrogance, nor laziness, but a fact of life - I have two companies to run these days and not a lot of time to hang around here.
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ISKC Rock Radio
I stopped blogging and reviewing - so won't be handling requests. Promo's for ariplay can be sent to [email protected] |
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Gerinski ![]() Prog Reviewer ![]() ![]() Joined: February 10 2010 Location: Barcelona Spain Status: Offline Points: 5160 |
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But unless album tagging or band multi-tagging would be implemented (your # 3) with your proposal # 2 (merging of sub-genres) 90125 or Big Generator would go to Symphonic Influenced and not to Crossover either. Implementation of # 2 unless there is also # 3 not only does not solve anything but it would make band tagging even less accurate than it currently is (in the sense of conveying less information content in the majority of the cases). But if you have # 3 then the problems are solved and you do not need # 2 anymore (because normally for a single album it should be quite clear which of the current sub-genres can be used). Which makes # 2 either undesirable or unnecessary IMHO. Edited by Gerinski - January 20 2013 at 05:17 |
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Atavachron ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Offline Points: 65801 |
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Finnforest ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: February 03 2007 Location: The Heartland Status: Offline Points: 17529 |
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Not a bad idea, man! Let's remember to suggest this be tried next time we have a difficult placement that everyone agrees belongs..... |
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Gerinski ![]() Prog Reviewer ![]() ![]() Joined: February 10 2010 Location: Barcelona Spain Status: Offline Points: 5160 |
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In my opinion a "sub-genre pending" tag would look very unprofessional.
"Look at these guys, they call themselves 'the ultimate Prog resource on the net', they have added a band so supposedly they have listened to it enough to identify it as Prog and yet they can not tell what kind of Prog they play, hahaha" The site user does not need to know how the site works internally, that team members are just volunteers, how does the addition process work etc, many casual users will probably assume that the site is run by a professional team who knows what it's doing and we should try that it looks as such for the outside world. There should be a simple democratic process, if the band is tossed between let's say, Symphonic, Crossover and Neo without quick consensus, all the members of these 3 teams vote and the band goes to whichever of the 3 sub-genres has been most voted, without further discussions. As simple as that. For the rest I repeat that I am not in favour of merging sub-genres, the result would be even less accurate tagging than now, I would not like to see Rush tagged as a Prog Metal band
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Finnforest ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: February 03 2007 Location: The Heartland Status: Offline Points: 17529 |
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The band "holding pen" "sub" has been proposed many times and would seem to alleviate those very rare situations like Squackett. However the idea has always been pretty soundly rejected in the CZ, if memory serves....though I can't remember the exact concerns they had.
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aapatsos ![]() Special Collaborator ![]() ![]() Honorary Collaborator Joined: November 11 2005 Location: Manchester, UK Status: Offline Points: 9226 |
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Steve
I do see some benefit in the "sub-genre pending" proposal, although I think this can be done by admins where a difficult case exists - e.g. from the suggestions thread and where there is a problem, a group of admins can decide and then send to a team. I also agree with Jim's comment on the values of SCs being promoted for a specific reason etc etc, so to rule the whole process out (which I am sure it is not what you are proposing?) would not be a solution. On your note about heavy and metal subs being one (just picking that as an example) I see a few problems: there are most of the time discrete tendencies in the subs, see for example the trademark heavy rock/prog sound of Atomic Rooster/Heep/Rush etc with the metal sound of DT/Fates. One is the evolution of the other, but the influences and sound are not the same. Same applies within the subs of metal (although I accept some overlaps). Fates Warning / Isis / Enslaved have almost nothing in common in terms of influences (as an example), although I would not care too much if they were all under PM. EDIT: just remembered, there are plenty of cases where a band has been rejected for PM and was passed onto another team for evaluation, to ensure that we are not denying the opportunity - I think this happens elsewhere as well. But where there are blatant cases (no, Stratovarius are no PM, but metal definitely) then I think they don't need to be tossed around. And really, I don't expect us to be perfect ![]() EDIT2: tagging would be beneficial if applied with care - we need a new team for this if we are to do it, which would agree between the genre teams (just to add a bit more complexity!) Edited by aapatsos - January 19 2013 at 16:35 |
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jude111 ![]() Forum Senior Member ![]() Joined: October 20 2009 Location: Not Here Status: Offline Points: 1754 |
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Well, for those who don't like the list, I'd advise not to look at it. There's not just one single top 100 list, you can also organize it the way you want - by genre, by year, by decade, by country, by live release, and any combination. It's ingenious, I love it, and it's how this site has introduced an incalculable wealth of new bands and albums to me.
There were some bands that just didn't click with me. Genesis, Camel, Marilllion, Hawkwind - and others I could go on to name. But because they're rated so highly here at PA, I stuck with them to try to figure out what's special about them. And eventually fell in love with these bands, or certain albums by them. For people who are new to prog, it's an invaluable resource.
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