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lazland View Drop Down
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Direct Link To This Post Posted: March 11 2010 at 13:43
I can see your points Raff, especially about being heavy on the type of prog that I particularly enjoy, although I do enjoy this site in particular, and the magazine to a lesser degree, for the opportunity to introduce me to new music.

Actually, my biggest beef about the mag is the propensity of the writers to still write about women in particular and drugs to a certain degree as if they are still in the 70's/80's - in other words women are just there as good looking symbols to ogle at for rather immature blokes and that taking copious amounts of coke or smack can be described as a rather fun lifestyle choice. In that sense, they are all (Barton, Dome, Wall et al) stuck in a ridiculous mysogenistic and immature timewarp.
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Direct Link To This Post Posted: March 10 2010 at 18:19
Originally posted by lazland lazland wrote:



Raff, it is rare that we disagree on the forum, but I still really enjoy reading the magazine, although I do, of course, bow to your superior knowledge, certainly as regards prog outside the UK,

Have you considered writing to the magazine and let them know your feelings? The majority of them have been active rock journalists in the UK for many years. There are still some from Sounds heyday in the late 1970's! They pride themselves on understanding the genuine rock fan's point of view, and I am sure that they would listen to the type of constructive criticism you would have to offer.


I chopped off my own quotation because I hate quote pyramidsLOL. Anyway, Steve, thanks for the 'superior knowledge', which I don't really believe I have... The thing is, you enjoy the kind of prog they are pushing much more than I do, and you also have the opportunity to see those bands live if you want. However, my beef is not that they feature Marillion, Transatlantic, DT and PT every single issue - if that sells, I can understand why they do it, since they're not running a charity - but rather that they seem to dismiss other bands much too easily. And then, the content-wise, it has been going downhill for some time. I'd like to see many more reviews and less rather uninvolving features like the ones they had this time. I read practically the whole of the mag today, while going to work and then back home, and that had never happened before.

As to writing them, I've thought about it, but I believe I will pass this one up. You see, it's not the first time I see slurs against Italian prog (I subscribed to Classic Rock for a number of years, and bought every issue in the years before I decided to take out a subscription), and protesting would not change anything. They are steeped in prejudice, and losing one reader would not make any difference - especially one from a country they seem to despise so much. I just wonder why they don't avoid reviewing Italian prog, if they have such a poor opinion of it. They may be experienced reviewers (and I know that, since many of them used to review for Kerrang! in the Eighties), but they sure are experienced in alienating readers as well.
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Direct Link To This Post Posted: March 10 2010 at 15:56
Originally posted by lazland lazland wrote:

Originally posted by Raff Raff wrote:

OK, yesterday I found the mag's latest issue (#6, if I'm not mistaken) at Borders in downtown DC. Since I had run out of reading material to keep me company during my commute back home, I bought it (and a cookbook I found for $4Wink!), and started browsing through it when I sat down to have some tea before my lesson started.

Unfortunately, I have to say this time I was positively underwhelmed - even if the central feature on 'prog art' is not a bad idea at all. The usual suspects covered (i.e. Mostly Autumn, Marillion, DT, PT, yadda yadda), the usual bloopers (omitting Thursaflokkurinn from a feature on Icelandic prog was unforgivable, and the guy who reviewed Jakko M. Jakszyk's The Bruised Romantic Glee Club had clearly not read the liner notes), a slew of reviews of albums chosen with heaven knows what criteria - and plenty of condescension towards non-British bands. In particular, some of the remarks included in the reviews of Jacula and Il Bacio della Medusa were unpleasantly patronizing. I am really not sure I'm going to part with more of my hard-earned cash in the future to get something so biased. 


Raff, it is rare that we disagree on the forum, but I still really enjoy reading the magazine, although I do, of course, bow to your superior knowledge, certainly as regards prog outside the UK,

Have you considered writing to the magazine and let them know your feelings? The majority of them have been active rock journalists in the UK for many years. There are still some from Sounds heyday in the late 1970's! They pride themselves on understanding the genuine rock fan's point of view, and I am sure that they would listen to the type of constructive criticism you would have to offer.


sounds like they have spent far too long covering Guns and Roses.. Metallica or whatever band Classic Rock was sponsoring or trying to push to the public.   Bloopers have been a regular part... though a humorous one in pretty much every issue.   As I posted earlier...

Originally posted by micky micky wrote:


 

they've just covered the corporate flavors of the week too long to know that Richard Sinclair didn't play on every Caravan album. LOL


they might be professionals...  good thing.. would hate to think what amateurs might write.  Can't blame them for the pro-English slant.. that is their core audience.  But probably know little about the current prog scene to realize that it isn't the 70's anymore and that English prog is miles behind other places in quality, quantity..  and innovation.
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Direct Link To This Post Posted: March 10 2010 at 14:18
Originally posted by Raff Raff wrote:

OK, yesterday I found the mag's latest issue (#6, if I'm not mistaken) at Borders in downtown DC. Since I had run out of reading material to keep me company during my commute back home, I bought it (and a cookbook I found for $4Wink!), and started browsing through it when I sat down to have some tea before my lesson started.

Unfortunately, I have to say this time I was positively underwhelmed - even if the central feature on 'prog art' is not a bad idea at all. The usual suspects covered (i.e. Mostly Autumn, Marillion, DT, PT, yadda yadda), the usual bloopers (omitting Thursaflokkurinn from a feature on Icelandic prog was unforgivable, and the guy who reviewed Jakko M. Jakszyk's The Bruised Romantic Glee Club had clearly not read the liner notes), a slew of reviews of albums chosen with heaven knows what criteria - and plenty of condescension towards non-British bands. In particular, some of the remarks included in the reviews of Jacula and Il Bacio della Medusa were unpleasantly patronizing. I am really not sure I'm going to part with more of my hard-earned cash in the future to get something so biased. 


Raff, it is rare that we disagree on the forum, but I still really enjoy reading the magazine, although I do, of course, bow to your superior knowledge, certainly as regards prog outside the UK,

Have you considered writing to the magazine and let them know your feelings? The majority of them have been active rock journalists in the UK for many years. There are still some from Sounds heyday in the late 1970's! They pride themselves on understanding the genuine rock fan's point of view, and I am sure that they would listen to the type of constructive criticism you would have to offer.
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Direct Link To This Post Posted: March 10 2010 at 07:02
OK, yesterday I found the mag's latest issue (#6, if I'm not mistaken) at Borders in downtown DC. Since I had run out of reading material to keep me company during my commute back home, I bought it (and a cookbook I found for $4Wink!), and started browsing through it when I sat down to have some tea before my lesson started.

Unfortunately, I have to say this time I was positively underwhelmed - even if the central feature on 'prog art' is not a bad idea at all. The usual suspects covered (i.e. Mostly Autumn, Marillion, DT, PT, yadda yadda), the usual bloopers (omitting Thursaflokkurinn from a feature on Icelandic prog was unforgivable, and the guy who reviewed Jakko M. Jakszyk's The Bruised Romantic Glee Club had clearly not read the liner notes), a slew of reviews of albums chosen with heaven knows what criteria - and plenty of condescension towards non-British bands. In particular, some of the remarks included in the reviews of Jacula and Il Bacio della Medusa were unpleasantly patronizing. I am really not sure I'm going to part with more of my hard-earned cash in the future to get something so biased. 
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Direct Link To This Post Posted: March 04 2010 at 11:40
And even then, I find the proposition that young newcomers will shell out $15 for dead-tree media when $0 internet versions such as our collective selves exist a dubious one at best.
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Direct Link To This Post Posted: March 04 2010 at 10:26
^ As I already said . . . . for newcomers, it's great. For already-existing fans, not really worth it. Wink
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Direct Link To This Post Posted: March 04 2010 at 10:22
Like it or not, without mags such as that one and artists like DT and PT, there would hardly be any recruitment at all to the genre as far as new fans goes :-)
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Direct Link To This Post Posted: March 04 2010 at 10:11
^ Well, exactly. But because of that, I think newcomers should be the ones buying it. Maybe there wouldn't be enough of them to support the mag, but it just seems kind of pointless for more seasoned Prog listeners to buy it. Especially when you take into consideration how 'out of sync' it tends to be with us at times. 

Ah well. I'm probably just being a grouch about it for no good reason. :p It IS cool to finally have press dedicated to Prog again. 
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Direct Link To This Post Posted: March 04 2010 at 09:55
Originally posted by JLocke JLocke wrote:

I may be the odd man out, here, but I personally don't care much for it. I mean, any specific information I want to find out, I can find out here, and the regular members know more about all this stuff than the suits running that magazine. 


I agree with you, Micah, but you should also consider that the mag is targeted to people who may be relative newcomers to the genre, and do not necessarily know about the multitude of websites dedicated to prog.
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Direct Link To This Post Posted: March 04 2010 at 09:54
What is interesting to note about that mag, is the fact that they are far more liberal than any fan site when it comes to describing what prog and prog-related is. A band like Manic Street Preachers for instance. Even among the liberal fans here few would describe them as having any prog relations whatsoever. And bands that barely made it into the database here are presented as full-fledged prog by this magazine.

It is fascinating to see the differences in opinion between people that have lived and breathed music for a living for many decades and fans when it comes to the perceptions of what can be described as prog music, that's for sure.
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Direct Link To This Post Posted: March 04 2010 at 09:39
I may be the odd man out, here, but I personally don't care much for it. I mean, any specific information I want to find out, I can find out here, and the regular members know more about all this stuff than the suits running that magazine. 
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Direct Link To This Post Posted: March 04 2010 at 03:22
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Direct Link To This Post Posted: March 03 2010 at 22:03
Originally posted by jammun jammun wrote:

There was a time, many years ago, when I actually used to buy Q and Mojo here in the U.S.  Then one day, it hit me:  I could be buying a CD for the price I paid for the mag!  So that's when I quit buying them on any sort of regular basis.
 
Yeah, I'm coming to the same realisation myself. For the price of an issue of Prog or Classic Rock, I could be buying a new CD. So I don't get them every issue anymore. Only if there's a really good article in there. The newsagents usually seal them in big cardboard or plastic bags, though, so you can't flick through it and put it back on the shelf! LOL
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Direct Link To This Post Posted: March 03 2010 at 21:57
There was a time, many years ago, when I actually used to buy Q and Mojo here in the U.S.  Then one day, it hit me:  I could be buying a CD for the price I paid for the mag!  So that's when I quit buying them on any sort of regular basis.
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Direct Link To This Post Posted: March 03 2010 at 17:53
^Yes. The journos have been writing for rock mags for years. They know their stuff.

I may have to stop buying the regular Classic Rock, and just get Prog. It's very costly getting both. And i've noticed a worrying trend in Classic Rock recently, that they seem to be writing more and more about the salacious parts of the rock industry (Mick Wall's boasts), and less about the music, which is what I really care about reading about. 

So far, so good, with Prog magazine.
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Direct Link To This Post Posted: March 03 2010 at 16:15
I'm not too sure about that knowledge part actually. Many of those writers have been around since the early 80's, some longer than that.And while thay have been writing more on other topics over the years, metal and classic rock in particular, these are journalists who has been making a living writing about music for several decades.

That they choose to scrape the surface will most likely be due to the fact that they want the magazine to be read and to sell well - they are aiming for a wider audience than hardcore prog nerds after all ;-)
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Direct Link To This Post Posted: February 01 2010 at 13:33
Originally posted by Raff Raff wrote:

Originally posted by Sean Trane Sean Trane wrote:

Originally posted by micky micky wrote:

Originally posted by Tony R Tony R wrote:

Apparently Classic Rock Presents...Prog regularly achieves sales of over 50,000 copies. That's quite an achievement for a Prog-based mag that costs a ridiculous £8 and isnt sold in supermarkets.





indeed... all in all it isn't that bad either.  Sure they could use a few SC's from here on staff who actually know the minutia of those groups... but for a bunch of corporate desk jockies.   Pretty good magazine LOL
 
 
Tony, On the continent, it costs 15.15€, which is almost the double.
 
I believe that the mag does a lot of international salers too.
 
 
But I don't appreciate issue #6. much (only leafed through it so far)...... It seems that the mag is getting ever and ever more liberal about what they call prog


Unfortunately, on the Continent the price of British magazines gets almost doubled by the dealers - even when the exchange rate is much more favourable to the Euro than it used to be. I know this because I used to buy other magazines (not dealing with music), and the story was always the same. Here it's 15 dollars, which - with the current Euro/dollar exchange rate - is less than the price in Euros.
 
It is very expensive which I think may ultimately lead to its downfall. I subscribe to it so it works out 25% cheaper at £6 an issue. I'm not sure for how long though as I think there's a far greater knowledge of prog here on PA than the writers of Classic Rock have.
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Direct Link To This Post Posted: February 01 2010 at 08:27
Originally posted by Sean Trane Sean Trane wrote:

Originally posted by micky micky wrote:

Originally posted by Tony R Tony R wrote:

Apparently Classic Rock Presents...Prog regularly achieves sales of over 50,000 copies. That's quite an achievement for a Prog-based mag that costs a ridiculous £8 and isnt sold in supermarkets.





indeed... all in all it isn't that bad either.  Sure they could use a few SC's from here on staff who actually know the minutia of those groups... but for a bunch of corporate desk jockies.   Pretty good magazine LOL
 
 
Tony, On the continent, it costs 15.15€, which is almost the double.
 
I believe that the mag does a lot of international salers too.
 
 
But I don't appreciate issue #6. much (only leafed through it so far)...... It seems that the mag is getting ever and ever more liberal about what they call prog


Unfortunately, on the Continent the price of British magazines gets almost doubled by the dealers - even when the exchange rate is much more favourable to the Euro than it used to be. I know this because I used to buy other magazines (not dealing with music), and the story was always the same. Here it's 15 dollars, which - with the current Euro/dollar exchange rate - is less than the price in Euros.
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Direct Link To This Post Posted: February 01 2010 at 08:23
Originally posted by micky micky wrote:

Originally posted by Tony R Tony R wrote:

Apparently Classic Rock Presents...Prog regularly achieves sales of over 50,000 copies. That's quite an achievement for a Prog-based mag that costs a ridiculous £8 and isnt sold in supermarkets.





indeed... all in all it isn't that bad either.  Sure they could use a few SC's from here on staff who actually know the minutia of those groups... but for a bunch of corporate desk jockies.   Pretty good magazine LOL
 
 
Tony, On the continent, it costs 15.15€, which is almost the double.
 
I believe that the mag does a lot of international salers too.
 
 
But I don't appreciate issue #6. much (only leafed through it so far)...... It seems that the mag is getting ever and ever more liberal about what they call prog
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