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    Posted: January 31 2025 at 09:15
Originally posted by richardh richardh wrote:

...
Nowadays pop music is mostly trash but then something very interesting pops up like say a new band such as The Last Dinner Party. Music is a vast ocean and virtually impossible to track. We need guidance from somewhere. The trick is not to stick to one source. It all matters to some extent.

Hi,

I don't think pop music is mostly trash any more than I do progressive and prog rock music. It's the same thing regardless of form.

But, in reality, it is really easy to say this TODAY ... since there was no Internet 50 years ago and how things got seen or heard was often lucky and nothing else ... we came across a bunch of stuff in a friend's house ... not radio, or publication, at all ... and she wasn't into music ... a friend of hers had asked her to house some 2K Lp's until he was done moving. And there, there were GEMS that radio folks ignored and sold to many stores for some extra money, or something not readily available.

There was ... almost ... nothing to track since you had not heard much ... and I think the FM radio band busted that thought real quick ... until it was bought out in America by corporate interests (station we had was bought by Texaco folks) ... to ensure that everyone else's product did not get a chance anymore ... 30 years later the Internet threw a massive wrench in that thought and here we are ... so many choices that we often can not listen to anything else, or even make up our minds about so much stuff because our favorite gets the groove, and not something else we don't know ... and worse ... we don't want to know!

I think the "guidance" thing is an illusion, and that we were born to be slaves and submissives to whoever talked bigger and louder than us ... and the sad thing is that we allowed the media to get away with it ... and many politicians talking garbage and no one challenging them ... because they have power and the money to lawyer you into the ditch .... none of that is "ahead of its time" ... it's a way to control the public that keeps thinking they don't know better, or give a damn. And as time goes by, you do not think of many of those folks as important at all ... you already replaced that person with another icon or graven image!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote richardh Quote  Post ReplyReply Direct Link To This Post Posted: January 31 2025 at 00:23
It's totally impossible to listen to everything. There are literally not enough hours in the day and then human beings have to sleep or go mad so you don't have 24 hours and then there are those pesky hours when you have to get exercise, go to work to earn money and fulfill repsonsibilities which can be many. Lists are just shorthand recommendations. They may be bad recomendations but you have to start somewhere. Perhaps a well written review is better I grant you and that is where PA excels (not talking about mine which are only notable for their brevity). Also being commercial successful is not necessarily a crime either. Kate Bush realised that to get her music out there she had to play the game. Peter Gabriel gave in to this a little bit as well. David Bowie constantly had hits. How would we know about these artists if they were not having hits? . Nowadays pop music is mostly trash but then something very interesting pops up like say a new band such as The Last Dinner Party. Music is a vast ocean and virtually impossible to track. We need guidance from somewhere. The trick is not to stick to one source. It all matters to some extent.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: January 30 2025 at 07:52
Originally posted by Lewian Lewian wrote:

^ I appreciate your take on the "ahead of its time" thing. The 80s had much good new and innovative music on offer, and that was a sign of its time, not so much "ahead of it" (the 80s have a bit of a bad reputation in prog circles, but the great music of the 80s was great 80s music, not music that would have been more at home in the 90s or later). 

Hi,

Having been in Southern California, where a lot of "progressive" was heard and played on the air, courtesy of the FM radio stations, the real issue was not the music or the artists, that by 1980 were already, let's say established enough that when FM radio was raped by the end of the 1970's, the musicians did well on their own without radio ... this "death of progressive music" is mostly the link to not being able to hear some new music, as the FM radio band had been massive in that area. All of a sudden you don't have a way to listen to it, and are left with college stations that often have a signal no better than the smells off the bathroom, and sometimes with programming that really ... well let's that go ... the Portland based one here once asked me what would my show bring to the air ... and she was interested in a social/anthropological idea which she thought made her station more important ... like anyone listens for that ... folks here would have a riot making fun of her ... I call it bad lyrics! And even though I had a history with the music, it didn't matter ... she wanted the idea, not the music!

Both MM and NME were fine in the 80's and they probably really helped a lot of stuff stay alive, but the one that really could, would NOT even try to help ... The Rolling Stone periodical was trash of the highest order and had the talent of a lot of street buskers from the Antarctica!

The idea that it was ahead of its time, is a comment, by folks that ... in my book ... were expecting some second coming, or third coming somewhere, and it didn't happen, because there was no periodical for music that helped, especially in America. But to say that the music died or those folks were ahead of their time, is the same thing as saying that Stravinsky, and Miles were not important to the whole thing in that century ... which really means ... NOT LISTENING at all, and expecting their favorite band to take the reign! Which didn't happen because there was no media to tell it was so!!!!

We, on Space Pirate Radio, did not have an issue with the "ahead of its time" thing ... I would almost say that Guy's thing then, was "none of the hits none of the time", and that even went for the top stuff in our lists, and specially American music as Guy kept on with all foreign music from around the world, and there is a lot he played that we don't even know or care to discuss, but it shows up in the 132nd line, or ranking in a list or two!

So, from our perspective, to see/consider any music ahead of its time, was a stupid idea ... all arts are slightly ahead of their time, unless you are the top of the Variety listing that still shows a listing of things that no one that I know, here or anywhere else, EVER listens to, and that pretty much tells you that the music business wants to make sure that some things do not interfere with their ability to show the public what sells, and what is not even worth looking at since it is not listed ... and the sad thing, is that a lot of PA is centered on that and not as much about the music as ... for example ... JMA is, where the new postings are maintained in all styles and listings ... and no numbers are required at all, as your favorite especialy will show several albums you can check out ... PA has no such thing and relies on folks making a list ... and, honestly ... I hope that falls off completely ... it's about the music not the list ... and this is something that a lot of us WERE into the music in the early days, and we never lost the touch and go back to the commercial design and focus since then, specially starting the 1980's right after the real FM radio dial was killed off from playing new music, and instead play the "classics" ... which it still does and 45 years later, no one gives a damn!
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Hosydi Quote  Post ReplyReply Direct Link To This Post Posted: January 28 2025 at 14:49
Originally posted by Lewian Lewian wrote:

(e) Talking about the album being "ahead of its time" is maybe not fully appropriate here. I'd rather say it happened at exactly the right time capturing something big that was happening just then.  
"Ahead of its time” is just a colloquialism. Each song ever recorded is vibing with the cultural and musical context of its era. However, when personal computers at home were just fancy gadgets for kids, Kraftwerk indeed had the foresight to see a world where we're living in a digital age. We, regardless of the revival of vinyl records, even listen to music from platforms! 

And in terms of sound, "Computer World" laid down the groundwork for genres like IDM and techno.

Sure, 1978's Die Mensch-Maschine is a special album in its own right, but this is a thread about those 80s records that are "ahead of their time."
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Lewian Quote  Post ReplyReply Direct Link To This Post Posted: January 28 2025 at 11:10
^ I appreciate your take on the "ahead of its time" thing. The 80s had much good new and innovative music on offer, and that was a sign of its time, not so much "ahead of it" (the 80s have a bit of a bad reputation in prog circles, but the great music of the 80s was great 80s music, not music that would have been more at home in the 90s or later). 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: January 28 2025 at 09:32
Originally posted by Lewian Lewian wrote:

...
(d) I don't think it makes sense to separate the music and the album theme/lyrics here, as these were very nicely integrated, which is a major strength of the album. I tend to be a music not lyrics listener, still we can't do this album justice of we consider the music isolated from the lyrics/theme.

(e) Talking about the album being "ahead of its time" is maybe not fully appropriate here. I'd rather say it happened at exactly the right time capturing something big that was happening just then.  

Hi,

Nice posting ... enjoyed it a lot.

Some additions to it ... 

(d) ... this has been a problem in music for a long time ... and how quickly we forget that Mozart was probably the first one to tell us that a lot of the fun in listening and loving music was left behind, and he made the most of it ... but, without the lyrics the music would probably not be appreciated as much ... I think it was the idea of fun that helped it more than anything else ... I certainly do not think that DD would discuss the musicality of Kraftwerk at all ... it was not what the band was about at all!

(e) ... a very tough thought and idea, and I can give you only one example that I have been a part of for 51 years, and just celebrated the birthday of the start of the 52nd year! Space Pirate Radio and the work that Guy Guden has done. When one considers the listing of things played in that year alone (1974 posted before somewhere), I sincerely doubt anyone would question it, however, a lot of folks would get upset because some of the top favorites of theirs were not included ... Guy's shows have never been about the hit, as he was in a commercial radio station on top of it that already played the same crap all day long! So, it could be said that he was doing things ahead of its time, because no one else had even touched it ... and unlike folks using banded LP's (no kidding ... record company specials!!!) ... Guy played the whole thing, including Klaus Schulze and Tangerine Dream, and many of the shows listed? How many minutes can you count?

I think some folks think of the "unknown" or at least "unplayed" stuff as being out in left field in Uranus, and sometimes, the ideas and comments are in that vein, since it dismantles the credibility of their stand on their top five listing! But this, is sad, because we do not want to be here trashing things, and guess what happens when I don't kiss up to the JT and Rush fans? I liked and loved a lot of other materials that were NOT IGNORED, and if you had seen how many things were sent to the radio station that Guy brought home, you would be very upset and disappointed ... they would include nearly 80/90% of all the stuff we have come to love ... and we don't spend our time taking down those fake hit folks ... we ignore them, and then post on PA our favorites as a way to make it look like we care.

I was there, so to speak, and being ahead of its time was not the issue ... revolting against the "normal" was!!!! 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: January 28 2025 at 09:16
Originally posted by Cristi Cristi wrote:

...
I do think Kraftwerk was ahead of the time. But i could be wrong or someone will disagree with me. Smile

Hi,

I disagree, more or less, simply because Kraftwerk were not the only ones that were doing that kind of thing, but they were more "fun" than the other folks that were more into the music than they were into the fun of it. As such, Kraftwerk got picked up right away ... and shown off ... but they were not ahead of their time, except in one way ... with the money from one album they ended up with the best equipment around, and then it seemed like they were more special and interesting, but in all honesty I never felt that it was as much talent in their work as there was somewhere else in Germany, for example.

I don't think that most things were "ahead of its time" ... if we take the idea and thoughts from Holger in his posting for a long time, they were mostly making sure they went opposite the ideas and process used in westernized commercial music ... and this was one of the great value in a lot of that work, that became known as "krautrock" ... but in essence was making a point of making sure it was different from a lot of the better known stuff on radio or in print.

The scary side of it all is ... a listing that merely shows a "known" band ... and not work that was not as well known that really was ahead of its time, but I'm not sure that we have heard enough of it, to make it qualify in the stakes of the great list in the sky!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Lewian Quote  Post ReplyReply Direct Link To This Post Posted: January 28 2025 at 08:37
(a) Digital social media was non-existent in 1990. The Mosaic browser was launched in 1993. It was the first widely popular web browser.

(b) Computers were around for much longer. Affordable home computers started to spread big time 1980/81 when Kraftwerk did Computerwelt, but what existed before was very expensive and exclusive. 

(c) Kraftwerk were certainly on the pulse of the time with Computerwelt; I do think it is still a development coming from Mensch-Maschine and their earlier albums (which were even more groundbreaking, but this shouldn't take too much away from Computerwelt). The direction of their development may not have been that pleasant for the prog fan. The album doesn't have the kind of musical novelty that we would call "progressive", but I think it was innovative to some extent and hugely influential that they went into the pop "everybody can do it and everybody will live in computer world" theme with their electronic sound that had already been advanced before. 

(d) I don't think it makes sense to separate the music and the album theme/lyrics here, as these were very nicely integrated, which is a major strength of the album. I tend to be a music not lyrics listener, still we can't do this album justice of we consider the music isolated from the lyrics/theme.

(e) Talking about the album being "ahead of its time" is maybe not fully appropriate here. I'd rather say it happened at exactly the right time capturing something big that was happening just then.  


Edited by Lewian - January 28 2025 at 08:42
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Hosydi Quote  Post ReplyReply Direct Link To This Post Posted: January 28 2025 at 05:46
Originally posted by progaardvark progaardvark wrote:

Originally posted by Hosydi Hosydi wrote:

Originally posted by progaardvark progaardvark wrote:

Originally posted by Hosydi Hosydi wrote:

Originally posted by progaardvark progaardvark wrote:

Originally posted by Hosydi Hosydi wrote:

Originally posted by verslibre verslibre wrote:

^Sorry, I disagree. Kraftwerk did it better with 1978's The Man-Machine.
"Computer World" was ahead of its time because it presciently explored themes of digitalization and the impact of technology on society, encapsulating a vision of a computer-driven future that would not fully materialize until decades later.

I would say it materialized in the 1990s. I lived through it. Much of what we are living in now had its origins in the 1990s. Some might argue it dates back even earlier.
"Computer World" basically has a theme about the rise in computer technology and its insertion into everyday life. There are lyrics on digital communication, home computing, or the ramifications of technology in society. In the 90s, computer technology wasn't a part of everyday life for common people. Ralf Hütter, one of the band's founders, said they made a song about living in a computer world because they could see that this would be the reality of everyday life in the future. A foresightful prediction it was, more than anything else, into the insight of the whole new era of computers, both in personal and professional spaces.

By 1981, when the album was released, personal computers had only just started to become part of workplaces and, rather rarely, at home. The view that computers were going to change communication and ways of interaction among people in everyday life was still not the public perception nor captured in their minds. Kraftwerk's competency for articulation in music reflected their vision.

Computer technology was widespread in the 1990s. I guess you weren't there. I would even argue it started making in-roads with the wider public in the 1980s with computers produced for the public by Commodore, IBM, and Apple.
For sure, I was there, and honestly, it was only back in the late 1990s that it felt like everyone had some kind of home computer. It was pretty much a given since the internet became a big deal with services like AOL popping up everywhere. However, at that time, personal computers were more like toys you messed around with unless you were using them for work stuff. It wasn't really until the early 2000s, when social media blew up, that computers turned into everyday essentials—like something you just used all the time without even thinking about it, and that is actually the vibe that those four prophets from Düsseldorf were talking about in their lyrics on their 1981 album called Computerwelt.

Social media existed and was used quite regularly in the 1990s, and even back into the 1980s. BBSes, forums, blogs, and even newsgroups were all types of social media. This all evolved into what eventually was called Web 2.0 by the early 2000s. I would say Kraftwerk's lyrics for this song actually were as applicable to the 1980s as they were for later on. 
Back in the late 90s, social media was just getting started and still in its infancy; back then, using social media was still more of a curiosity than a lifestyle for most folks. The tech scene was buzzing, but it would take a few more years before everyone would be glued to their screens sharing every moment. Even in 2005, just 5% of Americans used a major social platform; by 2021, this number increased to 72%, according to findings from the Pew Research Centre.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote progaardvark Quote  Post ReplyReply Direct Link To This Post Posted: January 28 2025 at 03:53
Originally posted by Hosydi Hosydi wrote:

Originally posted by progaardvark progaardvark wrote:

Originally posted by Hosydi Hosydi wrote:

Originally posted by progaardvark progaardvark wrote:

Originally posted by Hosydi Hosydi wrote:

Originally posted by verslibre verslibre wrote:

^Sorry, I disagree. Kraftwerk did it better with 1978's The Man-Machine.
"Computer World" was ahead of its time because it presciently explored themes of digitalization and the impact of technology on society, encapsulating a vision of a computer-driven future that would not fully materialize until decades later.

I would say it materialized in the 1990s. I lived through it. Much of what we are living in now had its origins in the 1990s. Some might argue it dates back even earlier.
"Computer World" basically has a theme about the rise in computer technology and its insertion into everyday life. There are lyrics on digital communication, home computing, or the ramifications of technology in society. In the 90s, computer technology wasn't a part of everyday life for common people. Ralf Hütter, one of the band's founders, said they made a song about living in a computer world because they could see that this would be the reality of everyday life in the future. A foresightful prediction it was, more than anything else, into the insight of the whole new era of computers, both in personal and professional spaces.

By 1981, when the album was released, personal computers had only just started to become part of workplaces and, rather rarely, at home. The view that computers were going to change communication and ways of interaction among people in everyday life was still not the public perception nor captured in their minds. Kraftwerk's competency for articulation in music reflected their vision.

Computer technology was widespread in the 1990s. I guess you weren't there. I would even argue it started making in-roads with the wider public in the 1980s with computers produced for the public by Commodore, IBM, and Apple.
For sure, I was there, and honestly, it was only back in the late 1990s that it felt like everyone had some kind of home computer. It was pretty much a given since the internet became a big deal with services like AOL popping up everywhere. However, at that time, personal computers were more like toys you messed around with unless you were using them for work stuff. It wasn't really until the early 2000s, when social media blew up, that computers turned into everyday essentials—like something you just used all the time without even thinking about it, and that is actually the vibe that those four prophets from Düsseldorf were talking about in their lyrics on their 1981 album called Computerwelt.

Social media existed and was used quite regularly in the 1990s, and even back into the 1980s. BBSes, forums, blogs, and even newsgroups were all types of social media. This all evolved into what eventually was called Web 2.0 by the early 2000s. I would say Kraftwerk's lyrics for this song actually were as applicable to the 1980s as they were for later on. 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Hosydi Quote  Post ReplyReply Direct Link To This Post Posted: January 27 2025 at 14:39
Originally posted by progaardvark progaardvark wrote:

Originally posted by Hosydi Hosydi wrote:

Originally posted by progaardvark progaardvark wrote:

Originally posted by Hosydi Hosydi wrote:

Originally posted by verslibre verslibre wrote:

^Sorry, I disagree. Kraftwerk did it better with 1978's The Man-Machine.
"Computer World" was ahead of its time because it presciently explored themes of digitalization and the impact of technology on society, encapsulating a vision of a computer-driven future that would not fully materialize until decades later.

I would say it materialized in the 1990s. I lived through it. Much of what we are living in now had its origins in the 1990s. Some might argue it dates back even earlier.
"Computer World" basically has a theme about the rise in computer technology and its insertion into everyday life. There are lyrics on digital communication, home computing, or the ramifications of technology in society. In the 90s, computer technology wasn't a part of everyday life for common people. Ralf Hütter, one of the band's founders, said they made a song about living in a computer world because they could see that this would be the reality of everyday life in the future. A foresightful prediction it was, more than anything else, into the insight of the whole new era of computers, both in personal and professional spaces.

By 1981, when the album was released, personal computers had only just started to become part of workplaces and, rather rarely, at home. The view that computers were going to change communication and ways of interaction among people in everyday life was still not the public perception nor captured in their minds. Kraftwerk's competency for articulation in music reflected their vision.

Computer technology was widespread in the 1990s. I guess you weren't there. I would even argue it started making in-roads with the wider public in the 1980s with computers produced for the public by Commodore, IBM, and Apple.
For sure, I was there, and honestly, it was only back in the late 1990s that it felt like everyone had some kind of home computer. It was pretty much a given since the internet became a big deal with services like AOL popping up everywhere. However, at that time, personal computers were more like toys you messed around with unless you were using them for work stuff. It wasn't really until the early 2000s, when social media blew up, that computers turned into everyday essentials—like something you just used all the time without even thinking about it, and that is actually the vibe that those four prophets from Düsseldorf were talking about in their lyrics on their 1981 album called Computerwelt.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cristi Quote  Post ReplyReply Direct Link To This Post Posted: January 27 2025 at 14:09
Originally posted by Hosydi Hosydi wrote:

Originally posted by Cristi Cristi wrote:

Originally posted by verslibre verslibre wrote:

Originally posted by Hosydi Hosydi wrote:

Originally posted by verslibre verslibre wrote:

^Sorry, I disagree. Kraftwerk did it better with 1978's The Man-Machine.
"Computer World" was ahead of its time because it presciently explored themes of digitalization and the impact of technology on society, encapsulating a vision of a computer-driven future that would not fully materialize until decades later.


Thematically, I'll give you that. Not musically.

I thought even musically, but then again, I'm hardly the electronic music connaisseur. EmbarrassedSmile
It is 2025; this track ("Numbers") is 44 years old and still influences electronic dance music. That's how musically far ahead of their time the four Düsseldorfers were on their eighth studio album.


You don't have to post videos of their famous songs. I have also known the album since i was a kid and that was long long ago (I'm afraid to calculate LOL). 

I do think Kraftwerk was ahead of the time. But i could be wrong or someone will disagree with me. Smile
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Post Options Post Options   Thanks (0) Thanks(0)   Quote progaardvark Quote  Post ReplyReply Direct Link To This Post Posted: January 27 2025 at 14:05
Originally posted by Hosydi Hosydi wrote:

Originally posted by progaardvark progaardvark wrote:

Originally posted by Hosydi Hosydi wrote:

Originally posted by verslibre verslibre wrote:

^Sorry, I disagree. Kraftwerk did it better with 1978's The Man-Machine.
"Computer World" was ahead of its time because it presciently explored themes of digitalization and the impact of technology on society, encapsulating a vision of a computer-driven future that would not fully materialize until decades later.

I would say it materialized in the 1990s. I lived through it. Much of what we are living in now had its origins in the 1990s. Some might argue it dates back even earlier.
"Computer World" basically has a theme about the rise in computer technology and its insertion into everyday life. There are lyrics on digital communication, home computing, or the ramifications of technology in society. In the 90s, computer technology wasn't a part of everyday life for common people. Ralf Hütter, one of the band's founders, said they made a song about living in a computer world because they could see that this would be the reality of everyday life in the future. A foresightful prediction it was, more than anything else, into the insight of the whole new era of computers, both in personal and professional spaces.

By 1981, when the album was released, personal computers had only just started to become part of workplaces and, rather rarely, at home. The view that computers were going to change communication and ways of interaction among people in everyday life was still not the public perception nor captured in their minds. Kraftwerk's competency for articulation in music reflected their vision.

Computer technology was widespread in the 1990s. I guess you weren't there. I would even argue it started making in-roads with the wider public in the 1980s with computers produced for the public by Commodore, IBM, and Apple.
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Post Options Post Options   Thanks (1) Thanks(1)   Quote Hosydi Quote  Post ReplyReply Direct Link To This Post Posted: January 27 2025 at 13:56
Originally posted by Cristi Cristi wrote:

Originally posted by verslibre verslibre wrote:

Originally posted by Hosydi Hosydi wrote:

Originally posted by verslibre verslibre wrote:

^Sorry, I disagree. Kraftwerk did it better with 1978's The Man-Machine.
"Computer World" was ahead of its time because it presciently explored themes of digitalization and the impact of technology on society, encapsulating a vision of a computer-driven future that would not fully materialize until decades later.


Thematically, I'll give you that. Not musically.

I thought even musically, but then again, I'm hardly the electronic music connaisseur. EmbarrassedSmile
It is 2025; this track ("Numbers") is 44 years old and still influences electronic dance music. That's how musically far ahead of their time the four Düsseldorfers were on their eighth studio album.


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Post Options Post Options   Thanks (0) Thanks(0)   Quote Cristi Quote  Post ReplyReply Direct Link To This Post Posted: January 27 2025 at 12:12
Originally posted by verslibre verslibre wrote:

Originally posted by Hosydi Hosydi wrote:

Originally posted by verslibre verslibre wrote:

^Sorry, I disagree. Kraftwerk did it better with 1978's The Man-Machine.
"Computer World" was ahead of its time because it presciently explored themes of digitalization and the impact of technology on society, encapsulating a vision of a computer-driven future that would not fully materialize until decades later.


Thematically, I'll give you that. Not musically.

I thought even musically, but then again, I'm hardly the electronic music connaisseur. EmbarrassedSmile
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Post Options Post Options   Thanks (0) Thanks(0)   Quote IncogNeato Quote  Post ReplyReply Direct Link To This Post Posted: January 27 2025 at 10:44
Originally posted by verslibre verslibre wrote:

Originally posted by IncogNeato IncogNeato wrote:

The Voivod and Watchtower mentioned here, for sure.

I'm going to say that, IMO, 'Perfect Symmetry' by Fates Warning would be my pick of theirs. It doesn't sound like anyone, honestly. I know loads of people say it sounds like Queensryche, however 'Ryche did not have songs like 'Part Of The Machine', 'Static Acts' and 'Nothing Left To Say'...even the single 'Through Different Eyes' was strikingly different than 'Ryche.

All IMO, of course.


Perfect Symmetry is a stupendous album. I don't see much overlap between the two bands, either, with the exception that they were metal bands exploring concepts from album to album. The guitar tandem of Matheos/Aresti is one of my favorites and I hear no echoes of DeGarmo/Wilton in their approaches, and vice versa. The biggest difference is Mark Zonder's drumming, naturally! He's on another level.

Oh, Zonder is otherworldly. I agree with all your points.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote verslibre Quote  Post ReplyReply Direct Link To This Post Posted: January 27 2025 at 09:52
Originally posted by Hosydi Hosydi wrote:

Originally posted by verslibre verslibre wrote:

^Sorry, I disagree. Kraftwerk did it better with 1978's The Man-Machine.
"Computer World" was ahead of its time because it presciently explored themes of digitalization and the impact of technology on society, encapsulating a vision of a computer-driven future that would not fully materialize until decades later.


Thematically, I'll give you that. Not musically.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote verslibre Quote  Post ReplyReply Direct Link To This Post Posted: January 27 2025 at 09:51
Originally posted by IncogNeato IncogNeato wrote:

The Voivod and Watchtower mentioned here, for sure.

I'm going to say that, IMO, 'Perfect Symmetry' by Fates Warning would be my pick of theirs. It doesn't sound like anyone, honestly. I know loads of people say it sounds like Queensryche, however 'Ryche did not have songs like 'Part Of The Machine', 'Static Acts' and 'Nothing Left To Say'...even the single 'Through Different Eyes' was strikingly different than 'Ryche.

All IMO, of course.


Perfect Symmetry is a stupendous album. I don't see much overlap between the two bands, either, with the exception that they were metal bands exploring concepts from album to album. The guitar tandem of Matheos/Aresti is one of my favorites and I hear no echoes of DeGarmo/Wilton in their approaches, and vice versa. The biggest difference is Mark Zonder's drumming, naturally! He's on another level.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Hosydi Quote  Post ReplyReply Direct Link To This Post Posted: January 27 2025 at 08:41
Originally posted by progaardvark progaardvark wrote:

Originally posted by Hosydi Hosydi wrote:

Originally posted by verslibre verslibre wrote:

^Sorry, I disagree. Kraftwerk did it better with 1978's The Man-Machine.
"Computer World" was ahead of its time because it presciently explored themes of digitalization and the impact of technology on society, encapsulating a vision of a computer-driven future that would not fully materialize until decades later.

I would say it materialized in the 1990s. I lived through it. Much of what we are living in now had its origins in the 1990s. Some might argue it dates back even earlier.
"Computer World" basically has a theme about the rise in computer technology and its insertion into everyday life. There are lyrics on digital communication, home computing, or the ramifications of technology in society. In the 90s, computer technology wasn't a part of everyday life for common people. Ralf Hütter, one of the band's founders, said they made a song about living in a computer world because they could see that this would be the reality of everyday life in the future. A foresightful prediction it was, more than anything else, into the insight of the whole new era of computers, both in personal and professional spaces.

By 1981, when the album was released, personal computers had only just started to become part of workplaces and, rather rarely, at home. The view that computers were going to change communication and ways of interaction among people in everyday life was still not the public perception nor captured in their minds. Kraftwerk's competency for articulation in music reflected their vision.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote progaardvark Quote  Post ReplyReply Direct Link To This Post Posted: January 27 2025 at 08:16
Originally posted by Hosydi Hosydi wrote:

Originally posted by verslibre verslibre wrote:

^Sorry, I disagree. Kraftwerk did it better with 1978's The Man-Machine.
"Computer World" was ahead of its time because it presciently explored themes of digitalization and the impact of technology on society, encapsulating a vision of a computer-driven future that would not fully materialize until decades later.

I would say it materialized in the 1990s. I lived through it. Much of what we are living in now had its origins in the 1990s. Some might argue it dates back even earlier.
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