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Direct Link To This Post Posted: August 10 2011 at 23:46
AAAAH!

You mean the Marillion album Fugazi! I thought you meant the classic post-hardcore BAND Fugazi!
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Direct Link To This Post Posted: August 10 2011 at 23:17
Marillion were often considered a Genesis clone in the 80s, but Fugazi was really better than anything the Genesis were doing in the same period. 
This was my post.  In the 80s it was a common opinion mainly supported by the hard Genesis fans. I was not one of them and Fugazi has been my first Marillion album. I remember a discussion with one of them. I told him that he could think that Marillion were playing Genesis, but Genesis were actually playing pop music. I suggested him Script. He bought it then he came back to me saying "worst than the worst Genesis album".
I'm not claiming that Fugazi is a clone. Genesis fans were.
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Direct Link To This Post Posted: August 10 2011 at 23:07
Originally posted by Textbook Textbook wrote:

I intended to participate more in this discussion but I still haven't recovered from Octopus 4's claim that Fugazi were a Genesis clone.
Did I really say so?
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Direct Link To This Post Posted: August 10 2011 at 17:11
I intended to participate more in this discussion but I still haven't recovered from Octopus 4's claim that Fugazi were a Genesis clone.
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Direct Link To This Post Posted: August 09 2011 at 13:44
Originally posted by rdtprog rdtprog wrote:

Originally posted by JS19 JS19 wrote:

Originally posted by Slartibartfast Slartibartfast wrote:

A clone is an exact musical duplicate so I can only apply that to some tribute bands.  Just because a band borrows heavily from a style that's been done before doesn't mean that they can't put out a five star.

Never quite got the whole 'clone' thing. People say Phideaux sounds like older prog. No, Phideaux sounds like Phideaux. Each and every band I hear is influenced by others yes, but only when you can't tell the difference between the two (try Asgard and Fish era Marillion), can you use the word clone.


I see a difference between Asgard and Marillion. Listen only to the use of Keyboards, or the album Esoteric poem wich is the opposite of any Marillion's cd...


I don't hear any similarities between the two, aside from a general 80's type production sheen (including 80's sounding keyboards and guitars).  Frankly, I've always been baffled by the idea that the singers of those two groups sound even remotely alike (or even Asgard's singer and Gabriel........or Fish and Gabriel for that matter).  To me, I just don't hear it at all (and I'm a singer and musician).

Now, if you want to compare Citizen Cains first album to Marillion, or second album to Genesis, that's a different story entirely..............

But they are still not "clones" by any stretch of the imagination.  I've listened to the Wobbler album a couple times now, and I think the Yes comparisons are a little overblown.  The vocals, sure.  Any vocalist that can sing in the registers Jon Anderson does is bound to sound like him to proggers who have listened to Yes before.  The bass sound is a bit like Squire's, but I hear that on all sorts of prog albums.  The bottom line is that the lyrics, compositions, and arrangements don't sound like anything from Yes.  Because they aren't.  So, not a clone.  Also not the most innovative and original music you'll hear, but since when has that ever been a criteria for enjoying, or making, music?  Of course, the OP may not believe Progressive Rock is a genre at all, but instead an approach to making music, so in that sense I guess a lot of what is on this site would be "clones" (including a lot of Yes albums, since Close to the Edge sounds an awful lot like Fragile to me, and so on Wink )

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Direct Link To This Post Posted: August 09 2011 at 03:40
Originally posted by JS19 JS19 wrote:

Originally posted by Slartibartfast Slartibartfast wrote:

A clone is an exact musical duplicate so I can only apply that to some tribute bands.  Just because a band borrows heavily from a style that's been done before doesn't mean that they can't put out a five star.

Never quite got the whole 'clone' thing. People say Phideaux sounds like older prog. No, Phideaux sounds like Phideaux. Each and every band I hear is influenced by others yes, but only when you can't tell the difference between the two (try Asgard and Fish era Marillion), can you use the word clone.


I see a difference between Asgard and Marillion. Listen only to the use of Keyboards, or the album Esoteric poem wich is the opposite of any Marillion's cd...


Edited by rdtprog - August 09 2011 at 03:41
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Direct Link To This Post Posted: August 08 2011 at 17:13
Originally posted by Anthony H. Anthony H. wrote:

If I have to see ANOTHER thread like this on PA, I don't know what I'm going to do.



It seems to be the OP's MO. Cloning indeed. I'm just surprised how many people take the bait.
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Direct Link To This Post Posted: August 08 2011 at 16:52
Originally posted by seb2112 seb2112 wrote:

to be honest my well-documented beef with the Wobbler album isn't as much that it's a clone, but that it is clearly a throwback album. They go out of their way to sound like its still the 70's, and that, to me, is quite the opposite of being PROGRESSIVE
 
Rites at Dawn sounds pretty good to me, I have no problem with that. As I have said before, better great retro prog than crap innovation, it's not about music having to be innovative, it's enough with music being good. If innovative AND good, ok all the better, but let's not confuse things.
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Direct Link To This Post Posted: August 08 2011 at 16:16
SEB2112 said: "to be honest my well-documented beef with the Wobbler album isn't as much that it's a clone, but that it is clearly a throwback album. They go out of their way to sound like its still the 70's, and that, to me, is quite the opposite of being PROGRESSIVE"

(Sorry: I haven't a clue how to bring other people's quote's into my own reply box for visual reference.) 

So, those sounds that were once progressive are no more? Or, perhaps more accurately, those sounds and ideas we refer to as "prog rock" are frozen in time, protected, guarded, copywrited, taboo from further exploration (and exploitation), never to be revisited, borrowed, or improved upon?

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Direct Link To This Post Posted: August 08 2011 at 16:05
Should a person born in, let's say, 1992, hear WOBBLER's "Rites at Dawn" and find him/herself absolutely blown away by it--and yet that same person has never heard, much less heard of, YES--does that make WOBBLER's music any less masterful for him or her? Shouldn't that person be able to shout out his/her recommendation to friends (real and/or imagined)? 


Have you ever tried to cover a song from another band (usually a song of your liking)? Have you ever experienced the joy and elation in that effort and (if successful) accomplishment? Or even the frustration of failure and, from it, the heightened sense of appreciation for the skills and talents of that band? Then, Why should our listening experiences be muted or dulled simply because there are sonic or stylistic similarities to older, known bands? 


And why, for heaven's sake, can there be no possibility of any collection of recorded music (album) ever being "better" than Close to the Edge? (Or The Beatles' Sgt. Pepper's, or Coltrane's A Love Supreme? Or von Karajan's 1972 Deutsches Grammaphone recording of Beethoven's 9th? [You get my point?])    
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Direct Link To This Post Posted: August 08 2011 at 14:28
Originally posted by Slartibartfast Slartibartfast wrote:

A clone is an exact musical duplicate so I can only apply that to some tribute bands.  Just because a band borrows heavily from a style that's been done before doesn't mean that they can't put out a five star.

Never quite got the whole 'clone' thing. People say Phideaux sounds like older prog. No, Phideaux sounds like Phideaux. Each and every band I hear is influenced by others yes, but only when you can't tell the difference between the two (try Asgard and Fish era Marillion), can you use the word clone.


Edited by JS19 - August 08 2011 at 14:45
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Direct Link To This Post Posted: August 07 2011 at 02:04
Originally posted by Guldbamsen Guldbamsen wrote:

Originally posted by richardh richardh wrote:

Originally posted by Guldbamsen Guldbamsen wrote:

Originally posted by richardh richardh wrote:

Originally posted by Guldbamsen Guldbamsen wrote:

What about artists who clone themselves? Biglietto per LīInferno recently re-did their debut, Tangerine Dream has done several new versions of old material like Phaedra and Tangram, Nik Turnerīs Sphinx underwent considerable surgery as well, and how about that Mike Oldfield?

None of the mentioned examples here would get anything near 5 stars just for the record. Especially the TD and Nik Turner ones are really awful. Weīre talking classic albums thrown in the "letīs make it modern and contemporary"-machine, and such a thing should be outlawed if I had my say. The scary thought however is, that these fabulous musicians at some point in time honestly felt it was a brilliant idea....
 
I havn't heard the re-recordings of Tangram or Phaedra but I do like the Booster series that features reworkings of old tracks like Logos and Sphinx Lightning (+ some new material)
 
Does JM Jarre's reissue of Oxygene count? Apparently it was totally re-recorded yet can anyone really tell the difference compared to the original release?
 
 
 
 
I like the Booster series as well, although I much prefer Cloudburst Flight in its original formSmile

Back on topic: A very good "clone" album is Babylonīs sole album from 78. I really like The Mote in Godīs Eye. 
As to giving a clone five stars - I donīt know what to think. Iīd rate Marillionīs Fugazi 5 stars, and a lot of people write them off as Genesis clones - although I donīt hear it on Fugazi. The one where I hear the Genesis parallels is the debut. 
 
Fugazi is my favourite Fish era Marillion album and I agree that it sounds nothing like Genesis. The main connection was Fish's voice sounding like Peter Gabriel .Pete Nicholls (IQ) also had the same thing levelled at him. ( I love IQ btw)
 
My favourite 'clone album' would likely be Glass Hammer Chronomotree which sounds like Yes,Genesis and ELP at various points but is very enjoyable. Personally I think they have now become too much of a Yes clone with their latest album If.


I think IQ sounds even less like Genesis. Especially on those first two releases. I think itīs down to the punk - post punk feel there is to the music - very bleak and dark, somber romantic expression - which also emanates from former Sex Pistols drummer Paul Cook. 

As to Fish sounding like Peter, I honestly donīt hear it, other than in the sometimes impenetrable imagery they both explore within their lyrical universes.  
 
Not the same Paul CookWink although there was a bit of a new wave punky thing running through IQ that made them a bit more interesting to me than other neo prog bands of the time . The Wake did in places sound very like Genesis , but not Gabriel era Genesis.
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Direct Link To This Post Posted: August 06 2011 at 14:41
Originally posted by richardh richardh wrote:

Originally posted by Guldbamsen Guldbamsen wrote:

Originally posted by richardh richardh wrote:

Originally posted by Guldbamsen Guldbamsen wrote:

What about artists who clone themselves? Biglietto per LīInferno recently re-did their debut, Tangerine Dream has done several new versions of old material like Phaedra and Tangram, Nik Turnerīs Sphinx underwent considerable surgery as well, and how about that Mike Oldfield?

None of the mentioned examples here would get anything near 5 stars just for the record. Especially the TD and Nik Turner ones are really awful. Weīre talking classic albums thrown in the "letīs make it modern and contemporary"-machine, and such a thing should be outlawed if I had my say. The scary thought however is, that these fabulous musicians at some point in time honestly felt it was a brilliant idea....
 
I havn't heard the re-recordings of Tangram or Phaedra but I do like the Booster series that features reworkings of old tracks like Logos and Sphinx Lightning (+ some new material)
 
Does JM Jarre's reissue of Oxygene count? Apparently it was totally re-recorded yet can anyone really tell the difference compared to the original release?
 
 
 
 
I like the Booster series as well, although I much prefer Cloudburst Flight in its original formSmile

Back on topic: A very good "clone" album is Babylonīs sole album from 78. I really like The Mote in Godīs Eye. 
As to giving a clone five stars - I donīt know what to think. Iīd rate Marillionīs Fugazi 5 stars, and a lot of people write them off as Genesis clones - although I donīt hear it on Fugazi. The one where I hear the Genesis parallels is the debut. 
 
Fugazi is my favourite Fish era Marillion album and I agree that it sounds nothing like Genesis. The main connection was Fish's voice sounding like Peter Gabriel .Pete Nicholls (IQ) also had the same thing levelled at him. ( I love IQ btw)
 
My favourite 'clone album' would likely be Glass Hammer Chronomotree which sounds like Yes,Genesis and ELP at various points but is very enjoyable. Personally I think they have now become too much of a Yes clone with their latest album If.


I think IQ sounds even less like Genesis. Especially on those first two releases. I think itīs down to the punk - post punk feel there is to the music - very bleak and dark, somber romantic expression - which also emanates from former Sex Pistols drummer Paul Cook. 

As to Fish sounding like Peter, I honestly donīt hear it, other than in the sometimes impenetrable imagery they both explore within their lyrical universes.  
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Direct Link To This Post Posted: August 06 2011 at 11:08
Originally posted by Guldbamsen Guldbamsen wrote:

Originally posted by richardh richardh wrote:

Originally posted by Guldbamsen Guldbamsen wrote:

What about artists who clone themselves? Biglietto per LīInferno recently re-did their debut, Tangerine Dream has done several new versions of old material like Phaedra and Tangram, Nik Turnerīs Sphinx underwent considerable surgery as well, and how about that Mike Oldfield?

None of the mentioned examples here would get anything near 5 stars just for the record. Especially the TD and Nik Turner ones are really awful. Weīre talking classic albums thrown in the "letīs make it modern and contemporary"-machine, and such a thing should be outlawed if I had my say. The scary thought however is, that these fabulous musicians at some point in time honestly felt it was a brilliant idea....
 
I havn't heard the re-recordings of Tangram or Phaedra but I do like the Booster series that features reworkings of old tracks like Logos and Sphinx Lightning (+ some new material)
 
Does JM Jarre's reissue of Oxygene count? Apparently it was totally re-recorded yet can anyone really tell the difference compared to the original release?
 
 
 
 
I like the Booster series as well, although I much prefer Cloudburst Flight in its original formSmile

Back on topic: A very good "clone" album is Babylonīs sole album from 78. I really like The Mote in Godīs Eye. 
As to giving a clone five stars - I donīt know what to think. Iīd rate Marillionīs Fugazi 5 stars, and a lot of people write them off as Genesis clones - although I donīt hear it on Fugazi. The one where I hear the Genesis parallels is the debut. 
 
Fugazi is my favourite Fish era Marillion album and I agree that it sounds nothing like Genesis. The main connection was Fish's voice sounding like Peter Gabriel .Pete Nicholls (IQ) also had the same thing levelled at him. ( I love IQ btw)
 
My favourite 'clone album' would likely be Glass Hammer Chronomotree which sounds like Yes,Genesis and ELP at various points but is very enjoyable. Personally I think they have now become too much of a Yes clone with their latest album If.
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Direct Link To This Post Posted: August 06 2011 at 09:18
Originally posted by richardh richardh wrote:

Originally posted by Guldbamsen Guldbamsen wrote:

What about artists who clone themselves? Biglietto per LīInferno recently re-did their debut, Tangerine Dream has done several new versions of old material like Phaedra and Tangram, Nik Turnerīs Sphinx underwent considerable surgery as well, and how about that Mike Oldfield?

None of the mentioned examples here would get anything near 5 stars just for the record. Especially the TD and Nik Turner ones are really awful. Weīre talking classic albums thrown in the "letīs make it modern and contemporary"-machine, and such a thing should be outlawed if I had my say. The scary thought however is, that these fabulous musicians at some point in time honestly felt it was a brilliant idea....
 
I havn't heard the re-recordings of Tangram or Phaedra but I do like the Booster series that features reworkings of old tracks like Logos and Sphinx Lightning (+ some new material)
 
Does JM Jarre's reissue of Oxygene count? Apparently it was totally re-recorded yet can anyone really tell the difference compared to the original release?
 
 

I like the Booster series as well, although I much prefer Cloudburst Flight in its original formSmile

Back on topic: A very good "clone" album is Babylonīs sole album from 78. I really like The Mote in Godīs Eye. 
As to giving a clone five stars - I donīt know what to think. Iīd rate Marillionīs Fugazi 5 stars, and a lot of people write them off as Genesis clones - although I donīt hear it on Fugazi. The one where I hear the Genesis parallels is the debut. 
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Direct Link To This Post Posted: August 06 2011 at 09:16
to be honest my well-documented beef with the Wobbler album isn't as much that it's a clone, but that it is clearly a throwback album. They go out of their way to sound like its still the 70's, and that, to me, is quite the opposite of being PROGRESSIVE
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Direct Link To This Post Posted: August 05 2011 at 15:13
Originally posted by Guldbamsen Guldbamsen wrote:

What about artists who clone themselves? Biglietto per LīInferno recently re-did their debut, Tangerine Dream has done several new versions of old material like Phaedra and Tangram, Nik Turnerīs Sphinx underwent considerable surgery as well, and how about that Mike Oldfield?

None of the mentioned examples here would get anything near 5 stars just for the record. Especially the TD and Nik Turner ones are really awful. Weīre talking classic albums thrown in the "letīs make it modern and contemporary"-machine, and such a thing should be outlawed if I had my say. The scary thought however is, that these fabulous musicians at some point in time honestly felt it was a brilliant idea....
 
I havn't heard the re-recordings of Tangram or Phaedra but I do like the Booster series that features reworkings of old tracks like Logos and Sphinx Lightning (+ some new material)
 
Does JM Jarre's reissue of Oxygene count? Apparently it was totally re-recorded yet can anyone really tell the difference compared to the original release?
 
 
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Direct Link To This Post Posted: August 05 2011 at 12:19
Originally posted by Dean Dean wrote:

This is all getting a bit silly now - if we are even thinking about considering remake albums as clones then any sophomore album by practically every band that ever existed or ever will exist is a clone and that's,well, silly.

 
indeed
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Direct Link To This Post Posted: August 05 2011 at 12:18
Originally posted by tamijo tamijo wrote:

 (...) and there could never be a rule that "We Can't Dance" should not get 5 stars (...)
 
Well in a site like PA that could be damn close to a rule LOL
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Direct Link To This Post Posted: August 05 2011 at 12:01

This is all getting a bit silly now - if we are even thinking about considering remake albums as clones then any sophomore album by practically every band that ever existed or ever will exist is a clone and that's,well, silly.

What?
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