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Flight123
Forum Senior Member
Joined: September 01 2010
Location: Sohar, Oman
Status: Offline
Points: 1399
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Posted: December 18 2014 at 10:36 |
Roger That, Roger That. Camel are generally considered part of the Canterbury family. Its not just the Richard Sinclair connection. For instance, I saw Andy Ward playing in 'Going Going' with Hugh Hopper (supporting Gongmaison at Brixton Fridge)
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rogerthat
Prog Reviewer
Joined: September 03 2006
Location: .
Status: Offline
Points: 9869
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Posted: December 18 2014 at 09:39 |
I was expecting this response. Well, I used the term in the same sense that this website presumably does (in classifying Canterbury as a sub genre and not just as a scene belonging to a particular region). I may be wrong in doing so but all I meant by the original statement that Camel did derive elements of the Canterbury style of music, irrespective of the source. And I am not wrong there.
Edited by rogerthat - December 18 2014 at 10:11
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Hercules
Prog Reviewer
Joined: June 14 2007
Location: Near York UK
Status: Offline
Points: 7024
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Posted: December 18 2014 at 04:38 |
rogerthat wrote:
Hercules wrote:
rogerthat wrote:
Ivan_Melgar_M wrote:
Stool Man wrote:
Camel didn't make Love Beach.
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Neither Trilogy or Brain Salad Surgery.
Only the ones who take the risk can ruin an album.
Playing Pictures at an Exhibition before a myriad of hippies who didn't even knew who Mussorgsky was, is a risk
Camel always played safe with soporiferous albums.
I can only listen Moonmadness without feeling an urge to go to sleep .
Iván |
Kind of sums up my views, though I probably like Mirage more than any ELP album. Even Mirage was heavily derivative of a lot of Canterbury. |
Er, no it wasn't. Camel didn't know where Canterbury was until Richard Sinclair joined. |
And a track titled Supertwister, bearing a lot of similarity to the band Supersister, was pure coincidence? I don't think so. |
Supersister were Dutch. Like Camel, they are not anything to do with Canterbury, though their style has something in common with some bands from the Canterbury scene.
Canterbury scene bands HAVE to come from or have lived in Canterbury, by definition.
Edited by Hercules - December 18 2014 at 04:38
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A TVR is not a car. It's a way of life.
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richardh
Prog Reviewer
Joined: February 18 2004
Location: United Kingdom
Status: Offline
Points: 30231
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Posted: December 18 2014 at 02:00 |
kenethlevine wrote:
listen to the buildup and denouement of the title track of Camel's "Stationary Traveller", often considered one of their lesser albums, from 1984. That's all the raw aggression and emotion I need in my music.
As for ELP's fun light tracks, they all came across as unfunny jokes, that's why people criticized them for those efforts, not because they weren't serious enough. If you are going to be light and funny, do it well. See "Back on the Farm" from Camel's "Breathless" album for an example. Don't dream about the freakin Wild West as if you have a clue LOL. God did ELP suck
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Benny The Bouncer is the one that gets all the flak and I believe a lot of that is because of the stupid mockney accent put on by Lake. Not one of his finest moments that's for sure. BUT its only 2 minutes on a 45 minute album.
The Sheriff is often praised and given a 'pass' by the majority on here.
Jeremy Bender is a really odd track and I admit I don't like it and in fact side two of Tarkus a bit of a mess really. Its an album with a distinct 'A side' and 'B side'. Side A is the one that matters to me as a fan although it was the later extended version on the triple album shows off the piece it in its full refinery.
Other fun tracks? They don't actually exist until Works Volume Two when ELP's decline was very apparent.
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Argonaught
Forum Senior Member
Joined: June 04 2012
Location: Virginia
Status: Offline
Points: 1413
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Posted: December 17 2014 at 18:41 |
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rogerthat
Prog Reviewer
Joined: September 03 2006
Location: .
Status: Offline
Points: 9869
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Posted: December 17 2014 at 18:28 |
Hercules wrote:
rogerthat wrote:
Ivan_Melgar_M wrote:
Stool Man wrote:
Camel didn't make Love Beach.
|
Neither Trilogy or Brain Salad Surgery.
Only the ones who take the risk can ruin an album.
Playing Pictures at an Exhibition before a myriad of hippies who didn't even knew who Mussorgsky was, is a risk
Camel always played safe with soporiferous albums.
I can only listen Moonmadness without feeling an urge to go to sleep .
Iván |
Kind of sums up my views, though I probably like Mirage more than any ELP album. Even Mirage was heavily derivative of a lot of Canterbury. |
Er, no it wasn't. Camel didn't know where Canterbury was until Richard Sinclair joined. |
And a track titled Supertwister, bearing a lot of similarity to the band Supersister, was pure coincidence? I don't think so.
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Rick Robson
Forum Senior Member
Joined: September 03 2013
Location: Rio de Janeiro
Status: Offline
Points: 1607
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Posted: December 17 2014 at 18:26 |
Emotion is an essential part of any damn good symphonic-wise prog piece, ELP does not only satisfies this requisite qualifications but often exceeds it with their genuine lush and manic kind of energy that literally wants to conquer the world!, and this especially Keith Emerson managed to bring so brilliantly out from the classical world (the most emotional music world that I've ever listened to, one of the main reasons it's my long time favourite form of music.)
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"Music is a higher revelation than all wisdom and philosophy." LvB
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Friday13th
Forum Senior Member
Joined: April 30 2013
Status: Offline
Points: 284
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Posted: December 17 2014 at 17:37 |
"Emotion is not simply soft and sensitive. We are humans.. full of innate rage and agreession and music very often is that release we have to keep from expressing it in very real ways."  You'd think proggers would know this more than anyone. I still think Camel rules, but some truly rushing moments come from ELP and especially Keith that get me giddy inside  As true of an emotion as any.
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Saperlipopette!
Forum Senior Member
Joined: December 20 2010
Location: Tomorrowland
Status: Online
Points: 12878
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Posted: December 17 2014 at 17:30 |
micky wrote:
hah. Sounds like another bullsh*t ELP criticism.
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I ts not bullsh*t to me as its how I respond to them . ELP's music is kind of emotional I guess as there's not many bands that has a sound that I find so repulsive that it makes me want to destroy... things. Of course there's not much to discuss. I can't stand ELP you fall asleep to Camel.
Edited by Saperlipopette! - December 17 2014 at 17:51
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kenethlevine
Special Collaborator
Prog-Folk Team
Joined: December 06 2006
Location: New England
Status: Offline
Points: 9173
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Posted: December 17 2014 at 17:30 |
listen to the buildup and denouement of the title track of Camel's "Stationary Traveller", often considered one of their lesser albums, from 1984. That's all the raw aggression and emotion I need in my music.
As for ELP's fun light tracks, they all came across as unfunny jokes, that's why people criticized them for those efforts, not because they weren't serious enough. If you are going to be light and funny, do it well. See "Back on the Farm" from Camel's "Breathless" album for an example. Don't dream about the freakin Wild West as if you have a clue LOL. God did ELP suck
Edited by kenethlevine - December 17 2014 at 17:31
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micky
Special Collaborator
Honorary Collaborator
Joined: October 02 2005
Location: .
Status: Offline
Points: 46843
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Posted: December 17 2014 at 17:11 |
Saperlipopette! wrote:
Taking creative risks is a great thing when a band like King Crimson does it as they never fail to connect with me emotionally. Just like Camel often does. ELP were mediocre as experimentalists and I've never considered experimenting interesting by default. |
hah. Sounds like another bullsh*t ELP criticism. Along with being too serious, too pretentious all the while while people hammer them for NOT being such in lighter more off beat 'fun' tracks they did to lighten the mood of their albums. So it is to lack of emotion with ELP. Is that the critcism of the day to throw at them Bullsh*t.  I'm all for music connecting emotionally. It is the single most important thing I look for myself. ELP does. Emotion is not simply soft and sensitive. We are humans.. full of innate rage and agreession and music very often is that release we have to keep from expressing it in very real ways. That is what I love most about ELP'smusic. It is damn well emotional. As Ivan noted earlier.. ELP is pure adrenalin... and music that is extremely aggressive and hits you over the head inspires emotions just as valid and as strong as the urge to chill out, fall f**king asleep or OD on vallium as Camel does.
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The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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Kentucky_Hawkwindage
Forum Senior Member
Joined: February 15 2014
Location: Hardinsburg,Ky
Status: Offline
Points: 733
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Posted: December 17 2014 at 17:08 |
Kati-Thanks for the hug! One needs a hug when there's talk of Love Beach!!
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"Nobody's Gonna Change My World That's Something To Unreal" Lyrics that i live my life by-from Black Sabbath's Technical Ecstasy's track You Won't Change Me
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SteveG
Forum Senior Member
Joined: April 11 2014
Location: Kyiv In Spirit
Status: Offline
Points: 20617
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Posted: December 17 2014 at 17:06 |
Quick! Get the camel some water for Pete's sake!
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LearsFool
Prog Reviewer
Joined: November 09 2014
Location: New York
Status: Offline
Points: 8644
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Posted: December 17 2014 at 17:04 |
I'd say that Camel had a magic about them. Their work was beautiful when at its best. ELP didn't have that magic only because their style was different, favouring classical infused experimentation. They pulled it off many a time, and when they did it was mindblowing instead.
Both are great in their own right.
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Saperlipopette!
Forum Senior Member
Joined: December 20 2010
Location: Tomorrowland
Status: Online
Points: 12878
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Posted: December 17 2014 at 17:00 |
Taking creative risks is a great thing when a band like King Crimson does it as they never fail to connect with me emotionally. Just like Camel often does. ELP were mediocre as experimentalists and I've never considered experimenting interesting by default.
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Meltdowner
Special Collaborator
Honorary Collaborator
Joined: June 25 2013
Location: Portugal
Status: Offline
Points: 10281
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Posted: December 17 2014 at 16:58 |
This poll is breathtaking
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micky
Special Collaborator
Honorary Collaborator
Joined: October 02 2005
Location: .
Status: Offline
Points: 46843
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Posted: December 17 2014 at 16:47 |
as well on counting on him recognizing what these lovely gentlemen expressed so succinctly.
Ivan_Melgar_M wrote:
Stool Man wrote:
Camel didn't make Love Beach.
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Neither Trilogy or Brain Salad Surgery.
Only the ones who take the risk can ruin an album.
Playing Pictures at an Exhibition before a myriad of hippies who didn't even knew who Mussorgsky was, is a risk
Camel always played safe with soporiferous albums.
I can only listen Moonmadness without feeling an urge to go to sleep .
Iván |
because... though ELP did swing and miss at times... but when they made contact.. they hit moonshots..
Padraic wrote:
To me nothing I have heard from Camel even approaches the
best that ELP had to offer.
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consistency is just another word for mediocrity... only the best like ELP and King Crimson really made creative risks. Sure ELP missed... but they connected AS many if not more. Those first 5 albums are mandatory prog albums in ANY prog fans collection. They are part of the basic DNA of prog rock. Nothing Camel did qualifies as either. Mandatory or genre defining.
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The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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micky
Special Collaborator
Honorary Collaborator
Joined: October 02 2005
Location: .
Status: Offline
Points: 46843
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Posted: December 17 2014 at 16:41 |
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The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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kenethlevine
Special Collaborator
Prog-Folk Team
Joined: December 06 2006
Location: New England
Status: Offline
Points: 9173
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Posted: December 17 2014 at 15:59 |
Hercules wrote:
rogerthat wrote:
Ivan_Melgar_M wrote:
Stool Man wrote:
Camel didn't make Love Beach.
|
Neither Trilogy or Brain Salad Surgery.
Only the ones who take the risk can ruin an album.
Playing Pictures at an Exhibition before a myriad of hippies who didn't even knew who Mussorgsky was, is a risk
Camel always played safe with soporiferous albums.
I can only listen Moonmadness without feeling an urge to go to sleep .
Iván |
Kind of sums up my views, though I probably like Mirage more than any ELP album. Even Mirage was heavily derivative of a lot of Canterbury. |
Er, no it wasn't. Camel didn't know where Canterbury was until Richard Sinclair joined. |
Thank heavens Richard set them straight on that!
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kenethlevine
Special Collaborator
Prog-Folk Team
Joined: December 06 2006
Location: New England
Status: Offline
Points: 9173
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Posted: December 17 2014 at 15:57 |
Tuzvihar wrote:
I still haven't voted yet, BTW...
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well, vote with your heart not with your head or some appendage with which ELP fanatics seem obsessed 
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