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Lewian View Drop Down
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Direct Link To This Post Posted: August 27 2016 at 05:45
Obviously, in music everyone has a right to their taste, and there's nothing bad in trying to get more of the stuff you know you like.

Still, this attitude looks very worrying to me:
Quote In some of the metal sub-genres, you don't try new things. You aren't allowed to. If you try a new idea in your music, you're not True and you're not pure.

How very dogmatic, and how very bad for the people in the community who dare to feel something slightly different from the community mainstream and who may even consider expressing it! This looks to me like how extremist religion works. Express some doubts and you are an outcast and may even be the worst enemy. OK, these metalheads will not normally bring war to others, but still...

On a different note, I also sometimes think that many approaches and ideas in music are not played out enough and not allowed to mature enough because too many people (of those who are at least adventurous enough to try out these ideas once and have therefore the potential to let them mature) think they've got to do something more original and delve into something else rather than developing mastery in one area that still has all too much space for such mastery. 
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Direct Link To This Post Posted: August 27 2016 at 06:08
Everyone's a product of their influences (speaking musically). So originality can only really be defined by the band or artist's own individual definition of originality. Well communicated strong music works fine.

I think there may be a subtext to the "original" idea that everyone should be trying to reinvent all the wheels that are out there.

Anyway "originality" is a consumer's expressed view of their own experience that is superimposed by the speaker or their audience's understanding (or otherwise) of the terms.

It's always up to the individual to define their own terms not have others do that.
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Direct Link To This Post Posted: August 27 2016 at 06:10
When I show my wantlist to a record seller, first time he says : "Well, hum, I don't know a thing. Sorry." Second time : " You have already shown this to me. I told you I didn't know these bands." Third time : "You always ask me impossible things to find ! Don't try again ! ".  Morality :  Originality is a disease of loneliness, shame and isolation. 
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Direct Link To This Post Posted: August 27 2016 at 06:27
I don't fully understand why people have such a stick up their butts over this. Metal is a genre with a myriad of subgenres and subsubgenres and that is how it evolves and progresses and that is how bands and artists within it also progress and evolve. A hybrid becomes a new species, an exploration becomes a new species and a departure from accepted convention becomes a new species. The taxonomy of metal that sets boundaries and defined limits does not constrain evolution, it drives it forward because it makes it far easier to identify when something has changed - when an album music doesn't fit to the prescribed blueprint then it is instantly recognised as something different, and when it doesn't fit any of the prescribed blueprints then it is instantly recognised as something new.

That way Metalheads don't get bogged down in esoteric arguments over whether a band is this or that, all they have to do is agree that it is Metal and the band can join the Metal club ... so if a band's album doesn't fit into this subsubsubgenre or that subsubsubgenre then it must a new subsubsubgenre and everyone is happy again. 

By comparison our Prog approach seems more restrictive because it is so ill-defined - it's a "you can do anything you like..." attitude that causes so many pointless inclusive/exclusive, Progressive is not progressive arguments because it has a hidden "...but you can't do that" clause that no one can agree on.

With possibly a few insignificant exceptions every Metal band has evolved from one subsubgenre into another as their musical journey has progressed from album to album. Of course fans will lament and breast-beat that their favourite band no longer makes the flavour of Metal they like but that's the band's choice to make, not theirs - fans of Death Metal Marduk simply don't buy Black Metal Marduk albums if they don't like Black Metal and honestly how different is this from Prog Genesis fans not liking Pop Genesis albums and vice-versa?  Die-hard Thrash Metal Metallica fans decry the 'black album' but it sold more copies than their previous "troo" albums put together and introduced more people to Metal than just about any other Metal album ever made..

I seriously doubt we would have the richness of Metal if it didn't develop in this way, because despite having strict rules it is far more organic and natural than any forced evolution that claims to have no rules or boundaries... 
What?
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Direct Link To This Post Posted: August 27 2016 at 06:56
Dean: If this is meant to refer to my posting, I was discussing the attitude that I quoted from paganinio; I didn't mean to say anything about metal in general and certainly not about metal fans who have an attitude different from the quoted one.
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Direct Link To This Post Posted: August 27 2016 at 07:30
Originally posted by Lewian Lewian wrote:

Dean: If this is meant to refer to my posting, I was discussing the attitude that I quoted from paganinio; I didn't mean to say anything about metal in general and certainly not about metal fans who have an attitude different from the quoted one.

Yeah, and to be clear, I wasn't targeting the music itself (except to the extent that this kind of mentality prevailing among lots of fans forces band to herd around certain sounds and styles) but I absolutely HAVE met metalheads who are not just intolerant of variety in the music they listen to but intolerant of variety in the music their friends listen to.  I had a guy try to mock my taste just because I once happened to post a ghazal - I am from India - and that was the day I drew the line.  So if I have a stick up my butt for saying that, wham, bham, thank you, I don't care; maybe some metalheads should get their head out of their ass for a change and dump their whiny puritanism.
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Direct Link To This Post Posted: August 27 2016 at 07:42
What exactly is 'originality' anyway..?  Most of the 'newer' prog bands I listen to sound like they were influenced by other classic prog bands from the past. How many bands are truly original..?
 
Can someone please name some truly original prog bands and specifically why they are so original...?
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Direct Link To This Post Posted: August 27 2016 at 07:48
Originally posted by dr wu23 dr wu23 wrote:

What exactly is 'originality' anyway..?  Most of the 'newer' prog bands I listen to sound like they were influenced by other classic prog bands from the past. How many bands are truly original..?
 
Can someone please name some truly original prog bands and specifically why they are so original...?

Well, by the yardstick of influence, there's never been anything original since the day early man realised he could create sound in a way that seemed to evoke a pattern. I'd say originality is taking that influence and then making something distinct and different with that.  Whether it takes music forwards, backwards or sideways is entirely in the eyes of the beholder.  BUT there is a difference in the level of originality a Kate Bush brings to the table vis a vis a Wolfmother.  How much different again is subjective but there is a difference.  So, coming to your question, I don't know very many bands that do something original these days but two, both from the sub genre I monitor, that immediately come to mind are Bent Knee and Twombley Burwash. 


Edited by rogerthat - August 27 2016 at 07:49
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Direct Link To This Post Posted: August 27 2016 at 07:53
Originally posted by hellogoodbye hellogoodbye wrote:

When I show my wantlist to a record seller, first time he says : "Well, hum, I don't know a thing. Sorry." Second time : " You have already shown this to me. I told you I didn't know these bands." Third time : "You always ask me impossible things to find ! Don't try again ! ".  Morality :  Originality is a disease of loneliness, shame and isolation. 



This happened to a friend of mine too!  He was actually banned from a brick and mortar store for bringing in too many "special order" requests.  LOL
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Direct Link To This Post Posted: August 27 2016 at 08:15
Important, no - Fundamental !

If I wanted to repetitively listen to the same (kind of) music I'd rather go back to the original  that I appreciated in the first place (which I do all the time, btw) than to waste my time with a duplication .
So, to me NEW means ORIGINAL, in the sense that once a creative door is opened the next to come thru is but a "follower",  not the true "creator".

I guess real artists are always struggling to make their work progress, therefore seeking originality (in my view this obviously does not exclude personal style consistency and general inspiration/influences).
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Direct Link To This Post Posted: August 27 2016 at 08:15
LOL

Afficher limage dorigine

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Direct Link To This Post Posted: August 27 2016 at 12:57
Originally posted by Atavachron Atavachron wrote:

^ People often find something they're comfortable with and never look back, it's unfortunate but I suppose I understand; I don't like eating things I won't enjoy, though it is the only way to learn .

Word.
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Direct Link To This Post Posted: August 27 2016 at 13:02
Originally posted by dr wu23 dr wu23 wrote:

What exactly is 'originality' anyway..?  Most of the 'newer' prog bands I listen to sound like they were influenced by other classic prog bands from the past. How many bands are truly original..?
 
Can someone please name some truly original prog bands and specifically why they are so original...?
Doc, I believe the description of "originality" in prog is a matter of difference by degrees. We wanted something that grows and evolves from a known entity. For example, where was KC going to next after their debut album. We expected a growth going forward from that, not a recording of a set of drums being thrown down a flight of stairs and tagged with the name progressive rock.


Edited by SteveG - August 29 2016 at 12:19
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Direct Link To This Post Posted: August 27 2016 at 13:12
Originally posted by SteveG SteveG wrote:

Originally posted by Atavachron Atavachron wrote:

^ People often find something they're comfortable with and never look back, it's unfortunate but I suppose I understand; I don't like eating things I won't enjoy, though it is the only way to learn .
Word.

I only know that I like 90% of the things that I do like (whether it be in food, music, books, or whatever) because at some point I was willing to take a chance on something that I didn't know whether or I'd like or not. Not only that, quite a lot of the things I now like, I actively disliked at first trial - but decided to persevere because I knew other people found something in it, and I wanted to know what it was. I'd like to think that I'm willing to go through some discomfort and puzzlement to see if I can find that out.

I can understand comfort zone thinking, and like pretty much everyone I've fallen into that in some regards. But on a personal level I have to say that enduring the "shock of the new", when I have done it, has proved overwhelmingly worthwhile.


 




Edited by Mascodagama - August 27 2016 at 13:14
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Direct Link To This Post Posted: August 27 2016 at 13:18
Originally posted by Mascodagama Mascodagama wrote:

Originally posted by SteveG SteveG wrote:

Originally posted by Atavachron Atavachron wrote:

^ People often find something they're comfortable with and never look back, it's unfortunate but I suppose I understand; I don't like eating things I won't enjoy, though it is the only way to learn .
Word.

I only know that I like 90% of the things that I do like (whether it be in food, music, books, or whatever) because at some point I was willing to take a chance on something that I didn't know whether or I'd like or not. Not only that, quite a lot of the things I now like, I actively disliked at first trial - but decided to persevere because I knew other people found something in it, and I wanted to know what it was. I'd like to think that I'm willing to go through some discomfort and puzzlement to see if I can find that out.

I can understand comfort zone thinking, and like pretty much everyone I've fallen into that in some regards. But on a personal level I have to say that enduring the "shock of the new", when I have done it, has proved overwhelmingly worthwhile.


 


yes, I agree with that. I was generalizing in my last post. I was in narrow lane for many years until I decided to take a leap of faith and go Avant/RIO, etc. But I still believe that we're initially drawn to what we're familiar with until we take that leap. Remember, some never have and never will.
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Direct Link To This Post Posted: August 27 2016 at 13:29
Originally posted by SteveG SteveG wrote:

Originally posted by Mascodagama Mascodagama wrote:

Originally posted by SteveG SteveG wrote:

Originally posted by Atavachron Atavachron wrote:

^ People often find something they're comfortable with and never look back, it's unfortunate but I suppose I understand; I don't like eating things I won't enjoy, though it is the only way to learn .
Word.

I only know that I like 90% of the things that I do like (whether it be in food, music, books, or whatever) because at some point I was willing to take a chance on something that I didn't know whether or I'd like or not. Not only that, quite a lot of the things I now like, I actively disliked at first trial - but decided to persevere because I knew other people found something in it, and I wanted to know what it was. I'd like to think that I'm willing to go through some discomfort and puzzlement to see if I can find that out.

I can understand comfort zone thinking, and like pretty much everyone I've fallen into that in some regards. But on a personal level I have to say that enduring the "shock of the new", when I have done it, has proved overwhelmingly worthwhile.


 


yes, I agree with that. I was generalizing in my last post. I was in narrow lane for many years until I decided to take a leap of faith and go Avant/RIO, etc. But I still believe that we're initially drawn to what we're familiar with until we take that leap. Remember, some never have and never will.

Apologies, I did understand that from your posts and didn't intend to imply the contrary. Just adding my 2c...

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Direct Link To This Post Posted: August 27 2016 at 13:36
^No problem. We're on the same track but moving at different speeds, as my old Mum used to say!
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Direct Link To This Post Posted: August 29 2016 at 05:54
Originally posted by rogerthat rogerthat wrote:

Originally posted by Lewian Lewian wrote:

Dean: If this is meant to refer to my posting, I was discussing the attitude that I quoted from paganinio; I didn't mean to say anything about metal in general and certainly not about metal fans who have an attitude different from the quoted one.

Yeah, and to be clear, I wasn't targeting the music itself (except to the extent that this kind of mentality prevailing among lots of fans forces band to herd around certain sounds and styles) but I absolutely HAVE met metalheads who are not just intolerant of variety in the music they listen to but intolerant of variety in the music their friends listen to.  I had a guy try to mock my taste just because I once happened to post a ghazal - I am from India - and that was the day I drew the line.  So if I have a stick up my butt for saying that, wham, bham, thank you, I don't care; maybe some metalheads should get their head out of their ass for a change and dump their whiny puritanism.

Agreed. Can't imagine being locked into a kind of music to the point where I reject anything new. 

Or to put it another way,
Originally posted by Guldbamsen Guldbamsen wrote:


I don't get it - I just really don't.
Music is the spice of life, why restrict oneself to one flavour?

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Direct Link To This Post Posted: August 29 2016 at 09:47
Anyone who says originality has no bearing on the level of quality or enjoyment could not possibly be consistent. The knowledge of its originality is another issue, but the lack of complete knowledge doesn't negate what happens when we do know something is unoriginal. 

EXTREME SCENARIO USED TO PROVE A POINT:
Let's say I tell you and another guy I'm the greatest composer of all time. I have an entire orchestra play what you recognize to be Beethoven's ninth symphony, and then it ends with an orchestral take of the final half of "Close to the Edge" by Yes. The guy next to you claps and says it was the most moving piece of music that he had ever heard and that I am a "genius." 
Though I happened to play a medley of your two favorite pieces quite proficiently, you aren't so impressed. You ask me how playing a Beethoven/Yes medley justifies my claim to being the greatest composer. I tell you "Don't be so dogmatic! I call that one 'Ode to the Edge' and it apparently moved other members of the audience. You keep bringing up these arbitrary comparisons. Yes, I was influenced by Beethoven and Yes, but every composer is influenced by someone else. My song is roughly as original as anyone else's." 

Obviously, originality would be the only reason you would not be impressed by someone who puts together medleys of admittedly great tunes and masquerades as a prolific composer. Your objections on the basis of not having complete knowledge is absurd. The same argument could be made about anything we claim to know. How do we know anything is real? Do you claim to know everything that could be tricking you into thinking something is true? I mean please. 
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Direct Link To This Post Posted: August 29 2016 at 09:53
Anything I play is a result of me listening to music for 40 years. I have an inbuilt catalogue of ideas, and these ideas have all come from somewhere. Most of them sit there in my subconscious and just come up from time to time. How do I know what's subconscious repetition and what's original ? Actually, I don't. And that's as a musician.

Is originality important ? Only if you want it to be. 

Is this thread an original idea ? Nope. Someone's thought of it before. :-)


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