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Topic ClosedWhat is Modern Prog Missing?

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Hierophant View Drop Down
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Direct Link To This Post Topic: What is Modern Prog Missing?
    Posted: June 27 2005 at 03:56
I know... everybody knows that all modern prog bands are missing something that the classic prog bands had. I can't really put my finger on it but something is definitly missing. One of my theories is that today's technology ruins music through overproduction. "back in the day" I think bands had to put alot more time and effort into their music because the production technology was lacking. But there's definitly something else going on. Modern prog bands always seem "restricted" by a magical "prog force" that seems to keep them from opening up their music to its full potential. Modern prog bands are in no way as adventurous as the classics. They don't have the sense of dynamics that the oldies had. I'm always waiting for a part in an album where the band really breaks it down and goes into a mini jam or a really soft melodic part  or just completely shatter their song structure and bring it back. They always seem to focus in one area of prog - technicality, lyrics, melody, structure. You're never going to get the whole package it seems.



So I ask you - what is modern prog missing???


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The Hemulen View Drop Down
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Direct Link To This Post Posted: June 27 2005 at 04:09
Originally posted by Hierophant Hierophant wrote:

I know... everybody knows that all modern prog bands are missing something that the classic prog bands had.


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Direct Link To This Post Posted: June 27 2005 at 04:26
Cmon, just agree with me for the sake of my thread. 
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Direct Link To This Post Posted: June 27 2005 at 04:27
Sorry, but I think you're completely wrong about this, and probably haven't heard much modern prog if this is your genuine view.
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Valarius View Drop Down
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Direct Link To This Post Posted: June 27 2005 at 04:59
Modern Prog is different from 70's Prog. What do you want? The exact same music/production for 30 years? Modern Prog isn't missing anything.
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Direct Link To This Post Posted: June 27 2005 at 05:00

Hierophant, I do agree with you.   Hardly ever perfect. For example if the compositions are great, the singer sucks.

Ok, TP (see next message), here's "evidence" (but this is all only personal opinions, that's why I didn't think I should give names): IQ's singer's nasal voice slightly irritates me, and Pendragon's too. Finnish Ageness I might enjoy but the singer is like a worse edition of IQ's. And I found Flower Kings' Adam & Eve unlistenable (I like some other FK stuff) but I can't explain WHY. I hope this satisfies you. It's more interesting to think what makes one enjoy something than what makes one dislike something.

You have good points, Hierophant, but maybe it can't be generalized like "there's something missing in all new prog". It's a matter of taste: if you love classic prog of the golden age, you can't help liking newer bands less. They CAN'T be the same. And often it's exactly the old feel that makes albums like Nursery Cryme, Pawn Hearts or In The Court of the Crimson King so appealing. If they were re-made with modern technics they surely would lose something of their magic.



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Direct Link To This Post Posted: June 27 2005 at 05:10
Originally posted by Matti Matti wrote:

Hierophant, I do agree with you.   Hardly ever perfect. For example if the compositions are great, the singer sucks.



How is that an example? No one's mentioned a single group as evidence yet.
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Hierophant View Drop Down
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Direct Link To This Post Posted: June 27 2005 at 05:15
I didn't say i hate all modern prog, theres plenty of modern prog bands that I love, but to me they'll never yield the same satisfaction of the classics. (for whatever reason) hence the point of this thread.

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Direct Link To This Post Posted: June 27 2005 at 05:16
Ya, I kindof agree with that. There's something missing, for me it's the originality. However, I would only say that about the neo-prog genre, since other bands like godspeed  (or the whole post-rock genre for that  matter), taal or anglagard are quite different and innovative.
However, neo-prog is based on other things, and i understand why people like it, even though i don't really.
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Direct Link To This Post Posted: June 27 2005 at 05:17
I didn't suggest that you did, but I can't see how modern prog LACKS anything. I can think of plenty of modern bands that are far superior to certain 70s groups. They're just different eras, nothing more. Neither is superior.
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Direct Link To This Post Posted: June 27 2005 at 05:19

I think he's talking about the impression you get when you compare Close To The Edge and A Change Of Seasons. I prefer ACoS, but I think that it is less emotional, less original and less inspired than CttE. At the same time, it has a better structure, better production, and better dynamics (acoustic/mellow vs. electronic/distorted/heavy). All IMHO, of course.

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Direct Link To This Post Posted: June 27 2005 at 05:26
Thinking Plague's Les Etudes d'Organism, After Crying's A Gadarai Megszállott, Ruin's Thebes, all modern prog songs that thrill me just as much as "Close to the Edge". The only difference in impression I get is that THEY ARE DIFFERENT PIECES OF MUSIC BY DIFFERENT GROUPS. I don't think "Oh... well this is good, I just wish it had been recorded thirty years earlier.
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Direct Link To This Post Posted: June 27 2005 at 05:28
I like a lot of modern day prog bands but the glaring missing ingredient for me is in the vocal department.There are no great singers anymore.No one with the outstanding vocal talents that the great 70's bands had.No Andersons,Hammills or Gabriels etc ....  
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Direct Link To This Post Posted: June 27 2005 at 05:31
Daniel Gildenlow?
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Direct Link To This Post Posted: June 27 2005 at 05:31

Originally posted by Trouserpress Trouserpress wrote:

Thinking Plague's Les Etudes d'Organism, After Crying's A Gadarai Megszállott, Ruin's Thebes, all modern prog songs that thrill me just as much as "Close to the Edge". The only difference in impression I get is that THEY ARE DIFFERENT PIECES OF MUSIC BY DIFFERENT GROUPS. I don't think "Oh... well this is good, I just wish it had been recorded thirty years earlier.

Of course there EXIST such examples of modern prog, but with all the "Bogus Pomp" about Dream Theater it's difficult to find them.  

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Direct Link To This Post Posted: June 27 2005 at 05:33

Originally posted by Trouserpress Trouserpress wrote:

Daniel Gildenlow?

Pain Of Salvation is IMO the best Prog Metal band on the planet ... but it's prog METAL, and that's something that a lot of 70s symphonic prog fans will not be able to adapt to. What a shame!

If only these fans could adapt to PoS as easily as I could adapt to Gentle Giant ...

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Direct Link To This Post Posted: June 27 2005 at 05:33
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Originally posted by Trouserpress Trouserpress wrote:

Thinking Plague's Les Etudes d'Organism, After Crying's A Gadarai Megszállott, Ruin's Thebes, all modern prog songs that thrill me just as much as "Close to the Edge". The only difference in impression I get is that THEY ARE DIFFERENT PIECES OF MUSIC BY DIFFERENT GROUPS. I don't think "Oh... well this is good, I just wish it had been recorded thirty years earlier.

Of course there EXIST such examples of modern prog, but with all the "Bogus Pomp" about Dream Theater it's difficult to find them.  



They're only difficult to find if you don't want to make the effort. Some prog fans are stuck in the 70s and dismiss modern groups out of hand, no matter how innovative or talented they are.
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Direct Link To This Post Posted: June 27 2005 at 05:35
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Originally posted by Trouserpress Trouserpress wrote:

Daniel Gildenlow?

Pain Of Salvation is IMO the best Prog Metal band on the planet ... but it's prog METAL, and that's something that a lot of 70s symphonic prog fans will not be able to adapt to. What a shame!

If only these fans could adapt to PoS as easily as I could adapt to Gentle Giant ...



I'm not much of a prog metal fan - it has to be REALLY good and REALLY different to interest me - but if Gildenlow isn't an example of a brilliant modern vocalist, then quite frankly, who is?
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Direct Link To This Post Posted: June 27 2005 at 05:40

Originally posted by Fragile Fragile wrote:

I like a lot of modern day prog bands but the glaring missing ingredient for me is in the vocal department.There are no great singers anymore.No one with the outstanding vocal talents that the great 70's bands had.No Andersons,Hammills or Gabriels etc ....  

No offense, but they SUCK sometimes. Yesterday I listened to the Keneally/Gilbert version of Siberian Khatru and was blown away by the vocal arrangements ... I hadn't noticed how great they were because the sloppy intonation of Anderson distracted me. It annoys me very much, others might not even notice it.

Russell Allen, Daniel Gildenlow, Mike Baker, Neal Morse, Mikael Ackerfeldt, Roine Stolt, Hasse Froberg, Steven Wilson, Damien Wilson ... just a small selection of modern prog vocalists that sing with great passion and emotion. 



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Direct Link To This Post Posted: June 27 2005 at 05:42
Originally posted by Trouserpress Trouserpress wrote:

Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Originally posted by Trouserpress Trouserpress wrote:

Daniel Gildenlow?

Pain Of Salvation is IMO the best Prog Metal band on the planet ... but it's prog METAL, and that's something that a lot of 70s symphonic prog fans will not be able to adapt to. What a shame!

If only these fans could adapt to PoS as easily as I could adapt to Gentle Giant ...



I'm not much of a prog metal fan - it has to be REALLY good and REALLY different to interest me - but if Gildenlow isn't an example of a brilliant modern vocalist, then quite frankly, who is?

You're preaching to the choir here!

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