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King Crimson: Larks' Tongues In Aspic |
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Chaser ![]() Forum Senior Member ![]() Joined: April 18 2018 Location: Nottingham Status: Offline Points: 1202 |
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I shall defer to Allmusic in that case.
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Songs cast a light on you
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SteveG ![]() Forum Senior Member ![]() ![]() Joined: April 11 2014 Location: Kyiv In Spirit Status: Offline Points: 20617 |
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And there's other factors. Take Former Atlantic president Ahmet Ertegun, for example, who championed both Yes and Genesis as prime movers until they started going ballistic with dense double albums from both like Tales From Topographic Oceans and "Lamb" album. He started to get quite nervous because he felt that, in his words, "they were no longer accessible."
Edited by SteveG - November 14 2018 at 08:05 |
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Saperlipopette! ![]() Forum Senior Member ![]() ![]() Joined: December 20 2010 Location: Tomorrowland Status: Offline Points: 13474 |
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SteveG ![]() Forum Senior Member ![]() ![]() Joined: April 11 2014 Location: Kyiv In Spirit Status: Offline Points: 20617 |
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![]() ![]() Edited by SteveG - November 14 2018 at 09:58 |
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Lewian ![]() Prog Reviewer ![]() ![]() Joined: August 09 2015 Location: Italy Status: Offline Points: 15735 |
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There's a direct line from Larks' to what they did on all later releases and on the current three drummers tour. All the elements are there at this point, and this hadn't been the case before. Dazzling contrasts between beautiful subtle acoustic parts and very heavy riff guitar. The loudness and mixing is, err, ...interesting..., actually bordering on the insane, but then I can appreciate what is achieved in this way. Super innovative and iconic album. All the songs have something very special, except maybe Book of Saturday, which is a fine addition but doesn't shine that much on its own. I particularly love how LTIA Part I and Exiles begin, and then the change from Talking Drum to LTIA II. The only issue I have (other than when the volume contrasts hit me in the wrong moment) is that I don't like Wetton's vocals that much on this album, he became better later.
Edited by Lewian - November 14 2018 at 18:28 |
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Catcher10 ![]() Forum Senior Member ![]() ![]() VIP Member Joined: December 23 2009 Location: Emerald City Status: Offline Points: 18092 |
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A brilliant recording, cool that I clicked this thread as I am finishing side II right now......prolly my 2nd fav behind In the Court, but it could easily move up a notch.
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irrelevant ![]() Collaborator ![]() ![]() Honorary Collaborator Joined: March 07 2010 Location: Australia Status: Offline Points: 13382 |
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I wouldn't say this about many albums: Too dynamic.
Still, it's pretty good.
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SteveG ![]() Forum Senior Member ![]() ![]() Joined: April 11 2014 Location: Kyiv In Spirit Status: Offline Points: 20617 |
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cstack3 ![]() Forum Senior Member ![]() ![]() VIP Member Joined: July 20 2009 Location: Tucson, AZ USA Status: Offline Points: 7728 |
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For the life of me, this sounds like "Larks Tongues in Aspic Part 2!"
....perhaps RF borrowed a bit from this ancient Alpine ritual?
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Tom Ozric ![]() Prog Reviewer ![]() ![]() Joined: September 03 2005 Location: Olympus Mons Status: Offline Points: 15926 |
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Lark’s Tongues blows me away. Has done for almost 30 years. Love the overall sound / production, and every track on the album. A real tough act to follow. It’s just super hi fi to me, and extraordinary musicianship and composition. Can’t fault it.
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