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Topic ClosedPassages that make your hairs stand up

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slipperman View Drop Down
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Direct Link To This Post Posted: January 23 2005 at 17:38

great thread, fun reading and even better listening!

here are other top-notch moments:

Gentle Giant - "I Lost My Head" once the heavy guitar kicks in, presaged by Minnear playing the theme on straight piano first.

Voivod - "The Prow", all of it really, but especially 1:22 - 2:20, bridge and guitar solo, magnificent

Banco Del Mutuo Soccorso - "L'evoluzione" 4:26 - 7:32. 'Darwin' is incredible, and this is one of the greatest moments on this or any other Banco album.

Museo Rosenbach - beginning moments at 2:14 - 2:53, which is the main theme of the album and repeats a lot during the whole listen. An amazing melody.

Pink Floyd - Live At Pompeii version of 'Careful With That Axe Eugene' when Waters unleashes that bloodcurdling scream. The most hair-raising, spine-tingling moment of all??? 

 

...it is real...it is Rael...
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Direct Link To This Post Posted: January 23 2005 at 17:52
Thanks slipperman for reminding me of Voivod Tribal Convictions from Dimension Hatross has a fantastic drum intro that explodes when Piggy's guitar hits you with those power chords, a must have for anyone who enjoys prog metal.
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Direct Link To This Post Posted: January 23 2005 at 19:13

I tried to limit the Voivod selections, too numerous to mention!!! VOIVOD is TOP NOTCH STUFF.

bonus Voivod hair-stander-upper: the bass break in the middle of "Missing Sequences"...

...it is real...it is Rael...
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Direct Link To This Post Posted: January 23 2005 at 23:25

Originally posted by Pety Pety wrote:

Yes- Soon
     I get up, I get down
     Heart of the sunrise(the vocal part)
     Awaken (starts at 5:11 with that amazing chord progression as Jon starts singing "workings of man set to ply out historical life" goes on for about 2 minutes. Then it starts again after a short brerak at about 9:50 with Steve's guitar and continues until 13:30 with a climax "There's no doubt, no doubt!" definitely my favorite passage by Yes)
Pink Floyd - Great gig in the sky(I love her voice!:)
     Dogs (btw. who sings the song? is it really Roger?)
     One of my turns-the start of the fast part
Queen -March ogf the black queen (You've never seen nothing like it, no never in your life...)
Genesis- the Musical box-the beginning
King Crimson - Inner garden
and many many more, prog is full of such passages, that's why we listen to it:)

 

Gilmour sings all of "Dogs" up until the "Gotta admit..." part which is where Roger takes over.

"I'm in a freefall like a snowflake falling down down down down down."
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Direct Link To This Post Posted: January 23 2005 at 23:40
  • That amazing chord crash at the beginning of Genesis' Dance on a Volcano
  • When the distortion kicks in (both times) in Radiohead's Paranoid Android
  • "Touch Me" section of the Musical Box is classic
  • Rush's Freewill: "I will choose a path that's clear, I will choose freewill"
  • Synth effect in Rush's Natural Science before "A quantum leap forward..."
  • "I get up I get down" in CTTE
  • "All those many years ago" in Yes' Turn of the Century (breaks my heart)
  • Piano interlude between Kayleigh and Lavendar on Marillion's Misplaced Childhood
  • Barking Dogs on Floyd's Dogs
  • "There must be someone who can set me free" part of ELP's KE9 1st impression
  • Many part of ELP's Toccata are bone-chillingly good
  • Chick Corea's synth solo in Duel of the Jester and the Tyrant from RTF's Romantic Warrior
  • End of Rush's Vital Signs
  • Intro to Xanadu, again, classic

there are a few, i know some are repeats
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"Banco Del Mutuo Soccorso? Is that like the bank of Italian soccer death or something?" -my girlfriend
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Direct Link To This Post Posted: January 23 2005 at 23:51

off the top of my head:

1. The first notes of the guitar solo in Echoes

2. Keith Emerson's solo in the beginning of Tarkus

3. The chorus to Misunderstood by Dream Theater

4. The keyboard section of Red.

5. The intro to 'Welcome to the Machine'

6. The main theme of Xanadu as it is first played

7. The clock intro to Time

8. The intro to Heart of the Sunrise

9. The 'I Get Up, I Get Down' with organ only section of Close to the Edge

10. The intro to Paradigm Shift by Liquid Tension Experiment.

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Direct Link To This Post Posted: January 24 2005 at 01:23
I'm afraid I don't get the attraction to Voivod...Nothingface hurts my ears.
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Direct Link To This Post Posted: January 24 2005 at 04:06
The crazy guitar sound in METAL FATIGUE by ALLAN HOLDSWORTH

The descending guitar at the end of SHEEP by PINK FLOYD

"All there really is, the two of us,
And we both know why we've come along..." DIFFERENT STRINGS by RUSH
One likes to believe
In the freedom of music
But glittering prizes
And endless compromises
Shatter the illusion
Of integrity.
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Direct Link To This Post Posted: January 24 2005 at 06:55

hmm, the beginning and main riff from Xanadu, beginning and the end of Supper's ready, solo from firth of fifth,  Petrucci's solo 2.22-2.52 on the Glass Prison, the intro to Heart of the Sunrise, some parts on And You And I....

We shall live forever and cast out those less divine
Gods we will be - rulers of the sea - in our Grand Design
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Direct Link To This Post Posted: January 24 2005 at 08:08

RE: Vocals on Dogs - I was always off the impression that Dave Gilmour sings the Verses and Roger sings the Outro - I think - "Who was born in a house" - (w/ Dave singing back up pharses) it certainly sounds like this on "California Stockyard" Bootleg - from Anaheim Stadium 77' - as to the LP I'm not sure - can anyone confirm this?

 

2 more hair stander-er-up-er's are:

 the mellotron on Heart of the Sunrise during the snakey, sinewy, bass break - it's Wakeman's most sinister tron' moment IMO

and when the guitars come in on "Guaranteed Eternal Sanctuary Man" - Yoooouuuu....can't yoy see he's fooled you all.....



Edited by mandrake
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Direct Link To This Post Posted: January 24 2005 at 08:26
Originally posted by FloydWright FloydWright wrote:



--Pink Floyd: "Echoes" from Meddle, right after the screaming guitars, when Wright brings the string synth back in.



Oh man, that's a good moment.

For me:

Hacket's solo from Dancing With The Moonlit Knight

The Opening of Cinema Show

The Final Cut from Floyd's The Final Cut

The End section to 'Love Supreme' by The Flower Kings

Martin Orford's solo in Widow's Peak from IQ's 'The Wake'

Zappa's dubbed in solo on Yo' Mama from Sheik Yerbouti

Buckley's scream in 'Grace'






I must remind the right honourable gentleman that a monologue is not a decision.
- Clement Atlee, on Winston Churchill
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Direct Link To This Post Posted: January 24 2005 at 10:44
I agree with starofsirius, I first noticed that it is sung by different men when I saw the live version of Dogs on Waters' "In the Flesh" DVD, where Gilmour's parts are done by Waters' keyboard/guitar player. Then I listened to the original CD and realized that "Gotta admit..." is a bit different from the first two verses.
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Direct Link To This Post Posted: January 24 2005 at 11:28

hey nice thread!

pink floyd : the solo guitar in time , the whole on the turning away, the intro of echoes, and in the pigs (3 different ones) at the words "haha charade you are..."

jethro tull : the intro of locomotive breath, in the passion play at the words "God of ages lord of time, mine is the right to be wrong" , in the thick as a brick from 13:00min till 20:00

pain of salvation : martiusII/nauticus , undertow , falling , the perfect element, pluvius aestivys (of summer rain)

dream theater : the keyboard solo in take the time, the kbrd/guitar solo in learning to live, dance of eternity, the kbrd solo at the closing of beyond this life, the saxophone in another day, ytse jam (piano version) , the words from space dye vest "i'll have no more dreams to defend..", hell's kitchen

shadow gallery : queen of the city of ice, I believe , christmas day

fates warning : the intro of part XII of a pleasant shade of gray, still remains

marillion : ocean cloud , neverland

joe satrianni : mind storm

steve vai : for the love of god

and many more!

  



Edited by Aerandir
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Direct Link To This Post Posted: January 24 2005 at 14:05
A lot of shouts for KC's Starless, is this generally regarded as their best work? 
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Direct Link To This Post Posted: January 24 2005 at 14:09

I often find there are two or three camps of KC fans - one's who think the first LP is their masterpiece and others who find RED [1974] their masterpiece -  and other again who say their last LP is the best work they've done - it certainly was impressive the last LP.

But Starless is the highlight of a brilliant LP RED and one of the most sinister pieces of music I've ever heard - excepting Univers Zero's Heresie maybe. The guitar solo's builds to an unbelievably powerful crescendo - just one note repeats up the neck at very sinister intervals indeed. It's undeniably one of KC's finest moments, Frosty.

 

Mandrake

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Direct Link To This Post Posted: January 24 2005 at 15:19
Ooh, thanks for the reminder -

How could I have forgotten the mellotron swell in the middle of 'Epitaph'?

Goosebumps, every time

Jon Lord 1941 - 2012
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Direct Link To This Post Posted: January 24 2005 at 17:15
Originally posted by sigod sigod wrote:


The Final Cut from Floyd's The Final Cut


This is also a good choice of a Floyd moment...well, really a Roger Waters solo moment, but if you count TFC as a Waters solo, it's the best he's ever done.

This song is excellent because the lyrics actually approach REAL honesty (not just blind anger), and the string arrangement by Michael Kamen is nothing short of phenomenal.

Two new moments.

--Dream Theater: From "Space Dye Vest" on Awake when you hear the words, "I want you to have your own thoughts, even when I hold you in my arms." I admit I don't really notice the words before this, but the second I hear this section I pay attention. It's almost like an old Pink Floyd moment, like something on Dark Side of the Moon when the music and the concept/sound clip aspects were both at their best.

--Dream Theater: "The Spirit Carries On", from Scenes from a Memory. I feel weird naming this song considering I'm not sure I even like the overall album or even want to keep it. But there IS something about this particular song that is special...and no matter what I do with the entire album, I'll surely burn this song and keep it.

Edited by FloydWright
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Direct Link To This Post Posted: January 24 2005 at 18:22

though of another few, all in the same song!

Well, since I am a TMV freak, here we go

-The opening moments of Take the veil, the breakdown right before the bass solo (My gosh, the sweet bass solo!)  Then the following jam.

- Yes- Close to the edge, the whole thing.

-Pink Floyd- the intro to Time.

-Rush- Natural Science, the whole thing.

-Rush- La villa strangiato

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Direct Link To This Post Posted: January 24 2005 at 19:25

Originally posted by goose goose wrote:

The guitar melody in the second movement of DT's "A Change of Seasons", and the very beginning of the last solo in "Learning to Live" (where it sort of gets slower and slower).

I woulda said the entire song.

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Direct Link To This Post Posted: January 25 2005 at 11:37
by Pink Floyd :
bass and guitars in "Hey You"
the guitar solo in "Comfortably Numb"
last line Gilmour sings on "Cirrus Minor"
"Careful with That Axe, Eugene" in Ummagumma Live from the moment Waters starts screaming till the end
the start of "The Narrow Way Part three" in Ummagumma studio
the part where's screaming vocals in "Us And Them"
Guitar Solo in "Dogs"
"A Pillow of Winds" all of it!
guitars on "Shine On You Crazy Diamond"
"Near The End" guitars solo!
"It's a Miracle" ending
"The Fletcher Memorial Home" the part where the drums and guitar kick in!
"4.33 AM (Running Shoes)" all of it!
"embryo" all of it!
actually there"s more!!! but that's enough.
also basically all instrumentals written by David Gilmour And/or Rick Wright especially :
Terminal Frost, Cluster One, Marooned, (Sweet July), Signs Of Life, Mihalis, Raise My Rent.

by Non-Pink Floyd :
"I Am Your Flesh" the middle part of, whole song "closing in", end of "Omino Post"(whining three guitars!) all by In The Woods .
guitar in "Hope" by Anathema orignally of Gilmour's collaboration with roy harper .
guitar solo in "Ghost In The Ruins" , guitar and piano interplay in"Labyrinths", the guitar on "The Storm" by Savatage.
"The Apocalypse" all of it! and "Atlantis" Agony At June 5th -8498 13 p.m. Gregorian Earthtime" Live, last vocals    accompanied by guitar part by Eloy.
"Blind curve" By Marillion guitar solo in the second part. "In the Wake of Poseidon" Starting mellotron sound, "Epitaph" ending by King Crimson.
"White Eagle" keyboards and "Cool breeze of Brighton" guitar solo by Tangerine Dream.
"The Fountain of Salmacis" the begining and mellotron sound by Genesis.
"How To Disappear Completely" all of it!, "The Tourist" all of it!, "The Pyramid Song" the part where the drums kicks in and "Sail To The Moon" all of it!, all by Radiohead.
"Melancholic" piano solo by Roger Hodgson.
"Words Unspoken" all of it!, sax and guitar solos on" Don't Leave Me Now", piano along with the orchestration on "Soap Box Opera", sax on "Fool's Overture", piano along with sax in"Crime Of The Century" by Supertramp.
"Lunar Sea" all of it!, Lady Fantasy part in "Lady Fantasy", guitar in "Pressure Points" and guitars on "Harbour Of Tears" by Camel.
guitar riffs and melodies on "Windowpane" and "Deliverance" by Opeth.
guitar solo in " La Villa Strangiato" by Rush.
"Play to The world" sax solo,"Suicide-Live tapes" keyboards and vocals and the guitar solo in "Poor Man's Moody Blues-Live at Wembley" by BJH.
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