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Topic ClosedI'm falling for it..

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MoodyRush View Drop Down
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Direct Link To This Post Posted: April 05 2011 at 15:33
I love a good tenor singer, which inspires me to yank my own vocal cords to try and hit their high notes! Big smile
I also love a strong bass part. Part of this comes from me loving Rush, but I love being able to distinctly hear a bass part rather than it being part of the background.
Complex harmonies get me too.
Variety in dynamics is something that is important too. I listen to some hardcore now and then, but something that annoys me about that is that the music is LOUD all the time, no variety. Metal can be varient in that, Opeth being a prime example.
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Direct Link To This Post Posted: April 05 2011 at 15:56
Originally posted by harmonium.ro harmonium.ro wrote:

My interests lie now in contemporary progressive music that applies the progressive principles as we know them on sounds that emerged after the classic prog era - and this is not a restrictive view, as three decades of innovation have passed since the demise of classic prog. 
 
That's very good ... and well said ... and by the time that we hear something like Djam Karet, it makes it better. because it is not just a copy of the original.
 
I suppose that when I hear a group say that they are doing some progressive this or that ... I tend to turn it off almost right on the spot, as it feels like saying that they are already on an "idea" about music, and what makes anyone think that they can convey even more ideas through another idea ... it's a very strange and bizarre thought for me ... everything gets so badly translated, that the joke is not even funny anymore!


Edited by moshkito - April 05 2011 at 16:01
Music is not just for listening ... it is for LIVING ... you got to feel it to know what's it about! Not being told!
www.pedrosena.com
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Direct Link To This Post Posted: April 05 2011 at 16:14
Mellotron, classical arrangements, unusual instruments, good flute, folk influences
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Direct Link To This Post Posted: April 05 2011 at 16:26
Non-generic vocals usually get me pretty interested.  Even if I find the singer annoying, I will be drawn more to a piece with interesting vocals.
PROG ON!!!
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Direct Link To This Post Posted: April 05 2011 at 16:36
The entrance of the unexpected instrument. Especially a VIOLIN or FRENCH HORN.  A simple piano will do.
 
Also when you think what the next note normally would be and it's not!
Well, there it is. (Amadeus)
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Direct Link To This Post Posted: April 05 2011 at 23:49
hackett-style guitar
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Direct Link To This Post Posted: April 07 2011 at 19:32
Violin, basoon, trombone, oboe, and the certain organ sound at about 7 minutes http://www.youtube.com/watch?v=1zj7Pr4CqGw&feature=related
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Direct Link To This Post Posted: April 08 2011 at 02:26
Originally posted by Rottenhat Rottenhat wrote:

David Kerman.......He is the unsung hero of drumming.
 
Ahvak! Thumbs Up
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Direct Link To This Post Posted: April 17 2011 at 13:39
Moog Solos!
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Direct Link To This Post Posted: April 17 2011 at 19:15
I think flute in rock music is a perfect match to make an "unusual" folk thing... and I often fall into that and a good powerful vocals... That's everything for me... it always work. Then, a good balance between instrumental sections and vocal sections... I tend to be bored for overused instrumental spots. 
Change the program inside... Stay in silence is a crime.
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frippism View Drop Down
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Direct Link To This Post Posted: May 22 2011 at 14:45
Originally posted by BenevolentBehemoth BenevolentBehemoth wrote:

Violin, basoon, trombone, oboe, and the certain organ sound at about 7 minutes http://www.youtube.com/watch?v=1zj7Pr4CqGw&feature=related

hmmm definitely agree with you there. God I don't listen to Rotter's in a long time!
There be dragons
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frippism View Drop Down
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Direct Link To This Post Posted: May 22 2011 at 14:49
That is a very interesting question. I mean I also love jazz drumming, particularly in Canterbury albums. I'm rather the fan of the staccato. It's just really fun to hear every playing these very short notes, usually makes everything more ridiculous. Also a fan distortion bass, always makes the bass stand out. I love when a bass is melodic. As a bassist I'm always listening to the rhythm section, and a melodic bass is always welcome. Also sharp bursts of random noise, always fun. Punk influences also kinda interest me, and klezmer, and rap. Anyway any uncommon use of different genres always interests me.
There be dragons
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Direct Link To This Post Posted: May 22 2011 at 15:43
Evil weirdo grooves (think Miriodor's more recent work)
monstrous dissonant funk machines (Bitche's Brew style)
Melodies that constantly switch from one instrument to another (Pocket Orchestra and Yugen)
Ascending and Descending guitar melodies played over each other (King Crimson's Discipline, Every math rock band worth listening to)
Drums that are all over the place while the guitars whole down the beat (Don Caballero)
Odd time signatures that still flow, polymetric riffs, left/right guitars alternating polyrythms.

One thing I can't get enough of is when the drum hits the hi-hat in open position and quickly closes it, Peart does a lot of it. Gets me every time

NP: Miriodor - Live 89

Edited by seb2112 - May 22 2011 at 15:45
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