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frosty
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Topic: Passages that make your hairs stand up Posted: January 22 2005 at 12:24 |
Some tracks have lots of varying pieces, not all of which instantly spring to mind as memorable. However many songs have passages that make the hairs on the back of your neck stand on end.
These might last for 10 seconds or even 10 minutes, sometimes even an entire song might do it for you, which are your favourites?
To get you started how about (in no particular order)
- The closing passage of Supper's Ready by Genesis
- Keith Emerson's solo near the start of Tarkus
- The powerful instumental that closes Russia On Ice by Porcupine Tree
- The whole of Cinderella Search by Marillion (am I alone in thinking that it is astonishing this was considered only good enough to be a b-side?)
- John Petrucci's guitar break about 4 and a half minutes into Stream Of Conciousness
- Rick Wakeman's solo near the end of Roundabout
- Steve Hackett's guitar solo in Firth Of Fifth
- and to add a bit of spice... the anthemic ending to Fake Plastic Trees by Radiohead
That's only off the top of my head, if I think of any more I'll post them. Let's hear your suggestions
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Guests
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Posted: January 22 2005 at 12:36 |
the guitar 'solo' on the KC's Starless - first time I heard that was a proper hair-stand-er-up-on-neck-er!
the climactic build in Awaken - "Workings of Man Set to ply out Historical Live "
blimey prog music's littered with them:
Into to "Sound Out the Galleon" on Olias by Jon Anderson
intro to Eclipse on DSOTM
the end of "Childlike faith in Childhood's End" on Still - "let us MAke Computations of the Stars" - Peter Hammil's finest lyric
when the riff kicks in on The Mountain by PFM
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Radioactive Toy
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Posted: January 22 2005 at 12:39 |
KC's Starless
camel's airborne
pfm's river of life
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Reed's failed joke counter:
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R.I.P. You could have reached infinity....
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selling_echoes
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Posted: January 22 2005 at 12:48 |
 Three time's the charmer -- the guitar in Starless IS lovely.
I'd have to say the four repeating solitary notes in Shine On You Crazy
Diamond, after the first guitar solo, before the vocals begin.
Jordrök --- by itself. All of it. Thank God for Anglagard.
Um... the instrumental section in "Can Utility and The Coastliners" ....
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M@X
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Posted: January 22 2005 at 12:49 |

YES - The Remembering from TALES FROM TOPOGRAPHIC OCEANS Song part time: 9:10 -> 10:38
Don the cap and close your eyes imagine yourself that is the challenge Iron metal caast to other Distant drums
Force the bit between the mouth of freedom didn’t learn to fly Remember to sail the skies Distant suns Will we reach Winds allow Other skylines Other skylines to hold you

This part of the song gives me chills ... WOW !
Great thread idea by the way !!! 
Edited by M@X
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Prog On !
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Ivan_Melgar_M
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Posted: January 22 2005 at 12:52 |
Most from Genesis to be sincere:
- The acapella intro of Dancing with the Moonlit Knight by Peter
- The Touch Me part on Musical Box
- The intro in White Mountain where the vocals blend with guitar and keyboards
- Supper's Ready closing section
- Wakeman's solo in Close to the Edge
- The instrumental section in the middle of Can Utility and the Coastliners, especially the keyboards.
- The keyboard and vocal intro of Closet Chronicles (Kansas)
- King Crimson's Starless (The whole track)
- The beginning of Tubular Bells (The Exorcist part)
- The instrumental section in the middle of One for the Vine (Collins doesn't sing there)
Iván
Edited by ivan_2068
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Guests
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Posted: January 22 2005 at 12:53 |
I think there is a definite link with prog and these emotional moments - i recall an interview on Yes Years when Wakeman said they actively persued musical composition in which the maximum amount of emotion was garnered from the listener - much in the classical symphonic mould - by using key changes etc... i think he was referring to And You and I in particular
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M@X
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Posted: January 22 2005 at 13:49 |
ivan_2068 wrote:
Most from Genesis to be sincere:
- The acapella intro of Dancing with the Moonlit Knight by Peter
- The Touch Me part on Musical Box
- The intro in White Mountain where the vocals blend with guitar and keyboards
- Supper's Ready closing section
- Wakeman's solo in Close to the Edge
- The instrumental section in the middle of Can Utility and the Coastliners, especially the keyboards.
- The keyboard and vocal intro of Closet Chronicles (Kansas)
- King Crimson's Starless (The whole track)
- The beginning of Tubular Bells (The Exorcist part)
- The instrumental section in the middle of One for the Vine (Collins doesn't sing there)
Iván
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WOW Iván,
I just listened to all your song and I have to say that YOU ARE 100% right !!!! Thoses are great musical moments 
Edited by M@X
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Prog On !
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James Lee
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Posted: January 22 2005 at 13:55 |
Maybe part of it was heightened sensitivity from lack of sleep, but I had forty minutes of that hair-raising during Reich's "Music for 18 Musicians" last night. What an amazing piece!
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Bellringer
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Posted: January 22 2005 at 14:03 |
Has anyone stopped to wonder exactly why these passages affect us the way they do? I've got my own theory, of course, but I'm not telling ('cause I'd get laughed out of the discussion). My own moments include the harp portion of "Awaken" with Rick's keyboards played down the telephone line, "Soon," "Diamond" before the vocals start, "Heart of the Sunrise" live in '95 sitting so close that Chris sweated on us and Floyd in '94, when I practically crapped myself when I realised that they were starting off with "Astronomy Domine." Isn't it moments like these that we all listen to prog for? Few other types of music seem to convey them regularly, at least to me.
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Psalm 69:6
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Captain Fudge
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Posted: January 22 2005 at 14:19 |
The Pixies' solo from Monkey gone to Heaven
The first riff on Shine On...
The beginning of Us And Them
The background of Dazed And Confused
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Teenage sucks hard -- Emo sucks even harder
Epic. Simply epic.
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arcer
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Posted: January 22 2005 at 14:20 |
My top-of-the-head top 20
1. The 'new jerusalem' line on Supper's Ready
2. The arrival of the mellotrons on 'Cinema Show'
3. The piano insert on Kansas' 'Song for America'
4. The awesome synth, guitar, bas, piano, violin
interplay on Kansas' 'Miracles out of Nowhere'
5. The whole intro to Rush's 'Camera Eye'
6. The first bass synth pulse that starts 'Tom Sawyer'
by Rush
7. Alex Lifeson's mind-blowing solo on 'La Villa
Strangiato'
8. Clare Torry's vocal on Great Gig in the Sky
9. The first spooky, ringing guitar notes from Gilmour
on 'Shine On'
10. When Roger Waters sings 'Got to be crazy, gotta
have a real need' on 'Dogs'
11. The monosynth coming in against trhe acoustic
guitar on Yes 'And You & I'
12. Steve Howe's guitar on Wurm
13. The huge guitar chords after the choir intro on
PFM's L'Isola de Niente (recent addition thanks to
ProgArchives  )
14. The slightly off time keyboard stab that brings in
the body of 'Turn It on Again' by Genesis.
15. Chris Squire's thunderous bass runs on the
coda to It Could Happen from Drama
16. The harp/organ interlude on Yes' Awaken
17. Those first spectral, sonar-like piano notes on
Pink Floyd's 'Echoes'
18. The keyboard solo on Genesis' 'Colony of
Slippermen'
19. When the electric guitar fades in on 'natrual
science' by Rush.
20. The moment the fuzz bass kicks in on
Radiohead's 'Exit Music' (also a bit controversial)
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threefates
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Posted: January 22 2005 at 14:24 |
- Keith Emerson's piano on the second fate of "The Three Fates", Trilogy, The Endless Enigma, The Barbarian, Take a Pebble, Piano Improvisations, Piano Concerto #1, Memoirs of an Officer and a Gentleman, ... (ok... every piano piece he's ever played)
- The Moog ending to "Lucky Man"
- Greg Lakes voice on every song he's ever sung...( I was trying to list a few from KC and ELP and realized it was all of them
) Including the choruses off Pete Sinfield's song "Still"
- Toccata
- Tarkus off the WBMFTTSTNE's live album...
- That section of the "3rd Impression" when Greg comes in "Rejoice, glory is ours"
ok... I'll move on...
- PF - The beginning of SOYCD & Coming Back to Life
- PF - Dogs
- PF - The guitar solos on CN
- PF - WYWH
- Yes - The beginning of "A Venture"
- Yes - The piano solo on "Southside of the Sky"
- Yes - "I Get Up, I Get Down" from CTTE
- Yes - The verses from "And You and I" regarding the Preacher and theTeacher
- Yes - The section of TFTO (3rd side) where the lyrics start..."Do the leaves of grass stay greener thru the autumn"..
- Renaissance: the piano solo in "Can You Understand" and "Running Hard"
- Strawbs - the beginning of "Ghosts"
- Strawbs - "Grace Darling"
Edited by threefates
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THIS IS ELP
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James Lee
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Posted: January 22 2005 at 14:29 |
"I feel lost in the city" from "Heart of the Sunrise" (Yes)
the final refrain of "I get up, I get down" at the end of CTTE (Yes)
the double-tracked solo in "Dogs", PF
the double-tracked solo in "Fallen Angel" by KC
intro and solo to "The Night Watch", KC
harmonica solo on "The Rainbow"...ah, too many to list from Talk Talk 
and almost anytime Liz Fraser opens her mouth to sing. 
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Captain Fudge
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Posted: January 22 2005 at 14:29 |
- the whole of KC's Red
- the whole of Lazy from Deep Purple
- the intro of Coca Neon Kamera Sutra from Sonic Youth (sdownload free and legal from epitonic.com, it's a MUST!)

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Teenage sucks hard -- Emo sucks even harder
Epic. Simply epic.
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Abbath
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Joined: January 19 2005
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Points: 91
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Posted: January 22 2005 at 15:00 |
M@X wrote:

YES - The Remembering from TALES FROM TOPOGRAPHIC OCEANS Song part time: 9:10 -> 10:38
Don the cap and close your eyes imagine yourself that is the challenge Iron metal caast to other Distant drums
Force the bit between the mouth of freedom didn’t learn to fly Remember to sail the skies Distant suns Will we reach Winds allow Other skylines Other skylines to hold you

This part of the song gives me chills ... WOW !
Great thread idea by the way !!!  |
Yes! Absolutely a great moment!
- I'm a huge fan of the break in Tarkus near the end (16:39 - whenever).
- Yes - To Be Over; when the great bit of emotional playing by Howe kick in around the 4:58
- A few Gentle Giant passages rock. In Experience when the piano comes crashing in and the vocals really shine through.
I'll be sure to edit when I decide not to be lazy.
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Guests
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Posted: January 22 2005 at 15:09 |
James Lee - kudos for the TALK TALK insertion - TOTALLY!!!!!
this is the kind of thread I like to read on Prog Archives -
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Blacksword
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Location: England
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Posted: January 22 2005 at 16:00 |
The end of 'Entangled' from 'A trick of the tail' always gets me, not to mention..
'In the cage' - Tony Banks' solo
'Xanadu' - Guitar solo
'Incubus' - Marillion, 'But now I'm the snake in the grass...' etc..
'Ashes are Burning' - Rennaisance (The whole damn thing!)
'Lunar Sea' - Camel (Latimers guitar work generally)
'The Ninth Wave' - Kate Bush (The whole suite)
'Twilight..' into 'Nights in White Satin' - The Moody Blues (Days of Future Passed)
'Heaven or Las Vegas' - Cocteau Twins (especially that uplifting chorus!!) 
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Ultimately bored by endless ecstasy!
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alan_pfeifer
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Posted: January 22 2005 at 16:23 |
- the opening two songs on The Mars Volta's De-loused in the Comatorium. It just explodes form ambinece into a full- tilt rocker!
-Maynard's scream in the song "The Grudge". Also, the double bass pattern Danny Carey pulls off at the beggining
-The "Battle" section of Gates of Delerium from Relayer.
And a whloe ton of Rush stuff.
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Dragon Phoenix
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Posted: January 22 2005 at 18:58 |
Blacksword wrote:
'The Ninth Wave' - Kate Bush (The whole suite)
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Excellent choice, fully agree.
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