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Do the Beatles get too much credit..

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Floydman Quote  Post ReplyReply Direct Link To This Post Posted: August 28 2010 at 21:49
Originally posted by Logan Logan wrote:

I don't think many would dispute, any more than I would, that The Beatles were hugely influential and had a tremendous impact on music, but in terms of origination of musical ideas and true innovation, I think they're overrated. I don't doubt their importance at all, and I like this statement "It was the concept of creativity for the masses that makes them so important." What I do suspect is that they were being given exposure to a lot of underground music that was more innovative (asnd more musically astute associates such as George Martin helped to elevate the music).  I listen to the Beatles albums, and I can think of many more, that I would think, were more musically creative/ inventive before them. They popularised such ideas, I would say, but I doubt that they were as originative as quite a few claim.

Some claim that Sgt. Peppers was the first Prog album, but I hear others from the same time and earlier that seem like much more progressive rock.  It was an important album to Prog, I won't deny that.  I've seen claims made that tthat The Beatles originated Psychadelic Rock and Raga Rock, which is not true.  Musicians/ composers borrow ideas for music. Music is not born in a vacuum, other than the Hoover Symphony was born in a vacuum cleaner, and they adapt, that's progress, but I think that those who influenced The Beatles are not getting enough credit.
 
I don't have a problem if someone doesn't think they are the greatest or most influential rock band it's their opinion. I think you are way-off base in your opinion basically the Beatles have been the most ripped off and covered musicians/songwriters the last fifty years and I don't think there isn't much debate on that point.
 
Have you ever thought those underground artists you proclaim didn't get the exposure they deserve were not the songwriters of the likes of Lennon/McCartney or even George Harrison. The West Coast scene like the Grateful Dead and the Jefferson Airplane flipped over songs like "A Day in the Life", "She Said She Said" or Jerry Garcia stunned reaction to "Tomorrow Never Knows" let alone Brian Wilson reaction to "Strawberry Fields Forever".
 
 Music progresses and people create different styles and techniques. The psychedelic use as a studio instrument for example like loops, varispeeding, backward tape was already a different style than say Brian Wilson or Phil Spector.

Whether the Beatles invented psychedelic rock or raga rock doesn't take away what they did with it. Who knows who invented what but Beatles-bashers seem to think that if they can prove the Beatles didn't INVENT something, then the group doesn't deserve any credit for USING it creatively. Again get back to me when you can find evidence of the Kinks or the  Yardbirds or any rock group in 1966,, using multitrack recording to produce something like "Tomorrow Never Knows" and then using their platform as the Most Popular Band in the world to expose millions of listeners to those new sounds.
 
Honestly if you know anything about music would you call George Harrison use of classical Indian as dabbling. Nothing against Coltrane or the Kinks but it's not the same thing especially in the classical sense maybe read this book it explains it well. Lavezzoli, Peter (2010). The Dawn Of Indian Music In The West



Edited by Floydman - August 28 2010 at 22:20
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Floydman Quote  Post ReplyReply Direct Link To This Post Posted: August 28 2010 at 21:53
Originally posted by aginor aginor wrote:

Pet Sounds Pet Sounds Pet Sounds Pet Sounds Pet Sounds +++++, it is the first prog-related album and is verry inovative album, probably not the best but it is damn good, record which sadly are to overshadowed by Sg Pepper...,
 
Well, I wonder who influenced Brian Wilson to those great heights on Pet Sounds. I think it was those Beatles who released Rubber Soul and "We Can Work it Out". People can argue who did what first but let's give some credit where it deserves. Oh yeah do we forget before the Beatles got to Sgt.Pepper there was Revolver which was already influencing Brian Wilson Smile and the singles "Rain" or the song that broke Brian Wilson "Strawberry Fields Forever".


Edited by Floydman - August 28 2010 at 21:57
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Post Options Post Options   Thanks (0) Thanks(0)   Quote thellama73 Quote  Post ReplyReply Direct Link To This Post Posted: August 28 2010 at 21:56
Originally posted by Floydman Floydman wrote:

Originally posted by aginor aginor wrote:

Pet Sounds Pet Sounds Pet Sounds Pet Sounds Pet Sounds +++++, it is the first prog-related album and is verry inovative album, probably not the best but it is damn good, record which sadly are to overshadowed by Sg Pepper...,
 
Well, I wonder who influenced Brian Wilson to those great heights on Pet Sounds. I think it was those Beatles who released Rubber Soul and "We Can Work it Out". People can argue who did what first but let's give some credit where it deserves.


Fine, then you have to give credit to Brian Wilson for inspiring Sgt. Pepper. Don't be so defensive. No one here is attacking the Beatles. We all immensely admire and respect them. We're trying to have a discussion about whther the amount of hero worship they are currently given is a bit over the top.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote rogerthat Quote  Post ReplyReply Direct Link To This Post Posted: August 28 2010 at 21:56
Originally posted by Floydman Floydman wrote:

 
Honestly if you know anything about music would you call George Harrison use of classical Indian as dabbling. Nothing against Coltrane or the Kinks but it's not the same thing especially in the classical sense maybe read this book it explains it well. Lavezzoli, Peter (2010). The Dawn Of Indian Music In The West



As an Indian, I will certainly back you up on the last point.  Beatles and Shakti must be the only Western artists who I have heard who used Indian classical music beautifully in a Western idiom.  The enlightenment in Beatles's approach to using Indian music is astonishing, they really understood the 'spirit' of it and didn't just go for the superficial raga bling.   I haven't heard the aforementioned Kinks song but in general, I have rarely heard Indo-Western fusion done well.  That it might appeal to Westerner's tastes is beside the point, as an Indian brought up on 'my' music, I am entitled to believe I know better.   

I agree broadly with the rest of your post too.  The important thing is how they did it and not what.  It's lamentable that in much music discussion, people talk about the whats while discussing an artist's importance.  Just getting there first doesn't make you God but doing it magnificently might.  Wink  But I also have to say, hand-in-hand, that some Beatles fans act like the deification of Beatles hinges on their being the first to do everything and that's what other people respond to, I think.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Floydman Quote  Post ReplyReply Direct Link To This Post Posted: August 28 2010 at 22:02
Originally posted by thellama73 thellama73 wrote:

Originally posted by Floydman Floydman wrote:

Originally posted by aginor aginor wrote:

Pet Sounds Pet Sounds Pet Sounds Pet Sounds Pet Sounds +++++, it is the first prog-related album and is verry inovative album, probably not the best but it is damn good, record which sadly are to overshadowed by Sg Pepper...,
 
Well, I wonder who influenced Brian Wilson to those great heights on Pet Sounds. I think it was those Beatles who released Rubber Soul and "We Can Work it Out". People can argue who did what first but let's give some credit where it deserves.


Fine, then you have to give credit to Brian Wilson for inspiring Sgt. Pepper. Don't be so defensive. No one here is attacking the Beatles. We all immensely admire and respect them. We're trying to have a discussion about whther the amount of hero worship they are currently given is a bit over the top.
 
I don't think it's over the top because it's the musicians who are crediting the Beatles. It's not the Beatles fault that they are still hugely popular. Look when people like Fripp changes his career path over listening to a song like "A Day in the Life" or Wilson flipping over Rubber Soul means more to me than someone complaning that some underground artist is not getting their due. What does this have to with the Beatles legacy or their influence on musicians?  I never understood this line of thinking.


Edited by Floydman - August 28 2010 at 22:07
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Post Options Post Options   Thanks (0) Thanks(0)   Quote rogerthat Quote  Post ReplyReply Direct Link To This Post Posted: August 28 2010 at 22:08
Originally posted by Floydman Floydman wrote:

Look when people like Fripp changes his career path over listenting to a song like "A Day in the Life" or Wilson flipping over Rubber Soul means more to me than someone complaning that some underground artist is not getting their due. What does this have to with the Beatles legacy or their influence on musicians?  I never understood this line of thinking.


I disagree with this.  Am I expected to kneel down in worship of Hammett just because a lot of metal musicians cite him as an influence (he was more popular than many others)?  It is fortunate that Beatles' quality lives up every bit to their billing but in several cases in later rock history, this doesn't seem to be the case and some less popular artists do lack recognition.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Floydman Quote  Post ReplyReply Direct Link To This Post Posted: August 28 2010 at 22:15
Originally posted by rogerthat rogerthat wrote:

Originally posted by Floydman Floydman wrote:

Look when people like Fripp changes his career path over listenting to a song like "A Day in the Life" or Wilson flipping over Rubber Soul means more to me than someone complaning that some underground artist is not getting their due. What does this have to with the Beatles legacy or their influence on musicians?  I never understood this line of thinking.


I disagree with this.  Am I expected to kneel down in worship of Hammett just because a lot of metal musicians cite him as an influence (he was more popular than many others)?  It is fortunate that Beatles' quality lives up every bit to their billing but in several cases in later rock history, this doesn't seem to be the case and some less popular artists do lack recognition.
 
I will say this I think the Beatles popularity with both musicians and the buying public is why threads like this are started. Again it's not the Beatles fault that some underground artist didn't or is not getting the due someone thinks they deserve. Most underground artists or regular artists don't write the melodies and harmonies the Beatles did. Robert Fripp I remember commented on how amazed the Beatles pulled this off constantly. This is why their songs are covered by thousands of musicians from jazz to World Music.


Edited by Floydman - August 28 2010 at 22:17
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Post Options Post Options   Thanks (0) Thanks(0)   Quote rogerthat Quote  Post ReplyReply Direct Link To This Post Posted: August 28 2010 at 22:19
Originally posted by Floydman Floydman wrote:

I will say this I think the Beatles popularity with both musicians and the buying public is why threads like this are started. Again it's not the Beatles fault that some underground artist didn't or is not getting the due someone thinks they deserve. Most underground artists or regular artists don't write the melodies and harmonies the Beatles did is why their songs are covered by thousands of musicians from jazz to World Music.


Yes it is not their fault of course, I never said it is.  As I said earlier, in the case of Beatles, their recognition is richly deserved but I am not sure that in every case, bands popular with both the musicians and the audience necessarily 'deserve' much greater recognition than other underrated artists.  Even as a Deep Purple fan, I find Smoke on the Water underwhelming and cringe when musicians and listeners alike call it the greatest hard rock riff. Yeah, so what about Black f***ing Sabbath?  And Sabbath aren't even an unknown band at all. You see my point.  This blind and almost unthinking herd mentality in rock is at odds with the spirit of non conformism and rebellion it is supposed to extol.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Floydman Quote  Post ReplyReply Direct Link To This Post Posted: August 28 2010 at 22:31
Originally posted by rogerthat rogerthat wrote:

Originally posted by Floydman Floydman wrote:

I will say this I think the Beatles popularity with both musicians and the buying public is why threads like this are started. Again it's not the Beatles fault that some underground artist didn't or is not getting the due someone thinks they deserve. Most underground artists or regular artists don't write the melodies and harmonies the Beatles did is why their songs are covered by thousands of musicians from jazz to World Music.


Yes it is not their fault of course, I never said it is.  As I said earlier, in the case of Beatles, their recognition is richly deserved but I am not sure that in every case, bands popular with both the musicians and the audience necessarily 'deserve' much greater recognition than other underrated artists.  Even as a Deep Purple fan, I find Smoke on the Water underwhelming and cringe when musicians and listeners alike call it the greatest hard rock riff. Yeah, so what about Black f***ing Sabbath?  And Sabbath aren't even an unknown band at all. You see my point.  This blind and almost unthinking herd mentality in rock is at odds with the spirit of non conformism and rebellion it is supposed to extol.
 
I agree or understand your point. As for the Beatles IMO they were only a recording group for what 7 years yet they recorded Rubber Soul, Revolver and Sgt Pepper with singles sprinkled in like "We Can Work It Out", "Rain" and "Strawberry Fields Forever" in 18 months. Please when I read "Do the Beatles get too much credit?. I wonder the person who started the thread knows the state of modern music and how actually how underrated what the Beatles did in their 7 or 8 years of recorded music? As a musician I'm floored in what they did.
 


Edited by Floydman - August 28 2010 at 22:32
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Post Options Post Options   Thanks (0) Thanks(0)   Quote rogerthat Quote  Post ReplyReply Direct Link To This Post Posted: August 28 2010 at 22:33
Originally posted by Floydman Floydman wrote:

 
I agree or understand your point. As for the Beatles IMO they were only a recording group for what 7 years yet they recorded Rubber Soul, Revolver and Sgt Pepper with singles sprinkled in like "We Can Work It Out", "Rain" and "Strawberry Fields Forever" in 18 months. Please when I read "Do the Beatles get too much credit?. I wonder the person who started the thread knows the state of modern music and how actually how underrated what the Beatles did in their 7 or 8 years of recording? As a musician I'm floored in what they did.
 


I agree with this, what they achieved in their prime Rubber Soul - Abbey Road phase was simply incredible.  But again, Logan was talking about getting credit for "being the first", I think. If he said their albums are too overrated, I would have to disagree.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Floydman Quote  Post ReplyReply Direct Link To This Post Posted: August 28 2010 at 22:49
Originally posted by rogerthat rogerthat wrote:

Originally posted by Floydman Floydman wrote:

 
I agree or understand your point. As for the Beatles IMO they were only a recording group for what 7 years yet they recorded Rubber Soul, Revolver and Sgt Pepper with singles sprinkled in like "We Can Work It Out", "Rain" and "Strawberry Fields Forever" in 18 months. Please when I read "Do the Beatles get too much credit?. I wonder the person who started the thread knows the state of modern music and how actually how underrated what the Beatles did in their 7 or 8 years of recording? As a musician I'm floored in what they did.
 


I agree with this, what they achieved in their prime Rubber Soul - Abbey Road phase was simply incredible.  But again, Logan was talking about getting credit for "being the first", I think. If he said their albums are too overrated, I would have to disagree.
 
 

 

Who knows who did what first? I mean I have heard people call "Ticket to Ride" or the proto hippie song "The Word" and even "Norwegian Wood" especially Take 2 of "Norwegian Wood" as being psychedelic and it's before "Eight Miles High". The early Beatles sound has been called the original source of Power Pop. The Beatles were using intentional feedback, volume swells, fuzz bass, and guitar drones not to mention sitar, loops, backward vocals and guitars on record before both the Kinks and the Yardbirds. I mean I don't know how many rock guitarists were using harmonics when the Beatles recorded "Yes it Is" but George Harrison uses both volume swells and guitar harmonics to imitate a steel pedal.

 

Yet the poster doesn't mention these things does he? Were rock bands recording full blown Indian ragas "Love You To" and songs with no rock instruments with just strings and vocals "Eleanor Rigby" or sustained piano chords that go for about a minute "A Day in the Life"? Not to mention "Revolution #9" all these things expanded on what could be on a rock record.

 

Roger McGuinn thinks the Beatles invented folk rock and got his 12 string jangle sound from George Harrison. At least a year before the Byrds were recording country influence music the Beatles were already doing it on Beatles For Sale in 1964. George Harrison was the first rock guitarist to actually to record his guitar breaks backwards and play Indian instruments like the sitar or tamboura. I mean Jeff Beck wasn't playing a sitar or tamboura on Yardbird records.

 

The Beatles were using things like loops, and backward tape to construct their psychedelic sound and that style was totally different than the West Coast Psychedelic Sound. People will say the Beatles and Dylan were the first rock artists to able to write full albums without filler. It could go on and on really but in the end it comes down to songwriting and how the Beatles used the studio, instruments and use of non rock sources to mesh those songs together.

 



Edited by Floydman - August 28 2010 at 23:15
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Chris S Quote  Post ReplyReply Direct Link To This Post Posted: August 28 2010 at 23:34
Originally posted by rogerthat rogerthat wrote:

Originally posted by Floydman Floydman wrote:

 
Honestly if you know anything about music would you call George Harrison use of classical Indian as dabbling. Nothing against Coltrane or the Kinks but it's not the same thing especially in the classical sense maybe read this book it explains it well. Lavezzoli, Peter (2010). The Dawn Of Indian Music In The West



As an Indian, I will certainly back you up on the last point.  Beatles and Shakti must be the only Western artists who I have heard who used Indian classical music beautifully in a Western idiom.  The enlightenment in Beatles's approach to using Indian music is astonishing, they really understood the 'spirit' of it and didn't just go for the superficial raga bling.   I haven't heard the aforementioned Kinks song but in general, I have rarely heard Indo-Western fusion done well.  That it might appeal to Westerner's tastes is beside the point, as an Indian brought up on 'my' music, I am entitled to believe I know better.   

I agree broadly with the rest of your post too.  The important thing is how they did it and not what.  It's lamentable that in much music discussion, people talk about the whats while discussing an artist's importance.  Just getting there first doesn't make you God but doing it magnificently might.  Wink  But I also have to say, hand-in-hand, that some Beatles fans act like the deification of Beatles hinges on their being the first to do everything and that's what other people respond to, I think.
Good points, but what about Nitin Sawney or Ah Rahman ( please don't mention the awful slumdog stuff) more like the excellent Vande Mataram?
I think there have been some great artists coming out of the UK and Pakistan/India with Western feel just not as impressionable as John Maclaughlin/Shakti and the Beatles
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Post Options Post Options   Thanks (0) Thanks(0)   Quote rogerthat Quote  Post ReplyReply Direct Link To This Post Posted: August 28 2010 at 23:39
Originally posted by Chris S Chris S wrote:

Good points, but what about Nitin Sawney or Ah Rahman ( please don't mention the awful slumdog stuff) more like the excellent Vande Mataram?
I think there have been some great artists coming out of the UK and Pakistan/India with Western feel just not as impressionable as John Maclaughlin/Shakti and the Beatles


A R Rahman blows hot and cold.  I have been into his music since I was 8 (well, I am just 24 anyway Ouch)...sometimes, he comes up with sublime stuff and sometimes it's just superficial bullcrap, as harsh as this may sound.  He is too much in love with production and recording wizcraft to put together enough great songs.  His predecessor in South India Ilayaraja was miles and miles ahead of him but sadly doesn't get his due because he is not as hyped as ARR be it in India or worldwide.  Prasanna is a fabulous guitarist in India, making some great Carnatic-jazz fusion that evokes the spirit of Raja's adventures.  No idea about Nitin Sawhney.    Jeff Buckley married the spiritual essence of qawali and sufi to pop, alternative rock quite beautifully too.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Chris S Quote  Post ReplyReply Direct Link To This Post Posted: August 28 2010 at 23:53
^ yeah forgot about Jeff BuckleyThumbs Up.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Floydman Quote  Post ReplyReply Direct Link To This Post Posted: August 29 2010 at 00:26
Originally posted by thellama73 thellama73 wrote:

I think they get a bit too much credit. They were undeniably one of the most groundbreaking and influential bands ever, but people act like they did it in a vacuum, with no help from their contemporaries. Pet Sounds was almost as influential as anything the Beatles did, but the Beach Boys are commonly dismissed as a one trick surf rock pony. The Velvet Underground arguably had even more influence on the music of the late seventies and eighties, and their debut came out the same year as Sgt. Pepper, showing little debt to the Beatles.
 
Who is without influence and no one said they had no influences. I like to know did the Beatles actually say they created music without influence. It seems to me some of you are trying to find chinks in their legacy and it's not there. Unlike say Led Zeppelin, The Beatles always gave credit to their influences. Unlike the Rolling Stones who was basically copying the Beatles every move until "You Can't Always Get What You Wan't" their answer to "Hey Jude" the Beatles came in sounding like no one else before them. Even a cover say like "Twist and Shout" sound and style is nothing like you would hear from a Motown or R&B group.
 
As for the Velvet Underground I like to know where their influence has been to pop music or how people actually write and record music. I know the Velvet Underground have been influential to altlernative music but let's not forget the Beatles have been hugely influential to groups like Nirvana and basically the whole of British Altlernative Music . The Velvet Underground especially John Cale were influenced by the Beatles.
 

John Cale: "I was just starting to work with VU down in the Lower
East Side
. The Beatles' invasion was in full swing. If we were
rehearsing down there on Ludlow Street, we'd be getting stones thrown
at us on the block, because we had long hair, and they'd shout at us,
'Are you the Beatles? Are you The Beatles ?'

"They were a driving force in the Velvets, and made us work harder
and got us on our bikes. Rubber Soul was where you were forced to
deal with them as something other than a flash in the pan. It was
rich in ideas and I loved the way George managed to find a way to
include all those Indian instruments. Lou [Reed] and I had tried to
work with the sarinda. We were playing on it just to get a noise but
I soon realised if you play a melody on the sitar as good as
Norwegian Wood, it makes it easier to present the instrument.

"Norwegian Wood had this atmosphere that I just remember as being
very 'acid'. It's a night sleeping in the bath, a rueful look at how
easy it is to be had when you're running around chasing after tail,
but what you remember in a flashback is a sound, how your senses were
bombarded. I don't think anybody got that sound or that closeted
feeling as well as The Beatles did on Norwegian Wood."



Edited by Floydman - August 29 2010 at 00:38
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Post Options Post Options   Thanks (0) Thanks(0)   Quote resurrection Quote  Post ReplyReply Direct Link To This Post Posted: August 29 2010 at 01:15
Absolutely not. If there was no Beatles, there wouldn't be such a thing as a Rock group, it would still be backing group and star. And that's only for starters. They brought song-writing to the musician's repertoire, though that was a double-edged sword. It opened up the door to bands writing and performing their own music, but it also encouraged people who can't write to get away with it, ultimately diluting the quality of the content, and cutting out real song-writers - Tin Pan Alley was doomed.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Weirdamigo Quote  Post ReplyReply Direct Link To This Post Posted: August 29 2010 at 03:21
Many of you say "Yay" but I say "Nay".
The Beatles are one of the bands that starter the whole rock group thing and without them we would not have many great artists today. The influence of the Beatles still lingers in the heart of every rock band.

The Beatles, The Rolling Stones, The Who and The Yardbirds, without them we wouldn't have our beloved Progressive rock.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Blacksword Quote  Post ReplyReply Direct Link To This Post Posted: August 29 2010 at 05:14
Whatever one may think of the Beatles music, they do deserve a lot of credit for how rock music, prog and otherwise developed in the years that followed their most innovative work. What was established by The Beatles was the principle that rock music didn't have to conform to the 'rules' of rock 'n' roll, and R&B. How influential their actual songs were to songwriters, in terms of melodies, lyrical concepts, etc, I can't really say.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote VanVanVan Quote  Post ReplyReply Direct Link To This Post Posted: August 29 2010 at 09:34
Absolutely not. They deserve every bit of credit they get and then some. 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: August 29 2010 at 13:04
The Beatles were hugely important and influential to pop-rock, that is a no-brainer for me (as I think I made clear). How hugely inventive and originative  the Fab Four themselves were is, I think, open to debate.  Because they had access to as much free studio time as they wanted due to their huge success, they had the chance to spend plenty of time and experiment a lot in the studio.  I think Emerick deserves considerable credit for both bringing their ideas to fruition, and also suggesting other ideas.  He minimizes George Martin's importance in the creative department in the latter part of The Beatles career, but I don't think one can deny Martin's importance to the Beatles's success (and that many innovative ideas ideas came from him).  I certainly give credit to the Beatles' band members for seeking to experiment and try new things.  They put a lot of time into trying new things in the studio, and even incorporated chance "mistakes". Thy sought to try new things, and did, and adapted techniques already in use (for instead tape loops) which were being used in Musique Concrete.  I think they had a very good team to work with, but the Beatles themselves deserve a lot of the credit since the studio technicians/ producers, were being pushed to try new things by them, and the Beatles were creative with ideas "Let's try this, and this, and this".  That could be pretty frustrating and time consuming for the technicians/ producer.

As for those other bands that were noted that drew heavily on the Beatles, I've never thought of them as being real innovators (i was thinking more in terms of underground, experimental, musique concrete and academic music).  Those guys lifted ideas left, right, and centre.

I went to a music show  last week, and the presenter went on-and-on about the greatness of he Beatles.  I do consider the Beatles to be pioneering in pop-rock, and to have had an enormous impact on music, but it struck me overly effusive praise.  There was no mention of the likes of Stockhausen, Xenakis, Cage, Nono, Schnittke, Berio or Ligeti as other great modern composers/ innovators (it was not a pop-rock concert, but a general music one).  Now, I would hardly say that, say, Xenakis, had nearly the effect on music than, say, John Lennon did (not nearly as influential), and of course I'm talking apples and oranges now. ;) I wonder ifm, say, Stockausen, Ligeti, Xenakis, and Cage had joined forces into their own Fab Four, if they could have had the same impact as a group.  Very unlikely.


Edited by Logan - August 29 2010 at 13:12
Two tracks per many of my fave acts: A Youtube Playlist
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