I had a dream once where I was on stage with Yes playing keyboards with Jon Anderson. In the dream he told me to "move over." When I met Jon in person I told him about that dream and we re-enacted it with both of us playing air keyboards and him saying "yeah, move over." Priceless. 

May all of your dreams be good ones! 

In fact, there is never music of any kind in my dreams.

One time I dreamed I found a pack of Belmont cigarettes on the sidewalk; I woke up and walked down the street...and found a pack of Belmont cigarettes. That was by far the most progressive dream I've ever had.

Never thought of it that way. mostly (I imagine!) because I do not think of music as "progressive" or "this or that" at all.

My dreams bring out a lot of what I write, be they poetry or short stories, and Iwork with them a lot, and pay special attention to the non-rem (whatever they are called, right?) stuff, since the first level is a mish-mash of daily stuff.

However, in many of those I have been with Daevid Allen and on his workshops and I did not play a guitar, but was able to communicate and talk and create words for the music that was being created at the time. For me, that is a far out thing, since being "tuned" means that one can feel what/where things might be, and how to interpret them.

A couple of other entertaining moments, have been a very long discussion with Edgar Froese about art, and how he saw it (he kinda didn't in a way! He thought most of it was just a moment in time, not art). A few others will remain private as this is all part of a book I am putting together of things that (FOR ME) explained some levels in music that have no definition. 

Another great example, and hopefully you can go through it one day, is Peter Brook's "The Tightrope", and I have seen many a rehearsal and concert by King Crimson, in exactly the same way, and it is the main reason why I mention a lot of times, what might be the process of how King Crimson comes alive and creates music. On his own, by himself with his electronics, RF is a completely different person, and he merely allows the sound to take him anywhere it goes, and to me, that is far more interesting, because as individuals we can go further than we can as a group ... it is much more difficult to "come together" than it is to come apart.

None of this is "progressive" for me ... as I consider this all a part of our life, be it called "inner" or "outer"m since, in the end, it is exactly the same person, and we really do not have any criteria to define one as true and the other false, or vice versa.

That was the only time I dreamed in prog, as far as I can remember.

Actually very quiet and do not say much ... in the 3 hour acting exercise, I did not say a single word in 3 hours, and even the professor wondered why the quietness ... and I said ... do not the expressions, movement and actor details count on the stage?

It tells you that we're too tied to words, and not the rest ... I took lessons from a blind person, and a mute person ... and to me, they still are, today, some 35 years later, the very best teachers of acting, theater and music I have ever seen or had the pleasure of spending time with. 

We have nothing to gain from Rachel Flowers, do we? 

Oddly enough I had a dream about Starcastle last night.

Freud would have a field day with that.

Phil Collins dreams in prog but his conscious self represses it.....I bet his wife has stopped sleeping next to him 'cause he breaks out in spastic spurts of Lamb air drum fills in the middle of the night.  His wife has to play Sussudio at double speed just to snap him back in to Disney reality.  

Eric Clapton dreams of Robert Johnson hounding him from the grave for selling his soul to Phil Collins in the 80s......man, must be a lot of cats with Phil Collins on their trail nightmares.