RELICS 1973-1975

Legendary US Prog group from Fort Wayne, Indiana, established sometime towards the end of the 60's by lead singer/guitarist Wils Sharpe, keyboardist Michael Ponczek, drummer Mark Richards and bassist Dan Owen.Originally named Atlantis, they soon moved from a 60's-influenced sound to a more Art Rock approach with influences from Classical Music and Jazz.After finding out of the German band of the same name, they became Ethos (around 1972-73), it was the same time Owen left the band and was replaced by Steve Marra.They secured a contract with Capitol and played every year around 100 college concerts, building a cult following.Demo and live recordings from the 1973-75 period were released on CD under the title ''Relics'' in 2000 on Black Moon.

These archival pieces show a group with huge potential, playing a complex Progressive Rock along the lines of YES, maybe a tad more guitar-driven at moments, and containing some E.L.P./KING CRIMSON sensibilities in the more mellow passages, where vocals and Mellotron prevail.The album features a couple of tracks later to be found in the proper Ethos releases, ''Intrepid traveler'' and ''Pimp city''.Basically all studio tracks are home-based productions, having though a good recording quality, two of them come with former member Dan Owen on bass.The style of the group was somewhat split between British Prog Rock and US Prog/Psych with some great keyboard work, complicated guitar hooks, poetic vocals and uplifting bass, sometimes having a rural essence due to the use of acoustic guitar and mandolin and never forgetting about adding a touch of pomposity.Lots of organ, harsichord, Mellotron and layered synthesizer, some rough guitar edges and laid-back interruptions offer compositions of decent quality and even some trully masterful moments with intense interplays and dramatic vocals.''Identity'' and the hidden track ''Dream'' come from a 74' live recording at the Electric Flag concert and this is YES in disguise, nice Mellotron and tricky keyboards in mostly instrumental deliveries, supported by slightly jazzy and always adventurous guitar parts.''Perceptions'' and ''Pimp city'' (the cuts with Dan Owen on bass) are basement productions with a mediocre sound quality, but when the music is so good, who cares about the slightly bearable sound.These sound a lot like a combination between YES and KING CRIMSON, dominant Mellotron and flute (or is it flute strings?) and some very impressive guitar plays.

Really cool document of Ethos' early years.Heavily influenced by YES and KING CRIMSON, the Americans played a complicated Prog Rock with trully efficient keyboard/guitar fests and a touch of Psych and Folk.The best had yet to come.Recommended.