REMEDY LANE

Daniel Gildenlow is the backbone behind this sprawling saga of a woman who decided she could not take it any more and therefore indulged in the final solution, a walk down 'remedy lane'.

The musicianship is excellent throughout from D Gildenlow (Guitars,Vocals), Fredrik Hermansson (Keyboards), Johan Langell (Drums, Vocals), Johan Hallgren (Guitar, Vocals) and K Gildenlow (Bass, Vocals).

There are three chapters that unfold the captivating and distressing emotional story.

Chapter 1 is comprised of 'Ending Theme', 'Fandango', 'A Trace of Blood', and 'This Heart of Mine (I Pledge)'. This chapter begins with melancholy symphonic styles and then launches into full blown prog metal with the awesome 'Fandango'. This track is my favourite on the album and features some of the most complex out of synch drumming you will hear. It is stunning how the drums are off kilter at times adding to the sense of madness and alienation. The fractured rhythms and metrical patterns are unburdened by lilting, shimmering keyboards and arresting low pitched guitars. The riffing is hypnotic as are the vocals of Gildenlow, that are as bizarre as the lyrics. The other tracks are very solemn, somber ballads that are at times beautifull but cast a shadow of darkness to come.

Chapter 2 comprises 'Undertow', 'Rope Ends', 'Chain Sling', and 'Dryad of the Woods'. This is the most haunting chapter beginning with the powerfully executed 'Undertow'. 'Rope Ends' is the most memorable track for me as it features the chilling lyrics about how the lady hung herself with her husband's Winnie the Pooh and Eeyore silk tie. The illustrations in the booklet are unforgettable. The chorus is melodic and very sad echoing the pain of the traumatic female's mind. 'Chain Sling' is a very off kilter track with strange harmonies, and 'Dryad of the Woods' is a wonderful instrumental that slows things down acoustically somewhat to prepare us for chapter 3.

Chapter 3 consists of 'Remedy Lane', 'Waking Every God', 'Second Love', and 'Beyond The Pale'. The first track is a veritable summary of all the events thus far. The pace is slowed down with symphonic ambience with 'Waking Every God' and 'Second Love'. One of the best POS tracks is 'Beyond the Pale' that is also the longest on 'Remedy Lane' at almost 10 minutes. This track features heavy metal guitar riffing and time signature changes throughout. It begins with a repetitive estranged pitchy guitar sweep. All is masterfully executed with glorious lead guitar breaks and the awesome vocals of Gildenlow. It finishes the album on a high note amidst all the darkness, like death coming to life.

So my first taste of Pain of Salvation has been a pleasurable one, hopefully many more to come. I liked how they structure their music and the songs are not as heavy as other metal prog bands I have heard. They have a quiet patient ambience blended with sharp blasts of metal distortion. The tracks are easy to listen to though the concept was a bit dark and heavy handed for me. I have never been a fan of suicide depression themes as they are obviously downbeat and morbid. However, for pure innovation, this album is certainly worthy of any proggers collection.

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