THE STORY OF SIMON SIMOPATH

Long before it started to smell like teen spirit, another blissful band coalesced in the fertile London underground in 1966 just in time to join the nascent psychedelic scene that was quickly sweeping away the old and ushering in a new era of rock and roll world domination. Formed by the songwriting team of Irish guitarist and vocalist Patrick Campbell-Lyons and the Greek born keyboardist / guitarist Alex Spyropoulos, the duo was fairly forward thinking in its musical approach that mixed aspects of 60s rock, Baroque chamber pop, folk, jazz, Latin music, classical and is now considered one of those proto-prog albums for releasing what is considered by some to be the first narrative concept album in the form of its 1967 debut THE STORY OF SIMON SIMOPATH beating The Pretty Things, The Who as well as The Moody Blues (Days of Future Passed came out a month after this one).

This album was indeed ahead of its time conceptually although very much steeped in the sounds of its era. Described as "A Science Fiction Pantomine" it narrates the fantasies of a boy named Simon Simopath who dreams of having wings abut ultimately grows up to work in one of those sterile office cubicles which leads to a nervous breakdown. But luckily after ending up in a mental institution he fantasizes about entering a rocket and befriends a centaur and a miniature goddess named Magdalena whom Simon falls for and marries! Now if this isn't the subject matter of a really good LSD trip then i really don't know what is! Far from the Seattle grunge band that adopted the NIRVANA moniker (and was sued by this band and settled out of court), THE STORY OF SIMON SIMOPATH is one of the earliest examples of childish twee pop and almost comes off as a musical fairytale meant to be played for children at bedtime.

Although NIRVANA was a mere duo, guest musicians included Sylvia Schuster (cello), Michael Coe (French horn), Brian Henderson (bass) and David Preston (drums). The music falls somewhere between simple 60s sunshine pop and a fully orchestrated classical crossover behemoth but the emphasis is on the cute and cuddly endearing storyline and the overall pop hooks leaving the orchestrations are a mere backing that only accent the overall performances. Nevertheless the Baroque chamber rock arrangements were quite unique when they emerged and have although the band itself attained only marginal success and the music they created evokes only a lukewarm response, it is fairly agreed upon that this NIRVANA was very influential for many bands to come including the earliest examples of progressive rock by The Moody Blues, Deep Purple and The Pretty Things.

While broken down into two acts with 10 tracks, the entire album only slightly exceeds 25 minutes of playing time making it one of the shortest concept albums for sure. This NIRVANA is probably more famous for having the same name as the successful 90s grunge band fronted by Kurt Cobain than for its own music mostly because it's a bit too hokey for its own good. While the spirit is heading in the right direction, the gleeful innocence of it all really does make it feel like a kid's album of some sort that could easily be played next to classics from Sesame Street or Peter The Wolf. Overall NIRVANA's debut is a fun little curiosity that warrants a listen just to place a sound to a name most are familiar with as the FIRST Nirvana but as an album that stands on its own it falls short of a totally captivating experience in any way. It sort of reminds me of "Sgt Pepper's Lonely Heart's Club Band" at times except not even close to as ingeniously constructed. One that serves as a footnote in history and worthy of a spin or two but not something i would return to often.