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The Soft Machine - BBC Radio 1971 - 1974 CD (album) cover

BBC RADIO 1971 - 1974

The Soft Machine

 

Canterbury Scene

4.08 | 37 ratings

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Sean Trane
Special Collaborator
Prog Folk
4 stars Aside from the first disc of BBC radio sessions (with Wyatt still in the line-ups), much of the BBC sessions that the Machine played are present on this double disc and the four live radio sessions are spawned over four different line-ups and five studio albums released in the meantime. The first three tracks of the first disc are taken from previous 5 album with Phil Howard on drums and you can feel the man's free jazz tendencies, but they are not obtrusive and the tracks played have much more energy than the cold studio versions of 4 and 5, rendering a whole new light on them. The next track is a medley of four tracks from the 6 album, sporting Marshall and Hopper, but also Karl Jenkins (ex-Nucleus like Marshall), this sticking much more with the spirit of the then-current (and half-live I must say) album. The next two tracks are from a year later (and the 7 album) with another ex-Nucleus (Babbington) having replaced Hopper and again show them in particular fine form giving their instrument a full fitness workout!

The second disc starts with two tracks of the same session than on that finishing off the first disc but shows them in a vastly different mood. The short but impressive Babbington bass-droned track leads into a frenzied 6-sounding with Jenkins even blowing shortly into a flute. The rest of the disc is the same musos but augmented by guitarist Allan Holdsworth (yet another Nucleus refugee - this making Ratledge the only non-Nucleus alumni in the Machine at that time) that will make the Bundles album. The first 3 min track is a weird abstract music (noise?) that sorts of ruin the general ambiance, but the following two tracks more than makes up for it especially the multi-movement suite Hazard Profile.

The ting about this double BBC sessions record that makes it very worthwhile is the fact that the tracks from the 4 and 5 albums are so much warmer and livelier. It also has the benefit of shedding a little light on the oft-shunned (forgotten) 7 album.

Like all posthumous Soft machine release , this album is really of interest to confirmed Machinists , but if you are reading this review , you are probably very concerned , right?

Sean Trane | 4/5 |

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